Books, Catalogues, Publications

2017
Bovier, Lionel, and David Lemaire. MAMCO Genève : 1994-2016. Genève: MAMCA, 2017. Print, pp. 161
Douglas Huebler: Works from the 1960s, exhibition catalogue, Paula Cooper Gallery, New York, NY
2016
Berger, Christian. Douglas Huebler and the Photographic Document. Visual Resources, Published online: November 6, 2016; http://dx.doi.org/10.1080/01973762.2016.1229318
2015
Trodd, Tamara. The Art of Mechanical Reproduction: Technology and Aesthetics from Duchamp to the Digital. University of Chicago Press, 2015, pp. 142, 167, 173, 175.
In the Frame: Conceptual art goes from copy shop to Paula Cooper, The Art Newspaper, September 16, 2015; http://theartnewspaper.com/news/in-the-frame/159063/.
The Xerox Book, Review, The New Yorker, October 12, 2015, p. 22.
Morgan, Tiernan. 7 Artists, 25 Pages Each, 1 Half-Century Later: Revisiting the Xerox Book, Hyperallergic, October 22, 2015; http://hyperallergic.com/240038/7-artists-25-pages-each-1-half-century-later-revisiting-the-xerox-book/.
2014
Nickas, Bob. “Trompe L’oiel,” Vice Magazine, The Photo Issue, 2014. p. 20. Illus.
2013
Smith, Roberta. “Répétition II,” The New York Times, March 15, 2013, pg. C18
Winant, Carmen. “Materializing ‘Six Years’, Brooklyn Museum, New York” Frieze, March 2013, pg. 150
Kotz, Liz. “Seth Siegelaub: 1941-2013,” ArtForum, December 2013. P. 48. Illus.
DITS:Publication du Musee des Arts Contemporains au Grand-Hornu, 2013, p.93. Illus.
Bonjour Monsieur Matisse! Rencontre(s), Nice: MMAC, 2013. p. 98.
Confessions* of a male chauvinist pig: Rethinking Winogrand’s Women, exhibition material, California: UCR ARTSblock, August 10-October 26, 2013. p. 108.
Crump, James. James Welling: Monograph, Cincinatti Art Museum, February 2-May 5, 2013. p. 54. Illus.
2012
Butler, Cornelia, et al. From Conceptualism to Feminism: Lucy Lippard’s Numbers Show
1969-74, London: Afterall Books, 2012, pp. 26, 36, 40-41, 48, 73, 99, 125, 145, 170, 260, 269; illus.
Morris, Catherine, and Vincent Bonin. Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art. Cambridge, Massachusetts & London, England: The MIT Press & Brooklyn Museum, 2012. Print. pp. 187
Ends of the Earth: Land Art to 1974, exhibition catalogue, Museum of Contemporary Art, Los Angeles, 2012, pg. 206-7; illus.
Kennedy, Garry Neill. The Last Art College: Nova Scotia College of Art and Design, Cambridge, MA: MIT Press, 2012, pp. 214-15
Maria Lind, ed., Performing the Curatorial: Within and Beyond Art, Berlin: Sternberg Press, 2012, pg. 140; illus.
Heiferman, Marvin. “Think and Shoot,” Art in America, March 2012, pp. 132-139; illus.
Johnson, Ken. “Review: Douglas Huebler: Crocodile Tears,” The New York Times, April 13, 2012, C25; illus.
Notations: The Cage Effect Today, exhibition catalogue, Hunter College/Times Square Gallery, New York, NY, 2012
Waxman, Lori. “ʼLight Yearsʼ: What Happens When You Take A Picture of Nothing?,” Chicago Tribune, January 18, 2012
Woodward, Richard B. “Snapshot of a Movement,” The Wall Street Journal, January 17, 2012
Behold, America! Art of the United States from Three San Diego Museums. Seattle: Museum of Contemporary Art San Diego/The San Diego Museum of Art/Timken Museum of Art, 2012. pp. 267 & 373; illus.
Traffic: Conteptual Art in Canada 1965-1980, exhibition catalogue, Vancouver: Vancouver Art Gallery, 2012. Illus.
2011
Witkovsky, Matthew, ed.,Light Years: Conceptual Art and Photograph, 1964-1977, exh. cat., Art Institute of Chicago and Yale University Press;illus. p. 60, 62, 74-77, 91, 93.
Under the Big Black Sun. California Art 1974-1981, co-ed. by Lisa Gabrielle Mark and Paul Schimmel, illus. pg. 185
Modern Art, 1870-2000, Taschen 2011, pp. 551-562, illus. p. 560.
“Douglas Huebler. Dessins choisis 1968-1973 (et autres dessins), Belgium, 2011.
“everyone alive. Douglas Huebler’s Reason and Pleasure.” Art Papers, July-August 2011, pp. 26-33
Foster, Hal, Rosalind Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh, and David Joselit. Art Since 1900: Modernism, Antimodernism, Postmodernism, 2nd ed. London: Thames & Hudson, 2011, pp. 557, 565, 571, 576, 599, 630, 635-6, 638, 724; illus.
2010
Kotz, Liz.Words To Be Looked At: Language In 1960s Art, MIT Press, 2010
2007
Hugues, Gordon. Game Face: Douglas Huebler and the Voiding of Photographic Portraiture,” Art Journal, Winter 2007, pp. 53-69.
2006
Miller, John. “Double or Nothing,” ArtForum, April 2006, p. 222.
2002
Godfrey, Mark. Douglas Huebler, London, Camden Arts Center.
1997 “
Origine et Destination / Origin and Destination: Alighiero Boetti, Douglas Huebler,” cat. Palais des Beaux Art, Bruxelles, 1997.
1993
Paul, Frédéric. “D.H. est toujours un véritable artiste / D.H. is Still a Real Artist”, cat. “Douglas Hueber”, F.R.A.C. Limousin, Limoges (bilingual edition)
Lageira, Jacinto. “Le retour d’un conceptual”, Beaux Arts Magazine, Janvier
Paul, Frédéric. “D.H., une retrospective en abrege”, Art Presence, Janvier, Février
Huebler, D., Paul, F. “Interview”, cat. F.R.A.C. Limousin
Morgan, Robert C. “Huebler’s Phenomenology”, cat. F.R.A.C. Limousin
Denizot, Rene. “Jeu…/Play…”, cat. F.R.A.C. Limousin
Piguet, Philippe. “Des mots, des photos, des oiseaux”, La Croix, 24-25 Janvier
Compte-rendu, L’oeil, Janvier, Février
Ollier, Brigitte. “Douglas Huebler, fakir à malices”, Liberation, 25 Janvier
Guerrin, Michel. “Les expériences folles de Douglas Huebler”, Le Monde, 2 Février
Arnaudet, Didier. “Douglas Huebler”, Art Press n˚ 177, Février
François, Alain-Henri. “Conceptuel, Voir n˚ 95, Février
Guehenneux, Lise. “Un saboteur”, Revolution n˚ 679, 5, 11 Mars
1992
Colpitt, Francis. Cat. “Knowledge: Aspects of Conceptual Art”, Santa Barbara University Art Museum, California
1991
Vogel, Sabine P. “Douglas Huebler: Eine Strategie für Einfache Phänomene”,
Artis, November
Morgan, Robert C. “Word, Document, Installation”, Arts, May
1990
Miller, John. “Douglas Huebler: Holly Solomon Gallery”, Artforum
Wilson Lloyd, Anne. “Douglas Huebler / Interview”, Contemporanea - September
Pages, David. (Review), Flash Art, Summer
Reisman, David. “Douglas Huebler: Leo Castelli”, Artscribe, Summer
Schlatter, Christian. “Art conceptual formes conceptuelles”, éd. Galerie 1900-2000, Paris
Heartney, Eleanor. “Douglas Huebler: Leo Castelli”, Art in America, July
1989
Gintz, Claude. “L’art conceptual, une perspective”, éd. A.R.C. Musée d’Art Moderne de la Ville de Paris
Morgan, Rocert C. “The situation of Conceptual Art”, Arts, February
“L’Art des années 60 et 70, La collection Panza”, éd. Musée d’Art Contemporain de Lyon & Musée d’Art Moderne de St-Etienne
1988
Gardner Colin. “The World According to Douglas Huebler”, Artforum, November
Onorato, Ronald J. “Douglas Huebler” , cat. La Jolla Museum of Contemporay Art, California
1987
Grundenberg Andy & McCarthy Gauss Kathleen. “Conceptual Art and the Photography of Ideas, Photography and Art, Interactions Since 1946”, Abbeville Press, New York
Gardner, Colin. “Greeking”, LAICA Journal, Fall
Fox, Howard N. “Avant-garde in the Eighties”, Los Angeles County Museum of Art
1986
Gardner, Colin. “Reviews: Douglas Huebler”, Artforum, March
Huebler, Douglas. “Crocodile Tears”, The Museum of Contemporary Art, Los Angeles
1985
Huebler, Douglas. “Crocodile Tears”, Albright Knox Art Gallery & CEPA Gallery, Buffalo, New York
1984
Felshin, Nina. “Verbally Charged Images”, Independent Curators Inc., New York
Fox Howard N. “Content, A Contemporary Focus 1974-1984” (with essays by Fox, McClintic Miranda and Rosenzweig Phyllis), Hirschhorn Museum and Sculpture Garden, Washington, D.C.
James, D.E. “Art Wit”, Artweek, July 30
Hugunin, James. “Douglas Huebler; The Map and the Territory,” Los Angeles Center for Photographic Studies
1983
Fitzsimons, Connie. “Comment”, Long Beach Museum of Art, California
1982
Stimson Paul. “Fictive escapades: Douglas Huebler”, Art in America, February
Huebler Douglas. “Sabotage or Trophy? Advance or Retreat?”, Artforum, May
Castelli and his artists / 25 years”, Aspen Center for the Visual Arts, Aspen, Colorado
1981
Morgan, Robert C. “Conceptual Art and Photographic Installations: The Recent Outlook”, Afterimage, December
1980
Celant, Germano. “Das Bild einer Geschichte 1956/1976, Die Sammlung Panza di Biumo”, Electa, Milan
King, Elain A. “Douglas Huebler 10+”, cat. Dittmar Memorial Art Gallery, Northwestern University, Evanston, Illinois
1979
Denizot, Rene. “Play…” (& other reprinted texts by J. Burnham, L. R. Lippard, A.
Kingsley, J. Gilbert-Rolfe), cat. Stedelijk Van Abbemuseum, Eindhoven, Holland
Horowits, Roger. “Douglas Huebler, The Trasparent Wall”, cat. Los Angeles County Museum of Art, California
Huebler, Douglas. “Conceptual Comments”, LAICA Journal, July, August
Morgan, Robert C. “Conceptual Art and Continuing Quest for a New Social Context”, Journal, June, July
1978
“A selection of Conceptual Works by Eight American Artist
1977
“Time”, Philadelphia College of Art
“Bulletin”, Georgia Museum of Art, The University of Georgia, Athens
Auping, Michael. Talking with Douglas Huebler”, LAICA Journal, July, August
Schimmel, Paul. “American Narrative/Story Art: 1967-1977”, Contemporary Arts Museum, Houston
1975
Huebler, Douglas.”Selected Drawing 1968, 1973”, Galleria Sperone, Turin
Bail, Murray. “Huebler, Contemporary Portraits”, University of Queensland Press, St. Lucia, Queensland, Australia
Goldin, Amy. “The post-perceptual portrait”, Art in America, January
1974
Huebler, Douglas. “Two Recent Works”, Studio International, December
Burnham, Jack. “Huebler’s Pinwheel and Letter Tau”,Arts Magazine, October
Gilbert-Rolfe, Jeremy. “Douglas Hueber’s Recent Work”, Artforum, February
Kaprow, Allan. “Education of the Un-Artist III”, Art in America, January
De Vries, Ger. “On Art: Artist’s Writings on a Changed Notion of Art after 1965”, Koln
1973
Rosenberg, Harold. “Myths and Rituals of the Avant-Garde”, Art International, September; Reprinted from The New Yorker, February 24, 1973
Morris, Lynda. (Review), Studio International, April
Lippard, Lucy R. “Six years: The Dematerialization of the Art Object from 1966 to 1972”, Praeger Publishers, New York
Huebler, Douglas. “Variable Piece 4, Secrets”, Printed Matter Inc., New York
Honnef, Klaus. “Douglas Huebler”, Art and Artist, January
1972
Meyer, Ursula. “Conceptual Art”, E.P. Dutton, Inc., New York
Lippard, Lucy R. “Douglas Huebler”, Art news, December
Antin, David. “Talking at Pomona”, Artforum, September
Cook, Christopher C., “Douglas Huebler”, cat. Museum of Fine Arts Boston Honnef, Klaus. “Concept Art”, Koln
Huebler, Douglas & Hopkins, Budd. “Concept vs. Art Object, A conversation between Douglas and Budd Hopkins”, Arts Magazine, April
Kingsley, April. “Douglas Huebler”, Artforum, May
Kingsley, April. “Letter”, Arts Magazine, May
1971
Domingo, Willis. “In the Galleries”, Arts, September, October 1971
Burnham, Jack. “ The Structure of Art”, Braziller, New York
Antin, David & Guenther, Virginia, “Earth Air Fire Water: Elements of Art “, Museum of Fine Arts Boston
1970
Antin, David. “Lead Kindly Blight: Ecological Year for Artists,” Art News, November 1970
Vinklers, Bitite. “Art and Information: ‘Software’, at the Jewish Museum,” Arts Magazine, September 1970
McShine, Kynaston. “Information,” Museum of Modern Art, New York
Lippard, Lucy R. “48-Pages Exhibition?” Studio International, July 1970
Lippard, Lucy R. “Groups,” Studio International, March 1970
“Douglas Huebler,” Addison Gallery of American Art, Andover, Massachusetts
Burnham, Jack. “Software,” The Jewish Museum, New York
Burnham, Jack. “Alice’s Head: Reflexions on Conceptual Art.” Artforum, February 1970
Karshan, Donald. “Conceptual Art and Conceptual Aspects,” New York Cultural Center
1969
Rose, Arthur R. “Four Interviews with Barry, Huebler, Kosuth, Weiner,” Arts Magazine, February 1969
Kosuth, Joseph. “Art After Philosophy, Part III,” Studio International, December 1969
Kosuth, Joseph. “Art After Philosophy, Part II,” Studio International, November 1969
Kosuth, Joseph. “Art After Philosophy, Part I,” Studio International, October 1969
Celant, Germano. “Arte Povera,” Praeger Publishers, New York
Burnham, Jack. “Real Time Systems,”Artforum, September 1969
Shirey, David L. “Impossible Art, What it is,” Art in America, May, June 1969
“When Attitudes Become Form,” Kunsthalle Bern
“Prospect,” Kunsthalle Düsseldorf
“Carl Andre, Robert Barry, Daniel Buren, Jan Dibbets, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Richard Long, N.E. Thing Co. Ltd., Robert Smithson, Lawrence Weiner,” Seth Siegelaub, New York
“Artists and Photographs,” Multiples Inc., New York
1968
“Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, Lawrence Weiner, The Xerox Book,” Siegelaub/Wendler, New York
Huebler, Douglas. “November 68,” Seth Siegelaub, New York (exhibition catalogue)
1966
McShine, Kynaston. “Primary Structures,” The Jewish Museum, New York

Updated: November 9, 2017