Selected Books & Catalogues

Schwarz, Dieter. Sol LeWitt: Folds and Rips, Verlag der Buchhandlung Walther Konig, 2020.
Green, Vivien and Nancy Spector. Guggenheim Museum Collection, A to Z, New York: The Guggenheim Museum, 2019.

Biesenbach, Klaus, and Bettina Funcke. MoMA PS1: A History, The Museum of Modern Art, New York, 2019.

Cooper, Jeremy. The World Exists To Be Put On A Postcard: Artists’ postcards from 1960 to now, The British Museum, Thames and Hudson 2019. Print. pp. 53-54, 74.
Minimalism: Space. Light. Object., exhibition catalogue, National Gallery of Singapore, 2018. Print.
A Material Legacy: The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art, ed. Marshall N. Price, PHD, exhibition catalogue, Nasher Museum of Art at Duke University. 2016: pp.50-51; illus.
Alberto Burri: The Trauma of Painting, exhibition catalogue, New York, NY: Solomon R. Guggenheim Foundation, 2015, pp. 79; illus.
Collected by Thea Westrich Wagner and Ethan Wagner, New York, NY: Whitney Museum of Art, 2015, pp. 100-101; illus.
Where Sculpture & Dance Meet: Minimalism 1961 – 1979, exhibition catalogue, New York: Loretta Howard Gallery, 2015, pp. cover, 11; illus.
Artists and Architecture, Variable Dimensions, exhibition catalogue, Paris, France: Éditions du Pavillion de l’Arsenal, 2015, pp. 154-155; illus.
The Altering Eye: Photographs form the National Gallery of Art, Washington, D.C.: National Gallery of Art, 2015, pp. 246; illus.
Cox, C., Jaskey, J., & Malik, S. Realism Materialism Art, New York: Bard College, Sternberg Press, 2015, pp. 201; illus.
Schwarz Auf Weiss, exhibition Catalogue. Museum fur Konkrete Kunst. Sammlung Maximilian und Agathe Weishaupt. Deutschland, 2015. pp. 72-73; illus.
Noreika, Sarah. Philadelphia Museum of Art: Handbook, Philadelphia, PA: Philadelphia Museum of Art, 2014, pp. 390-391; illus.
Morris, Frances. Agnes Martin, London: Tate Publishing, 2015, pp. 28, 100, 104, 105, 196-203, 239; illus.
Miller, Dana, and Adam D. Weinberg. Whitney Museum of American Art: Handbook of the Collection, New York: Whitney Museum of American Art, 2015, pp. 229; illus.
Lelong, Guy. “Les Appareillages Mixtes Ou La Double Récusation Du Réductionnisme,” Les Cashiers du Musee National d’art Moderne, Paris, 2015. pp. 6-11; illus.
Hart, Katherine. Collecting and Sharing: Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2015, pp. 93,132, 150; illus.
Finessi, Beppe. Geografie - Representations of the World between Art and Design, Mantua, Italy: Corraini Edizioni, 2015. pp. 128; illus.
Magnificent Obsessions: The Artist as Collector, exhibition catalogue, London: Barbican Art Centre and Prestel, 2015, pp. 137-155.
The Imagines, ed. Ines Lechleitner, Berlin: Sternberg Press, 2014, pp. 15, 19; illus.
Converging Lines, Hartford, CT: Yale University Press, 2014.
Graham, Dan. Nuggets, Zurich: JRP Ringier, 2013, pp. 39-44, 123-124.
Drawing Line and Form, Tacoma: Tacoma Art Museum, 2013, pp. 30.
Yes, No, Maybe: Artists Working at Crown Point Press (exhibition catalogue). Text by Judith Brodi and Adam Greenhalgh. Washington, D.C.: National Gallery of Art, 2013
Uidhir, Christy Mag. Art and Art Attempts. Oxford: Oxford University Press, 2013; p. 64, illus.
Rosoff, Patricia. Innocent Eye. North Adams, MA: Tupelo Press, 2013; illus.
The Contemporary Art Masters. Japan: Bijutsu Shuppan-Sha, 2013; pp. 150-151, illus.
Celant, Germano, Thomas Demand, Rem Koolhaas and Harald Szeemann. When Attitudes Become Form: Bern 1969/Venice 2013 (exhibition catalogue). Milan: Ca’Corner della Regina and Fondazione Prade, 2013; ppg. 161-162, illus.
Collecting Ideas: Modern and Contemporary Works from the Polly and Mark Addison Collection. Denver: Denver Art Museum, 2013; pp. 72-73, illus.
Zask, Joelle. Outdoor Art: La Sculpture et Ses Lieux. Paris: Éditions La Découverte, 2013; p. 208
Through the Eyes of Texas: Masterworks from Alumni Collections. Austin, Texas: Blanton Museum of Art, 2013. p. 119; illus.
Sol LeWitt: The Well-Tempered Grid (exhibition catalogue). Texts by Charles W. Haxthausen, Christianna Bonin and Erica DiBenedetto. Williamstown, MA: The Williams College Museum, 2012
Sol LeWitt (exhibition catalogue). Edited by Béatrice Gross. Metz, France: Editions du Centre Pompidou-Metz, 2012
Powell, Amy Knight. Depositions: Scenes from the Late Medieval Church and the Modern Museum. New York: Zone Books, 2012; illus.
Hollein, Max and Martin Engler, eds. Gegenwarts-Kunst 1945 – Heute im Städel Museum. Ostfildern: Hatje Cantz Verlag, 2012; pp. 198-199, illus.
Groos, Ulrike and Simone Schimpf. Tracing the Grid: The Grid in Art after 1945 (exhibition catagloue). Köln: Weinand Verlag, 2012; illus.
Garten. Munich: Galerie Thomas, 2012; pp. 40-43, illus
Extreme Abstraction: Revisited. Buffalo, NY: The Buffalo Fine Arts Academy, 2012; illus.
Morris, Catherine, and Vincent Bonin. Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art. Cambridge, Massachusetts & London, England: The MIT Press & Brooklyn Museum, 2012. Print. pp.79152-153, 178-179
Against the Grain: Wood in Contemporary Art, Craft and Design. New York: Museum of Arts and Design, 2012. illus; pp. 157
Young, James E. The Posen Library of Jewish Culture and Civilization. Lucerne: The Posen Foundation, 2012. pp. 592; illus.
Behold, America! Art of the United States from Three San Diego Museums. Museum of Contemporary Art San Diego/The San Diego Museum of Art/Timken Museum of Art, 2012. pp. 256, 267, 313; illus.
Decade: Contemporary Collecting 2002 ­­– 2012, Buffalo, NY: Albright-Knox Art Gallery, 2012, pp. 70-71; illus.
Cudemo. Paper. Ventimiglia: Tmamac, 2012. Print. pp. 70
Bird, Michael. 100 Ideas That Changed Art. London, Laurence King Publishing Ltd., 2012; p. 16; illus.
Beard, Lee, Adam Butler, Claire Van Cleave, Diane Fortenberry and Susan Stirling. The Art Book. London: Phaidon Press Limited, 2012; p. 323, illus.
Arcadia in celle: l’art pour la nature, la nature pour l’art (exhibition catalogue). Saint-Paul de Vence, France: Fondation Maeght, 2012; p. 85, illus.
Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists (exhibition catalogue). Text by Nancy E. Green. Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 2011; p. 33, illus.
Sol LeWitt: Structures, 1965-2006 (exhibition catalogue). Texts by Nicholas Baume, et al. New York: Public Art Fund in association in Yale University Press, 2011.
Rylands, Philip, ed. Hannelore B. and Rudolph B. Schulhof Collection. Text by Nicholas Fox Weber; interview by Lisa Jacobs. New York: Solomon R. Guggenheim Foundation, 2011; frontispiece, p. 147, illus.
Rondeau, James. The Judith Neisser Collection: Minimal and Postminimal Innovation. Chicago: Art Institute of Chicago, 2011; pp. 82-89, illus.
NOMA 100: Gifts for the Second Century (exhibition catalogue). Louisiana: New Orleans Museum of Art, 2011; p. 95, illus.
Kennedy, Brian P. Frank Stella: Irregular Polygons, 1965-66 (exhibition catalogue). Hanover, NH: Hood Museum of Art, Dartmouth College, 2011; p. 60, illus.
Johnson, Ken. Are You Experienced? How Psychedelic Consciousness Transformed Modern Art. Munich: Prestel Verlag, 2011; p. 109, illus.
Holzwarth, Hans Werner and Laszlo Taschen, eds. Modern Art: 1870-2000, Impressionism to Today. Köln: Taschen, 2011; pp. 532-533, illus.
From Picasso to Jeff Koons: The Artist as Jeweler (exhibition catalogue). Texts by Diane Venet, Barbara Rose and Adrien Goetz. Milan: Skira, 2011; pp. 212-213, illus.
Eva Hesse and Sol LeWitt (exhibition catalogue). Text by Veronica Roberts. New York: Craig F. Starr Gallery, 2011.
Dreishpoon, Douglas. The Long Curve: 150 Years of Visionary Collecting at the Albright-Knox Art Gallery. Text by Holly E. Hughes, Mariann W. Smith and Susana Tejada. Milan: Skira editore spa, 2011; illus.
Defining Contemporary Art – 25 Years in 200 Pivoted Artworks. London: Phaidon Press Limited, 2011; p. 45, illus.
Allen Memorial Art Museum: Highlights from the Collection. Oberlin, OH: Allen Memorial Art Museum, Oberlin College, 2011; pp. 188-189, illus.
Albright-Knox Art Gallery: Highlights of the Collection. Texts by Louis Grachos, Douglas Dreishpoon, Mariann W. Smith et al. London: Scala Publishers, 2011; p. 152, illus.
Dander, Patrizia and Ulrich Wilmes (eds.). A Bit of Matter and a Little Bit More: Daled Collection Verlag der Buchhandlung Walther Konig, Cologne, Germany, 2011, pp. 224-229; illus.
Davidson, Margaret. Contemporary Drawing: Key Concepts and Techniques Watson-Guptill Publications, New York, NY, 2011, pp. 62-63; illus.
Extended Drawing: Sol LeWitt, Robert Mangold, Bruce Nauman, Richard Serra, exhibition brochure, Bonnefantenmuseum, Maastricht, The Netherlands, pp. 2-19; illus.
Weatherspoon Art Museum: 70 Years of Collecting, Weatherspoon Art Museum, Greensboro, 2011, pg. 150; illus.
Witkovsky, Matthew, ed., Light Years: Conceptual Art and Photograph, 1964-1977, exh. cat., Art Institute of Chicago and Yale University Press; illus. pp.28-29, 246-248.
With a Probability of Being Seen: Dorothee and Konrad Fischer: Archives of an Attitude (exhibition catalogue). Texts by Rudi Fuchs, Friedrich Meschede, Konrad Fischer, Ronand Mönig. Barcelona: Museu d’Art Contemporani de Barcelona (MACBA), 2010; pp. 202-213, illus.
Sol LeWitt: Wall Drawings (exhibition brochure). Chicago: Rhona Hoffman Gallery, 2010; illus.
The Shape of Abstraction (exhibition catalogue). Text by Rachael Arauz. Boston: Boston University Art Gallery, 2010; illus.
On-Line: Drawing through the Twentieth Century (exhibition catalogue). Texts by Catherine de Zegher and Cornelia H. Butler. New York: Museum of Modern Art, 2010; pp. 5, 80, illus.
Furthermore, exhibition catalogue, Fraenkel Gallery, San Francisco, CA, 2010, pg. 16; illus.
Getlein, Mark. Living with Art, Ninth Edition, McGraw-Hill Companies, Inc., 2010, pg. 154; illus.
Corwin, Sharon, Elizabeth Finch, and Lauren Lessing. Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art, exhibition catalogue, Colby College Museum of Art, Waterville, ME, 2009, pp. 330-333; illus.
Arnason, H.H., and Elizabeth C. Mansfield. History of Modern Art, Sixth Edition, Pearson Education, Inc., Prentice Hall, Upper Saddle River, NJ, 2010, pg. 548; illus.
Schellmann, Jörg. Forty Are Better Than One.: Edition Schellmann 1969-2009, Schellmann Art Production, Munich and New York, 2009, pp. 212-219, 374, 379, 389, 398-399, 403, 413, 427, 433-435; illus.
Thomas, Elizabeth. Matrix: Berkeley A Changing Exhibition of Contemporary Art, University of California, Berkeley Art Museum and Pacific Film Archive, 2009, pg. 131; illus.
Yale University Art Gallery Bulletin 2009, State of the Art: Contemporary Sculpture, Yale University Art Gallery, New Haven, CT, 2009, pg. 204; illus.
Lodermeyer, Peter, Karlyn de Jongh and Sarah Gold. Personal Structures: Time, Space, Existence, DuMont Buchverlag Gmbh & Co. KG, Cologne, Germany, 2009, pp. 426- 427; illus.
Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book, Goodman, 2009, pg. 139; illus.
Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné, The Museum of Modern Art, New York, 2009, pp. 175-176; illus.
Cross, Susan; Markonish, Denise. Sol LeWitt 100 Views, MASS MoCA, North Adams, 2009.
Cherix, Christophe. “In & Out of Amsterdam: Travels in Conceptual Art. 1960-1976, exhibition catalogue, The Museum of Modern Art, New York, NY, 2009. pp. 99-106; illus.
Archer, Michael. “It’s Like This” Essay in Martin Creed, Hiroshima City Museum of Contemporary Art, Japan, 2009. pg. 42; illus.
Kellein, Thomas et al, 1968. Die Grobe Unschuld, exhibition catalogue, Kunsthalle Bielefeld, Germany, DuMont Buchverlag, 2009, pp. 16, 38, 89, 259, 292, 307, 316, 408, 451, 501, 549; illus.
Maffei, Giorgio; De Donno, Emanuele. Sol LeWitt Artist’s Books Edizioni Viaindustriae, CMF Moduli, Foligno, Italy 2009.
Cohen, Jean-Louis. New York. Paris: Citadelles & Mazenod, 2008. pg. 419, 421; illus.
The Castle, The Collection Castello di Rivoli Museum of Contemporary Art, Skira Editore, Milan, Italy 2008, pp. 331-332; illus.
Order. Desire. Light. Contemporary Drawing exhibition catalogue, Irish Museum of Modern Art, Dublin, Ireland, 2008, pg. 96, illus.
Glenstone: The Inaugural Exhibition Glenstone Foundation, Potomac, MD 2008, pg.156, illus.
This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles, exhibition catalogue, The Museum of Contemporary Art, Los Angeles, CA, 2008, pp. 172-173; illus.
Heartney, Eleanor. Art & Today, Phaidon Press, New York, NY, 2008, pp. 84, 86, 88, 298; illus.
560 Broadway: A New York Drawing Collection at Work, 1991-2006, ed. Amy Eshoo. Yale University Press, New Haven, CT, 2008.
Whitney Museum of American Art at Altria. Foreward by Adam D. Weinberg. Introduction by Shamim M. Momim. New York: Whitney Museum of American Art, 2008
Sol LeWitt: A Wall Drawing Retrospective (exhibition brochure). North Adams, MA: Mass MOCA, 2008
Sol LeWitt (exhibition catalogue). Text by Robert Mangold. Mountainville, NY: Storm King Art Center, 2008
Treasures of the DIA: Detroit Institute of Arts, Detroit Institute of Arts, Detroit, 2007, pg. 428.
Art Works: The Progressive Collection, Distributed Art Publishers, New York, NY, 2007, pg. 104, illus.
Sol LeWitt, exhibition catalogue, Metropol Kunstraum, München, Germany, 2007, illus.
Dreishpoon, Douglas, and David Bonetti, The Panza Collection: An Experience of Color and Light, exhibition catalogue, The Buffalo Fine Arts Academy, Buffalo, New York, 2007, illus.
Contemporary + Cutting Edge: Pleasures of Collecting, Part III, exhibition catalogue, Bruce Museum, Greenwich, CT, 2007.
Kotz, Liz. Words to Be Looked At: Language in 1960’s Art, The MIT Press, London, England, 2007.
Design contre Design, exhibition catalogue, Galeries Nationales du Grand Palais, Paris, France, 2007, illus.
Wallworks: Contemporary Artists and Place, essay by David Moos, exhibition catalogue, Art Gallery Ontario, Toronto, Ontario, 2007, pg. 39-43, illus.
Talking Art: Inteviews with Artists Since 1976, ed. Patricia Bickers and Andrew Wilson. London: Art Monthly and Ridinghouse, 2007, pg. 414-421.
Sol LeWitt: Scribble Wall Drawings, exhibition catalogue, Pace Wildenstein, New York, NY, 2007, illus.
De Corral, Maria and John Lane, Fast Forward; Contemporary Colletions for the Dallas Museum of Art, exhibition catalogue, Dallas Museum of Art and Yale University Press, New Haven and London, CT, 2007 p.34, 51, 137, illus.
Art Metropole: The Top 100 National Gallery of Canada, Ottowa, Canada, 2006. pp. 59,73, illus.
Six Feet Under: Autopsy of Our Relation to the Dead, Exhibition catalogue, Kunstmuseum Bern, 2006, p. 92, 113, 154, 212, 217.
van Voolen, Edward. My Grandparents, My Parents and I: Jewish Art and Culture, (Munich: Prestel Verlag, 2006), pp. 154-155, illus.
Nothing and Everything, exhibition catalogue, Fraenkel Gallery, San Francisco, and Peter Freeman, Inc., New York, 2006, pg. 12; illus.
Swanson, Dean, Stephen Fleischman and Martin Friedman. LeWitt x 2: Structure and Line and Selections from the LeWitt Collection (Madison: Madison Museum of Contemporary Art, 2006), exhibition catalogue.
Liesbrock, Heinz. Sol LeWitt: Seven Basic Colors and All their Combinations in a Square Within a Square, (Dänischenhagen: Richter Verlag, 2006), exhibition catalogue.
Coen, Ester and Giovanni Maria Accame. Sol LeWitt, exhibition catalogue for wall drawings, Galleria Studio G7, (Bologna, Italy: Damiani, 2006); illus.
Ideal City – Invisible Cities, exhibition catalogue, an exhibition in Zamosc, Poland, and Potsdam, Germany, published by European Art Projects, Berlin, Germany, 2006, pp. 216-221, illus.
Stedelijk Museum Amsterdam 2003/2004, Beeldrecht, Amsterdam, 2005,p.9, illus.
Guglielmino, Giorgio. Ladies & Gentelmen, Umberto Allemandi & C., Torino, 2005, pg. 70; illus.
Sol LeWitt, Madison Square Park Conservancy, New York, NY, May- *December 2005, exhibition catalogue.
Pakesch, Peter. Sol LeWitt: Wall, Kunthaus Graz am Landesmuseum Johanneum, exhibition catalogue (Köln: Verlag der BuchhandlungWalther König, 2004)
Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread, exhibition catalogue, Cooper-Hewitt, National Design Museum, New York, 2004, illus.
Goldstein, Ann. A Minimal Future? Art As Object 1958-1968, exhibition catalogue, The Museum of Contemporary Art, Los Angeles, CA, 2004, p. 266-269, Illus.
Ozaki, Shinichiro, ed. Traces: Body and Idea in Contemporary Art, exhibition catalogue, the National Museum of Modern Art, Kyoto, Japan, 2004, p. 262-263.
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, The Solomon R. Guggenheim Foundation, New York, 2004, illus.
Buskirk, Martha. The Contingent of Comtemporary Art, The MIT Press, Massachusettes, 2003, p.39-40,45-46,48,52,198,215,217, illus.
Impressum/Colophon, Landesbank Hessen-Thüringen, 2003, p.137-138, 365-366, illus.
Ross, James, ed. The Farm, Keystone Conservancy Limited, Kaipara, New Zealand, 2003, illus.
Work Ethic, The Pennsylvania State University Press, PA, 2003, p. 158-159, illus.
Works From the DaimlerChrysler Collection and from the Paul Maenz Collection: A Dialogue. Berlin: Impressum, 2002.
Texts by Sol Lewitt & Adachiara Zevi. Sol Lewitt Wall Drawings, Proa Fundacion, Buenos Aires, Argentina, December 2001.
Kellein, Thomas, ed. Art Works: The Marzona Collection Art around 1968, exhibition catalogue, Hatje Cantz Verlag, Germany, 2001, p. 110 - 115, illus.
LeWitt, Sol and Sachiko Cho, Equivalent, Kusnacht: Inktree Eds, 2001.
Marzona Villa Manin: a private collection, exhibition catalogue. Hatje Cantz, Germany, 2001, p. 46-47, 113, 180-181, illus.
Potts, Alex. The Sculptural Imagination, Yale University Press, New Haven and London, 2001, p. 256, 289, 340, illus.
Recording Conceptual Art, edited by Alexander Alberro and Patricia Norvell, Berkeley: University of California Press, 2001, p. 112-23.
Rorimer, Anne. New Art in the 60s and 70s Redefining Reality, Thames & Hudson Ltd., London, 2001, p. 22, 23, 154-160, 230-233, illus.
Garrels, Gary (Ed.). Sol LeWitt: A Retrospective, exhibition catalogue, The San Francisco Museum of Modern Art, New Haven: Yale University Press, 2000.
Century Of Innocence: The History of the White Monochrome, exhibition catalogue, Rooseum-Center for Contemporary Art, Malmo Sweden, and Liljevalchs Konsthall, Stockholm, Sweden, Rooseum-Center for Contemporary Art, Malmo Sweden, and Liljevalchs Konsthall, Stockholm, Sweden. Editors: Asa Nacking, Bo Nilsson.
Afterimage: Drawing Through Process, exhibition catalogue, The Museum of Contemporary Art, Los Angeles, CA, The MIT Press, Cambridge, MA and London, England. Editor: Stephanie Emerson; Text: Connie Butler, Pamela M. Lee.
The American Century: Art & Culture 1950 - 2000, exhibition catalogue, The Whitney Museum of American Art, New York, New York, 1999, illus.
Sol LeWitt Wall Drawings, Paula Cooper Gallery. New York, 1999. Text: Nancy Princenthal.
Sol LeWitt Wall Drawing, Museum Moderner Kunst Landkreis Cuxhaven, Otterndorf, Germany. Text: Ulrike Schick.
Causey, Andrew, Sculpture Since 1945, Oxford University Press.
Die Sammlung Paul Maenz, Neues Museum Weimar, Cantz Verlag. Text: Rolf Borthe, Gerda Wendermann, Hans Dickel, Paul Maenz.
Minimal Art: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris, exhibition catalogue, Bank Brussels Lambert, 1998. Text: Christel Sauer.
Sol LeWitt in Italia, CERP (Centro Espositivo della Rocca Paolina), Perugia, Italy. Text: Bruno Corà, Mauro Panzera, Antonio Carlo Ponti.
Blurring the Boundaries: Installation Art 1969-1996, Museum of Contemporary Art, San Diego, CA. Essays by Hugh M. Davies, Ronald J. Onorato.
In Visible Light : Photography and Classification in Art, Science and the Everyday, Essays by Elizabeth Edwards, David Elliott, Russell Roberts, Abigail Solomon-Godeau. Edited by: Chrissie Iles and Russell Roberts, Museum of Modern Art, Oxford, England.
Material Perfection: Minimal Art & Its Aftermath: Selected from the Kerry Stokes Collection, Lawrence Wilson Art Gallery, University of Western Australia, Perth, Australia. Text: John Stringer.
Thirty Five Years at Crown Point Press: Making Prints, Doing Art, Text: Ruth E. Fine, Karin Breuer, Steven A. Nash, University of California Press, Berkeley and Los Angeles, 1997.
Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, exhibition catalogue, 1996. Text : Johanna Drucker.
De Corral, Lorena M. (Ed.). Sol LeWitt: Dibujos Murales, Wall Drawings, Sala de las Alhajas, Caja de Madrid. Essays by Aurora Garcia, Bernice Rose. 1st ed. Museum of Modern Art, 1978.
Fraenkel, David (Ed.). Sniper’s Nest: Art that has lived with Lucy Lippard, Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale on Hudson, NY
From Christo and Jeanne-Claude to Jeft Koons: John Kaldor Art Projects and Collection, Museum of Contemporary Art, Sydney, Australia. Introduction: John Kaldor, Text: Nicholas Baume.
Main Stations : Newman, Pollock, Beuys, Broodthaers, Klein, Warhol, LeWitt, Johns, Stella, Ryman, Kounellis, Nauman, Weiner. Neue Kunst Bucher. Essays by Urs Raussmuller, Christel Sauer, Kira van Lil, Christoph Schenker, Georg Jappe.
Of Sun and Stars: Sol LeWitt Wall Drawings/Sobre o Sol e as Estrellas: Desenhos de Parede de Sol LeWitt, exhibition catalogue, 23rd International Bienal of Sào Paolo, Brazil, 1996. Essay byAndrea Miller-Keller.
Sol LeWitt: Wall Drawings, Styrofoam Wall Pieces, Tower, Ludwigsburger Schlossfespiele, Kunstverein Ludwigsburg, 1995-96. Essays by Ingrid Mössinger, Florian Müller, Dr. Susanne Dietrich, Falk Berger.
Traits Sensibles, exhibition catalogue, Musées de Macon, France. Essays by Monique Dargaud, Marie-José Muller Llorca.
Auping Michael (Ed.). Drawing Rooms: Jonathan Borofsky, Sol LeWitt, Richard Serra, exhibition catalogue, Modern Art Museum of Fort Worth, Fort Worth, TX, 1995.
Essence and Persuasion: The Power of Black and White, exhibition catalogue, Anderson Gallery, Buffalo, NY, 1995. Anne Wayson (text).
Printmaking in America: Collaborative Prints and Presses 1960-1990, exhibition catalogue, Harrry N. Abrams, New York, NY, 1995. Essays by David Mickenberg, Joann Moser, Trudy V. Hansen, Barry Walker.
Reconsidering the Object of Art: 1965-1975, exhibition catalogue, Museum of Contemporary Art, Los Angeles, CA, 1995. Essays by Ann Goldstein, Anne Rorimer, Lucy Lippard, Jeff Wall, Susan L. Jenkins.
Singer, Susanna (Ed.). Sol LeWitt Working Drawings, exhibition catalogue, John Weber Gallery, New York, NY & Rhona Hoffman Gallery, Chicago, IL.
Sol LeWitt, Centre National des Arts Plastiques, Editions du Regard, Paris. Essay by Ann Hindry.
Zevi, Adachiara (Ed.). Sol LeWitt Critical Texts, AEIUO, Incontri Internazionali D’Arte, Rome, Italy, 1995.
Schraenen, Guy. Sol LeWitt’s Systeme in Buchform, Neues Museum Weserburg, Bremen Germany, 1994.
Traum vom Absoluten - Dream of the Absolute, exhibition catalogue, Galerie Beyeler, Basel, Switzerland, 1994.
30 years - Art in the Present Tense: The Aldrich’s Curatorial History 1964-1994, exhibition catalogue, The Aldrich Museum of Contemporary Art, Ridgefield CT. Essays by Brendan Gill, Barry Rosenberg, 1994.
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, exhibition catalogue, National Gallery of Art, Washington, DC, 1994. John T. Paoletti (text); Ruth Fine (interview).
Scanlan, Joseph (Editor). A History of the Renaissance Society at the University of Chicago: The First Seventy-Five Years, The Renaissance Society, Chicago, 1993, pg.81, illus.
Sol LeWitt: Twenty-Five Years of Wall Drawings, 1968-93, exhibition catalogue from the Addison Gallery of American Art, Phillips Academy, Andover, MA, 1993. Essays by Andrea Miller-Keller and Ja`ck Reynolds.
Sol LeWitt Structures 1962 - 1993, exhibition catalogue from the Museum of Modern Art, Oxford, England. Essays by David Batchelor, David Elliott, Chrissie Iles, Rosalind Krauss, 1993.
Sol LeWitt Drawings 1958-1992, exhibition catalogue from lthe Haags Gemeentemuseum, The Hague, Netherlands, 1992. Essays by Franz W. Kaiser and Rudi Fuchs.
Sol LeWitt, exhibition catalogue from the Haags Gemeentemuseum. Essays by John N. Chandler, enno Develing and Dan Graham.
Sol LeWitt Wall Drawings 1984-92, updated 1989 catalogue raisonné from the Kunsthalle Bern, Switzerland, 1992. Essay by Ulrich Loock.
Sol LeWitt Books 1966-90, exhibition catalogue from the Portikus, Frankfurt, Germany, 1990.
Sol LeWitt: A CUBE. Cologne: Walther König, 1990
Sol LeWitt Prints 1970-86, exhibition catalogue from the Tate Gallery, London, 1986. Essay by Jeremy Lewison.
Sol LeWitt Wall Drawings, exhibition catalogue from the Stedelijk Museum, Amsterdam; Stedelijk Abbemuseum, Eindhoven, and the Wadsworth Atheneum, Hartford, CT, 1984. Essays by Jan Debbaut, Alexander van Grevenstein and Andrea Miller-Keller.
Sol LeWitt: All Four Part Combinations of Six Geometric Figures, exhibition catalogue, Galerie Watari, Tokyo, Japan, 1980.
Sol LeWitt, exhibition catalogue from the Museum of Modern Art, New York. Essays by Lucy R. Lippard, Bernice Rose and Robert Rosenblum, 1978.

Selected Articles & Reviews

Hyde, Sarah. “Where to see these amazing giant sculptures just an hour from Nottingham,” Nottingham Post, October 12, 2017;
Pes, Javier. “Sol LeWitt’s conceptual works installed for the first time since the 1970s,” The Art Newspaper, July 20, 2015
“Sol LeWitt ‘17 Wall Drawings’ at The Botín Foundation,” NY Arts, July 20, 2015
Halperin, Julia. “Writing is definitely not on the wall for drawings,” The Art Newspaper, July 20, 2015
Slenske, Michael. “Works by Kara Walker, Mel Bochner, and Arturo Herrera Grace the Walls of Gladstone Gallery,” Architectural Digest, July 2, 2015
Morris, Ali. “A new exhibition of Sol LeWitt’s wall drawings at Spain’s Fundación Botín celebrates the artist’s creative process,” Wallpaper, June 23
Saltz, Jerry. “The New New Museum – The New Whitney a Post Museum Museum,” New York Magazine, April 20-May 3, 2015. pp. 37; illus.
Smith, Jennifer. “Executing the Concepts of Artist Sol LeWitt: A Lesson in Critical Thinking for New York City Teens,” The Wall Street Journal, March 2, 2015
“Return of Wadsworthʼs LeWitt,” The Art Newspaper, January 2015, p. 17.
Fong, Phyllis, “‘Converging Lines: Eva Hesse and Sol LeWitt,” ARTnews, Summer 2014, pg. 106; illus.
Ilerlemeler, Yatay. “Horizontal Progressions”, Warhola, June 2014. pp. 11, illus.
Scott, A.O., “An Artist Who Let His Ideas (and Others) Do the Work,” The New York Times, May 6, 2014, illus.
Mitchell, Samantha Dylan. “Converging Lines; Eva Hesse and Sol LeWitt,” The Brooklyn Rail, April 2, 2014
“The Find: Wish You Were Here,” T Magazine, March 13, 2014
Frost, Andrew. “Sol LeWitt: Your Mind is Exactly That Line-review,” The Guardian, February 26, 2014
Baume, Nicholas. “New York’s Best, 2013-Nicolas Baume,” Art in America, December 30, 2013
Mac Adam, Alfred. “Sol LeWitt at Paula Cooper and the Jewish Community Center in Manhattan,” ARTnews, November 2013, pg. 111; illus.
Vogel, Carol. “A gift of 250 works from storied dealer”, The New Yorker, September 27, 2013, pp. C26.
Kozinn, Allan. “Visual Artists, Choosing To Play By Ear,” The New York Times, September 27, 2013; pg. C34, illus.
Howard, Christopher. “An Almost Unimaginably Radical Act,” in terms of, September 25, 2013
Schjeldahl, Peter. “Sol LeWitt at Paula Cooper Gallery,” The New Yorker, September 23, 2013; pg.33
Tani, Ellen Yoshi. “Charles Gaines and Sol LeWitt at Paula Cooper NYC,” Daily Serving, September 17, 2013
Saltz, Jerry. “To Do: See Sol LeWitt at Paula Cooper Gallery,” New York Magazine, September 16, 2013; pg. 97
Heinrich, Will. “Sol LeWitt at Paula Cooper Gallery,” New York Observer, September 16, 2013, pp. B6-B7; illus.
“Sol LeWitt at Paula Cooper Gallery,” Time Out New York, September 12-18, 2013; pg.40
Johnson, Ken. “Sol LeWitt at Paula Cooper Gallery,” The New York Times, September 6, 2013; p. C29, illus.
Crow, Thomas. “Head Trip”, Artforum, September 2013.pp. 322, illus.
“Sol LeWitt’s 36 Foot ‘Wall Drawing #599’ Is Installed at Jewish Community Center,” Huffington Post, July 18, 2013
Miller, Michael. “Paula Cooper to Exhibit Sol LeWitt’s 1988 Venice Biennale Wall Drawing,” GalleristNY, July 11, 2013
Sheets, Hilarie. “The Museum Is a Scholl: Colby Museum of Art,” Art in America, July 9, 2013
Vogel, Carol. “LeWitt’s Reach Extends to Another Lobby,” The New York Times, July 5, 2013, pg. C20; illus.
Smith, Roberta. “‘Specific Objects’ at Susan Inglett Gallery,” The New York Times, July 5, 2013, pg. C23; illus.
Smith, Roberta. “Répétition II,” The New York Times, March 15, 2013, pg. C18
Winant, Carmen. “Materializing ‘Six Years’, Brooklyn Museum, New York” Frieze, March 2013, pg. 150
“WMCA Honored for Sol LeWitt Exhibition,” Bennington (VT) Banner News, May 11, 2013
“Learning Modern Art in Manhattan,” The Wall Street Journal, March 15, 2013; illus.
Krienke, Mary. “Sol LeWitt, Blondeau & Cie,” Art News, Summer, 2013; p. 122, illus.
Ferro, Shane. “New Day, New Sol LeWitt to Install at Avenues, Chelsea’s Hippest
Elementary School,” Artinfo, March 17, 2013
Chan, Aleksander. “Two Iconic Sol LeWitt Pieces Added to UT’s Landmark Art Collection,” Culture Map Austin, March 20, 2013
Boyle, Katherin. “Sol LeWitt Artwork at National Gallery Collapses as Students Rush to Save It,” The Washington Post, February 15, 2013; illus.
Tully, Kathryn. “Sol LeWitt’s $100 Drawings,” Forbes, January 1, 2013
Venturi, Riccardo.”Sol LeWitt: Wall Street Chiama,” Flash Art, December /January 2012, pp. 64-68; illus.
Alferi, Pierre. “LeWitt du Sol au plafond,” Libération, March 15, 2012, pp. 22 – 23; illus.
Vaizey, Marina. “Exhibition: The Sculpture Show: Edinburgh.” The Burlington Magazine, June 2012; p. 438, illus.
Rosboch, Lili. “LeWitt and Jensen,” Bloomberg Businessweek, February 7, 2012
Quiles, Daniel R. “Conceptual Art and the Photograph, 1964-1977,” The Burlington Magazine, March 2012; p. 226; illus.
Lydiate, Henry. “Contracts & Moral Rights: Authenticating Sol LeWitt,” Art Monthly, July August 2012; p. 41
Baden, Eric. “Wish You Were Here: The Buffalo Avant-Garde in the 1970s,” Art Papers, July – August 2012; pp. 40-41, illus.
Gerber, Gaylen. “Backdrop: The World Stage: India - Sri Lanka” Annual, 2012. pp. 24, illus.
Binlot, Ann. “See Sol LeWitt’s Photographs of the 1970s Lower East Side at the Mondrian SoHo,” ARTINFO, November 21, 2011
“Sol LeWitt installation at Mondrian SoHo,”, November 17, 2011
“A day in the Financial District,” Time Out New York, September 22-28, 2011, pg. 22; illus.
Lindquist, Greg. “Review: Sol LeWitt,” Artnews, September 2011, pg. 108; illus.
Smith, Roberta. “Sol LeWitt: Arcs and Lines,” Weekend Picks, The New York Times, August 19, 2011, pg. C19
Johnson, Ken. “Sculptural Surprises Grace the Streets,” The New York Times August 19, 2011, pp. C21, C23; illus.
Barron, Benjamin. “Sol LeWitt’s ‘Structures’ at City Hall Park”, Opening Cermony July 29, 2011
“Line and Space: American Drawing and Sculptures Since 1960 at the Pinakothek der Moderne”, Art Daily, July 27, 2010
Straus, Tamara. “SFMOMA squares away 73rd Sol LeWitt, ‘Wall Grid’”, July 28, 2011
Johnson, Ken. “Review: Soft Machines,” The New York Times, July 28, 2011
Dillon, Noah.”Locations, Locations, Locations.” In Degree Critical: Mapping – MFA Art Criticism & Writing, School of Visual Arts, New York, pp. 8-13.
Gopnik, Blake. “Buying Art You Can’t Take Home”. Newsweek, June 27, 2011,; illus.
Finkel, Jori. “N.Y.’s museums without walls,” Los Angeles Times, June 26, 2011
Keller, Sean. “Playing the Field: Computational Architecture and Postwar Abstraction”. ArtForum, Summer 2011, pp. 376-381; illus.
Adler, Alexander. “Sol LeWitt: ‘Arcs and Lines’ at Paula Cooper Gallery,” The Huffington Post June 3, 2011, illus.
Smith, Roberta. “Sol LeWitt: Arcs and Lines,” The New York Times June 3, 2011, pg. C26; illus.
Bishop, Marlon. “Outdoor Sol LeWitt Exhibit Unveiled at City Hall Park,” WNYC, May 24, 2011,; illus.
Halle, Howard. “Your guide to public art”. TimeOut NewYork, May 19-25, 2011, pg.49; illus.
“Galleries – Downtown. Short List: ‘Sol LeWitt: Structures, 1965-2006’”. The New Yorker, May 23, 2011, pg. 10.
“Goings On About Town: Art. Take it Outside”. The New Yorker, May 23, 2011, pg. 10.
“Emerald City”, Town and Country, May 2011, pp. 61-62; illus.
“Such a Witt”, Traveler, May 2011; illus.
“AD Agenda: Open Forum”, Architectural Digest, June 2011; illus.
Sischy, Ingrid. “Spotlight: Sol’s Patch”, Vanity Fair, June 2011, pg. 122; illus.
Johnson, Ken. “Eva Hesse and Sol LeWitt”. The New York Times, May 6, 2011, pg C23; illus.
Meyer, James. “Previews: Sol LeWitt: Structures, 1965-2006”. ArtForum, May 2011, pg. 137.
Shapiro, Julie. “Sol LeWitt’s ‘Structures’ Rise in City Hall Park,” April 19, 2011; illus.
Von Perfall, Josephine. “Kaldors’ gift to Sydney”. The Art Newspaper, April 2011, pg. 14
“The highs and highs of ArtFifa Festival 2011: Sol Lewitt Wall Drawings”. The Art Newspaper, March 2011, pg. 39; illus.
Shetty, Deepika. “Art integrated,” The Straits Times April 29, 2010, pg. C6; illus.
“In & Out of Amsterdam” Artforum Number 6/ February 2010, pp. 190-191; illus.
Knight, Christopher. “‘Calder to Warhol: Introducing the Fisher Collection’ @ SFMOMA,” Los Angeles Times, July 15, 2010; illus.
Fontanesi, Emaniele. “Reviews: Wall and Floor,” Flash Art, March-April 2010; p. 119
Bury, Stephen. “Artists’ Books: Sol LeWitt,” Art Monthly, June 2010; p. 31, illus.
“Preserving,” National Gallery of Art 2009 Annual Report 2009, pg. 37; illus.
“A fair conversation” Mousse Number 21/ November, December 2009, pg. 108; illus.
“Outdoor Art in New York (And Beyond)” Art in America November 2009, pg. 42; illus.
Hudson, Suzanne. “6 Works, 6 Rooms,” Artforum November 2009 pg. 232; illus.
Tallman, Susan. “Searchin’ Every Which A-Way” Art in America October, 2009 No. 9 pp. 138-144; illus.
De Ferrari, Gabriella. “Art and Sol” The World of Interiors October 2009 pp. 172-181; illus.
Vogel, Carol. “Subway Riders Are Greeted by a Blast of Sol LeWitt Color” The New York Times September 14, 2009, pg. C1, C7; illus.
Wallis, Stephen. “Sol LeWitt’s Mass MoCA Exhibit” Departures Magazine September, 2009
MacAdam, Barbara A. “In & Out of Amsterdam” ARTnews Volume 108/Number 8 September, 2009, pg. 108; illus.
“Sol LeWitt Celebrated Underground” Gothamist September 9, 2009; illus.
Wei, Lilly. “Sol LeWitt” ARTnews Summer, 2009, pg. 134; illus.
Taylor, Kate, “Great Estates,” Art and Auction, V. 23, No. 10, June 2009, pp. 72-77, illus.
“Focus: Sol LeWitt” Time Out New York May 8, 2009,
Friedman, Martin. “On Italian Walls. The Lewitt House in Praiano” Art in America, February, 2009, No. 2, pp. 108-115, illus.
Cotter, Holland. “Now in Residence: Walls of Luscious Austerity” The New York Times 5 December 2008, pp. C25, C32; illus.
Miller, Leigh Anne. “LeWitt Writ Large,” Art in America No. 10, November 2008, pp. 216; illus.
Barliant, Claire. “Working Practice: Blueprint for a Doodle” Modern Painters October 2008, pp. 50- 51; illus.
Peiffer, Prudence. “The Eye’s Mind: Sol Lewitt at Mass Moca” Artforum September 2008, pg. 217, illus.
Gordon, Amanda. “An Informal Gathering For LeWitters” The New York Sun 25 July 2008
Cooper, Paula. “Happy 41: Focus Galleries” Flash Art Vol. XLI, No. 261, July – September, 2008, pp. 234-237; illus.
Wapshott, Nicolas. “Got to Paint the LeWitts” The New York Sun 30 June 2008; illus.
Campagnola, Sonia. “Live from Los Angeles” Flash Art, May-June 2008, pp. 140-141, illus.
Saltz, Jerry. “Art,” New York Magazine, April 14, 2008, pp. 76-77; illus.
Scanlan, Joe. “Modest Proposals,” Artforum, April 2008, pp. 312-319, 390; illus.
Carey-Kent, Paul. “Cubes,” Art World, February/March 2008, pp. 49-51; illus.
Cash, Stephanie. “Art Camp at the Presidio?,” Art in America, February 2008, pg. 29.
Michaël, Amy. “Sol LeWitt at PaceWildenstein and Paula Cooper,” Art in America, February 2008, pg. 138; illus.
Bresler, Judith. “Legal Spin,” Flash Art, January/February 2008, pg. 80; illus.
Vogel, Carol. “Inside Art: Long-Term LeWitt,” The New York Times, January 25, 2008, pg. E34.
Ken, Johnson. “Hunting a Tribe of Minimalists on the Streets of the Upper East Side,” The New York Times, January 5, 2008, pg. B11; illus.
Pincus-Witten, Robert. “The Eyes Had It,” Artforum, January 2008, pp.69-74; illus.
Ebony, David. “Fall Auction Totals Soar to Nearly $2 Billion,” Art in America, January 2008, pg. 37.
Morris, John. “Lisson at 40: fighting fit”, Art World, December 2007/January 2008, pp. 13-14, illus.
Houghes, Gordon. “Game Face: Douglas Huebler and the Voiding of Photographic Portraiture,” Art Journal, Winter 2007, pp. 52-69; illus.
Deitch, Jeffrey. “Who Has the Power,” Flash Art, November-December 2007, pp. 97-99; illus.
Storr, Robert. “Lead by Example,” Frieze, November-December 2007, pg. 19; illus.
Holmes, Pernilla. “Bringing Edginess to Edinburgh,” ARTnews, November 2007, pp. 119-120.
Rotter, Alex. “Spatial Aareness,” Sotheby’s Preview, November 2007, pg. 84; illus.
Wineberg, Adam D. “Backstage Stars: Hidden in a Nook by the Whitney’s Offices, the Zenith of Sol LeWitt’s Star Series Shines Almost Unseen,” Culture + Travel, Oct/Nov 2007, pg. 34; illus.
Kuo, Michelle. “Industrial Revolution,” Artforum, October, 2007, pp. 306-315; illus.
Finkelstein, Alex. “The Equal Opportunity Artist,” The New York Sun, September 13, 2007, pg. 19; illus.
During, Helen Klisser. “Down at the Farm,” Connecticut Cottages & Gardens, September 2007, pp. 142-149; illus.
Berwick, Carly. “Artist Dossier,” Art + Auction, September 2007, pp. 137-140; illus.
Tupitsyn, Margarita. “Black Square Hommage à Malevich,” Artforum, September 2007, pg. 465; illus.
Kauffman, Clara Patricia. “Garden of Monumental Delights,” Art & Antiques, September 2007, pp. 98-99; illus.
Kent, Sarah. “Sol LeWitt,” Modern Painters, July-August 2007, pp. 66-71, illus.
Wennerstrom, Nord. “No Holds Barred – Sculpture Gardens Let Art Out To Play,” Art & Antiques, Summer, 2007, pp. 76-79; illus.
Bochner, Mel and John Baldessari. “Outside the Box – Mel Bochner and John Baldessari On Sol Lewitt,” Artforum, Summer, 2007, pp. 101-102; illus.
Garrels, Gary. “A Workman of Ideas,” ArtNews, June, 2007, pg. 70; illus.
Kimmelman, Michael. “That Unruly, Serendipitous Show in Venice,” The New York Times, June 15, 2007, pp. E29, E34.
Dickel, Hans. “Sol LeWitt (1928-2007),” Texte Zur Kunst, June 2007, pp. 86-7; illus.
LeWitt, Sol. “Scribbles,” Artforum, May, 2007, pp. 342-349; illus.
Opie, Julian. “Appreciation: Remembering Sol LeWitt,” The Art Newspaper, no. 180, May 2007, p.49, illus.
“Sol LeWitt,” The New York Times, April 10, 2007, pg.B6.
Kimmelman, Michael. “Sol LeWitt, Postwar Artistic Innovator and Master of Conceptualism, Dies at 78,” The New York Times, April 9, 2007, pg. A15; illus.
Greenfield, Beth. “Fine Art, Great Party,” The New York Times, November 24, 2006, F2.
Schlaegel, Andreas. “Ideal City – Invisible Cities,” Flash Art, November-December, 2006, pg. 55.
De Arteaga, Alicia. “Art 37 Basel: The Elastic Band” Arte Aldia ed 115, Aug – Sept 2006, pp. 88-90, illus.
Vogel, Carol. “Sol LeWitt at Mass MoCA,” The New York Times, October 27, 2006, pg. E30.
Morgan, Robert C. “A Leap into the Unknown,” Sculpture, April 2006, pp. 22-27; illus., cover.
Gaines, Malik, “Sol LeWitt,” artUS, March 2006, pg. 5; illus.
Ayers, Robert. “Reviews: Sol LeWitt,” ARTnews, October 2005, p. 162, illus.
Baker, R.C. “Voices Choices,” The Village Voice, September 7-13, 2005, p. 82.
Church, Amanda. “In Brief: Sol LeWitt,” Art on Paper, November/December 2005, p. 77.
Esplund, Lance. “The East Side Braces Itself For the Summer of Sol,” The New York Sun, April 28, p. 1&16, illus.
Evans, Sara. Up on the Rooftop,” Art of the Times, October 2005, vol. 10, p. 41, illus.
“Goings on About Town,” The New Yorker, September 26, 2005, pp. 32, 46
Hudson, Suzanne. “Reviews: Sol LeWitt,”Artforum, November 2005, pp. 250-251, illus.
Maine, Stephen. “Sol LeWitt at the Metropolitan Museum, Madison Square Park, PaceWildenstein,”Art in America, October 2005, pp.167-169, illus.
Penn, Allan. “The Entrepreneurial Life: Mario Russo,” Fortune Small Business, October 2005, p. 54, illus.
Persing, Stephen. “Climbing the Walls for Art,” Art in America, October 2005, pp. 146-151, 215
Runinstein, Dan. “Defining Moment,” House & Garden, March 2005, p. 156-7, illus.
Streitfeld, L.P. “Silvermine Reinterprets Visionary Architect Louis Kahn,” The Advocate & Greenwich Time, July 3, 2005, p. D3, illus.
Vogel, Carol. “Inside Art: More Art in a Park: Columns, Not Gates,” The New York Times, March 18, 2005, p. E38.
Blum, Andrew. “The White Zone is for Loading and Unloading Art: At the Toronto Airport, Air Canada Shares Space With Richard Serra and Sol LeWitt,” The New York Times, March 28, 2004, p.28, illus.
Christofori, Ralf. “Sol LeWitt,” frieze, June July August 2004, p.143-144, illus.
Genesis Sculpture, Experience Pommery #1 (special issue of Beaux Arts Magazine), Paris, 2004.
Godfrey, Mark. “Dimensions variable,” frieze, June July August 2004, p. 116-121, illus.
Smith, Roberta. “Art Review: Designers for a Day: Sculptors Take a Turn,” The New York Times, September 10, 2004, p. E25.
Franklin, B. Paul “Temple of Solomon”, Nest Magazine, Summer 2003, pp. 40-51, ills. & Cover.
Gandee, Charles. “Heavy Metal: Donald Gratz’s metal shop to the stars is a well-hidden secret in Long Island City”, pp. 44-50, ills.
Ostrow, Saul. “Sol LeWitt,” BOMB, Fall 2003, p. 22-29, illus.
Eakin, Hugh. “Boost for Bahnhof,” ARTnews, March 2002, p. 64
Leffingwell, Edward, “Review of Exhibitions: New York, Sol Lewitt @ Pace Wildenstein”, Art in America, December, 2002, p. 106 ills.
“My Head Is On Fire but My Heart Is Full of Love,” Artforum, May 2002, p. 89.
“Working Proof: Sol LeWitt.” Art on Paper, Jan-Feb 2002, p. 76-77.
Brenson, Michael, “High Concept,” New York Magazine, January 1, 2001, p. 84-6, illus.
Calame, Ingrid. “Sol Lewitt at Margo Leavin and Regen Projects,” Art Issues, November-December 2001, p. 48, illus.
Dannatt, Adrian, “Sol LeWitt at Paula Cooper Gallery,” The Art Newspaper, January 2001, p. 54.
Danto, Arthur C. “A Taste for Desert Landscapes?”, The Nation, February 5, 2001 p. 34-37.
Drohojowska-Philp, Hunter. “Conceptualism by Proxy,” The Los Angeles Times, September 28, 2001, F1, F6, illus.
Levin, Kim, “Sol LeWitt,” ARTnews, February 2001, p. 153, illus.
Meyer, James, “Dale McConathy and the Neo-Avant-Garde,” Artforum, May 2001, p. 134-8.
Nasatir, Judith, “Manhattan Transfer,” Elle Décor, August-September 2001, p. 161-5, illus.
Ollman, Leah. “In Two Surprising Exhibitions LeWitt Starts to Get Emotional.” The Los Angeles Times, September 21, 2001 F16, illus.
Rothkopf, Scott, “Sol LeWitt: Incomplete Open Cubes,” Artforum, Summer 2001, p. 177, illus.
Saltz, Jerry, “Wall Power,” Magazine [Online], available at, January 14, 2001.
Artner, Alan, “LeWitt Finds His Muse In A Private Place”, Chicago Tribune, August 18, 2000, Section 5, p. 1.
Baker, Kenneth, “Sol LeWitt, San Francisco Museum of Modern Art”; Artnews, May 2000, p. 234, illus.
Baker, Kenneth, “Variations on LeWitt Themes”, San Francisco Sunday Examiner & Chronicle, February 13, 2000, p. 34.
Bernstein, Fred, “Hey, Don’t Touch the Wall! It’s a LeWitt”; The New York Times, March 2, 2000, p. F.1, F.15, illus.
Blois, Yve-Alain, “Sum and the Parts,” Artforum, February 2000, pp. 92-97, illus.
Bohlen, Celestine. “Step by Step, Sol LeWitt’s Work Climbs the Walls at the Whitney,” The New York Times, December 6, 2000, p. E1, illus.
Buskirk, Martha, “Planning for Impermanence” ; Art in America, April 2000, pp.112 -119, 167, illus.
Cash, Stephanie, “The Hotel as Art Work,” Art in America, December 2000, p. 43, illus.
Coen, Esther, “Sinfonia di colori ed emozioni,” La Repubblica, May 15, 2000.
Dannatt, Adrian, “From Concept to Completion” ; The Art Newspaper, March 2000, p. 47.
“Dateline: in the air…,” Art & Auction, November 2000, p. 18, illus.
Kalina, Richard, “Means and Ends,” Art in America, November 2000, p. 119-126, illus.
Kastner, Jeffrey. “A Playful Geometer Makes the Complex Seem So Simple,” The New York Times, December 3, 2000, p. 33-37.
Kimmelman, Michael, “Conceptualism, by the Gallon, Covers the Walls,” The New York Times, December 8, 2000, p. E37-E42, illus.
Knight, Christopher, “LeWitt Turns the Logical into the Spiritual,” Los Angeles Times, March 8, 2000, p. F 1, F 14.
Littlejohn, David, “On and Off the Wall,” The Wall Street Journal, March 10, 2000, p. W16.
Lotozo, Eils, “Architecture and design school ready to shine after shaky start,” Philadelphia Inquirer, May 3, 2000, p. D1 and 14.
Poli, Francesco, “Giotto Today,” Tema Celeste, Occtober-December 2000, p. 48-51, illus.
Torres, Ana Maria, “Sol LeWitt: Beyond the Wall,” NY Arts, December 2000, p. 35-7.
Trini, Tommaso, “Lewitt (Abitare l’Abisso) Merz,” tema celeste, June 2000, pp.98-103, illus.
Schjeldahl, Peter, “Less is Beautiful : A celebration of the well-tempered Minimalist Sol LeWitt” ; The New Yorker, March 13, 2000, pp. 98-99, illus.
Sherman, Mary, “LeWitt Corners Market on Cubist Artistry,” Boston Sunday Herald, February 13, 2000 p. 66.
“Best of the Week: Sol LeWitt: A Retrospective,” New York, December 11, 2000, p. 75
Stuckey, Charles, “ ‘Modern Starts’ : Raising the Barr?” ; Art in America, May 2000, pp. 51, 53, 55, 57, illus.
Wong, Sherry, “Sol Fever,” Magazine [Online], available at, December 15, 2000, illus.
Allemandi, Alessandro, “Sol Lewitt and David Tremlett: Wine and Prayer,” The Art Newspaper, November 1999, no. 97, p. 36, illus.
Bernson, Julie. “Education Outreach at the Addison” Friends of the Addison, Summer 1999, illus., pp.6-7.
“Building the Collection: New Acquisitions for the Sculpture Garden” ; National Gallery of Art Bulletin, Fall 1999, No. 22, pp. 10-13, illus.
Chiodi, Stefano, “Sol Lewitt, Volume!, Roma”; Tema Celeste, no. 76, October-December 1999, p. 123.
Danoff, Douglas, “Vintage LeWitt”; ARTnews, October 1999, p.40.
Edelman, Robert G., “Abstract New York”,, November 11, 1999.
Garrels, Gary, “A Conversation with Sol Lewitt” ; NY Arts, pp. 47-49.
“Goings On About Town: Sol LeWitt,” The New Yorker, 1 Nov., 1999, p. 35.
Haldane, John, “Sol LeWitt and David Tremlett,” Art Monthly, October 1999.
Humphrey, David, “New York e-mail,” Art issues, Summer 1999, p.42-43, illus.
Johnson, Ken, “Sol LeWitt–Paula Cooper Gallery,” The New York Times, October 22, 1999.
Smith, Roberta, “Wall Drawings–Lance Fung Gallery,” The New York Times, June 11, 1999.
Sozanski, Edward J., “LeWitt’s artwork takes shape at ICA”, The Philadelphia Inquirer Magazine, May 19, 1999, pp. D1, D7.
Vogel, Carol, “Sol LeWitt Throws Curves Into a Bastion of the 30’s,” The New York Times, April 22, 1999, p. B1, B3.
Williams, Alex “Lower West Side Story” New York, October 4, 1999, pp. 24-35.
Adams, Brooks, “Anybody Can Do It-And That’s the Point,”. Interview, June 1998, pp. 50-51.
Bonetti, David, “Wall-to-Wall LeWitt,” San Francisco Examiner, January 13, 1998, p. C1.
Galeone, Lorenza. “New York” Juliet, n. 86, February-March, 1998, pp. 69-70.
Smith, Roberta, “Sol LeWitt: PaceWildenstein,” The New York Times, September 18, 1998, p. E 35.
“The Serial Attitude”, Wexner Center Calendar of Events, May 6, 1998.
“Working Proof: Reviws of Prints, Photographs and Multiples” On Paper Vol. 2, No. 6.
Artner, Alan, “Primary Structures,” Chicago Tribune, June 6, 1997.
Baker, Kenneth, “LeWitt Turns Ideas into Art,” Book Review, San Francisco Sunday Examiner & Chronicle, January 12, 1997.
Camper, Fred, “Monuments of Geometry,” Chicago Reader, May 30, 1997, p. 30.
Glueck, Grace. “Sol LeWitt Making Waves and Sending a Message,” The New York Times, August 24, 1997.
Johnson, Ken, “Sol LeWitt: Ubu Gallery,” The New York Times, November 14, 1997, p. E 46.
Kalina, Richard, “Sol LeWitt at Ace,” Art in America, November 1997, p. 122.
Litt, Steven, “Celebrating the Power of Ideas in Art,” Cleveland Plain Dealer, February 7, 1997, p. F 1.
Rush, Michael, “Sol LeWitt Wall Paintings 1997,” Review, June 1, 1997, p. 17-18.
Tucker, Paul Hayes, “Sol LeWitt: Ace,” ARTnews, November 1997, p. 228.
Cotter, Holland. “El Anatsui and Sol LeWitt,” The New York Times, July 5, 1996, p. C24.
Kandel, Susan “LeWitt’s Paintings: A Wall of Color, Concepts,” Los Angeles Times, December 5, 1996.
MacAdam, Barbara A. “Sol LeWitt : A Tale of Two Squares,” ARTnews, June 1996, p. 102.
Rush, Michael, “Sol LeWitt : more than an idea,” Art New England, October/November 1996 pp. 24-25.
Sherman, Mary, “LeWitt builds art on reason,” Boston Sunday Herald, September 6, 1996, p. 54.
Smith, Roberta. “A Self-Effacing Avowal of Geometry’s Power,” The New York Times, February 2, 1996, p. C5.
Tuchman, Phyllis, “226 Straight Lines on Sol LeWitt,” Sol LeWitt Drawings, Colby College Museum of Art.
Cotter, Holland. “Personal Without Personality,” The New York Times, October 6, 1995, p. C16.
Dorsey, John. “Sol LeWitt’s Art Sounds Stiff and Looks Sensuous,” The Sun, February 12, 1995, p. J1.
Gardner, James. “The Passion of Sol LeWitt,” The New York Review of Art, March-April 1995, p. 4-5.
MacAdam, Barbara A. “Sol LeWitt: Ace, lawrence Markey, John Weber,” ARTnews, November 1995, p. 241.
Raynor, Vivien. “Portraits and Wall Drawings,” The New York Times, August 6, 1995.
Russ, Sabine. “Sol LeWitt: New Structures, Ace Gallery,” Zing Magazine, Autumn 1995.
Smith, Roberta. “Touring the Outer Limits of the Sol LeWitt Sensibility,” The New York Times, April 7, 1995, p. C35.
Stapen, Nancy. “Boston: Sol LeWitt, Museum of Fine Arts,” ARTnews, January 1995, p. 168.
Turner, Jonathan. “Accumulations, Zerynthia,” ARTnews, November 1995, p. 254.
Coen, Ester. “Sol LeWitt idee al cubo,” La Republica, July 10, 1994.
Goodman, Jonathan. “Sol LeWitt: Gallery 128,” ARTnews, January 1994, p. 138.
Gutterman, Scott. “Sol LeWitt: Drawings,” Art & Antiques, November 1994, p. 97.
Kimmelman, Michael. “The Playful Side of a Usually Austere Artist,” The New York Times, October 23, 1994, p. 48.
Saltz, Jerry. “A Year in the Life: Tropic of Painting,” Art in America, October 1994, p. 90-101
Schjeldahl, Peter. “Saint Sol,” The Village Voice, March 15, 1994, p. 83.
Temin, Christine. “The Fine Lines of Sol LeWitt,” The Boston Globe, September 16, 1994.
Smith, Roberta. “An In-Depth Look at Some Writing on the Wall,” The New York Times, Sunday, May 23, 1993, pp. 36-40.
Russell, John. “After Cezanne at the Modern,” The New York Times, February 3, 1978, p. C1.
Masheck, Joseph. “Kuspit’s LeWitt: Has He Got Style?,” Art in America, Vol. 64, No. 6, November/December 1976, pp. 107-111.
Kuspit, Donald. “Sol LeWitt: The Look of Thought,” Art in America, Vol. 63, No. 5, September/October 1975, pp. 42-49.
Lippard, Lucy, R. “The Third Stream: Painted Structures and Structured Paintings,” Art Voices, Vol. 4, No. 4, Spring 1965, pp. 44-49.
Vogel, Carol. “Sol LeWitt Throws Curves Into A Bastion of the 30’s,” The New York Times, pp. E1-E3, illus.

Selections by the Artist

“Paragraphs on Conceptual Art” Artforum, Vol.5, #10, June 1967, pp.79-83.
“Sentences on Conceptual Art” Art-Language, Vol. 1, No. 1, May 1969, pp. 11-13.
Battcock, Gregory, Editor, “Documentation in Conceptual Art”, Arts Magazine, Vol. 44, No. 6, April 1970, pp.42-45, illus.
“Doing Wall Drawings” Art Now: New York, Vol. 3, No.2, June 1971.
“Sol Le Witt”, FlashArt, No. 41, June 1973, p. 2.
Autobiography Multiples, New York and Lois and Michael Torf, Boston, 1980.

Updated: January 22, 2021