Books & Catalogues

Von David Smith bis Richard Tuttle – Graphische Sammlung: Erwerbungen 2000-2016 und ältere Bestäbde, Band 3, Kunstmuseum Winterthur, 2017.
Grosvenor, Robert. 16 Pictures, Karma, New York, 2017.
Robert Grosvenor, exhibition catalogue, The Renaissance Society, Chicago, IL, 2017.
Grosvenor, Robert. 27 Pictures, Karma, New York, 2015.
Hart, Katherine. Collecting and Sharing: Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2015. pp. 148; illus.
Miller, Dana, and Adam D. Weinberg. Whitney Museum of American Art: Handbook of the Collection, New York: Whitney Museum of American Art, 2015, pp. 155; illus.
Grosvenor, Robert. 32 Pictures, Karma, New York, 2014.
Annual Magazine, A.P.C Trading. Ltd., Verona, 2012 pp. 187; illus.
Foster, Hal, Rosalind Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh, and David Joselit.
Art Since 1900: Modernism, Antimodernism, Postmodernism, 2nd ed. London: Thames & Hudson, 2011, pp. 536-7
Whitney Biennial 2010 exhibition catalogue, Whitney Museum of American Art, New York, Yale University Press, New Haven and London, 2010, pp 62-63; illus.
Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné, The Museum of Modern Art, New York, 2009, pg. 136; illus.
560 Broadway: A New York Drawing Collection at Work, 1991-2006, ed. Amy Eshoo. Yale University Press, New Haven, CT, 2008.
Humblet, Claudine. The New American Abstraction: 1950-1970, Skira editore, Milano, Italy, 2007, pp.1749-1779, illus.
Against the Grain: Contemporary Art from the Edward R. Broida Collection, exhibition organized by Ann Temkin (New York: The Museum of Modern Art, 2006), p. 59, illus.
Robert Grosvenor, exhibition catalogue, Fundação de Serralves, Porto, Portugal, 2005, illus.
Goldstein, Ann. A Minimal Future? Art As Object 1958-1968, exhibition catalogue, The Museum of Contemporary Art, Los Angeles, CA, 2004, p. 204-209. Illus.
7th Biennale d’Art Contemporain de Lyon - Avant, exhibition catalogue.
Les Presses du Réel / Fage Éditions, 2003, p 82-83, illus.
Helfenstein, Josef and Jonathan Fineberg, ed. Drawings of Choice from a New York Collection, exhibition catalogue. Krannert Art Museum, Champaign, Illinois, p. 56, 57, illus.
Marzona Villa Manin: a private collection, exhibition catalogue. Hatje Cantz, Germany, 2001, p. 42, 43, illus.
Afterimage: Drawing through Process, exhibition catalogue from The Museum of Contemporary Art, Los Angeles, MIT Press, Cambridge, Massachusetts, 1999, pp. 45, 126, 138, illus.
Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, exhibition catalogue from the Harvard University Art Museums, 1998. Essay by Dieter Schwarz.
The Edward R. Broida Collection: A Selection of Work, exhibition catalogue from the Orlando Museum of Art, 1998, illus. Essay by Sue Scott.
Archer, Michael. Art Since 1960, Thames and Hudson Ltd., London, 1997, illus.
Blurring the Boundaries: Installation Art 1969-1996, exhibition catalogue from the Museum of Contemporary Art, San Diego, 1997, illus.
Una Collecció Particular: Fragments de 1971 a 1996, exhibition catalogue from Museu d’Art de Girona, Barcelona, Spain, 1997, illus.
From Figure to Object: A Century of Sculptors’ Drawings, exhibition catalogue, Karsten Schubert Gallery and Frith Street Gallery, London, England introduction by Richard Shone, 1996, illus.
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, catalogue from the exhibition at the National Gallery of Art, Washington, DC, 1994.
Robert Grosvenor, exhibition catalogue from Kunsthalle Bern, Bern, Switzerland, 1992, illus. Essays by Ulrich Loock and Jerry Saltz.
Then & Now, exhibition catalogue from the Philippe Staib Gallery, New York, New York, 1992, illus.
L’Aventure de l’Abstraction: 1960-1990, exhibition catalogue from the Deutsch Foundation, Belmost-Sur-Lausanne, Switzerland, 1990, illus.
Robert Grosvenor, exhibition catalogue from Centre d’Art Contemporain du Domaine de Kerguehennec, Locmine, France 1989. Essays by Jean-Pierre Criqui and Donald Kuspit.
Baker, Kenneth. Minimalism, Abbeville Press, New York,1988, pp. 10, 15, 16, illus.
The Success of Failure, exhibition catalogue from the Independent Curators Incorporated, New York, 1988. Essay by Joel Fisher. p. 26, illus.
documenta 8, exhibition catalogue from Kassel, West Germany, 1987. Katalog 2, pp. 86-87, illus.
L’Epoque, la mode, la morale, la passion: Aspects de l’art d’aujourd’hui, 1977-1987, exhibition catalogue from lthe Musée d’Art Moderne, Centre Georges Pompidou, Paris, France, 1987. pp. 174-177, illus.
Works from the Paula Cooper Gallery, exhibition catalogue from the John Berggruen Gallery, San Francisco, California, 1986. pp. 16-17, illus.
The Maximal Implications of the Minimal Line, exhibition catalogue from Bard College Center, Milton and Sally Avery Center for the Arts, Edith C. Blum Art Institute, Annandale-on-Hudson, 1985. p. 25, illus.
Gilbert-Rolfe, Jeremy. Immanence and Contradiction, Out of London Press, New York, 1985. pp. 150-157.
Lucie-Smith, Edward. American Art Now, William Morrow, New York, 1985. p. 21, illus.
Objects, Structures, Artifice, American Sculpture: 1970-1983, exhibition catalogue from the University of South Florida, SVC Fine Arts Gallery, 1984. Essay by Michael Klein. pp. 22-23, illus.
Drawings from the Collection of Milton Brutten and Helen Herrick, exhibition catalogue from the William Paterson College, Wayne, New Jersey, 1982. p. 6, illus.
postMINIMALism, exhibition cataloge from the Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1982.
Amerikanische Zeichnungen der Seibziger Jahre, Prestel-Verlag, Munich, Germany, 1981.
Drawings by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection, exhibition catalogue from the Montreal Museum of Fine Art, 1981. Essay by David Bellman. pp. 30-31, illus.
Deschamps, Madeleine. La Peinture Americaine, Editions Denoël, Paris, 1981. p. 260.
The Minimal Tradition, exhibition catalogue from the Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1979. p. 18, illus.
American Drawing 1927-1977, exhibition catalogue from the Minnesota Museum of Art, St.Paul, Minnesota, 1977. p. 20, illus.
Documenta 6, exhibition catalogue from Kassel, West Germany, 1977. pp. 180-181, illus.
200 Years of American Sculpture, exhibition catalogue from the Whitney Museum of American Art, New York, 1976. pp. 186-213, illus.
Rooms P.S.1, exhibition catalogue from the Institute for Art and Urban Resources, New York, 1976, illus.
Painting, Drawing and Sculpture of the ’60s and the ’70s from the Dorothy and Herbert Vogel Collection, exhibition catalogue from the University of Pennsylvania, Institute of Contemporary Art, 1975.
Tendences Actuelles de la Nouvelle Peinture Americaine, exhibition catalogue from Musée d’Art Moderne de la Ville de Paris, 1975. p. 9, illus.
Zeichnungen 3, U.S.A., exhibition catalogue from Stadtisches Museum, Leverkusen, West Germany, 1975, p. 47, illus.
Monumenta: A Biennial Exhibition of Outdoor Sculpture, exhibition catalogue from Newport, Rhode Island,1974. pp. 82-83.
Works on Paper, exhibition catalogue from the Virgina Museum of Fine Arts, 1974. p. 16, illus.
10, exhibition catalogue from The Contemporary Arts Museum, Houston,1972. pp. 11-12, illus.
Painting and Sculpture Today: 1972, exhibition catalogue from the Indianapolis Museum of Art, 1972. p. 30, illus.
Sonsbeek 71 and Sonsbeek 71, Part 2, exhibition catalogues from Centrum, Park Sonsbeek, Arnheim, The Netherlands, 1971. Essay by Robert Grosvenor, p. 44, p. 9, illus.
Art on Paper 1969, exhibition catalogue from the University of North Carolina, Weatherspoon Art Gallery, Greensboro, NC, 1969.
Contemporary American Sculpture, Selection 2, exhibition catalogue from the Whitney Museum of American Art, New York, 1969. p. 16, illus.
Minimal Art, exhibition catalogue from the Kunsthalle Stadtische, Düsseldorf, 1969. pp. 33-35.
Morris, Jerrold. On the Enjoyment of Modern Art, New York Graphic Society, 1968. illus.
Kultermann, Udo. Neue Dimensionen de Plastik, Tubingen, 1967, p. 131, illus.
Rickey, George. Constructivism. New York, 1967. p. 140, illus.

Journals, Magazines & Newspapers

Yau, John. “The Impermanent Sculptures of Robert Grosvenor,” Hyperallergic, February 17th, 2018;
Excerpt from, “Top Art Shows in New York This Week: Kishio Suga to William Eggleston,” Blouin Artinfo, March 1st, 2018;
“Robert Grosvenor at Paula Cooper Gallery, New York,” Mousse Magazine, March 1, 2018;
Proctor, Jacob. “Reviews-Robert Grosvenor: The Renaissance Society,” Artforum, Summer, 2017. pp. 365-366.
Knight, Christopher. “Review: Where yellow means go, and go now: LACMA’s standout show on ‘60s Dwan Gallery,” Los Angeles Times, May 31, 2017.
Huang, May. “Robert Grosvenor’s ‘Untitled’ Evades Concrete Answers,” The Chicago Maroon, February 24, 2017;
Yau, John. “Robert Grosvenor Doesn’t Take Us for a Ride,” Hyperallergic, July 9, 2017.
Smith, Roberta. “Galleries: Robert Grosvenor,” The New York Times, July 14, 2017. pp. C17.
Azzarello, Nina. “Robert Grosvenor Parks Three Functionless Cars Inside New York’s Karma Gallery,” Designboom, Auggust 10, 2017.
“Robert Grosvenor,” The New York Times, September 1st, 2017. Pg. C14.
Ulrich Obrist, Hans. “Hypervolume in Hyperspace,” Mousse Magazine, February-March, 2016. pp. 162 – 175.
Heddaya, Mostafa, “Robert Grosvenor at the Paula Cooper Gallery,” Blouin Artinfo, June 16, 2015
“Robert Grosvenor, Review,” The New Yorker, May 25, 2015, pg. 18.
Yau, John. “Robert Grosvenor and the Anonymous Laborer,” Hyperallergic, May 10, 2015
Russeth, Andrew. “The Season Begins: A Rough Start in Chelsea, Joys Abound
“Downtown,” ARTnews, September 9, 2014
Wei, Lilly. “Robert Grosvenor at Paula Cooper,” ARTnews,June 2012, pg. 88; illus.
Finch, Charlie. “Robert Grosvenor: Trash Versus Elegance,” Artnet, February 13, 2012
Gopnik, Blake. “Resonant Objects, Done Right,” The Daily Beast, February 22, 2012
Duray, Dan, Michael H. Miller and Andrew Russeth. “9 Things to Do in New York’s Art World Before Feb.4,” Gallerist NY, January 30, 2012
Grosvenor, Robert and Carrie Springer. “Robert Grosvenor in conversation with Carrie Spring” Annual, 2012. pp. 187-189, illus.
Johnson, Ken. “‘Tenerife’ by Robert Grosvenor at the Whitney Museum of American Art.” The New York Times, December 30, 2011, pp. 25-26, 30; illus.
“Museum Must-Sees: Whitney Museum of American Art: Robert Grosvenor, Tenerife”. Time Out New York, June 30-July 6, 2011, pg. 11; illus .
Saltz, Jerry. “Up Close and Personal with ‘Singular Visions,’ the Whitney Offers a Show of Rare Intimacy,” New York January 31, 2011, pg. 55; illus.
Rosenberg, Karen. “A Haunting Tour, One Room at a Time,” The New York Times, January 21, 2011, PG. C31; illus.
Scott, Andrea K. “Critic’s Notebook: Powers of One,” The New Yorker, January 17, 2011, pg. 14; illus.
Bourbon, Matthew, “2010, The Whitney Biennial,” Art Lies, Summer 2010, pp. 80-81; illus.
Fox, Dan. “Whitney Biennial 2010,” Frieze May 2010, Issue 131, pp. 128-129; illus.
Lindquist, Greg. “Robert Grosvenor,” The Brooklyn Rail April 2010, pg. 38; illus.
Schjeldahl, Peter. “No Offense: The Whitney Biennial, The New Yorker, March 8, 2010, pp. 80-81.
Cotter, Holland. “At a Biennial: On a Budget, Tweaking And Provoking” The New York Times, February 26, 2010, pg. 21-30; illus.
Johnson, Ken. “Every Revolution Is a Roll of the Dice” The New York Times, Friday, February 6, 2009, pg. 27.
Wilson, Michael. “Every Revolution Is a Roll of the Dice” Time Out New York, January 29 - February 4, 2009, No.696, pg. 49.
Martin, Courtney J. “Site Santa Fe: Sixth International Biennial,” Contemporary Magazine, 2007
Colpitt, Frances. “A slow-motion biennial: in a striking departure from most such exhibitions, the current SITE Santa Fe Biennial focuses on a small number of artists, many of them in midcareer,” Art in America, October 2006
Cook-Romero, Elizabeth, “Not Very Free Associations,” Pasatiempo, July 7-13, 2006, pg. 42; illus.
Cook-Romero, Elizabeth, “A Constellation of Pauses,” Pasatiempo, July 7-13, 2006, pp. 32-35.
Fischer, Zane, “Art Without Excuses,”Santa Fe Reporter, July 5-11, 2006, pp. 14-20.
Rochette, Anne and Wade Saunders. “Plain Seeing,” Art in America, October 2005, pp. 138-145,193, illus.
Affreixo, Rodrigo. “Exposicoes de Joao Penalva e Robert Grosvenor par aver a partir de hoje em Serralves,” Comercio de Porto (O) (Porugal), February 5, 2005, p. 48, illus.
“bloco de notas: Grosvenor e Panalva em Serralves,” Primeiro de Janeiro (O) (Portugal), February 7, 2005, p. 2.
Costa, Joana Gomes. “Exposicoes,” Labor (Portugal), February 17, 2005, p. 28.
Cruz, Marcos. “A tardia consagracao de um ‘outsider’,” DN – Edicao Norte (Portugal), February 5, 2005, p. 43.
“Desvios escultoricos,” Publico (Portugal), February 12, 2005, p. 17, illus.
“Duas novas exposicoes inauguram em Serralves,” Capital (A) (Portugal), February 4, 2005, p. 44.
“Em Marco recomendamos…,” L + Arte (Portugal), March 1, 2005, p. 66-67, illus.
Gradin, T. “Serralves muestra obrac que sorprenden al espectador,” Faro de Vigo (Portugal), p. 6, illus.
Maio, Ate. “Penalva e Grosvenor chegam a Serralves,” Sabado (Portugal), February 4, 2005, p. 35, illus.
“Museu de Serralves inaugura exposicoes de Robert Grosvenor e Joao Penalva,” Noticias da Manha (Portugal), February 4, 2005, p. 22.
Ottmann, Klaus. “Robert Grosvenor: In His Own Place,” Sculpture, October 2005, pp. 38-43, illus.
“Robert Grosvenor,” Publico Serralves (Portugal), January 28, 2005, p. 4-5, illus.
“Serralves/Arte,” Correio de Manha (Portugal), February 4, 2005, p.41.
“Serralves inaugura exposicoes de Robert Grosvenor e Joao Penalva,” Primeiro de Janeiro (O) (Portugal), February 4, 2005, p.22.
Teixeira, Goreti. “Distintas exploracoes critivas,” Primeiro de Janeiro (O) (Portugal), February 13, 2005, p. 2, illus.
Teixeira, Goreti. “A criatividade em distintas exploracoes,” Primero de Janeiro (O) (Portugal), February 6, 2005, p. 21, illus.
Genesis Sculpture, Experience Pommery #1 (special issue of Beaux Arts Magazine), Paris, 2004, illus.
Artner, Alan G. “Dazed and Bemused,” Chicago Tribune, May 22, 2003, Section 5, p.3, ills.
Glueck, Grace. “Robert Grosvenor,” The New York Times, January 24, 2003. p. E41.
Lebovici, Elisabeth. “Lyon, Bon Pied, Biennale,” Liberation, September 19, 2003, p. 29-30.
Morton, Tom. “Lyon Biennale,” frieze, December, 2003, p.90-91.
Newhall, Edith. “Playing Hard-to-Get”, New York Magazine, February 10, 2003, p. 89, ills.
Everett, Deborah. “Dan Flavin, Carl Andre, Louise Bourgeois, Mark Di Suvero, Roni Horn, Bruce Nauman, Robert Grosvenor, Claus Oldenburg, David Smith and Tony Smith @ Paula Cooper,” NYArts, Vol. 5 #1, 2000, p. 83.
Lemonedes, Heather, “Sculptor’s Drawings, Paula Cooper Gallery, New York,” Art on Paper, Vol. 4, No. 5, May - June 2000, pp. 80-81, illus.
Ottmann, Klaus, “Robert Grosvenor, Paula Cooper,” ARTnews, May 2000, p. 228, illus.
“Robert Grosvenor, Andreas Gursky, John Wesley,” Forum 38, Carnegie Museum of Art, Pittsburg, Pennsylvania (museum pamphlet).
Segal, Stephen H..”Stand in the Place Where You Live,” In Pittsburgh, February 24, 1999, p. 27.
Shearing, Graham. “Living on the edge,” The Tribune-Review, February 25, 1999, p. 25.
Straussman, Kyra. “Carnegie Museum film series explores the landscape of suburbia, The Tribune-Review, March 14, 1999, p. H5.
Thomas, Mary. “Curator interprets three artists in Forum show and their vocabulary for ideas,” Pittsburgh Post-Gazette, February 27, 1999, p. D9.
Decter, Joshua. “Robert Grosvenor: Paula Cooper Gallery,” Artforum, September 1998, illus.
Klein, Michael. “Robert Grosvenor: Paula Cooper,” Sculpture, July/August 1998, Volume 7, No. 6, p.65, illus.
Murdock, Robert M., “Robert Grosvenor, Sculpture and Drawings ; John McLaughlin,” Review, March 1, 1998, pp. 16-17.
“Art: Talent: Balancing Art,” New York Magazine, March 18, 1996, p.74, illus.
Karmel, Pepe. “Art in Review: Robert Grosvenor ‘Sculpture’,” The New York Times, March 8, 1996, p. C27.
MacAdam, Barbara. “Robert Grosvenor: Paula Cooper, Lawerence Markey,” ARTnews, October 1996, p.138, illus.
“Art: Robert Grosvenor,” The New Yorker, March 22, 1993, p.18.
Criqui, Jean-Pierre. “Robert Grovesnor: Kunsthalle,” Artforum, January 1993, pp.94-95
Saltz, Jerry. “Let Us Now Praise Artist’s Artists,” Art & Auction, April 1993, p.74-79, 115.
Smith, Roberta. “25 Years, Part 1,” The New York Times, 11/26/93, p. C29.
“Goings on About Town,” The New Yorker, April 22, 1991, p.16.
“Goings on About Town,” The New Yorker, April 29, 1991, p.16.
Albertazzi, Liliana. “Robert Grosvenor,” Lapiz, No. 60, 1991, pp. 69-70, illus.
Garcia-Marques, Francesca. “Environmental Sculpture,” Casa, Aprile 1991, number 229, p. 236-237, illus.
Melrod, George. “Robert Grosvenor at Paula Cooper,” Art in America, October 1991, pp. 151-152, illus.
Pozzi, Lucio. “Le allusioni di Robert Grosvenor, lunghe a farsi e lente a vedersi,” Il Giornale Dell’Arte, July-August 1991.
Schjedlahl, Peter. “At the Salon of April,” The Village Voice, May 14, 1991, p.86.
Gardner, Colin. “Robert Grosvenor,” Artforum, October 1990, p.178, illus.
Wilson, William. “Art Reviews,” Los Angeles Times, June 12, 1990, p. F4, illus.
“Art Highlights,” Minneapolis Star Tribune, July 23, 1989, illus.
Brenson, Michael. “Bold Sculpture for Wide Open Spaces,” The New York Times, July 21, 1989, pp. C1, C24, illus.
Kuspit, Donald. “Robert Grosvenor,” Galleries, Aug.-Sept. 1989, pp. 76-79, illus.
Thomas, Mona. “Robert Grosvenor,” Beaux Arts, July-August 1989, pp. 98-99, illus.
“Art Now/New York,” Gallery Guide, October 1988, illus. (cover).
Kaufman, Jason Edward. “Cross Section of SoHo,” The World & I, October 1988, p. 281.
Newhall, Edith. “Galleries,” New York Magazine, Sept. 12, 1988, p. 72.
Russell, John. “Robert Grosvenor,” The New York Times, October 21, 1988, p. 27.
Schwalb, Claudia. “Enlightened Form,” Cover, October 1988, p.15, illus.
Brenson, Michael. “Art: Documenta 8 Exhibition in West Germany,” The New York Times, July 15, 1987, p. C13, illus.
Appearances, Fall/Winter 1985-1986, p. 9, illus.
Handy, Ellen. “Robert Grosvenor,” Arts Magazine, Summer 1986, p. 120-121, illus.
Russell, John. “Review: Robert Grosvenor,” The New York Times, April 18, 1986, p. C27.
Brenson, Michael. “Review: Changing Sculpture Exhibition,” The New York Times, December 20, 1985, p. C29.
Rose, Barbara. “Portrait of Paula,” Vogue, April 1985, pp. 362-367, 410, illus.
Glueck, Grace. “Art: Review,” The New York Times, February 10, 1984, p. C18.
Kuspit, Donald. “Robert Grosvenor,” Artforum, Summer 1984, p. 92.
Masheck, Joseph. “A Tale of a Tub,” Art in America, May 1984, p. 124-127, illus.
Winter, January 22 - March 18, 1984. Organized by Alanna Heiss, P.S. 1 (Project Studios One), Long Island City, New York: pp. 1-17, illus.
Bell, Tiffany. “Robert Grosvenor,” Arts Magazine, January 1980, p. 25, illus.
Carlson, Prudence. “Robert Grosvenor at Paula Cooper Gallery,” Art in America, September/October 1978, p.124, illus.
Perlberg, Deborah. “Reviews: New York, Robert Grosvenor, Paula Cooper Gallery” Artforum, Summer 1978, p.65-66, illus.
Russell, John. “Critic’s Choice: Galleries,” The New York Times, April 21, 1978, pp. C17.
Morin, France, John Torreano and Robert Yasuda. “Robert Grosvenor,” Parachute, Autumn 1977, pp. 29-31.
Shapiro, David. “A View of Kassel,” Artforum, September 1977, pp. 60-61, illus.
Soper, Susan. “What would they do with Whistler’s Mother?,” Newsday, May 24, 1977, p.30A.
Drysdale, Tom. “Turning Art Into a Shopping Mall,” The Soho Weekly News, May 20, 1976, p. 14.
Gilbert-Rolfe, Jeremy. “Robert Grosvenor: Specific Clarity,” Art in America, March/April 1976, pp. 84-85, illus.
Stringer, John. “New York Report: March 1976,” Bulletin (Melbourne, Australia), May 1976, p. 7.
“Galeria Internacional,” Artes Visuales 7 (Museo de Arte Moderno, Chapultepec, Mexico), July/September 1975, p. 40, illus.
Francblin, Catherine. “Actualité, Robert Grosvenor,” Art Press, #20, September/October 1975, p. 44, illus.
Kurtz, Bruce. “Robert Grosevnor’s Sculpture 1965-1975,” Arts Magazine, October 1975, pp. 68-72, illus.
Russell, John. “Review,” The New York Times, April 19, 1975.
Wooster, Ann-Sargent. “Review,” New York Villager, April 17, 1975, p. 17.
Cummings, Paul. Archives of American Art Journal, Vol. 14, #3, 1974, p. 18.
Hess, Thomas B. “Robert Grosvenor, Shivering Timbers,” New York Magazine, February 4, 1974, illus.
Masheck, Joseph. “Robert Grosvenor’s Fractured Beams,” Artforum, May 1974, pp. 36-39, illus.
Dobson, Rona. “Art: Sculpture in the Open,” The Bulletin (Brussel, Belgium), July 9, 1971, p.14-15.
“Kinetic Ocean Piece,” Art Week, July 1971.
Masheck, Joseph. “Review,” Artforum, June 1971, pp. 83-84, illus.
Seigel, Jeanne. “Reviews and Previews,” ARTnews, Summer 1971, p. 13.
Shore, Joan Z. “Great Sculpture in the Great Outdoors,” The Brussels Times, June 10, 1971, p. 10.
Andreae, Christoper. “Learning from laughter,” The Christian Science Monitor, May 11, 1970, p.8, illus.
Domingo, Willis. “In the Galleries,” Arts Magazine, March 1970, p. 61.
Ahoy, Bolt. “Art: Sculpture,” Time Magazine, August 2, 1968, p.44-47, illus.
Andreae, Christoper. “Arts Entertainment: Sculptures that fill buildings,” The Christian Science Monitor, February 24, 1967, p.4, illus.
“Art: Sculpture: Master of the Monumentalists,” Time Magazine, October 13, 1967, p.80-86, illus.
Bourdon, David. “The Cantilevered Rainbow,” ARTnews, Summer 1967, p. 28.
Life Magazine, July 28, 1967.
“The Third Dimension,” Newsweek, May 8, 1967, p.92-94, illus.
Bourdon, David. “E=MC2 a Go-Go,” ARTnews, January 1966, illus.
Robins, Corinne. “Four Directions at Park Place,” Arts Magazine, June 1966, p. 20.
Bourdon, David. “Park Place: New Ideas,” Village Voice, November 25, 1965, illus.


Ebony, David. “Reviews: The Top 10 Current Art Exhibitions in New York City” Art/icons, February/March 1996.

Updated: February 7, 2019