Books & Catalogues

2017
Durant, Sam, Pedro Alonzo, Tisa Bryant, Danielle Legros Georges, Robin Coste Lews, Tim Phillips, and Kevin Young. The Meeting House / Build Therefore Your Own World, Blum & Poe with Black Dog Publishing, 2017.
2015
Foster, Hal. Bad New Days: Art, Criticism, Emergency, Verso Books, London, 2015, pp. 56-57; ilus.
Finessi, Beppe. Geografie - Representations of the World between Art and Design, Italy, 2015. pp. 78; illus.
2013
Artists & Editions, San Francisco: Rite Editions, 2013
The Present Order is the Disorder of the Future, exhibition catalogue, Kleve: Museum Kurhause Kleve, 2013, p. 39, Illus.
2012
Rachel Foullon: Braided Sun, University Art Museum, University at Albany, State University of New York, pg. 43; illus.
Weltkunstschau documenta nicht nur in Kassel, Mitteldeutsche Zeitung, June 6, 2012
DOCUMENTA (13), catalogue, Hatje Cantz, Kassel, Germany, 2012; illus.
Chaillou, Timothée. Seuls quelques fragments de nous toucheront quelques fragments d’autrui (Only Parts of us Will Ever Touch Parts of Others).
Paris/Salzburg: Galerie Thaddaeus Ropac, 2012. Print. pp. 127
Finley, Jeanne. Rachel Foullon: Braided Sun. New York: University Art Museum, 2012. Print. pp. 43
Annual Magazine, A.P.C Trading. Ltd., Verona, 2012 pp. 18; illus.
9th Annual Benefit Auction for The Drawing Center, October, 2012, Preview Catalogue, pp. 15
2011
To the Arts, Citizens!, exhibition catalogue, Fundacao de Serralves, Porto, Portugal, 2011, pp. 76-77; illus.
Gilman, Claire and Lynne Tillman, Drawing Papers 96 The Drawing Center, New York, NY, 2011, pg. 45; illus.
Collection Vanmoerkerke, Brussels, Belgium: Rispoli, 2011, pp. 54-55; illus.
Foster, Hal, Rosalind Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh, and David
Joselit. Art Since 1900: Modernism, Antimodernism, Postmodernism, 2nd ed. London: Thames & Hudson, 2011, pp. 648, 713
2010
Borchardt-Hume, Achim. Keeping it Real: From the Ready-Made to the Everyday: the D. Daskalopoulos Collection, exhibition catalogue, The Whitechapel Gallery, London, 2010, pg. 109; illus.
Stargazers: Elizabeth Catlett in Conversation, exhibition catalogue, The Bronx Museum of the Arts, New York, NY, pg. 51, 68; illus.
2009
Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book, Goodman, 2009, pg. 68; illus.
2008
Buchanan, Nancy, Sam Durant, Martha Rosler. ID 517: Special Topics in Art and Politics: A Not So Simple Case for Torture, onestar press, Paris, France, 2008.
Deller, Jeremy. “Marlon Brando, Pocahontas, And Me”. Aspen Art Museum, Aspen, CO, 2008, pp. 21 – 23, 58 – 61.
This Is Not To Be Looked At: Highlights from the Permanent Collection of The
Museum of Contemporary Art, Los Angeles, exhibition catalogue, The Museum of Contemporary Art, Los Angeles, CA, 2008, pp. 92-93; illus.
2007
Collage: The Unmonumental Picture, exhibition catalogue, New Museum of Contemporary Art, New York, NY, 2007.
Glover, Danny. Black Panther: The Revolutionary Art of Emory Douglas, exhibition catalogue, ed. Sam Durant, Rizzoli, Museum of Contemporary Art, Los Angeles, CA, 2007, 208 pgs. Illus.
Molon, Dominic, Sympathy for the Devil: Art and Rock and Roll Since 1967, exhibition catalogue, Museum of Contemporary Art, Chicago, IL, 2007, pp. 36-37, 259; illus.
The Andy Warhol Foundation for the Visual Arts 20-Year Report 1987-2007, The Andy Warhol Foundation for the Visual Arts, Inc. New York, NY, 2007, p.18
2005
War is Over 1945-2005 La Libertà dell’arte, Galleria D’Arte Moderna e Contemporanea, Bergamo, Italy (exhibition catalogue)
Durant, Sam. Proposal for White and Indian Dead Monument Transpositions, Washington, D.C., Paula Cooper Gallery, New York, NY (exhibition catalogue)
2004
12 Signs: transposed and illuminated (with various indexes), Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (exhibition catalogue)
Baldessari, John and Meg Cranston.100 Artists See God, Independent Curators International, New York, NY, p. 17 (exhibition catalogue)
Fisher, Elizabeth and Michael Harrison. Rear View Mirror, Kettle’s Yard, University of Cambridge, Cambridge, United Kingdom, pg. 3-8 (cover) (exhibition catalogue)
Higgs, Matthew. Likeness: Portraits of Artists by Other Artists exhibition catalogue, CCA Wattis Institute, Independent Curators International, February 2004, p. 45
Martín, Patricia. Edén, Snoeck-Ducaju & Zoon, N.V., Ghent, Belgium, April 2004, p. 121 (exhibition catalogue)
2003
Entropy in Reverse, Govett-Brewster Art Gallery, New Plymouth, New Zealand, October 2003-February 2004. (exhibtion catalogue)
2002
Baume, Nicholas. Sam Durant: Following the Signs, Sam Durant/Matrix 147: 7 Signs; removed, cropped, enlarged and illuminated (plus index), Wadsworth Atheneum, Hartford, CT (exhibition brochure)
Kersting, Rita. Interview With Sam Durant, Sam Durant, The Museum of Contemporary Art, Los Angeles, LA/Hatje Cantz Publishers, October 2002, pg. 57-79
Mahony, Emma. Anyone can play guitar, Air Guitar: Art Reconsidering Rock Music, Milton Keynes Gallery, Central Milton Keynes, United Kingdom, pg. 7-11
Molon, Dominic. Deceptive Spaces, Dysfunctional Places, Out of Place: Contemporary Art and the Architectural Uncanny, The Museum of Contemporary Art Chicago, June 2002, p. 9
Morgan, Jessica. Artists Imagine Architecture Essay, Artists Imagine Architecture, The Institute of Contemporary Art, Boston, IL, 2002, pg. 4-46
Young, Kevin. Cover Song, Sam Durant, The Museum of Contemporary Art, Los Angeles, LA/Hatje Cantz Publishers, October 2002, pg. 83-109
1997
Butler, Cornelia H., Power of Suggestion, The Power of Suggestion: Narrative and Notation in Contemporary Drawing, Museum of Contemporary Art, Los Angeles, CA & Smart Art Press, Santa Monica, CA, p. 11

Journals, Magazines & Newspapers

2017
Swanson, Carol. “Is Political Art the Only Art That Matters Now?,” New York Magazine, April 17-30, 2017. Print. pp.60-71
Reichert, Kolja. “Ich fühle mich nicht zensiert,” transl. “I do not feel censored”, FAZ, June 21, 2017. Front Page.
Miranda, Carolina A. “Q&A: Artist Sam Durant was pressured into taking down his ‘Scaffold.’ Why doesn’t he feel censored?,” Los Angeles Times, June 17, 2017. http://www.latimes.com/entertainment/arts/la-et-cam-sam-durant-scaffold-interview-20170617-htmlstory.html
Zellen, Jody. “Sam Durant: ‘Build Therefore Your Own World’ at Blum & Poe,” Art Ltd Magazine, February 23, 2017; http://artltdmag.com/2017/02/sam-durant-build-therefore-world-blum-poe/
Sargent, Antwaun, “Black Poets, 19th Century Transcendentalists Inspire a Sculptural Look at Race,” The Creators Project, January 31, 2017; http://thecreatorsproject.vice.com/blog/sam-durant-19th-century-transcendentalists-black-poets
“Sam Durant’s new works on view at Blum & Poe, Los Angeles,” Blouin ArtInfo, January 20, 2017; http://www.blouinartinfo.com/new/story/1885526/sam-durant-new-works-on-view-at-blum-poe-los-angeles
Kennedy, Randy. “High Line to have Permanent Art Plinth,” The New York Times, January 10, 2017; pg C3
“Sam Durant Wins DeCordova Sculpture Park’s 2017 Rappaport Prize,” ArtForum, July 27, 2017. https://www.artforum.com/archive/id=70035
Van Houten Maldonado, Devon. “Sam Durant Speaks About the Aftermath of His Controversial Minneapolis Sculpture,” Hyperallergic, July 14, 2017. https://hyperallergic.com/390552/sam-durant-speaks-about-the-aftermath-of-his-controversial-minneapolis-sculpture/
Johnson, Kate. “Burn, break, bulldoze: is it ever okay to destroy a piece of art?” TheConversation.com, July, 31, 2017. http://theconversation.com/burn-break-bulldoze-is-it-ever-okay-to-destroy-a-piece-of-art-81073
Greenberger, Alex. “Sam Durant Wins deCordova Sculpture Park’s $25,000 Rappaport Prize,” ArtNews, July 27, 2017. http://www.artnews.com/2017/07/27/sam-durant-wins-decordova-sculpture-parks-25000-rappaport-prize/
Morgan, Tiernan. “Art Movements,” Hyperallergic, July 28, 2017.
“Sam Durant, Pat Brassington and Mitch Cairns are awarded for contributions to the US and Australian art scenes,”Harper’s Bazaar, August 6, 2017. www.harpersbazaararabia.com/art/artists/artist-prizes
“Dakota community to bury Sam Durant’s ‘Scaffold’,” Appolo Magazine, September 5, 2017. https://www.appolo-magazine.com/dakota-community-to-bury-sam-durants-scaffold/
Voon, Claire. “Dakota Elders Decide to Bury Sam Durant’s Controversial Sculpture,” Hyperallergic, September 5, 2017. https://hyperallergic.com/398866/dako-elders-sam-durant-scaffold-burial/
“Sculpture that sparked protests will be buried, not burned,” San Francisco Chronicle, September 3, 2017. http://www.sfchronicle.com/news/article/Sculpture-that-sparked-protests-will-be-buried-12170551.php
Eler, Alicia. “Wood from controversial ‘Scaffold’ sculpture to be buried in secret location,” StarTribune, September 1, 2017. http://www.startribune.com/wood-from-controversial-scaffold-sculpture-to-be-buried-in-secret-location/442515593/
Frankel, Eddy. “The Hayward Gallery’s new billboard will speak directly to your tired soul,” Time Out London, October 12, 2017; https://www.timeout.com/london/blog/the-hayward-gallerys-new-billboard-will-speak-directly-to-your-tired-soul-101217
2016
Caroline, Elbaor. “Sam Durant’s ‘End White Supremacy’ Illuminates Outside Paula Cooper Gallery,” Artnet News, December 12, 2016; illus
Frank, Priscilla. “Historic ‘End White Supremacy’ Sign Reinstalled In New York City,” The Huffington Post, December 5, 2016. Illus. http://www.huffingtonpost.com/entry/end-white-supremacy-sign_us_5841bd75e4b017f37fe46413
McQuaid, Cate. “From America’s Beginning to World’s End,” The Boston Globe, October 13th, 2016. Illus.
2015
“Group Exhibition A Voice Remains To Open At Pippy Houldsworth Gallery,” Artlyst, April 28, 2015
Rothfield, Becca. “The Hypocrisy of the Artistic and Critical Left,” Hyperallergic, February 23, 2015
2014
Heddaya, Mostafa, “Reconstructing the Legacy of Surrealism,” Hyperallergic, October 20, 2014
Vartainian, Hrag, “The Revolutionary Postcolonial Imagination of Surrealism,” Hyperallergic, October 17, 2014
Plagens, Peter. “Art Review: Gallery Exhibitions of Dave Hardy, Matthew Ritchie and Sam Durant,ʼ” The Wall Street Journal, October 10, 2014
Rosenberg, Karen. “Sam Durant: ‘Invisible Surrealists,’” The New York Times, October 10, 2014, pg. C26; illus.
Cooper, Ashton. “23 Questions for History-Inspired Artist Sam Durant,” Blouin Artinfo, September 9, 2014
Jeffrey, Moira. “Art review: Sam Durantʼs historic gallows at Jupiter Artland,” The Scotsman, July 11, 2014
2013
Casavecchia, Barbara. “Sam Durant: Propaganda of the Deed, at Centro Arti Plastiche, Carrara,” Art Review, December 2013; pg.140, illus.
Mizota, Sharon. “Sam Durant’s Social Media Movement: What #isamuseum?,” KCET.org Artbound, July 12, 2013 Milliard, Coline. “‘Gallows’ Humor: Sam Durant on His Provocative Art,” Blouin Artinfo, May 22, 2013
2012
Gopnik, Blake. “The Daily Pic: At Documenta, Sam Durant remakes gallows,” The Daily Beast, June 9, 2012
Searle, Adrian. “Documenta 13: Mysteries in the Mountain of Mud,” The Guardian, June 11, 2012
“Freedom?,” pamphlet, 2012, inside covers; illus.
Camnitzer, Luis, “The Church of Ethical Cynicism: A Conversation Between Sam Durant and Luis Camnitzer,” Mousse, February – March 2012, pp.198-203; illus.
Durant, Sam. “Scaffold” Annual, 2012. pp.18-20, illus.
2011
Mizota, Sharon. “Sam Durant” at Blum & Poe, ARTnews, June 2011, pg. 113; illus.
Slezak, Lilly. “Profiles: Claire Gilman”. Art in America, March 25, 2011, illus.
Azimi, Negar. “Good Intentions”. frieze, March 2011, pp. 110-115, illus.
Stoilas, Helen. “Artists boycott Guggenheim Abu Dhabi project,” The Artnewspaper March 17, 2011, illus.
“The Drawing Center presents Drawn from Photography”. Museum Publicity, February 14, 2011, illus.
“The Drawing Center: Drawn from Photography”. re-title.com, January 4, 2011, illus. 2010
Knight, Christopher, “Zombie Architecture?”, Los Angeles Times, November 1st, 2010, illus.
Luse, Mimi. “Sam Durant: New York,” Art Papers, July/August 2010, pg. 56; illus.
Decter, Joshua. “Sam Durant: Paula Cooper Gallery,” Artforum Summer 2010, pp. 351- 352; illus.
Laurence, Robin. “From Frisking Poses to Tangled Flags,” Straight, February 18, 2010.
Moss, Jennifer. “Inaugural show at Audain Gallery reaches out to Downtown Eastside neighbours,” The Vancouver Sun, February 4, 2010.
2009
Gaines, Charles. “Reconsidering Metaphor/ Metonymy: Art and the Suppression of Thought, Art Lies Winter 2009, No. 64, p. 48-57.
Beradini, Andrew. “2008 California Biennial,” Frieze, March 2009, pp. 150-151.
Mizota, Sharon. “Sam Durant: This is Freedom? At Blum & Poe, Los Angeles,” Art on paper September/October, 2009, Vol. 14 No. 1, pp. 104-105; illus.
Knight, Christopher “It’s Freedom, or Something Like It,” Los Angeles Times, May 17, 2009, p. D14, illus.
McKinnion, Kelsey. Culver City: Fresh Paint,” C Magazine, April 2008, p. 28.
Sorkin, Jenny. “Ours” frieze, Issue 121, March 2009, pp. 162-163; illus.
Banai, Nuit. “Zones of Conflict” Time Out New York, Issue 695, January, 22 - 28, 2009, pg. 47 2008
Duncan, Michael. “The Spectacular Wrath of Saul: Peter Saul’s History Paintings,” Peter Saul, 2008, p. 59 (cat.)
Volk, Gregory. “The Wheel is Turning: Report from Sydney” Art in America No. 10, November 2008, pp. 63 – 69.
Knight, Christopher, “Don’t take it lying down,” The Los Angeles Times, November 5, 2008, p. E1, E6.
Delany, Max. “16th Biennale of Sydney.” Frieze, September 2008, pp. 190.
Kastner, Jeffrey. “Party Lines” Art + Auction July 2008, pp. 74-81, illus.
Britt, Douglas. “CAMH exhibit relates skewed history,” Houston Chronicle, July 9, 2008.
Klaasmeyer Kelly, “How Bizarre: A CAMH exhibition unearths this country’s strangeness,” Houston Press, June 26 – July 2, 2008.
Valez, Sarah. “The Revolution Will Be Visualized” Art in America June/July 2008, pp. 106-108; illus.
Gajkowski-Hill, Sarah. “Visual Art Review: Old Weird America,” Arts Houston, June 2008, p. 44-45.
Jinman, Richard, “Controversy hangs around Biennale poster”, Sydney Morning Herald, June 24, 2008.
“Biennale ‘controversial’,” Australia World News, June 18, 2008.
“Exhibit set to spark controversy,” The West Australian, June 17, 2008.
Webel, Scott. “The Old, Weird America,” Fluent~Collaborative, June 13, 2008
Jasper, Adam. “More Than Spin: Sydney Biennale,” Art Review, June 2008, p. 38.
Wolin, Joseph R., “Review: Unmonumental, New Museum” Modern Painters May 2008, pp. 88-89.
Gardner, Anthony. Preview: Biennale of Sydney, Artforum, May 2008.
Heartney, Eleanor. “Make It New,” Art in America, April 2008, pp. 82-85; illus.
Anderson, Virginia Billeaud. “Old, weird America explores American Folklore,” Houston Weekly, May 20, 2008.
Bogle, Allie. Sam Durant, Artrillery, May 2007, pg. 33.
Grabner, Michelle. “Makers and Modelers: Works in Ceramic,” X-TRA, Spring 2008, p. 54-57.
Sonnenborn, Katie. “Makers and Modelers,” Frieze March 2008, pg. 182.
“Unmonumental: The Object in the 21st Century,” New Museum Paper, Winter 2008, pg. 5.
Vogel, Carol. “Finalists Named for Hugo Boss Prize,” The New York Times, January 4, 2008, pg. E36.
2007
McElheny, Josiah. “Readymade Resistance,” Artforum, October, 2007, pp. 327-335; illus.
Lindey, Christine. “Iraq War: A vital theme,” Morning Star, June 4, 2007.
“Memorial to the Iraq War,” Metro London, May 24, 2007
Bogle, Allie. “Sam Durant,” Artrillery, May 2007, pg. 33
“Sam Durant,” The New Yorker, April 30, 2007, pg. 18.
Hanks, Robert. The Art of War: Bringing the Dead Home, The Independent, April 27, 2007, pg 2-4.
Falconer, Morgan. “Sam Durant,” Time Out New York, April 19-25, 2007, pg. 72, illus.
Bombelli, Ilaria, “Sam Durant,” Flash Art, n. 262, February-March 2007, pg. 110
Dykk, Lloyd/ “A not-so-hokey look at the dark side of the Pilgrims,” The Vancouver Sun, Friday,March 30, 2007
Burnham, Clint. “Sam Durant’” Akimbo AKIMBLOG, March 29, 2007, http://www.akimbo.biz/akimblog/?id=100)
“The Poetics of Bad History,” Vancouver: CJ Press, 2007.Dykk, Lloyd.
Pagel, David. “Exposing myths of the Pilgrims,” Los Angeles Times, Friday, March 16, 2007
Gaines, Malik. Sam Durant: Shaping History. Art Review, February 2007/Issue 08, pg 50-57
Keough, Jeffrey, “Curator’s Foreword,” Sam Durant: Scenes from the Pilgrim Story: Myths, Massacres and Monuments, Boston, MA: Massachusetts College of Art, 2007, pg 7-9 (cat)
Ketchum-Heap of Birds, Shanna. “On Legitimizing the Body Politic: America’s
Founding Myth Reconsidered,” Sam Durant: Scenes from the Pilgrim Story: Myths, Massacres and Monuments. Boston, MA: Massachusetts College of Art, 2007, pg 12-25 (cat)
Castelli, Stefano, “Sam Durant,” Eibart.com, January 18, 2007
Dersken, Jeff. “The Poetics of Bad History,” Vancouver: CJ Press, 2007.
2006
Johnson, Ken. “Notes from the Wunderground, and more,” Boston Sunday Globe, Arts & Entertainment, Sunday, December 31, 2006
Delux, Bertrand, “Sam Durant,” 02, December 2006, pg 62
Travaglini, Cristina, “Sam Durant,” Mousse, n. 5, December 2006, pg 6-9
Casavecchia, Barbara, “Manichini e installazioni rovesciano I miti made in Usa,” La Repubblica, November 25, 2006, pg X.
Johnson, Ken. “He Reconstructs Dioramas to Deconstruct Historical Myths,” The Boston Globe, November 22, 2006, illus.
Kurtz, Katie. Black Panther Rank and File. Art Papers, July / August 2006, pg 46-47.
“Mitchell-Innes & Nash Chelsea,” Time Out New York, April 2006.
Mack, Joshua. “In View: Sam Durant at Paula Cooper Gallery,” Modern Painters, pp. 118-119, December/January 2006, illus.
Morgan, Margaret. “Regarding Beauty,” A Companion to Contemporary Art since 1945, edited by Amelia Jones. Malden, MA: Blackwell Publishing, 2006
Park, Manu, ed. and the Busan Biennale Organizing Committee, “Sam Durant,” Contemporary Art Exhibition, Busan Biennale 2006, Tale of Two Cities:Busan-Seoul / Seoul-Busan, Korea: Artbooks Publishing Corp., pg 84-85 (cat.)
2005
Gaines, Malik. “Sam Durant, Moscow Biennial of Contemporary Art: Dialectics of Hope,” Moscow: ArtChronika, 2005, pg 106-109 (cat.).
Coles, Alex. “Design Art,” London: Tate Publishing, 2005, pg 116-117.
“Arts, Briefly: New Arts Prize,” The New York Times, November 10, 2005, p. E2
‘“Goings on About Town,” The New Yorker, October 24, 2005, p. 20.
“Listings: Chelsea,” New York Magazine, September 26, 2005, p. 88.
Aukeman, Anastasia. “Sam Durant at Paula Cooper,” Art in America, December 2005, p. 139, illus.
Durant, Sam. “The Artists’ Artists,” Artforum, December 2005, p. 108.
Johnson, Ken. “Listings: Sam Durant,” The New York Times, October 28, 2005, p. 31, illus.
LeKay, John. “Sculpture: Sam Durant,” Heyoka Magazine, Fall 2005, vol. 3, illus. [Interview] www.heyokamagazine.com
Mack, Joshua. “In View: Sam Durant,” Modern Painters, December2005/January 2006, pp. 118-119, illus.
Pasquariello, Lisa. “Sam Durant,” Artforum, December 2005, pp. 276-277, illus.
Unsigned. “Goings On About Town: Sam Durant,” The New Yorker, October 24, 2005, pg 20
Saltz, Jerry. “Blood Monument,” The Village Voice, October 19-25, 2005, p. 76, illus.
Schwendener, Martha. “Reviews: Sam Durant,” Time Out New York, October 20-26, p. 71, illus.
Pagel, David. “A lens and a mirror,” Los Angeles Times, September 7, 2005, pg E3
Siegel, Katy. All Together Now: Scenes in Contemporary Art, Artforum, January 2005, p. 166-171, illus.
Wagner, Alex. Re-visionist: Sam Durant’s American History, The Fader, July/August 2005, p. 50, illus.
Casadio, Mariuccia. “Artists On Art In 2005 (Sam Durant-Dee Williams),” Vogue(Italia), February 2005, pg 342
Kline, Christina. “Reviews: Sam Durant,” Art Papers, January/February 2005, pg 54.
Casadio, Mariuccia. “Sunset Rising,” Vogue (Italia), January 2005, pg 370-376
Kraus, Chris. “Sam Durant,” LA Artland, London: Black Dog Publishing, 2005, pg 170-171
Laubard, Charlotte. “Dossier Alterminimal,” 02 Revue D’Art. No. 34, 2005, pg 22
“Outpost,” Stephen D. Paine Gallery, Massachusetts College of Art, Boston, MA (cat.)
McFadden, Jane. “Los Angeles: Then and Now, Here and There,” LA Artland, London: Black Dog Publishing, 2005, pg 40-57.
Scott, Andrea. “Vitamin D: New Perspectives in Drawing,” Phaidon, 2005, pg 86-89.
2004
Fisher, Elizabeth and Michael Harrison. Rear View Mirror, Cambridge, United Kingdom: Kettle’s Yard University of Cambridge, pg 3-8 & cover (cat.).
Flatley, Jonathan. “The Agency of Letters,” Afterall, Issue 10, pg 92-98
Foster, Hal. “An Archival Impulse, “ October vol 110, Fall 2004, pg. 3-22.
Doroshenko, Peter. “Interview with Sam Durant,” Sam Durant: 12 Signs, Transposed and Illuminated (with various indexes), Ghent, Belgium: S.M.A.K. (Stedelijk Museum voor Actuele Kunst), 2004, pg 64-68 (cat.).
Dambrot, Shana Nys. “Sam Durant at Blum & Poe,” Artweek, December 2004/January 2005, pg 17-18.
Baldessari, John and Meg Cranston. “100 Artists See God” New York: Independent Curators International, pg 17 (cat.).
Bourriaud, Nicolas. “Playlist,” Palais de Tokyo, Paris, February 2004, p. 48
Carter, Holland. Art; Duck! It’s Whitney Biennial Season Again, The New York Times, March 7, 2004, p. AR 29
Wilshire, Mark. “Review: Rear View Mirror,” Art Monthly, November 2004, pg 281
Danto, Arthur. The Kids Are Alright, The Nation, May 17, 2004, pg. 32-36
Diez, Renato. Alla Bienale del Whitney: Torna la Pittura, Arte. April 2004, pg.104-111
Flatley, Jonathan. The Agency of Letters, Afterall, Issue 10, pg. 92-98
Herrmann, Matthias. Monica Bonvicini/Sam Durant, Camera Austria. 86/2004, pg. 29-39
Higa, Karin. Interested In Signs: Sam Durant In Conversation, Wrong Times, Summer 2004, p. 8
Kimmelman, Michael. Touching All Bases At the Biennial, The New York Times, March 12, 2004, pg. B25, B36
Knight, Christopher. Binary days at the Biennial, Los Angeles Times, April 11, 2004, p. E43
Knight, Christopher. Coastal Confluence, Los Angeles Times, February 1, 2004, pg. E41, E48, E49
Leclere, Mary. Speaking of Others, Afterall, Issue 10, pg. 82-91
Pagel, David. Solidarity in rock throwing, Los Angeles Times, September 24, 2004, pg. E28-E29
Probst, Ursula Maria. Break It/ Fix It, Derive. 15/2004, p. 27
Smith, Roberta. Emerging Talent, And Plenty of It, The New York Times, March 12, 2004, pg. B25, B30
Studio, Israeli Art Magazine, May/June 2004, pg.12-17
Tumlir, Jan. “Reviews: Sam Durant,” Artforum, December 2004, p. 202, illus.
Martín, Patricia. “Edén,” Ghent, Belgium: Snoeck-Ducaju & Zoon, N.V., April 2004, pg 121 (cat.)
Plath, Nils. “Rewinding Histories, Artful Disassembling: views of works by Sam Durant,” Sam Durant: Entropy in Reverse. New Plymouth, New Zealand: Govett-Brewster Art Gallery, 2004, pg 9-25 (cat).
Burke, Greg. “Entropy in Reverse, Sam Durant: Entropy in Reverse.” New Plymouth, New Zealand: Govett-Brewster Art Gallery, 2004, pg 5-6 (cat).
Probst, Ursula Maria. “Break It/ Fix It,” Derive, 15/2004, pg 27
Higgs, Matthew. “Likeness: Portraits of Artists by Other Artists,” New York: Independent Curators International and CCA Wattis Institute, February 2004, pg 45 (cat.)
2003
Collins, Thom. “Sam Durant, Somewhere Better Than This Place,” Cincinnati, Ohio: Contemporary Arts Center, 2003, pg 114-115 (cat.).
Deller, Jeremy. “Strange Fruit,” Dazed and Confused, October 2003. Vol. 2, Issue 6, pg. 140-47.
Art Review, July, August 2003, p. 47
Berwick, Carly. Sam Durant, Vogue Hommes International, Spring/Summer 2003, pg. 150-151
Fox, Dan. Like a rolling stone, Frieze, April 2003, pg. 70-73
Gaines, Malik. Sam Durant, Tema Celeste, February 2003, pg. 64-69
Hofleitner,Von Johanna. Den Raum buchstablich zerlegen, Die Presse, November 29-30, 2003
Joselit, David. Sam Durant at Museum of Contemporary Art, Los Angeles, Artforum, January 2003, pg. 130-132
Mittringer, Markus. Sprache und Architektur in ratlosem Gegenuber, Der Standard, November, 28, 2003, p. 26
Rattemeyer, Christian. Die Neue Referenzklasse Sam Durant in Los Angeles und Dusseldorf, Texte Zur Kunst, June 2003, pg. 209-214
2002
Darling, Michael. Sam Durant’s Riddling Zones, Sam Durant, The Museum of Contemporary Art, Los Angeles/Hatje Cantz Publishers, October 2002, pg. 11-53
Durant, Sam. Roots, V Magazine, November/December 2002
Durant, Sam. Re-cycled Upside-Down and Backward, Prophets of Boom: Werke aus der Sammlung Schurmann, Kunsthalle Baden-Baden, Baden-Baden, Switzerland, summer 2002, pg. 70-81
Durant, Sam. Top Ten, Artforum, November 2002, p. 71
Greenlee, Gina. Like, Man, What is This Sign Trying to Tell Me?, The Hartford Courant, July 16, 2002, p. A9
Harvey, Doug. Sam & Dave: The Politics of Mixology, LA Weekly, October 18-24, 2002, pg. 32-33
Kerr, Merrily. From the Observatory at Paula Cooper Gallery, New York, Flash Art, May/June 2002, p. 82
Knight, Christopher. In a Distinctly American Groove, Los Angeles Times, November 2, 2002, pg. E1, E10, E11
Nickas, Bob. Preview Fall 2002: Sam Durant at The Museum of Contemporary Art Los Angeles, Artforum, September 2002, pg. 72-73
Rosoff, Patricia. Sign Language, The Hartford Advocate, July 25, 2002, p.21
2001
Coles, Alex. Revisiting Robert Smithson in Ohio: Tacita Dean, Sam Durant and Renee Green, Parachute 104, Fall 2001, pg. 128-137
Comer, Stuart. Sam Durant Interviewed by Stuart Comer, Untitled, Spring 2001, pg. 7-9
Sam Durant at Emi Fontana, Flash Art, August-September 2001, pg. 97-98
Kern, Kristine. Kritisk kunst, Politiken, March 31, 2001
Pagel, David. Exhibition Accents a Modern Masterpiece, Los Angeles Times, March 24, 2001, p. F18
2000
Campbell, Clayton. Sam Durant at Blum & Poe, Flash Art, January/February 2000, p. 118
Hettig, Frank-Alexander. Sam Durant, Metropolis M, June-July 2000, pg. 50-53
Ichihara, Kentaro. Sam Durant, Bijutsu Techo, March 2001, pg. 146-152
Meyer, James. Impure Thoughts: The Art of Sam Durant, Artforum, April 2000, pg. 112-117
Pagel, David. Durant’s Pretend Theme Park Sends History Rockin’, Rollin’, Los Angeles Times, November 3, 2000, p. F24
Relyea, Lane. Less a Review Than a Long Digression On Sam Durant’s Show At Blum & Poe, Xtra, Volume 3, Issue 2, pg. 8-10
Russell, John. The Proliferation of New Ways to Draw, The New York Times, August 18, 2000
Tumlir, Jan. Baldessari’s Urn:’90’s Art in Los Angeles, artext, November 2000 – January 2001, pg. 42-51
1999
Matthew Antezzo, Sam Durant, Dave Muller, Blum & Poe, Santa Monica, CA
i me mine, Luckman Fine Arts Gallery, California State University, Los Angeles, CA (curated by Julie Joyce and Mike Mehring)
Bonik, Manuel. ‘Entropy at Home’, Suermondt-Ludwig-Museum, Flash Art, March/April 1999, p. 44
Janssen, Gregor. Zum Sleep-In auf dem Holzschuppen, die tageszeitung, September/November 1999, pg. 72-73
Joyce, Julie. Sam Durant at Blum & Poe, Art issues, November/December 1999, p. 45
Knight, Christopher. Publicly Funded Artists Rise to Challenge, Los Angeles Times, June 4, 1999, p. F16
Labelle, Charles. Escape Trajectory, Mike Davis’s latest book, Ecology of Fear, envisions Los Angeles as a disaster-prone city of suspicion, World Art, Issue 20, pg. 40-45
Miles, Christopher. Sam Durant, Blum & Poe, Artforum, November 1999, p. 148
Pagel, David. Sam Durant Takes a Look Back(ward) at Social History, Los Angeles Times, September 24, 1999, p. F26
Romer, Stefan. What Your Children Should Know About Conceptualism, Neuer Aachener Kunstverein, Aachen, Kunstforum, December/January 1999-2000, p. 348
Schollhammer, Georg. A Living Theater, Springerin, September/November 1999, pg. 72-73
1998
Auerbach, Lisa Anne. ‘Trash’ at L.A. Municipal Art Gallery, LA Weekly, April 3-9, 1998, p. 55
Baltin, Brian. Small is Psychedelic, Los Angeles under a microscope, LA Weekly, November 27 - December 3, 1998, p. 47
Miles, Christopher. Sam Durant: Going With the Flow, Art/Text, November 1998 – January 1999, no. 63, pg. 48-53
Wilson, William. ‘Lilliput’: Small Art in the Big City of L.A., Los Angeles Times, November 24, 1998, pg. F10-F11
1997
Auerbach, Lisa Anne. LA Weekly, December 27 - January 2, 1997, p. 40
Curtis, Cathy. The Cold Shoulder, Los Angeles Times, October 17, 1997, p. F2
Greene, David A. Artissues, January - February 1996, p. 46
Hainley, Bruce. The Power of Suggestion, Artforum, February 1997, p. 82
Helfand, Glen. Sam Durant and Anne Walsh at Four Walls, The San Francisco Bay Guardian, October 1-7, 1997, p. 31
Kim, Soo Jin. Some Models, Xtra, Spring 1997, pg. 7-8
Melrod, George. Sam Durant, Art & Auction, February 1997, p. 30
Pagel, David. Finding Ways to Break Out of a Box of Conformity, Los Angeles Times, February 21, 1997, p. F28
Schmerler, Sarah. Sam Durant at Curt Marcus, Artnews, November 1997, p. 226
Sheikh, Simon. L.A. From the Sunny Side, Information, September 12, 1997
1996
Auerbach, Lisa Anne. Artforum, January 1996, p. 89
Greene, David A. LA Story, Art Monthly, February 1996, pg. 8-10
Greene, David A. (ed.). Art & The Home; Sam Durant: Project, Art & Design, November/December 1996, pg. 23-32
Knight, Christopher. Can Artists Run Their Own Spaces and Find True.BLISS, Los Angeles Times, December 27, 1996, pg. F1, F38
Knight, Christopher. Drawing the Conventional Conceptualist’s Conclusions, Los Angeles Times, November 12, 1996, p. F3
Pagel, David. Los Angeles Times, July 11, 1996, p. F5
Pagel, David. Los Angeles Times, July 25, 1996, p. F13
Wilson, William. Los Angeles Times, November 22, 1996, p. F24
1995
Barrett, David. frieze, Summer 1995
Craddock, Sacha. London Times, April 9, 1995
Feaver, William. Strange Habits and Sharp Practice, London Observer, April 23, 1995
Grabner, Michelle. The Friendly Village, Art Muscle, October/November 1995, pg. 13-22
Kandel, Susan. Grouped Together to Stand Apart, Los Angeles Times, January 12, 1995
Kastner, Jeffrey. frieze, Summer 1995
Kent, Sarah. Art Review, Time Out, April 1995
Klabin, Karen. Safe as Houses, Detour, November 1995, pg. 135
Knight, Christopher. Deconstruction, Los Angeles Times, October 28, 1995, p. F6
Marino, Melanie. Art in America, July 1995
Marino, Melanie. Art in America. July 1995.
McEwan, John. Critic’s Choice, Sunday Telegraph, April 23, 1995 O’Reilly, John. Art for Bart’s Sake, Modern Review, April 10, 1995
1994
Jarrell, Joe. Sculpture, July/August 1994
Pagel, David. Self-Help Culture Skewered at FOODHOUSE, Los Angeles Times, April 21, 1994, p. F7
1993
Walker, Hamza, James Scarborogh, Brad Killam, Kathryn Hixson and Crosby, Gregory. The Professor’s Guide to Vegas Kulcher, SCOPE, October 1993
Curtis, Cathy. Painting Pictures, Los Angeles Times and Orange County Register, October 14, 1993
Devine, Rory. Heaven Missing, Picturebook #4, 1993
Pincus, Robert. Showcase of an Art Generation has few Flashes of Brilliance, San Diego Union Tribune, October 17, 1993
Wilson, William. Biennial Uses Humorous Paradox to Tackle Issues, Los Angeles Times, October 9, 1993
Wilson, William. Private Thoughts Go Public at Newport Harbor, Orange County Register, October 6, 1993
Littlefield, Kinney. A Check of Contemporary Art, Orange County Register, October 1, 1993
Smith, Roberta. New York Times, September 10, 1993
1992
Pagel, David. Overdose of Vagueness, Los Angeles Times, May 15, 1992

Updated: October 18, 2017