Books & Catalogues

2015
Harrison, Rachel. Gloria, New Haven, CT and London, UK: Yale University Press, 2015, pp. 112; illus.
No Problem: Cologne New York 1984-1989, exhibition catalogue, New York: David Zwirner Books, 2015, pp. 130-133; illus.
Miller, Dana, and Adam D. Weinberg. Whitney Museum of American Art: Handbook of the Collection, New York: Whitney Museum of American Art, 2015, pp. 227; illus
Hudson, Suzanne. Painting Now, New York, New York: Thames & Hudson, 2015, pp. 47; illus.
Hart, Katherine. Collecting and Sharing: Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2015, pp. title page, 100, 133; illus.
Open This End: Contemporary Art from the Collection of Blake Byrne, exhibition catalogue, Los Angeles: The Skylark Foundation, pp. 18-19; illus.
Come As You Are: Art of the 1990s, exhibition catalogue, Montclair: Montclair Museum of Art, 2014, p. 47; illus.
2014
Urban Theater: New York Art in the 1980s, exhibition catalogue, New York: Skira Rizzoli Publications and Modern Art Museum of Fort Worth, 2014, pp.102-103, 163; illus.
Burton, Johanna and Anne Ellegood. Take it or Leave it, exhibition catalogue, Los Angeles: Hammer Museum, 2014, pp. 48, 99, 154.
Noor, David. Michelle Grabner Works From Home, Cleveland: MOCA, 2014, p. 9.
2013
Elles: Mulheres Artistas Na Colecao do Centre Pompidou, exhibition catalogue, Rio de Janeiro: Centro Cultural Banco de Brasil, 2013, p. 110-111, Illus.
Meltzer, Eve. Systems We Have Loved, Chicago: University of Chicago Press, 2013.
Lutticken, Sven. History in Motion: Time in the Age of the Moving Image, Berlin: Sternberg Press, 2013, p. 231. Illus.
Bonjour Monsieur Matisse! exhibition catalogue, Nice: MAMAC, 2013, p. 99.
L’Amerique des Images: Histoire et Culture Visuelles des Etats-Unis, Paris: Edition Hazans, 2013. p. 372. Illus.
2012
POESIA: Werke aus der Sammlung Reinking, Delmenhorst, Germany: Stadtische Galerie Delmenhorst, 2013, pp. 165-167; illus.
Rosenthal, Mark, et al. Regarding Warhol: Sixty Artists, Fifty Years, New York: Metropolitan Museum of Art, 2012, p. 184
Sherrie Levine: MAYHEM, Whitney Museum of American Art and Yale University Press, New York, NY, 2012
This Will Have Been: Art, Love, and Politics in the 1980’s, exhibition catalogue, MCA Museum of Contemporary Art Chicago and Yale University Press, New Haven and London, 2012, pp. 92-93, 366-69; illus.
Singerman, Howard. Art History, After Sherrie Levine, University of California Press, Berkeley and Los Angeles, California, 2012.
The Geometric Unconscious: A Century of Abstraction, Jorge Daniel Veneciano, ed. Lincoln, NE: University of Nebraska Press, 2012, p. 70; illus.
Paper, Nice, France: Musée d’Art modern et d’Art contemporain, 2012, pp. 70-73; illus.
Painting in Photography: Strategies of Appropriation, Frankfurt am Main, Germany: Städel Museum, 2012, pp. 84-87; illus.
Decade: Contemporary Collecting 2002 ­­– 2012, Buffalo, NY: Albright-Knox Art Gallery, 2012, p. 364.
Lunch Break III, exhibition catalogue, Waterville: Colby College Museum of Art, 2012.
2011
Legacy: The Emily Fisher Landau Collection. Edited by Dana Miller; Foreword by Adam D. Weinberg and Essay by Donna De Salvo. Whitney Museum of American Art, 2011, pp. 162-165.
No Substitute, e.xhibition catalogue, Glenstone, Glenstone Foundation, 2011, pp.106-113; illus.
James Rondeau, Contemporary Collecting. The Judith Neisser Collection: Minimal and Postminimal Innovation, The Art Institute of Chicago, 2011, illus. p. 80-81.
Tim Griffin, ed., How Soon Is Soon?, exh. catalogue,LUMA Foundation, 2011, illus. p. 254.
Nadeije Laneyrie-Dagen, Histoire de l’art pour tous, Hazan, Paris, 2011, illus. p. 532.
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991, exhibition catalogue, Neuberger Museum of Art and Del Monico Books, Purchase, NY, 2011, pp. 129-133; illus.
After Images, exhibition catalogue, Musée Juif de Belgique, Brussels, Belgium, 2011, pp. 88–91; illus.
Nickas, Bob. “Sherrie Levine, La Fortunte (After Man Ray).” In Defining Contemporary Art – 25 years in 200 pivotal artworks, edited by Craig Garrett, 78-79. London: Phaidon, 2011.
Collection Vanmoerkerke, Brussels, Belgium: Rispoli, 2011, pp. 146-51; illus.
2010
Hentschel, Martin and Howard Singerman, Sherrie Levine: Pairs and Posses, exhibition catalogue, Museum Haus Lange Krefeld, 2010; illus.
Rijnders, Mieke and Patricia van Ulzen. Manieren van Kijken: Inleiding kunstgeschiedenis 2 Open Universiteit, Heerlen, The Netherlands, 2010, pg. 429; illus.
Gioni, Massimilano and Judy Ditner, 10,000 Lives: Gwangju Biennale 2010, exhibition catalogue, Gwangju Biennale Foundation, Gwangju, South Korea, 2010, pp. 73, 75; illus.
Borchardt-Hume, Achim. Keeping it Real: From the Ready-Made to the Everyday: the D. Daskalopoulos Collection, exhibition catalogue, The Whitechapel Gallery, London, 2010, cover, pp. 29-30; illus.
Bajac, Quentin. Après la photographie? De l’argentique a la révolution numériuque, Découvertes Gallimard 2010, pg. 91; illus.
Mercurio, Gianni. Roy Lichtenstein: Meditations on Art, Skira Editore, 2010, pg. 64; illus.
Wolf, Sylvia. The Digital Eye: Photographic Art in the Electronic Age, Prestel Publishers, 2010, pp. 45, 110-111; illus.
Getlein, Mark. Living with Art, Ninth Edition, McGraw-Hill Companies, Inc., 2010, pg. 512; illus.
Arnason, H.H., and Elizabeth C. Mansfield. History of Modern Art, Sixth Edition, Pearson Education, Inc., Prentice Hall, Upper Saddle River, NJ, 2010, pp. 688-689; illus.
Your History Is Not Our History, exhibition catalogue, New York: Haunch of Venison, 2010.
2009
Schellmann, Jörg. Forty Are Better Than One.: Edition Schellmann 1969-2009, Schellmann Art Production, Munich and New York, 2009, pp. 210, 402; illus.
Higa, Karen. Living Flowers: Ikebana and Contemporary Art, Japanese American National Museum, Los Angeles, CA, 2009, pp. 49, 62, 79; illus.
Marzio,Peter C. Masterpieces from The Museum of Fine Arts, Houston: Director’s Choice, Yale University Press, New Haven and London, 2009, pp. 192-193; illus.
Cotton, Charlotte. The photograph as contemporary art, Thames & Hudson, London, 2009, pp. 221-222; illus.
Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book, Goodman, 2009, pg. 138; illus.
Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné, The Museum of Modern Art, New York, 2009, pg. 175; illus.
Corwin, Sharon, Elizabeth Finch, and Lauren Lessing. Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art, exhibition catalogue, Colby College Museum of Art, Waterville, ME, 2009, pp. 330-333; illus.
Cézanne and Beyond, exhibition catalogue, organized by Joseph J. Rishel and Katherine Sachs; essays by Roberta Bernstein et al., Philadelphia Museum of Art, Philadelphia, PA, 2009, pp. 4-5; illus.
Jouannais, Jean-Yves; Lavrador, Judicaël; Sterckx, Pierre; Wat, Pierre. “Margritte: Ses Sources, Ses Thèmes, Son Héritage, BeauxArts editions, 2009, pg. 116; illus.
Images et (Re)préntations: Les Années 1980 Seconde Partie, exhibition catalogue, curated by Yves Aupetitallot, Magasin- Centre National d’Art Contemporain de Grenoble, Grenoble France, 2009, pp.102-105, 108-111, 174, 213; illus.
Owens, Craig. “Authorship and Identity.” The Art of Art History: A Critical Anthology. Ed. Donald Preziosi. Oxford University Press, 2009. pp. 347-349; illus.
Evans, David, Appropriation, Whitechapel Press, London, 2009, pp. 12, 21, 88, 92, 94, 191, 205, 209, 214, 219.
Eklund, Douglas. The Pictures Generation, 1974-1984, exhibition catalogue, The Metropolitan Museum of Art, New York, NY, 2009, Yale University Press, New Haven and London, pp. 107-11, 202-11; illus.
BESart Banco Espírito Santo Collection. The Present: An Infinite Dimension, exhibition catalogue, Museu Colecção Berardo, Lisbon, Portugal, 2008-2009, pp. 217-219, pg. 397; illus.
2008
Cohen, Jean-Louis. New York. Paris: Citadelles & Mazenod, 2008. pg. 440; illus.
Blasted Allegories: Works from the Ringier Collection, JRP Ringier, Zurich, Switzerland, 2008, pg. 103, pp. 152 – 155; illus.
Color Chart: Reinventing Color, 1950 to Today, exhibition catalogue, The Museum of Modern Art, New York, NY, 2008, pp. 204-207; illus.
Whitney Biennial 2008, exhibition catalogue, Whitney Museum of American Art, New York, NY, 2008, pp. 168-169; illus.
Congdon, Kristin G. and Hallmark, Kara Kelley. Twentieth Century: United States Photographers, Greenwood Press, Westport, CT, 2008, pp. 149-152; illus.
Exquisite Corpus: Interacting with the Fragmented Body, exhibition catalogue, Herbert F. Johnson Museum of Art, Independent Student Publications, 2008, pg. 17; illus.
Correspondences: Contemporary Art from the Colección Patricia Phelps de Cisneros, exhibition catalogue, Fondación Cisneros and Wheaton College, 2008, pp. 16, 52-55; illus.
Heartney, Eleanor. Art & Today, Phaidon Press, New York, NY, 2008, pp. 43, 45, 123; illus.
Enwezor, Okwui. Archive Fever: Uses of the Document in Contemporary Art, exhibition catalogue, International Center of Photography, New York, and Steidl Publishers, Göttingen, Germany, 2008, pp. 214-229; illus.
Martian Encylopaedia of Terrestrial Life, exhibtion catalogue, Barbican Art Gallery and Merrell Publishers Limited, 2008, London, England, 2008, pg. 39; illus.
560 Broadway: A New York Drawing Collection at Work, 1991-2006, ed. Amy Eshoo. Yale University Press, New Haven, CT, 2008.
2007
Sherrie Levine: Salubra, Exibition catalogue, edition of 300, Jablonka Galerie, Berlin, Germany. Verlag Der Buchhandlung Walther König, Cologne, Germany, 2007; illus.
Art Works: The Progressive Collection, Distributed Art Publishers, New York, NY, 2007, pg. 35, illus.
Willberg, Peter. Sherrie Levine, exhibition catalogue, text by David Thorp, Simon Lee Gallery and Nyehaus, 2007, illus.
Design contre Design, exhibition catalogue, Galeries Nationales du Grand Palais, Paris, France, 2007, illus.
Tricot, Xavier and Cheim, John. I Am As You Will Be: The Skeleton In Art, essay by Xavier Tricot, exhibition catalogue, Cheim & Read, New York, NY, 2007, Iillus.
Katzeff, Miriam, Thomas Lawson and Susan Morgan, eds. Real Life Magazine: Selected Writings and Projects 1979-1994, New York: Primary Information, 2007, cover illus.
De Corral, Maria and John Lane. Fast Forward; Contemporary Collections for the Dallas
Museum of Art, exhibition catalogue, Dallas Museum of Art and Yale University Press, New Haven and London, CT, 2007 p.237, illus.
Westbrook, Lindsey. Take 2: Women Revisiting Art History (Oakland: Mills College Art Museum, 2007), pp.26, illustration.
2006
Varnedoe, Kirk. Pictures of Nothing: Abstract Art Since Pollock, Princeton, New Jersey: Princeton University Press, 2006, pg. 208; illus.
Art Metropole: The Top 100 National Gallery of Canada, Ottowa, Canada, 2006. pp. 31, 72, illus.
Sherrie Levine: Abstraction, exhibition catalogue, The Arts Club of Chicago, Chicago, 2006, illus.
2005
Taylor, M.J., ed. The Downtown Book: The New York Art Scene, 1974-1984, Princeton University Press, Princeton, New Jersey, 2005, illus.
Taylor, Brandon. Art Today, Laurence King Publishing Ltd., London, England, 2005, illus.
2004
Disparities & Deformations: Our Grotesque, exhibition catalogue, text by Robert Storr, SITE Santa Fe, New Mexico, 2004, p.78-79, illus.
Iizawa, Koutaro, ed. The Concise History of World Photograph, Bijutsu Shuppan-Sha, Ltd., Tokyo, Japan, 2004, p.126, illus.
Off the Wall: Works from the JPMorgan Chase Collection, exhibition catalogue, Bruce Museum and JPMorgan Chase, New York, 2004 p.36, illus.
Perry, Gill and Paul Wood, ed. Themes in Contemporary Art, Yale University Press, New Heaven and London in association with The Open University, 2004, illus.
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, The Solomon R. Guggenheim Foundation, New York, 2004, p.135, illus.
Valeriani, Luisa. Dentro la Trasfigurazione, Meltemi editore, Roma, Italy, 2004, p.218, illus.
2003
Buskirk, Martha. The Contingent of Comtemporary Art, The MIT Press, Massachusettes, 2003, p.61,63-68,71,84,95,101-102,105,182-183, illus.
DITS, Musée de Arts Contemporains de la Communauté française de Belgique, Belgium, 2003, p.96-97, illus.
2002
“Art in Embassies Program: U.S. Embassy – Paris”, collection catalogue for the U.S. Embassy in Paris, Washington DC, December, 2002.
Ricco, John Paul, The Logic of the Lure, The University of Chicago Press, Chicago and London, 2002, illus. p. 139
Pictures, exhibition catalogue, Artists Space, New York, 2002.
Walter, Christine, Bilder erzählen, Weimar, VDG Verlag, 2002, illus. p. 49.
2001
American Visionaries: Selection from the Whitney Museum of American Art, Whitney Museum of American Art, New York, 2001, p. 182, illus.
Armstrong, Phillip, et al. As Painting: Division and Displacement, exhibition catalogue, Wexner Center for the Arts, Columbus, OH., p. 57, 129-133, illus.
Camera Women: Women Photographers in the Collection of the Princeton University Art Museum, Princeton, NJ, 2001, illus.
Vicente Pascual Circulos/Cielos, text by Chris Gilbert. Illus., p. 42. Exhibition catalogue, Palacio de Montemuzo, Zaragoza, Spain, (11/00 – 1/01)
Grosenick, Uta, (ed) Women Artists in the 20th and 21st Century, Taschen, p. 312-317, illus.
Heartney, Eleanor. Postmodernism, Tate Publishing, London, p. 36-44, illus.
Reckitt, Helena, editor. Art and Feminism, Phaidon Press, May 2001, illus.
2000
Century Of Innocence: The History of the White Monochrome, exhibition catalogue, Rooseum-Center for Contemporary Art, Malmo Sweden, and Liljevalchs Konsthall, Stockholm, Sweden (Editors: Asa Nacking, Bo Nilsson).
Sherrie Levine / Joost van Oss: Sculpture, essay by Catherine Ingraham. Published on the occasion of the exhibition, 23 October – 4 December 1999 at Paula Cooper Gallery, New York.
1999
The History of Western Art, Shogakukan, Japan, 1999, p.1035, illus.
Mondriaan Foundation International 1999 (annual report), Mondriaan Foundation, Amsterdam, 1999, pp. 38-39, illus.
Krauss, Rosalind. Bachelors, MIT Press: Cambridge, London, 1999, pp.179—190.
Naumann, Francis M. Apropos of Marcel: The Art of Making Art after Duchamp in the Age of Mechanical Reproduction. Published on the occasion of the exhibition 8-30 October 1999 at Curt Marcus Gallery, New York, New York. pp. 26-31.
Examining Pictures, exhibition catalogue, Whitechapel Art Gallery, London. Illus., p. 12.
1998
Sherrie Levine, Museum Morsbroich and Musée d’art moderne et contemporain, Geneva, texts by Michel Assenmaker, Erich Franz and Susan Kandel, prefaces by Susanne Anna and Christian Bernard, 1998.
1996
Sherrie Levine, Sculpture, Jablonka Galerie and Margo Leavin Gallery texts by Catherine Ingraham, Sylvia Lavin and Howard Singerman, 1996.
Sherrie Levine, Cathedrals, Jablonka Galerie and Margo Leavin Gallery, text by Sherrie Levine, 1996.
Sherrie Levine, New Photography, Musée d’art moderne et contemporain, Geneva, text by Sherrie Levine, 1996.
Crow, Thomas. Modern Art in the Common Culture, Yale University Press: New Haven and London, 1996.
De Duve, Thierry. Kant after Duchamp, MIT Press: Cambridge, 1996.
Foster, Hal. The Return of the Real, MIT Press: Cambridge, 1996.
1995
Newborn, Galerie Deux, Tokyo, text by Ann Temkin, preface by Sherrie Levine, 1995.
1993
Newborn, Philadelphia Museum of Art, Philadelphia, text by Ann Temkin, preface by Sherrie Levine, 1993.
1991
New Work: Sherrie Levine, San Francisco Museum of Modern Art, San Francisco, text by John Caldwell (brochure), 1991.
The Picture After the Last Picture, Galerie Metropol, Wien, “Sherrie Levine Makes a Monochrome,” text by Rosalind Krauss, 1991.
Sherrie Levine, Kunsthalle Zürich, text by David Deitcher and interview by Jeanne Siegel, 1991.
Sherrie Levine: Fountain, Mary Boone Gallery, New York, text by Bruce Ferguson, 1991.
1989
Sherrie Levine, Mary Boone Gallery, New York, text by Rosalind Krauss, 1989.
Bonito Oliva, Achille. Superart, Giancarlo Politi Editore, Milan, Italy, 1989.
1988
Art at the Edge: Sherrie Levine, High Museum of Art, Atlanta, texts by Susan Krane and Phyllis Rosenzweig (brochure), 1988.
Krane, Susan, Directions: Sherrie Levine, exhibition brochure, March 9 – May 30, 1988; illus.
Sherrie Levine, Galerie Nächt St. Stephan, Wein, text by Dieter Schwartz, 1988.
1987
Sherrie Levine, Mary Boone Gallery, New York, text by Donald Barthelme, 1987.
Sherrie Levine / Matrix 94, Wadsworth Atheneum, Hartford, Connecticut, text by Andrea Miller–Keller (brochure), 1987.
Levine, Sherrie. Five Comments, Blasted Allegories, edited by Brian Wallis, New York, The New Museum, 1987, pp. 92–93.
1985
The Best of Both Worlds: Sherrie Levine’s After Walker Evans, Mary and Leigh Block Gallery, Northwestern University, Evanston, Illinois, text by David Deitcher (brochure), 1985.

Magazines, Newspapers & Journals

2014
“Wise Buys: 50 Women Artists Worth Watching,” Blouin Artinfo, September 5, 2014
Rosenberg, Karen. “Using a Camera to Make More Than Memories,” The New York Times, July 18, 201, pg. C22.
Johnson, Ken. “Sherrie Levine ‘Red Yellow Blue’ at Paula Cooper,” The New York Times, May 9, 2014; pg. C25, illus.
Fiske, Courtney. “Sherrie Levine at Paula Cooper Gallery,” Artforum.com, May 6, 2014; http://artforum.com/archive/id=46602
2013
Motley, John. “Artist subverts idea of authorship,” The Oregonian, July 19, 2013, pg. 30; illus.
Gamerman, Ellen and Mary M. Lane. “Women on the Verge,” The Wall Street Journal, April 19, 2013, pg. D1
Gopnik, Blake. “Sherrie Levineʼs Sincerest Flattery,” The Daily Beast, March 1, 2013
Rodenbeck, Judith. “We need to talk about Sherrie Levine,” X-TRA Contemporary Art Quarterly, Vol. 15, No. 3, Spring 2013, pg. 34-41; illus.
Rosenberg, Karen. “Marcel Duchamp, Nude Descending a Staircase: An Homage,” The New York Times, March 15, 2013, pg. C23
2012
Feil, Marcel. “Visuals in Context,” foam magazine, Summer 2012, pp. 20-27; illus.
Knight, Christopher. “Review: ʻThis Will Have Beenʼ Takes the Temperature of the ʻ80s,” Los Angeles Times, May 29, 2012
“Wild Things: Strange creatures and animal parts abound at this year’s fair,” The Art Newspaper: Art Basel Daily Edition, June 14, 2012, pp. 10-11; illus.
Johnson, Ken. “Carnal Knowledge, Sex + Philosophy, at Leslie Tonkonow,” The New York Times, June 1, 2012, pp. C25
Pollack, Barbara. “Copy Rights: As digital tools transform the way artists find and rework images, the concept of what is fair use – legally as well as artistically – is becoming more complicated,” Artnews, March 2012, pp. 76-83; illus.
Buskirk, Martha. “Sherrie Levine at the Whitney Museum of American Art, New York,” ArtForum, March 2012, pp. 272-273; illus.
Cook, Rachel. “Long Read: How Do You “ Come After” Levine?” Might Be Good, February 10, 2012
Deliso, Meredith. “Sherrie Levine: Worship at her Alter at Hiram Butler Gallery,”HoustonPress Blogs, January 6, 2012
Kennedy, Randy. “Apropros Appropriation,” The New York Times, January 1, 2012, pp. 1 - 8; illus.
Wolin, Joseph R. “Sherrie Levine, ‘Mayhem’: Thirty years on, Levine’s art-historical critique still has bite,” Time Out New York, December 29, 2011 – January 11, 2012, pg. 44; illus.
Mondloch, Kate. “The Difference Problem: Art History and the Critical Legacy of 1980s Theoretical Feminism,” Art Journal, Summer 2012, pg. 18-31; illus.
French, Christopher. “Carnal Knowledge: Sex and Philosophy,” ARTnews, October 2012, p. 109.
2011
Davis, Ben. “High and Dry on Sherrie Levine’s Lost Island of Art History,” Artinfo, November 10, 2011
Smith, Roberta. “Flattery (Sincere?) Lightly Dusted With Irony,” The New York Times, November 10, 2011
Winant, Carmen. “Sherrie Levine’s ‘Mayhem’: A Retrospective of The Original Fake at the Whitney,” Culture.wnyc.org, November 10, 2011
Crimp, Douglas. “Sherrie Levine: Mayhem,” ArtForum, September 2011, pg. 158
Joselit, David. “Signal Processing: Abstraction Then and Now”. ArtForum, Summer 2011, pp. 356-361; illus.
Heymer, Kay. “Sherrie Levine: Difference and Repetition”. FlashArt, May-June 2011, pp. 138-141; illus.
Mercker, Florian. “Merckers Gesetz: Appropriation-Art”. Monopol, April 2011, pg.90, illus.
Hodara, Susan. “Taking on the Role of Gender in Media”. The New York Times, March 12, 2011; illus.
“Profiles: 24 Artists: Sherrie Levine”, The Art Economist, February 2011, pg. 36, illus.
2010
Denson, G. Roger. “Women Artists Sweep Best of 2010 NYC Arts,” The Huffington Post, December 8, 2010
“Sherrie Levine,” Time Out December 2-8, 2010, pg. 46
Palais de Tokyo Magazine Fall 2010, pp. 40-41; illus.
Phillips, Ian. “Where the Wild Things Are”. Interiordesign.net, November 2010, pp. 186-193, illus.
Gordon, Amanda. “Art Talk: It All Leads Back to Duchamp,” ARTnews January 2010, Volume 109/Number 1, pg. 19.
Andrews, Sandrine. “Impossible D’Abandonner La Compétition,” DADA BEN N. 154, Editions Arola, Paris, 2010, pp. 30-31; illus.
2009
Trodd, Tamara. “Thomas Demand, Jeff Wall and Sherrie Levine: Deforming ‘Pictures,’” Art History Vol. 32, No. 5, December, 2009, pp. 955-976; illus.
Trezz, Nicola. “The Pictures Generation, 1974-1984” Flash Art, International Edition Vol. XLII No. 267, July-September, 2009, pg. 96; illus.
Lobel, Michael and Singerman, Howard “The Pictures Generation” Art Forum International September 2009, pp. 250-271, illus.
Crow,Thomas “Worldly Concerns: Acting the Part” Art Forum International September 2009, pg. 228.
“Sherrie Levine” Art Review: Issue 33, Summer 2009 pg. 26; illus.
Galvez, Paul. “Cézanne and Beyond,” Artforum, Summer 2009, pp. 342-343.
Esplund, Lance. “After Image,” The Wall Street Journal June 26, 2009. http://online.wsj.com/article/SB100014240529
Saltz, Jerry. “Great Artists Steal: The Met’s ‘Pictures’ Show Captures a Moment when Borrowing Became Cool” New York, May 18, 2009, pp. 66-67, illus.
Schjeldahl, Peter. “Alien Emotions: Pictures Art Revisited,” The New Yorker, May 4, 2009, pp. 74-75, illus.
Pollack, Barbara. “The Bowl and the Beautiful” ARTnews May 2009, pp. 90-91.
Vogel, Carol. “Old Master Chic” The New York Times May 1, 2009
Yablonsky, Linda. “Photo Play: The Social Life of the Pictures Generation,” Art in America, No. 4, April 2009, pp. 102-109, illus.
Vogel, Carol. “Company’s Fortunes Change, And the Whitney Benefits” The New York Times, Friday, February 6, 2009, pp. 29-30
Plagens, Peter. “The New Real. Photoids.” Art in America, February, 2009, No. 2, pp. 67- 72, illus.
2008
Smith, Roberta. “Begin Again: Right Back Here, at White Columns,” New York Times, October 2, 2008
Johnson, Ken. “Bits of Paper, Scraps of Cloth and Photographs of Photographs” New York Times 29 Aug. 2008, E22.
Nagy, Peter. “REPRINT: From Criticism to Complicity” Flash Art Vol. XLI, No. 261, July – September 2008, pp. 152-155; illus.
Singerman, Howard. “One and All One: Sherrie Levine and The Mother of Us AllArtForum Summer 2008, pp. 111-114, illus.
Staple, Polly. “Switzerland,” Frieze, June-July 2008, pg. 178, 180; illus.
Canning, Susan. “Review: Whitney Biennial” Art Papers May/June 2008 pg. 50
Goldberg, RoseLee. “DIARY: Performance Anxiety: Political Currents at the Whitney Biennial” Modern Painters May 2008, pp. 42-45, illus.
“Sherrie Levine,” The New Yorker, May 5, 2008, pg. 13.
Smith, Roberta. “Sherrie Levine,” The New York Times, April 25, 2008, pg. E29.
“Medium Cool,” Time Out New York, April 24-30, 2008, pg. 102.
“Short List,” The New Yorker, April 14, 2008, pg. 13.
“The Borrower: Appropriate Behavior,” New York Magazine, April 7, 2008, pp. 96, 97; illus.
“Sherrie Levine,” Time Out New York, April 3-9, 2008; pp. 70-71.
Burton, Johanna. “Primary Sources,” Artforum, April 2008, pp. 340-347; IIlus.
Pollack, Barbara. “Review: ‘Archive Fever’ at the International Center of Photography” ­ARTnews March 2008, pg. 134.
Graffeo, Christopher. “Time/Stop/Time: The 2008 Whitney Biennial: Part Two” ArtsEditor Online March 26, 2008
Halle, Howard. “Whitney Biennial 2008,” Time Out New York, March 13-19, 2008, pg. 78; illus.
Rosenberg, Karen. “Primary Season at the Modern,” The New York Times, March 4, 2008, pp. E1, E5.
Pollack, Barbara. “Archive Fever,” Art News, March 2008, pg. 134.
Stringfield, Anne. “Saturation Point,” Vogue, February 2008, pp. 250-253, 291-292.
Flood, Richard. “Looking Back: Solo Shows,” Frieze, January-February 2008, pg. 135.
Holland, Cotter. “Well, It Looks Like Truth,” The New York Times, January 18, 2008, pp. E31, E34.
Virno, Paolo. “Jokes and Innovative Action: For a Logic of Change,” Artforum, January 2008, pp. 250-257, 301-304; illus.
2007
“Works on Paper,” Time Out New York, December 12-26, 2007, pg. 118.
Hurt III, Harry. “Sticker Shock a Hazard, even When the Artists are Only Potential Stars,” New York Times, December 15, 2007, pg. C5.
Burton, Johanna. “Best of 2007: Sherrie Levine,” Artforum, December 2007, pp. 236-237; illus
“Best of 2007,” Artforum, December 2007, Cover; illus.
Vogel, Carol. “Whitney Biennial Stretches to Armory,” The New York Times, November 16, 2007, pg. E23.
Genocchio, Benjamin. “Sherrie Levine,” The New York Times, October 12, 2007, pg. E25; illus.
McElheny, Josiah. “Readymade Resistance,” Artforum, October, 2007, pp. 327-335; illus.
Saardo, Delfim. “Pyramid of Skulls,” Courrier International, October 5-11, 2007, pp. 38-39; illus.
Brener, Julie. “Minnestota Modern,” Art & Auction, September 2007, pp. 122-127; illus.
Vogel, Carol. “In for a Penny, In for the Pounce,” The New York Times, June 14 2007, pp. E1, E5.
“Still Life and Kicking,” The New Yorker, June 2007, pg. 24.
“Sherrie Levine: Stalker,” Santa Fe Trend, Spring 2007, vol. 8, no. 1, pp. 44-45, illus (interview)
“Sherrie Levine,” The New Yorker, 14 May 2007, p. 28.
Taylor, Paul. “Sherrie Levine Plays with Paul Taylor,” (Reprint), Flash Art, March-April, 2007, pp. 116-119, illus.
2006
Graw, Isabelle, “When Procedures Become Market Tools,” [interview with Johanna Burton] Texte Zur Kunst, June, 2006; illus.
Zelevansky, Lynn. “Flying Deeper and Farther: Kusama in 2005,” Afterall, Spring/ Summer, 2006, pp. 54-62; illus., cover.
Hasegawa, Yuko. “The Spell to Re-integrate the Self: The Signifcance of the Work of
Yayoi Kusama in the New Era,” Afterall, Spring/ Summer, 2006, pp. 45-53; illus., cover.
Leffingwell, Edward, “Sherrie Levine at Paula Cooper,” Art in America, June/ July, 2006, p. 184; illus.
Burton, Johanna, “Sherrie Levine,” Artforum, Summer 2006, p. 351; illus.
“An Ongoing Low-Grade Mystery,” The New Yorker, June 5, 2006, pg. 17.
Johnson, Ken, “An Ongoing Low-Grade Mystery,” The New York Times, June 2, 2006, p. E22.
“Sherrie Levine,” The New Yorker, May 2006, pg. 20.
Cotter, Holland. “Experience Matters: Creators in Midcareer and Beyond,” The New York Times, April 21, 2006, pp. E31, E39.
Exertier, Nicolas. “L’Angoisse simulée de l’influence (After Harold Bloom),” ART PRESENCE, December, 2006, pg. 4, illus.
Szabo, Julia. “Art Meets Arf,” New York Post, April 16, 2006, illus.
2005
Cotter, Holland. “Walker Art Center Probes Creative Fringes and Finds New Stars,” New York Times, April 15, 2005, p. E31&33.
Pecoli, Vincent. “Abstraction and Appropriation,” Art Monthly (UK), April 2005, p. 7-10, illus.
Smith, Roberta. “Postmodern Wandering in a Forest of Poses,” The New York Times, September 2, 2005, p. E29, illus.
Spiegler, Marc. “Why Experience Pays Off,” The Art Newspaper, December 3, 2005, p. 1, 8.
2004
Deitcher, David. “‘The Last Picture Show’ Walker Art Center, Minneapolis,” Artforum, February, p. 144.
Estep, Jan. “The Last Picture Show,” frieze, March 2004, p. 98-98.
Halle, Howard. “Creative time,” Time Out New York, Dec. 2-8, p. 24-27.
Mullin, Diane. “The Last Picture Show: Artists Using Photography, 1962-1980 at Walker Art Center, Minneapolis,” art on paper, January/February 2004, p. 79.
Ratcliff, Carter. “Review of Books: Beyond Minimalism,” Art in America, December 2004, p. 41-42.
Singerman, Howard. “A la manera de Sherrie Levine,” Otra Parte, Winter 2004, p. 41-45, illus.
Slyce, John. “Exhibitions Reviews: Sherrie Levine,” Art Monthly, June 2004, p. 32-33, illus.
Vogel, Carol. “Inside Art: The Walker Reopening,” The New York Times, January 16, 2004, p. E35.
2003
Taplin, Robert, “Reviews: Sherrie Levine @ PCG”. Art in America, July 2003, p. 87, ills.
Smith, Roberta. “Art in Review: Sherrie Levine @PCG”. The New York Times, April 25, 2003, p. E39.
Cotter, Holland. “Uptown, Too Has Heat and Light Aplenty”. The New York Times, May 30, 2003, pp. E31, E35, ills.
Burton, Johanna. “Sherrie Levine @ Paula Cooper Gallery”, Time Out New York, April 17-24, p.17, ills.
Hainley, Bruce. “Best of 2003,” Artforum, December 2003, p. 136, illus.
Hopkins, David. “The politics of Equivocation: Sherrie Levine, Duchamp’s ‘Compensation Portrait’, and Surrealism in the USA 1943-45”, Oxford Art Journal, vol. 26, Number 1, 2003, pp.45-68, ills.
Singerman, Howard. “Sherrie Levine talks to Howard Singerman”, Artforum, April 2003, pp. 190-191, ills.
2002
Cometti, Jean-Pierre. “La monnaie de la pièce. Remarques sur l’art, l’échange et la valeur.” A Run for the Money. Comments on Art, Exchange and Value. Parachute 106, April – June 2002, p. 70-85, illus.
Kerr, Merrily, “From the Observatory,” Flash Art, May – June 2002, p. 82.
Levine, Sherrie, “Pathos,” October 101, July 2002, New York, p. 85-95, illus.
Singerman, Howard, “Sherrie Levine’s Art History,” October 101, July 2002, New York, p. 98-121, illus.
2001
“Goings On About Town,” The New Yorker, 18 June 2001, p. 32.
Attias, Laurie. “A Wide Angle: Paris Photo shoots for a broader public.” Art and Auction. December 2001, p. 62, 64, illus.
Carpo, Mario. “L’Oeuvre d’Art à l’époque de sa reproduction… anodisée;” L’Architecture d’Aujourd’hui, Sep. – Oct. 2001, p. 12, illus.
Dailey, Meghan, “Pictures at an Exhibition,” TimeOut, July 5-12, 2001, p. 60, illus.
Harvey, Doug, “Alias Garth Brooks (Good Ol’ Boy or Transgender Cyborg?),” Art Issues, Summer 2001, p. 15-8.
Meyers, Holly. “Furniture Finds New Form as Sculpture,” The Los Angeles Times, July 2001 Section F p.12
Rubenstein, Raphael, “Opening the Field,” Art in America, October 2001, p. 57-61
Smith, Roberta, “When Photography Became Postmodern,” The New York Times, June 29, 2001, p. E36.
Spaeth, Catherine, “As Painting: Division and Displacement,” Dialogue, July-August 2001, p. 17-20.
2000
“Around 1984: A Look at Art in the 80’s,” P.S.1, May 21 through September 2000, illus.
DeCarlo, Tessa, “Laying Bare the Uncertain Underside of the Truth,” The New York Times, April 9, 2000, pp. E 39-40.
Exertier, Nicolas. “After Sherrie Levine,” Art Presence, No. 36 Oct 2000, p. 2-9
Frankel, David. “Sherrie Levine and Joost van Oss,” Artforum, March 2000, p.129, illus.
Sheets, Hilarie M, “Baffled, Bewildered and Smitten,” Artnews, September 2000. p. 130 - 134
Steinbach, Haim, “L’arte frammentata,” Tema Celeste, January-February 2000, no. 77, p. 84 -85, illus.
1999
“What’s New in the Galleries,” Dallas Museum of Art Agenda, August/September 1999, p.2, illus.
Grandjean, Emmanuel. “Passons l’été en Ford,” Tribune de Genève, 19-20 Juin 1999.
Grandjean, Emmanuel. “Le Mamco passe l’été au volant de sa Ford,” Tribune de Genève, 23 Juin 1999.
H.B. “Patchwork au Mamco,” Libération, 27 July 1999, p.26, illus.
M.D. “Expos,” L’Hebdo, 15 July 1999, p.71.
Mathonnet, Philippe. “Le Musée d’art moderne et contemporain de Genève se montre plus vif que jamais,” Le Temps, 28 Juin 1999.
Smith, Roberta. “The Modern Looks at Artists Looking at Museums,” The New York Times, March 12, 1999, pp. E37, E40.
Smith, Roberta. “Jan Schoonhoven and Sherrie Levine/Joost Van Oss,” The New York Times, November 19, 1999, p. E41.
Smith, Roberta. “Jan Schoonhoven and Sherrie Levine/Joost Van Oss,” The New York Times, November 26, 1999, p. E42.
“Sherrie Levine and Joost van Oss,” The New Yorker, November 29, 1999, p.28
“Recommend: Sherrie Levine and Joost van Oss,” New Art Examiner, November 1999
Glueck, Grace. “Duchamp’s Replications. Duchamp’s Replications” The New York Times, 22 October 1999 p. B39.
Ollman, Leah. “After the Fact.” Los Angeles Times, January 22, 1999, p. F27.
Albetini, Rosanna. “Technological Rituals: Stories From the Annenberg Dialogues.” University of Southern California, Annenberg Center for Communication
1998
“Manifestos”, New York Arts, September 1998, No. 24, p. 19.
Kandel, Susan. art/text, No. 9, November 1997—January 1998, pp. 66—70.
Rutledge,Virginia. “Sherrie Levine at Margo Leavin,” Art in America, January 1998, p. 106.
Grigg, Jennifer. Report from London. Afterimage, January/February 96, p. 4
1997
Kandel, Susan. “Sherrie Levine: Stalker.” art/text, November 97 p.66-70.
1996
Buskirk, Martha. “Interview with Sherrie Levine,” The Duchamp Effect, MIT Press, 1996, Cambridge, p. 176—181.
Durden, Mark. “Sherrie Levine,” Art Monthly, October 1996, London, p. 50—51.
Jeffrey, Ian. “Sherrie Levine,” Untitled, Winter 1996/1997, London.
Martin, Tim. “Sherrie Levine,” Frieze, November 1996, p. 85.
McKenna, Kristine. “Sherrie Levine,” Los Angeles Times, November 17, 1996, Calendar, p.16, illus.
Wylie, Charles. “Sequential Geometry: Prints by Judd, Kelly, Levine & Schuyff,” The Print Collector’s Newsletter, Jan-Feb. 1996, No. 6., p. 201 - 204.
Ippolito, Jon. “Where Has all the Uncertainty Gone?” Flash Art, Summer 1996.
1995
Frank, Peter. “Art Picks of the Week,” LA Weekly, March 20,1995.
Kandel, Susan. “Sherrie Levine,” Art Issues, Summer 1995, p. 41, illus.
Levine, Sherrie. “Born Again,” Original Symposium, Salzburger Kunstverein, Reine Cantz, 1995, p. 121—129.
Pagel, David. “Sherrie Levine’s Copies of Copies,” Los Angeles Times, March 16, 1995, p. F6.
1994
Blair, Dike. “Sherrie Levine,” Flash Art International, Summer 1994, p. 123.
Buskirk, Martha. “Interview with Sherrie Levine,” October, Fall 1994, p. 99—103.
Rimanelli, David. “Sherrie Levine,” Frieze, May 1994, p.59.
Singerman, Howard. “Seeing Sherrie Levine,” October, Winter 1994, p. 78-107.
Smith, Roberta. “Sherrie Levine,” New York Times, March 4, 1994.
Smolik, Noemi. “Meine Absicht is es nicht, ein Kunstwerk zu kopieren, sondern es zu erfahren, interview with Sherrie Levine,” Kunstforum International, January/February 1994, p. 286-291.
Spears, Dorothy. “Sherrie Levine,” Galeries Magazine, Spring 1994, p.103.
1993
Levine, Sherrie. “Farnsworth House/Seagram Building,” Assemblage, August 1993, cover and endleaves.
Lewallen, Constance. “Sherrie Levine, interview with Sherrie Levine,” Journal of Contemporary Art, Winter 1993, pp. 59-83.
1992
Franz, Erich. “Presence Withdrawn,” Parkett, June 1992, pp. 95–98.
Halle, Howard . “Fountain and La Fortune,” Grand Street, No. 42, summer 1992, p. 81–95.
Kremer, Mark. “Een spiritueel reservoir,” Metropolis M, February 1992, p. 18–21
Salvioni, Daniela. “The Transgression of Sherrie Levine,” Parkett, June 1992, p. 82–84.
Singerman, Howard. “Looking After Sherrie Levine,” Parkett, June 1992, p. 101–104.
Soutif, Daniel. “Sherrie, copies non conformes,” Libération, July 20, 1992, p. 32.
Levine, Sherrie. “Insert” Grand Street 42, Summer 92, p. 81-83.
1991
Decter, Joshua. “Sherrie Levine,” Flash Art, October 1991, p.137.
Francblin, Catherine. “Sherrie Levine–l’âge d’or de la reproduction,” Art Press, March 1991, p.33–37.
Hayt–Atkins, Elizabeth. “Sherrie Levine,” Galeries Magazine, August–September 1991, p. 104.
Levin, Kim. “Sherrie Levine,” The Village Voice, June 4, 1991, p. 115.
Porges, Maria. “Sherrie Levine,” Artforum, April 1991, pp. 131–132.
Siegel, Jeanne. “Uncanny Repetition: Sherrie Levine’s Multiple Originals,” Arts Magazine, September 1991, pp. 31–35.
Smith, Roberta. “Sherrie Levine,” The New York Times, May 24, 1991, p. C26.
Wolin, Joseph R. “Fountain, Field and Pool,” Artscribe, September 1991, p.83, illus.
1990
Kalina, Richard. “Sherrie Levine,” Tema Celeste, January 1990, pp. 66–67.
Krauss, Rosalind, “Bachelors,” October, Spring 1990, pp. 52–59.
Levin, Kim. “Transparent Contradictions: New Glass in New York,” Glass Magazine,June 1990. pp. 34–43.
Lovejoy, Margot. “Art, Technology and Postmodernism: Paradigms, Parallels and Paradoxes,” College Art Association Art Journal, September 1990, pp. 257–264.
Magnani, Gregorio. “Thomas Ruff und Sherrie Levine,” Texte zur Kunst, November 1990, pp. 183–184.
Miller, John. “The Weather Is Here, Wish You Were Beautiful,” Artforum, May 1990, pp. 152–159, illus. only.
Morgan, Stuart. “Etwas + Nichts,” Durch, September 1990, pp. 182–187.
Princenthal, Nancy. “Irrepressible Vigor: Printmaking Expands,” ArtNews, September 1990, pp. 134–141.
Tallman, Susan. “Meltdown,” Arts Magazine, April 1990, pp. 25–26.
Temkin, Ann. “Cumulus from America,” Parkett, April 1990, pp. 136–141.
1989
Cotter, Holland. “Sherrie Levine,” Art in America, November 1989, p. 187.
Harrison, Katherine. “Sherrie Levine,” Flash Art, November 1989, p. 133.
Heartney, Eleanor. “Sherrie Levine,” Art News, November 1989, p. 162.
Kuspit, Donald. “Sherrie Levine,” Contemporanea, December 1989, pp. 90–91.
Levin, Kim. “Sherrie Levine,” The Village Voice, October 3, 1989, p. 99.
Salvioni, Daniela. “Sherrie Levine,” Flash Art, March 1989, p. 109.
Schjeldahl, Peter. “Paperweight,” Seven Days, October 4, 1989, p. 67.
Smith, Roberta. “Subtle Ways to Eat Your Cake and Have It Too,” The New York Times, October 8, 1989, pp. H35–H36.
Smith, Roberta. “Sherrie Levine Enters the World of Sculpture,” The New York Times, September 8, 1989, p. C23.
Woodward, Richard B. “Comics as Inspiration: Are We Having Fun Yet?” The New York Times, April 23, 1989, Section 2, pp. 1, 22.
Yood, James. “Sherrie Levine,” Artforum, April 1989, p. 170.
1988
Johnson, Ellen. “Appropriation: Are These All Originals?” Dialogue, March 1988, pp. 23–27.
Jones, Ronald. “Even Picasso: Sherrie Levine,” Artscribe, November 1988, pp. 50–52, illus.
Jones, Ronald. “Hover Culture,” Artscribe, June 1988, pp. 46–51, illus.
Jones, Ronald. “Slow Time: Sherrie Levine’s New Work,” Artscribe, January 1988, p. 45.
Levine, Sherrie. “Insert,” Parkett, No. 16, July 1988, pp. 123–134.
Woodward, Richard B. “It’s Art, But Is It Photography?” The New York Times Magazine, October 9,1988, pp. 28–31, 42–57.
1987
Cameron, Dan. “Art and Its Double: A New York Perspective,” Flash Art, May 1987, pp. 57–71.
Cameron, Dan. “Sherrie Levine, Ein Interview,” Wolkenkrantzer Art Journal, May–June 1987, pp. 68–73.
Graw, Isabelle. “First Ladies,” Wolkendratzer Art Journal, November 1987, pp. 54–55.
Grimes, Nancy. “Sherrie Levine,” Art News, November 1987, pp. 191–192.
Indiana, Gary. “Endgame: Sherrie Levine,” The Village Voice, October 6, 1987, Supplement, p. 18.
Kuspit, Donald. “Sherrie Levine,” Artforum, December 1987, pp. 110–111.
Larson, Kay. “Art: Shrinking History,” New York Magazine, October 5, 1987, p. 102.
Levin, Kim. “Sherrie Levine,” The Village Voice, September 29, 1987, p. 46.
McGill, Douglas. “Original Slant on Originality,” The New York Times, September 12, 1987, p. 11.
Morgan, Robert C. “Sherrie Levine: Language Games,” Arts Magazine, December 1987, pp. 86–88.
Smith, Roberta. “Art: from Sherrie Levine, a Mini–Retrospective,” The New York Times, September 18,1987, p. C22.
Taylor, Paul. “Sherrie Levine Plays with Paul Tayor, interview with Sherrie Levine,” Flash Art, June 1987, pp. 55–59.
Wei, Lilly. “Talking Abstract, interview with Sherrie Levine,” Art in America, December 1987, pp. 112–129, 171.
Westfall, Stephen. “Sherrie Levine,” Flash Art, November 1987, p. 106.
1986
Besson, Christian. “Il n’y a pas de Nouvelle Abstraction,” Art Press, September 1986.
Cone, Michele. “Sherrie Levine,” Flash Art, February–March 1986, p. 50.
Foster, Hal. “Signs Taken for Wonders,” Art in America, June 1986, pp. 80–91.
Gardner, Colin. “Sherrie Levine,” Los AngelesTimes, October 10, 1986, Part VI, p.20.
Heartney, Eleanor. “Sherrie Levine,” Art News, February 1986, p. 120.
Jones, Ronald. “Sherrie Levine,” Artscribe, March 1986, pp. 75–77.
Knight, Christopher. “Painting in the Corners of a Man’s Art World,” Los Angeles Herald Examiner, October 26, 1986, pp. E5–7.
Levine, Sherrie. “After Henri Matisse,” File, No. 26, 1986, pp. 13–33.
Marzorati, Gerald. “Art in the (Re)making,” Art News, May 1986, pp. 90–99.
Melville, Stephen. “Not Painting: The New Work of Sherrie Levine,” Arts Magazine, February 1986, pp. 23–25.
Nagy, Peter. “From Criticism to Complicity,” Flash Art, June 1986, p. 46–49.
Siegel, Jeanne. “Geometry Desurfacing,” Arts Magazine, March 1986, pp. 26–32.
Smith, Roberta. “Sherrie Levine,” The New York Times, December 26, 1986, p. C32.
Sturtevant, Alfred. “Sherrie Levine,” Arts Magazine, March 1986, p. 124.
Westfall, Stephen. “Sherrie Levine,” Art in America, March 1986, pp.145–146.
1985
Brenson, Michael. “Sherrie Levine,” The New York Times, November 29, 1985, p. C23.
Brooks, Rosetta. “From the Night of Consumerism to the Dawn of Simulation,” Artforum, February 1985, pp. 76–81, illus only.
Carr, Cindy. “What Is Political Art Now? interview with Sherrie Levine,” The Village Voice, October 15, 1985, pp. 73–81.
Levine, Sherrie. “A Simple Heart (After Gustave Flaubert),” New Observations, No. 35, 1985, pp. 15–19.
Moufarrege, Nicolas. “Sherrie Levine,” Flash Art, January 1985, pp. 42–43.
Siegel, Jeanne. “After Sherrie Levine, interview with Sherrie Levine,” Arts Magazine, June 1985, pp. 141–144. Reprinted in: Art Talk, The Early 80’s, Da Capo Press, New York 1988, pp. 245–255.
Silverthorne, Jeanne. “Sherrie Levine,” Artforum, January 1985, pp. 85–86
Smith, Paul. “Difference in America,” Art in America, April 1985, pp. 190–199.
1984
Carr, Cindy. “The Shock of the Old,” The Village Voice, October 30, 1984, p. 103.
Fisher, Jean. “Sherrie Levine,” Artforum, April 1984, p. 84.
Lichtenstein, Therese. “Sherrie Levine,” Arts Magazine, May 1984, pp. 53–54.
Lichtenstein, Therese. “Sherrie Levine,” Arts Magazine, December 1984, p. 34.
Solomon–Godeau, Abigail. “Winning the Game When the Rules Have Been Changed: Art Photography and Post–Modernism,” Screen, December 1984, p. 34.
1983
Cameron, Dan. “Absence and Allure: Sherrie Levine’s Recent Work,” Arts Magazine, December 1983, pp. 84–87.
Foster, Hal. “The Expressive Fallacy,” Art in America, January 1983, pp. 80–83.
Grundberg, Andy. “Post–Modernist in the Main–Stream,” The New York Times, November 20, 1983, pp. H27, H43.
Singerman, Howard. “Sherrie Levine,” Artforum, September 1983, p. 80.
Smith, Roberta. “It’s Not Fake Anything––It’s Real Levine,” The Village Voice, December 13, 1983. p.107.
1982
Buchloh, Benjamin. “Allegorical Procedures: Appropriation and Montage in Contemporary Art,” Artforum, September 1982, pp.43–56.
Owens, Craig. “Sherrie Levine,” Art in America, June 1982, p. 148.
1981
Krauss, Rosalind. “The Originality of the Avant–Garde: A Post–Modern Repetition,” October, No. 18, October 1981, pp. 47–66.
Lawson, Thomas. “Too Good to Be True,” Real Life Magazine, September 1981, pp. 3–7.
Lawson, Thomas. “We Must Embrace Our Joys and Sorrows,” ZG Magazine, October 1981.
1980
Crimp, Douglas. “The Photographic Activity of Post–Modernism,” October, No. 15, December 1980, pp. 91–101.
Owens, Craig. “The Allegorical Impulse: Toward a Theory of Post–Modernism, Parts 1/2,” October, Spring/Summer 1980, pp. 67–86, 59–80.
1979
Lawson, Thomas. “Sherrie Levine,” Flash Art, October 1979.
Tatransky, Valentin. “Collage and the Problem of Representation: Sherrie Levine’s New Work,” Real Life Magazine, December 1979, pp. 91–102.
1978
Crimp, Douglas. “Pictures”, October, No. 8, April 1978, pp. 75–88.
Frank, Peter. “Pictures and Meaning,” Artweek, April 29. 1978, p. 5.
Henry, Gerrit. “Sherrie Levine”, Art News, January 1978, pp. 142–143.
1977
Tatransky, Valentin. “Pictures”, Arts Magazine, December 1977, p. 17.
Zimmer, William. “Sherrie Levine”, Soho News, October 6, 1977.

Updated: August 18, 2016