155 Wooster Street
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Installation view, Forms of Nature, Paula Cooper Gallery, 155 Wooster Street, New York, March 2 - 28, 1990. © Jonathan Borofsky. Courtesy Paula Cooper Gallery, New York. Photo: Geoffrey Clements.
Jonathan Borofsky
"Projector No. 3,214,876" 1990
Fiberglass, celluclay, resin, projector, steel and wood
27" x 60 1/2" x 19 3/4"
Jonathan Borofsky
"Podium ('This microphone is turned on - open to the public') at 3,214,884" 1990
Wood laminate, microphone, speakers
56 1/4" x 17 1/4" x 19 7/8"
Jonathan Borofsky
"Projectors No. 3,214,873" 1989-90
Fiberglass, celluclay, resin, projector, steel, and wood
73" x 38" and 58" x 29 1/2"
Jonathan Borofsky
"Projector No. 3,214,873" 1989-90
Fiberglass, celluclay, resin, projector, steel, and wood
58 5/8" x 22 1/2"
Jonathan Borofsky
"Big Book Reproduction, pages 276-277 ('The Individual and the Nature of Mass Events', author Jane Roberts, published by Prentice Hall, Inc.) at 3,214,883" 1990
Aluminum, steel, plywood, formica, fiberglass, painted canvas, foam, Naugahyde, silkscreen on paper
102 1/4" x 111" x 52 1/2"
Jonathan Borofsky
"Projector No. 3,214,882" 1989-90
Fiberglass, celluclay, resin, projector, steel, and wood
74 1/2" x 33 3/4" x 36"
Jonathan Borofsky
"Projector No. 3,214,879" 1989-90
Fiberglass, celluclay, resin, projector, steel, and wood
74 1/2" x 48 1/2" x 28 1/2"
Jonathan Borofsky
"Eggs" 1985-86
Cast, urethane
12" x 6" each
Jonathan Borofsky
"Computer Controlled Pipe Organ (Opus for Pipes movements 1, 3, 4) at 3,214,886" 1990
Wood, tin/zinc, computer sequencer, midi controller
117" x 96"
Jonathan Borofsky
"Projector No. 3,214,881 (Running male figure)" 1989-90
Fiberglass, celluclay, resin, projector, steel and wood
73 1/4" x 32 1/2"
Jonathan Borofsky
"Projector No. 3,214,876" 1990
Fiberglass, celluclay, resin, projector, steel and wood
27" x 60 1/2" x 19 3/4"
Jonathan Borofsky
"Podium ('This microphone is turned on - open to the public') at 3,214,884" 1990
Wood laminate, microphone, speakers
56 1/4" x 17 1/4" x 19 7/8"
Jonathan Borofsky
"Projectors No. 3,214,873" 1989-90
Fiberglass, celluclay, resin, projector, steel, and wood
73" x 38" and 58" x 29 1/2"
Jonathan Borofsky
"Projector No. 3,214,873" 1989-90
Fiberglass, celluclay, resin, projector, steel, and wood
58 5/8" x 22 1/2"
Jonathan Borofsky
"Big Book Reproduction, pages 276-277 ('The Individual and the Nature of Mass Events', author Jane Roberts, published by Prentice Hall, Inc.) at 3,214,883" 1990
Aluminum, steel, plywood, formica, fiberglass, painted canvas, foam, Naugahyde, silkscreen on paper
102 1/4" x 111" x 52 1/2"
Jonathan Borofsky
"Projector No. 3,214,882" 1989-90
Fiberglass, celluclay, resin, projector, steel, and wood
74 1/2" x 33 3/4" x 36"
Jonathan Borofsky
"Projector No. 3,214,879" 1989-90
Fiberglass, celluclay, resin, projector, steel, and wood
74 1/2" x 48 1/2" x 28 1/2"
Jonathan Borofsky
"Eggs" 1985-86
Cast, urethane
12" x 6" each
Jonathan Borofsky
"Computer Controlled Pipe Organ (Opus for Pipes movements 1, 3, 4) at 3,214,886" 1990
Wood, tin/zinc, computer sequencer, midi controller
117" x 96"
Jonathan Borofsky
"Projector No. 3,214,881 (Running male figure)" 1989-90
Fiberglass, celluclay, resin, projector, steel and wood
73 1/4" x 32 1/2"