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West Bund Art & Design 2025

Hall A, PA01

November 12 – 16, 2025

Installation Views

Installation Views Thumbnails
Mark di Suvero and Paula Cooper standing on Greenpoint (destroyed), 1967. Courtesy Paula Cooper Gallery, New York. Photo: Barbara Willa Brown.

Mark di Suvero and Paula Cooper standing on Greenpoint (destroyed), 1967. Courtesy Paula Cooper Gallery, New York. Photo: Barbara Willa Brown.

Paula Cooper at her gallery on Wooster Street, New York, April, 1983. Courtesy Paula Cooper Gallery, New York. Photo: Richard Leslie Schulman.

Paula Cooper at her gallery on Wooster Street, New York, April, 1983. Courtesy Paula Cooper Gallery, New York. Photo: Richard Leslie Schulman. 

Mark di Suvero and Paula Cooper standing on Greenpoint (destroyed), 1967. Courtesy Paula Cooper Gallery, New York. Photo: Barbara Willa Brown.

Mark di Suvero and Paula Cooper standing on Greenpoint (destroyed), 1967. Courtesy Paula Cooper Gallery, New York. Photo: Barbara Willa Brown.

Paula Cooper at her gallery on Wooster Street, New York, April, 1983. Courtesy Paula Cooper Gallery, New York. Photo: Richard Leslie Schulman.

Paula Cooper at her gallery on Wooster Street, New York, April, 1983. Courtesy Paula Cooper Gallery, New York. Photo: Richard Leslie Schulman. 

Selected Views

Selected Views Thumbnails
Mark di Suvero Blue Flame, 1988–2011 painted steel window: 26 x 27 1/2 x 21 in. (66 x 69.9 x 53.3 cm) blue piece: 9 1/2 x 30 x 15 in. (24.1 x 76.2 x 38.1 cm) dimensions variable

Mark di Suvero

Blue Flame, 1988–2011

painted steel

window: 26 x 27 1/2 x 21 in. (66 x 69.9 x 53.3 cm)

blue piece: 9 1/2 x 30 x 15 in. (24.1 x 76.2 x 38.1 cm) dimensions variable

 

Inquire
Mark di Suvero Untitled (sliding drawing), unknown ink on paper 19 3/4 x 22 in. (50.2 x 55.9 cm) frame: 26 5/8 x 30 1/2 in. (67.6 x 77.5 cm) overall: 26 5/8 x 38 5/8 in. (67.6 x 98.1 cm) signed recto center

Mark di Suvero

Untitled (sliding drawing), unknown

ink on paper

19 3/4 x 22 in. (50.2 x 55.9 cm)

frame: 26 5/8 x 30 1/2 in. (67.6 x 77.5 cm)

overall: 26 5/8 x 38 5/8 in. (67.6 x 98.1 cm)

signed recto center

Inquire
Mark di Suvero Cloud Walker, 2013 steel, stainless steel 20 x 23 x 16 in. (50.8 x 58.4 x 40.6 cm)

Mark di Suvero

Cloud Walker, 2013

steel, stainless steel

20 x 23 x 16 in. (50.8 x 58.4 x 40.6 cm)

Inquire
Eric N. Mack Not magic or nor madness, Just the elements I styled, 2023 silk scarves, embroidered wool, polyester, cotton, muslin, polyester ribbon on aluminum stretcher bar stretcher: 40 x 30 in. (101.6 x 76.2 cm) overall: 46 x 31 x 4 in. (116.8 x 83.8 x 10.2 cm) signed verso

Eric N. Mack

Not magic or nor madness, Just the elements I styled, 2023

silk scarves, embroidered wool, polyester, cotton, muslin, polyester ribbon on aluminum stretcher bar

stretcher: 40 x 30 in. (101.6 x 76.2 cm)

overall: 46 x 31 x 4 in. (116.8 x 83.8 x 10.2 cm)

signed verso

Inquire
Eric N. Mack Blue Duet II, 2018 polyester and silk organza 98 1/8 x 107 7/8 x 112 1/8 in. (249.2 x 274 x 284.8 cm)

Eric N. Mack
Blue Duet II, 2018
polyester and silk organza
98 1/8 x 107 7/8 x 112 1/8 in. (249.2 x 274 x 284.8 cm)

Inquire
Mark di Suvero Blue Flame, 1988–2011 painted steel window: 26 x 27 1/2 x 21 in. (66 x 69.9 x 53.3 cm) blue piece: 9 1/2 x 30 x 15 in. (24.1 x 76.2 x 38.1 cm) dimensions variable

Mark di Suvero

Blue Flame, 1988–2011

painted steel

window: 26 x 27 1/2 x 21 in. (66 x 69.9 x 53.3 cm)

blue piece: 9 1/2 x 30 x 15 in. (24.1 x 76.2 x 38.1 cm) dimensions variable

 

Inquire
Mark di Suvero Untitled (sliding drawing), unknown ink on paper 19 3/4 x 22 in. (50.2 x 55.9 cm) frame: 26 5/8 x 30 1/2 in. (67.6 x 77.5 cm) overall: 26 5/8 x 38 5/8 in. (67.6 x 98.1 cm) signed recto center

Mark di Suvero

Untitled (sliding drawing), unknown

ink on paper

19 3/4 x 22 in. (50.2 x 55.9 cm)

frame: 26 5/8 x 30 1/2 in. (67.6 x 77.5 cm)

overall: 26 5/8 x 38 5/8 in. (67.6 x 98.1 cm)

signed recto center

Inquire
Mark di Suvero Cloud Walker, 2013 steel, stainless steel 20 x 23 x 16 in. (50.8 x 58.4 x 40.6 cm)

Mark di Suvero

Cloud Walker, 2013

steel, stainless steel

20 x 23 x 16 in. (50.8 x 58.4 x 40.6 cm)

Inquire
Eric N. Mack Not magic or nor madness, Just the elements I styled, 2023 silk scarves, embroidered wool, polyester, cotton, muslin, polyester ribbon on aluminum stretcher bar stretcher: 40 x 30 in. (101.6 x 76.2 cm) overall: 46 x 31 x 4 in. (116.8 x 83.8 x 10.2 cm) signed verso

Eric N. Mack

Not magic or nor madness, Just the elements I styled, 2023

silk scarves, embroidered wool, polyester, cotton, muslin, polyester ribbon on aluminum stretcher bar

stretcher: 40 x 30 in. (101.6 x 76.2 cm)

overall: 46 x 31 x 4 in. (116.8 x 83.8 x 10.2 cm)

signed verso

Inquire
Eric N. Mack Blue Duet II, 2018 polyester and silk organza 98 1/8 x 107 7/8 x 112 1/8 in. (249.2 x 274 x 284.8 cm)

Eric N. Mack
Blue Duet II, 2018
polyester and silk organza
98 1/8 x 107 7/8 x 112 1/8 in. (249.2 x 274 x 284.8 cm)

Inquire

Press Release

Hall A, PA01
November 12–16, 2025
2555 Longteng Ave, Shanghai, China

At the 2025 edition of West Bund Art & Design, Paula Cooper Gallery will present A History of Commitment: 1968–Future, a special project with two interconnecting parts: an excerpt from the gallery's archive and an exhibition. This presentation expands upon the historical perspective introduced with Paula Cooper Gallery’s Shanghai pop-up in 2024.

An archival section offers an immersive glimpse into the gallery’s history through documents, photographs, and rare materials drawn from the 720 exhibitions the gallery has produced since 1968.

The exhibition section stages a compelling dialogue between two artists at opposite ends of the generational spectrum: Mark di Suvero (b. 1933) and Eric N. Mack (b. 1987)—the gallery’s oldest and youngest artists. Their works converge in an extraordinary experience of movement and spatial flow. Shanghai-born di Suvero’s monumental sculpture Hugs (2021), currently on view at the West Bund Museum. Meanwhile, Mack’s vibrant textile installations activate space with color, texture, and gesture, pushing abstraction into dynamic new forms.

Together, these two presentations embody what defines Paula Cooper Gallery: an ethos where art is a continuum of relationships, ideas, and commitments—a living history that stretches from 1968 into the future.