Robert Grosvenor

Robert Grosvenor has eluded artistic categorization during his long career, producing diverse, singular works that explore the spatial dynamics between object, architecture, and viewer. Part of the seminal exhibition Primary Structures (1966) at the Jewish Museum in New York, which introduced minimalism, Grosvenor has continued his own astonishing creative path over the following 59 years.

For this exhibition, Grosvenor presents recent works spanning sculpture and photography in the woodland Archive Gallery. It serves as a playful and significant continuation of his recent show Robert Grosvenor at Paula Cooper Gallery, expanding the dialogue through new spatial, formal, and contextual provocations. 

“I was drawn to strange juxtapositions of things—why one thing is next to another, and how one thing next to another becomes something completely different.”
—Robert Grosvenor, The Brooklyn Rail, 2024 

In the sun-washed gallery, an altered orange scooter, a finned boat, and a lettered yellow construction share space—each blending found objects with handmade elements in Grosvenor’s distinct sculptural language. On an adjacent wall, vivid color photographs highlight his focus on overlooked voids, unexpected configurations, and humorous details. 

“Just as the sculptor who reveals a figure buried in a marble block, Grosvenor reveals the inspirations of industrial geometry, buried in our lack of attention.”

—Steven Holl, from the Robert Grosvenor exhibition brochure at ‘T’ Space, 2025