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Featuring works by: Terry Adkins, Tauba Auerbach, Jane Benson, Sophie Calle, Sarah Charlesworth, Bruce Conner, Jay DeFeo, Sam Durant, Ja'Tovia Gary, Cynthia Hawkins, Donald Judd, Ralph Lemon, Julian Lethbridge, Sol LeWitt, Eric N. Mack, Christian Marclay, Claes Oldenburg & Coosje van Bruggen, Paul Pfeiffer, Walid Raad, Veronica Ryan, and Dan Walsh.

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Claes Oldenburg

Claes Oldenburg  Giant Saw - Soft Version (study), c.1966  cloth  13 ft x 38 in.

Claes Oldenburg

Giant Saw - Soft Version (study), c.1966

cloth

13 ft x 38 in. (396.24 x 96.5 cm)

signed and dated verso

Inquire
Claes Oldenburg  Giant Saw - Soft Version (study), c.1966  cloth  13 ft x 38 in.

Claes Oldenburg

Giant Saw - Soft Version (study), c.1966

cloth

13 ft x 38 in. (396.24 x 96.5 cm)

signed and dated verso

Inquire
Claes Oldenburg  Giant Saw - Soft Version (study), c.1966  cloth  13 ft x 38 in.

Claes Oldenburg

cloth

13 ft x 38 in. (396.24 x 96.5 cm)

signed and dated verso

Inquire

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Eric N. Mack

Eric N. Mack  Cut the Cameras, 2022  muslin, wool, polyester, silk, packing blanket, index cards, denim, wool scarf, pins, printed photograph, and ribbon  stretcher: 85 x 48 in. (215.9 x 121.9 cm)

Eric N. Mack

Cut the Cameras, 2022

muslin, wool, polyester, silk, packing blanket, index cards, denim, wool scarf, pins, printed photograph, and ribbon

stretcher: 85 x 48 in. (215.9 x 121.9 cm)

Inquire
Eric N. Mack  Cut the Cameras, 2022  muslin, wool, polyester, silk, packing blanket, index cards, denim, wool scarf, pins, printed photograph, and ribbon  stretcher: 85 x 48 in. (215.9 x 121.9 cm)

Eric N. Mack

Cut the Cameras, 2022

muslin, wool, polyester, silk, packing blanket, index cards, denim, wool scarf, pins, printed photograph, and ribbon

stretcher: 85 x 48 in. (215.9 x 121.9 cm)

Inquire
Eric N. Mack  Cut the Cameras, 2022  muslin, wool, polyester, silk, packing blanket, index cards, denim, wool scarf, pins, printed photograph, and ribbon  stretcher: 85 x 48 in. (215.9 x 121.9 cm)

Eric N. Mack

Cut the Cameras, 2022

muslin, wool, polyester, silk, packing blanket, index cards, denim, wool scarf, pins, printed photograph, and ribbon

stretcher: 85 x 48 in. (215.9 x 121.9 cm)

Inquire
Eric N. Mack

Cut the Cameras, 2022

muslin, wool, polyester, silk, packing blanket, index cards, denim, wool scarf, pins, printed photograph, and ribbon

stretcher: 85 x 48 in. (215.9 x 121.9 cm)

Eric N. Mack

Cut the Cameras, 2022

muslin, wool, polyester, silk, packing blanket, index cards, denim, wool scarf, pins, printed photograph, and ribbon

stretcher: 85 x 48 in. (215.9 x 121.9 cm)

Inquire

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Tauba Auerbach

 

Tauba Auerbach  Foam, 2025  acrylic on dibond  36 x 54 x 1 in. (91.4 x 137.2 x 2.5 cm)  signed and dated verso: "Tauba Auerbach 2025"

Tauba Auerbach

Foam, 2025

acrylic on dibond

36 x 54 x 1 in. (91.4 x 137.2 x 2.5 cm)

signed and dated verso: "Tauba Auerbach 2025"

Inquire
Tauba Auerbach

Foam, 2025

acrylic on dibond

36 x 54 x 1 in. (91.4 x 137.2 x 2.5 cm)

signed and dated verso: "Tauba Auerbach 2025"

Tauba Auerbach

Foam, 2025

acrylic on dibond

36 x 54 x 1 in. (91.4 x 137.2 x 2.5 cm)

signed and dated verso: "Tauba Auerbach 2025"

Inquire
Tauba Auerbach  Foam, 2025  acrylic on dibond  36 x 54 x 1 in. (91.4 x 137.2 x 2.5 cm)  signed and dated verso: "Tauba Auerbach 2025"

Tauba Auerbach

Foam, 2025

acrylic on dibond

36 x 54 x 1 in. (91.4 x 137.2 x 2.5 cm)

signed and dated verso: "Tauba Auerbach 2025"

Inquire

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Terry Adkins

 

Terry Adkins  Untitled (from the mvet series), 1989  wood and acrylic  each: 38 1/2 x 19 3/4 x 2 in. (97.8 x 50.2 x 5.1 cm)

Terry Adkins

Untitled (from the mvet series), 1989

wood and acrylic

each: 38 1/2 x 19 3/4 x 2 in. (97.8 x 50.2 x 5.1 cm)

Inquire
Terry Adkins  Untitled (from the mvet series), 1989  wood and acrylic  each: 38 1/2 x 19 3/4 x 2 in. (97.8 x 50.2 x 5.1 cm)

Terry Adkins

Untitled (from the mvet series), 1989

wood and acrylic

each: 38 1/2 x 19 3/4 x 2 in. (97.8 x 50.2 x 5.1 cm)

Inquire
Terry Adkins  Untitled (from the mvet series), 1989  wood and acrylic  each: 38 1/2 x 19 3/4 x 2 in. (97.8 x 50.2 x 5.1 cm)

Terry Adkins

Untitled (from the mvet series), 1989

wood and acrylic

each: 38 1/2 x 19 3/4 x 2 in. (97.8 x 50.2 x 5.1 cm)

Inquire
Terry Adkins  Untitled (from the mvet series), 1989  wood and acrylic  each: 38 1/2 x 19 3/4 x 2 in. (97.8 x 50.2 x 5.1 cm)

Terry Adkins

Untitled (from the mvet series), 1989

wood and acrylic

each: 38 1/2 x 19 3/4 x 2 in. (97.8 x 50.2 x 5.1 cm)

Inquire

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Ja'Tovia Gary

Ja'Tovia Gary  Citational Ethics (Zora Neale Hurston, 1943), 2023  neon, engraved obsidian, wood base  overall: 75 x 77 x 65 in. (190.5 x 195.6 x 165.1 cm)  stool: 19 1/2 x 13 x 13 in. (49.5 x 33 x 33 cm)  vanity: 31 x 40 x 26 in. (78.7 x 101.6 x 66 cm)  mirror: 30 x 41 x 9 in. (76.2 x 104.1 x 22.9 cm)  Edition 1 of 3, 2 AP

Ja'Tovia Gary

Citational Ethics (Zora Neale Hurston, 1943), 2023

neon, engraved obsidian, wood base

overall: 75 x 77 x 65 in. (190.5 x 195.6 x 165.1 cm)

stool: 19 1/2 x 13 x 13 in. (49.5 x 33 x 33 cm)

vanity: 31 x 40 x 26 in. (78.7 x 101.6 x 66 cm)

mirror: 30 x 41 x 9 in. (76.2 x 104.1 x 22.9 cm)

Edition 1 of 3, 2 AP

Inquire
Ja'Tovia Gary  Citational Ethics (Zora Neale Hurston, 1943), 2023  neon, engraved obsidian, wood base  overall: 75 x 77 x 65 in. (190.5 x 195.6 x 165.1 cm)  stool: 19 1/2 x 13 x 13 in. (49.5 x 33 x 33 cm)  vanity: 31 x 40 x 26 in. (78.7 x 101.6 x 66 cm)  mirror: 30 x 41 x 9 in. (76.2 x 104.1 x 22.9 cm)  Edition 1 of 3, 2 AP

Ja'Tovia Gary

Citational Ethics (Zora Neale Hurston, 1943), 2023

neon, engraved obsidian, wood base

overall: 75 x 77 x 65 in. (190.5 x 195.6 x 165.1 cm)

stool: 19 1/2 x 13 x 13 in. (49.5 x 33 x 33 cm)

vanity: 31 x 40 x 26 in. (78.7 x 101.6 x 66 cm)

mirror: 30 x 41 x 9 in. (76.2 x 104.1 x 22.9 cm)

Edition 1 of 3, 2 AP

Inquire

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Sherrie Levine

Sherrie Levine  Body Mask, 2007  cast bronze  22 1/2 x 9 1/2 x 5 3/4 in. (57.2 x 24.1 x 14.6 cm)  Edition 3 of 12, 2AP

Sherrie Levine

Body Mask, 2007

cast bronze

22 1/2 x 9 1/2 x 5 3/4 in. (57.2 x 24.1 x 14.6 cm)

Edition 3 of 12, 2AP

Inquire

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Ralph Lemon

Ralph Lemon  Consecration of Ancestor Figures #13 and #14, 2024  carved wood and textile  #13: 28 x 9 x 5 in. (71.1 x 22.9 x 12.7 cm)  #14: 36 x 6 x 6 in. (91.4 x 15.2 x 15.2 cm)  costume production: Naoko Nagata

Ralph Lemon

Consecration of Ancestor Figures #13 and #14, 2024

carved wood and textile

#13: 28 x 9 x 5 in. (71.1 x 22.9 x 12.7 cm)

#14: 36 x 6 x 6 in. (91.4 x 15.2 x 15.2 cm)

costume production: Naoko Nagata

SOLD

Inquire
Ralph Lemon  Consecration of Ancestor Figures #13 and #14, 2024  carved wood and textile  #13: 28 x 9 x 5 in. (71.1 x 22.9 x 12.7 cm)  #14: 36 x 6 x 6 in. (91.4 x 15.2 x 15.2 cm)  costume production: Naoko Nagata

Ralph Lemon

Consecration of Ancestor Figures #13 and #14, 2024

carved wood and textile

#13: 28 x 9 x 5 in. (71.1 x 22.9 x 12.7 cm)

#14: 36 x 6 x 6 in. (91.4 x 15.2 x 15.2 cm)

costume production: Naoko Nagata

SOLD

Inquire
Ralph Lemon  Consecration of Ancestor Figures #13 and #14, 2024  carved wood and textile  #13: 28 x 9 x 5 in. (71.1 x 22.9 x 12.7 cm)  #14: 36 x 6 x 6 in. (91.4 x 15.2 x 15.2 cm)  costume production: Naoko Nagata

Ralph Lemon

Consecration of Ancestor Figures #13 and #14, 2024

carved wood and textile

#13: 28 x 9 x 5 in. (71.1 x 22.9 x 12.7 cm)

#14: 36 x 6 x 6 in. (91.4 x 15.2 x 15.2 cm)

costume production: Naoko Nagata

SOLD

Inquire
Ralph Lemon  Consecration of Ancestor Figures #13 and #14, 2024  carved wood and textile  #13: 28 x 9 x 5 in. (71.1 x 22.9 x 12.7 cm)  #14: 36 x 6 x 6 in. (91.4 x 15.2 x 15.2 cm)  costume production: Naoko Nagata

Ralph Lemon

Consecration of Ancestor Figures #13 and #14, 2024

carved wood and textile

#13: 28 x 9 x 5 in. (71.1 x 22.9 x 12.7 cm)

#14: 36 x 6 x 6 in. (91.4 x 15.2 x 15.2 cm)

costume production: Naoko Nagata

SOLD

Inquire
Ralph Lemon  Consecration of Ancestor Figures #13 and #14, 2024  carved wood and textile  #13: 28 x 9 x 5 in. (71.1 x 22.9 x 12.7 cm)  #14: 36 x 6 x 6 in. (91.4 x 15.2 x 15.2 cm)  costume production: Naoko Nagata

Ralph Lemon

Consecration of Ancestor Figures #13 and #14, 2024

carved wood and textile

#13: 28 x 9 x 5 in. (71.1 x 22.9 x 12.7 cm)

#14: 36 x 6 x 6 in. (91.4 x 15.2 x 15.2 cm)

costume production: Naoko Nagata

SOLD

Inquire

Ralph Lemon  Untitled 12, 2023  acrylic and oil on paper  38 1/4 x 49 7/8 in. (97.2 x 126.7 cm)  frame: 41 1/4 x 53 x 2 1/4 in. (104.8 x 134.6 x 5.7 cm)

Ralph Lemon

Untitled 12, 2023

acrylic and oil on paper

38 1/4 x 49 7/8 in. (97.2 x 126.7 cm)

frame: 41 1/4 x 53 x 2 1/4 in. (104.8 x 134.6 x 5.7 cm)

SOLD

Inquire

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Paul Pfeiffer

Paul Pfeiffer  Four Horsemen of the Apocalypse (07), 2002–2024  inkjet print  57 5/8 x 72 in. (146.4 x 182.9 cm)  frame: 64 1/2 x 79 x 3 in. (163.8 x 200.7 x 7.6 cm)  Edition 1 of 3, 2 APs

Paul Pfeiffer

Four Horsemen of the Apocalypse (07), 2002–2024

inkjet print

57 5/8 x 72 in. (146.4 x 182.9 cm)

frame: 64 1/2 x 79 x 3 in. (163.8 x 200.7 x 7.6 cm)

Edition 1 of 3, 2 APs

SOLD

Inquire

Paul Pfeiffer  Live Evil (Seoul), 2015–2018  digital video loop, 2.5" LCD screen in custom 3D printed, painted, nylon shell  monitor: 2 1/2 x 3 x 3 1/2 in. (6.4 x 7.6 x 8.9 cm)  video loop: 38 seconds  Edition 3 of 3, 1 AP

Paul Pfeiffer

Live Evil (Seoul), 2015–2018

digital video loop, 2.5" LCD screen in custom 3D printed, painted, nylon shell

monitor: 2 1/2 x 3 x 3 1/2 in. (6.4 x 7.6 x 8.9 cm)

video loop: 38 seconds

Edition 3 of 3, 1 AP

Video Preview Link

Inquire

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Bruce Conner

Bruce Conner  34. BILLY (GUITAR): UXA  JANUARY 20, 1978, 1978  gelatin silver print  image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm)  frame: 21 x 16 1/2 in. (53.3 x 41.9 cm)

Bruce Conner

34. BILLY (GUITAR): UXA

JANUARY 20, 1978, 1978

gelatin silver print

image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm)

frame: 21 x 16 1/2 in. (53.3 x 41.9 cm)

Inquire
Bruce Conner  34. BILLY (GUITAR): UXA  JANUARY 20, 1978, 1978  gelatin silver print  image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm)  frame: 21 x 16 1/2 in. (53.3 x 41.9 cm)

Bruce Conner

34. BILLY (GUITAR): UXA

JANUARY 20, 1978, 1978

gelatin silver print

image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm)

frame: 21 x 16 1/2 in. (53.3 x 41.9 cm)

Inquire

Bruce Conner  35. JOHNNY STRIKE: CRIME  JANUARY 21, 1978, 1978  gelatin silver print  image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm)  frame: 21 x 16 1/2 in. (53.3 x 41.9 cm)

Bruce Conner

35. JOHNNY STRIKE: CRIME

JANUARY 21, 1978, 1978

gelatin silver print

image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm)

frame: 21 x 16 1/2 in. (53.3 x 41.9 cm)

Inquire
Bruce Conner  35. JOHNNY STRIKE: CRIME  JANUARY 21, 1978, 1978  gelatin silver print  image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm)  frame: 21 x 16 1/2 in. (53.3 x 41.9 cm)

Bruce Conner

35. JOHNNY STRIKE: CRIME

JANUARY 21, 1978, 1978

gelatin silver print

image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm)

frame: 21 x 16 1/2 in. (53.3 x 41.9 cm)

Inquire
Bruce Conner  35. JOHNNY STRIKE: CRIME  JANUARY 21, 1978, 1978  gelatin silver print  image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm)  frame: 21 x 16 1/2 in. (53.3 x 41.9 cm)

Bruce Conner

35. JOHNNY STRIKE: CRIME

JANUARY 21, 1978, 1978

gelatin silver print

image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm)

frame: 21 x 16 1/2 in. (53.3 x 41.9 cm)

Inquire

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Sarah Charlesworth

Sarah Charlesworth  Empire Light (Positive) & Empire Light (Negative), 1981  two black and white mural prints, mounted with lacquered wood frames  positive: 84 x 48 in. (213.4 x 121.9 cm)  negative: 84 x 48 in. (213.4 x 121.9 cm)  AP 1, Edition of 1, 1 AP  blind-stamped using the artist’s embossing seal on the lower right corner of the print, with an estate label on the verso side of each work

Sarah Charlesworth

Empire Light (Positive) & Empire Light (Negative), 1981

two black and white mural prints, mounted with lacquered wood frames

positive: 84 x 48 in. (213.4 x 121.9 cm)

negative: 84 x 48 in. (213.4 x 121.9 cm)

AP 1, Edition of 1, 1 AP

blind-stamped using the artist’s embossing seal on the lower right corner of the print, with an estate label on the verso side of each work

Inquire
Sarah Charlesworth  Empire Light (Positive) & Empire Light (Negative), 1981  two black and white mural prints, mounted with lacquered wood frames  positive: 84 x 48 in. (213.4 x 121.9 cm)  negative: 84 x 48 in. (213.4 x 121.9 cm)  AP 1, Edition of 1, 1 AP  blind-stamped using the artist’s embossing seal on the lower right corner of the print, with an estate label on the verso side of each work

Sarah Charlesworth

Empire Light (Positive) & Empire Light (Negative), 1981

two black and white mural prints, mounted with lacquered wood frames

positive: 84 x 48 in. (213.4 x 121.9 cm)

negative: 84 x 48 in. (213.4 x 121.9 cm)

AP 1, Edition of 1, 1 AP

blind-stamped using the artist’s embossing seal on the lower right corner of the print, with an estate label on the verso side of each work

Inquire

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Sophie Calle

Sophie Calle  On the Hunt, Men Seeking Women 1950–1960 (Good Catch, Able to Replace Late Mother), 2024  one text panel and two photographs (color, black and white) in a double-sided frame  text panel (outer frame): 26 3/8 x 31 7/8 in. (67 x 81 cm)  text panel (inner element): 17 3/4 x 21 5/8 in. (45 x 55 cm)  photograph, framed: 17 3/4 x 21 5/8 in. (45 x 55 cm)  Edition 1 of 3 (English), 1 AP

Sophie Calle

On the Hunt, Men Seeking Women 1950–1960 (Good Catch, Able to Replace Late Mother), 2024

one text panel and two photographs (color, black and white) in a double-sided frame

text panel (outer frame): 26 3/8 x 31 7/8 in. (67 x 81 cm)

text panel (inner element): 17 3/4 x 21 5/8 in. (45 x 55 cm)

photograph, framed: 17 3/4 x 21 5/8 in. (45 x 55 cm)

Edition 1 of 3 (English), 1 AP

Inquire
Sophie Calle  On the Hunt, Men Seeking Women 1950–1960 (Good Catch, Able to Replace Late Mother), 2024  one text panel and two photographs (color, black and white) in a double-sided frame  text panel (outer frame): 26 3/8 x 31 7/8 in. (67 x 81 cm)  text panel (inner element): 17 3/4 x 21 5/8 in. (45 x 55 cm)  photograph, framed: 17 3/4 x 21 5/8 in. (45 x 55 cm)  Edition 1 of 3 (English), 1 AP

Sophie Calle

On the Hunt, Men Seeking Women 1950–1960 (Good Catch, Able to Replace Late Mother), 2024

one text panel and two photographs (color, black and white) in a double-sided frame

text panel (outer frame): 26 3/8 x 31 7/8 in. (67 x 81 cm)

text panel (inner element): 17 3/4 x 21 5/8 in. (45 x 55 cm)

photograph, framed: 17 3/4 x 21 5/8 in. (45 x 55 cm)

Edition 1 of 3 (English), 1 AP

Inquire
Sophie Calle  On the Hunt, Men Seeking Women 1950–1960 (Good Catch, Able to Replace Late Mother), 2024  one text panel and two photographs (color, black and white) in a double-sided frame  text panel (outer frame): 26 3/8 x 31 7/8 in. (67 x 81 cm)  text panel (inner element): 17 3/4 x 21 5/8 in. (45 x 55 cm)  photograph, framed: 17 3/4 x 21 5/8 in. (45 x 55 cm)  Edition 1 of 3 (English), 1 AP

Sophie Calle

On the Hunt, Men Seeking Women 1950–1960 (Good Catch, Able to Replace Late Mother), 2024

one text panel and two photographs (color, black and white) in a double-sided frame

text panel (outer frame): 26 3/8 x 31 7/8 in. (67 x 81 cm)

text panel (inner element): 17 3/4 x 21 5/8 in. (45 x 55 cm)

photograph, framed: 17 3/4 x 21 5/8 in. (45 x 55 cm)

Edition 1 of 3 (English), 1 AP

Inquire

Sophie Calle  On the Hunt, Women Seeking Men 1950–1960 (Essentially Kind and Gentle), 2024  one text panel and two photographs (color, black and white) in a double-sided frame  text panel (outer frame): 26 3/8 x 31 7/8 in. (67 x 81 cm)  text panel (inner element): 17 3/4 x 21 5/8 in. (45 x 55 cm)  photograph, framed: 17 3/4 x 21 5/8 in. (45 x 55 cm)  Edition 1 of 3 (English), 1 AP

Sophie Calle

On the Hunt, Women Seeking Men 1950–1960 (Essentially Kind and Gentle), 2024

one text panel and two photographs (color, black and white) in a double-sided frame

text panel (outer frame): 26 3/8 x 31 7/8 in. (67 x 81 cm)

text panel (inner element): 17 3/4 x 21 5/8 in. (45 x 55 cm)

photograph, framed: 17 3/4 x 21 5/8 in. (45 x 55 cm)

Edition 1 of 3 (English), 1 AP

Inquire
Sophie Calle  On the Hunt, Women Seeking Men 1950–1960 (Essentially Kind and Gentle), 2024  one text panel and two photographs (color, black and white) in a double-sided frame  text panel (outer frame): 26 3/8 x 31 7/8 in. (67 x 81 cm)  text panel (inner element): 17 3/4 x 21 5/8 in. (45 x 55 cm)  photograph, framed: 17 3/4 x 21 5/8 in. (45 x 55 cm)  Edition 1 of 3 (English), 1 AP

Sophie Calle

On the Hunt, Women Seeking Men 1950–1960 (Essentially Kind and Gentle), 2024

one text panel and two photographs (color, black and white) in a double-sided frame

text panel (outer frame): 26 3/8 x 31 7/8 in. (67 x 81 cm)

text panel (inner element): 17 3/4 x 21 5/8 in. (45 x 55 cm)

photograph, framed: 17 3/4 x 21 5/8 in. (45 x 55 cm)

Edition 1 of 3 (English), 1 AP

Inquire
Sophie Calle  On the Hunt, Women Seeking Men 1950–1960 (Essentially Kind and Gentle), 2024  one text panel and two photographs (color, black and white) in a double-sided frame  text panel (outer frame): 26 3/8 x 31 7/8 in. (67 x 81 cm)  text panel (inner element): 17 3/4 x 21 5/8 in. (45 x 55 cm)  photograph, framed: 17 3/4 x 21 5/8 in. (45 x 55 cm)  Edition 1 of 3 (English), 1 AP

Sophie Calle

On the Hunt, Women Seeking Men 1950–1960 (Essentially Kind and Gentle), 2024

one text panel and two photographs (color, black and white) in a double-sided frame

text panel (outer frame): 26 3/8 x 31 7/8 in. (67 x 81 cm)

text panel (inner element): 17 3/4 x 21 5/8 in. (45 x 55 cm)

photograph, framed: 17 3/4 x 21 5/8 in. (45 x 55 cm)

Edition 1 of 3 (English), 1 AP

Inquire

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Jane Benson

Jane Benson  So Huge a Bigness (David Quammen) VI, 2023  archival pen on polyester film and acrylic paint on matboard  20 5/8 x 14 in. (52.4 x 35.6 cm)

Jane Benson

So Huge a Bigness (David Quammen) VI, 2023

archival pen on polyester film and acrylic paint on matboard

20 5/8 x 14 in. (52.4 x 35.6 cm)

Inquire
Jane Benson  So Huge a Bigness (David Quammen) VI, 2023  archival pen on polyester film and acrylic paint on matboard  20 5/8 x 14 in. (52.4 x 35.6 cm)

Jane Benson

So Huge a Bigness (David Quammen) VI, 2023

archival pen on polyester film and acrylic paint on matboard

20 5/8 x 14 in. (52.4 x 35.6 cm)

Inquire

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Dan Walsh

Dan Walsh  LHP-WC 20, 2024  watercolor on Lana hot press paper  26 x 26 in. (66 x 66 cm)  frame: 28 3/8 x 28 1/4 x 1 1/2 in. (72.1 x 71.8 x 3.8 cm)  titled lower left, signed and dated lower right recto

Dan Walsh

LHP-WC 20, 2024

watercolor on Lana hot press paper

26 x 26 in. (66 x 66 cm)

frame: 28 3/8 x 28 1/4 x 1 1/2 in. (72.1 x 71.8 x 3.8 cm)

titled lower left, signed and dated lower right recto

Inquire
Dan Walsh  LHP-WC 20, 2024  watercolor on Lana hot press paper  26 x 26 in. (66 x 66 cm)  frame: 28 3/8 x 28 1/4 x 1 1/2 in. (72.1 x 71.8 x 3.8 cm)  titled lower left, signed and dated lower right recto

Dan Walsh

LHP-WC 20, 2024

watercolor on Lana hot press paper

26 x 26 in. (66 x 66 cm)

frame: 28 3/8 x 28 1/4 x 1 1/2 in. (72.1 x 71.8 x 3.8 cm)

titled lower left, signed and dated lower right recto

Inquire
Dan Walsh  LHP-WC 20, 2024  watercolor on Lana hot press paper  26 x 26 in. (66 x 66 cm)  frame: 28 3/8 x 28 1/4 x 1 1/2 in. (72.1 x 71.8 x 3.8 cm)  titled lower left, signed and dated lower right recto

Dan Walsh

LHP-WC 20, 2024

watercolor on Lana hot press paper

26 x 26 in. (66 x 66 cm)

frame: 28 3/8 x 28 1/4 x 1 1/2 in. (72.1 x 71.8 x 3.8 cm)

titled lower left, signed and dated lower right recto

Inquire

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Christian Marlcay

Christian Marclay  Untitled (from the series "Imaginary Records"), 1989  altered record cover   12 1/4 x 12 1/4 in. (31.1 x 31.1 cm)  frame: 17 x 17 x 1 1/2 in. (43.2 x 43.2 x 3.8 cm)  signed & dated verso

Christian Marclay

Untitled (from the series "Imaginary Records"), 1989

altered record cover 

12 1/4 x 12 1/4 in. (31.1 x 31.1 cm)

frame: 17 x 17 x 1 1/2 in. (43.2 x 43.2 x 3.8 cm)

signed & dated verso

Inquire

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Donald Judd

Donald Judd  Untitled (Print H), 1961-1978  woodcut in black with cadmium red oilpaint on the reverse, on Frostlite vellum paper  paper: 20 5/8 x 25 1/16 in. (52.3 x 63.5 cm)  image: 12 x 13 1/4 in. (30.5 x 33.7 cm)  frame: 26 x 27 x 1 1/4  in. (66 x 68.6 x 3.1 cm)  Edition 10 of 25  printed by Roy C. Judd, Published by Galerie Heiner Friedrich, Munich  signed recto lower right “Judd” and on verso “RCJ”

Donald Judd

Untitled (Print H), 1961-1978

woodcut in black with cadmium red oilpaint on the reverse, on Frostlite vellum paper

paper: 20 5/8 x 25 1/16 in. (52.3 x 63.5 cm)

image: 12 x 13 1/4 in. (30.5 x 33.7 cm)

frame: 26 x 27 x 1 1/4  in. (66 x 68.6 x 3.1 cm)

Edition 10 of 25

printed by Roy C. Judd, Published by Galerie Heiner Friedrich, Munich

signed recto lower right “Judd” and on verso “RCJ”

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Sol LeWitt

Sol LeWitt  Irregular Grid, 1999  gouache on paper  60 1/2 x 61 1/2 in. (153.7 x 156.2 cm)  frame: 66 3/4 x 67 3/4 x 2 1/4 in. (169.5 x 172.1 x 5.7 cm)  signed and dated upper right: "S LeWitt 99"

Sol LeWitt

Irregular Grid, 1999

gouache on paper

60 1/2 x 61 1/2 in. (153.7 x 156.2 cm)

frame: 66 3/4 x 67 3/4 x 2 1/4 in. (169.5 x 172.1 x 5.7 cm)

signed and dated upper right: "S LeWitt 99"

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Sol LeWitt

Irregular Grid, 1999

gouache on paper

60 1/2 x 61 1/2 in. (153.7 x 156.2 cm)

frame: 66 3/4 x 67 3/4 x 2 1/4 in. (169.5 x 172.1 x 5.7 cm)

signed and dated upper right: "S LeWitt 99"

Sol LeWitt

Irregular Grid, 1999

gouache on paper

60 1/2 x 61 1/2 in. (153.7 x 156.2 cm)

frame: 66 3/4 x 67 3/4 x 2 1/4 in. (169.5 x 172.1 x 5.7 cm)

signed and dated upper right: "S LeWitt 99"

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Cynthia Hawkins

Cynthia Hawkins Chapter 3: Maps Necessary for a Walk in 4D, #9, 2025 acrylic and oil bar 60 x 100 in. (152.4 x 254 cm)

Cynthia Hawkins
Chapter 3: Maps Necessary for a Walk in 4D, #9, 2025
acrylic and oil bar
60 x 100 in. (152.4 x 254 cm)

signed recto; signed, titled, and dated verso

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Cynthia Hawkins Chapter 3: Maps Necessary for a Walk in 4D, #9, 2025 acrylic and oil bar 60 x 100 in. (152.4 x 254 cm)  signed recto; signed, titled, and dated verso

Cynthia Hawkins
Chapter 3: Maps Necessary for a Walk in 4D, #9, 2025
acrylic and oil bar
60 x 100 in. (152.4 x 254 cm)

signed recto; signed, titled, and dated verso

Inquire
Cynthia Hawkins Chapter 3: Maps Necessary for a Walk in 4D, #9, 2025 acrylic and oil bar 60 x 100 in. (152.4 x 254 cm)  signed recto; signed, titled, and dated verso

Cynthia Hawkins
Chapter 3: Maps Necessary for a Walk in 4D, #9, 2025
acrylic and oil bar
60 x 100 in. (152.4 x 254 cm)

signed recto; signed, titled, and dated verso

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Julian Lethbridge

Julian Lethbridge  Untitled, 2025  oil on linen  78 x 65 in. (198.1 x 165.1 cm)  signed and dated verso

Julian Lethbridge

Untitled, 2025

oil on linen

78 x 65 in. (198.1 x 165.1 cm)

signed and dated verso

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Julian Lethbridge

Untitled, 2025

oil on linen

78 x 65 in. (198.1 x 165.1 cm)

signed and dated verso

Julian Lethbridge

Untitled, 2025

oil on linen

78 x 65 in. (198.1 x 165.1 cm)

signed and dated verso

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Jay DeFeo

 

Jay DeFeo  Homage to Thomas Albright No. 4, 1983  oil with tape on paper  19 5/8 x 24 3/8 in. (49.8 x 61.9 cm)  frame: 25 1/4 x 30 1/8 x 2 in. (64.1 x 76.5 x 5.1 cm)  signed and dated recto lower right

Jay DeFeo

Homage to Thomas Albright No. 4, 1983

oil with tape on paper

19 5/8 x 24 3/8 in. (49.8 x 61.9 cm)

frame: 25 1/4 x 30 1/8 x 2 in. (64.1 x 76.5 x 5.1 cm)

signed and dated recto lower right

Inquire
Jay DeFeo

Homage to Thomas Albright No. 4, 1983

oil with tape on paper

19 5/8 x 24 3/8 in. (49.8 x 61.9 cm)

frame: 25 1/4 x 30 1/8 x 2 in. (64.1 x 76.5 x 5.1 cm)

signed and dated recto lower right

Jay DeFeo

Homage to Thomas Albright No. 4, 1983

oil with tape on paper

19 5/8 x 24 3/8 in. (49.8 x 61.9 cm)

frame: 25 1/4 x 30 1/8 x 2 in. (64.1 x 76.5 x 5.1 cm)

signed and dated recto lower right

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Veronica Ryan

 

Veronica Ryan  Untitled, late 1990s  marble, silicone rubber  6 1/2 x 11 1/2 x 11 in. (16.5 x 29.2 x 27.9 cm)

Veronica Ryan

Untitled, late 1990s

marble, silicone rubber

6 1/2 x 11 1/2 x 11 in. (16.5 x 29.2 x 27.9 cm)

SOLD

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Veronica Ryan  Untitled, late 1990s  marble, silicone rubber  6 1/2 x 11 1/2 x 11 in. (16.5 x 29.2 x 27.9 cm)

Veronica Ryan

Untitled, late 1990s

marble, silicone rubber

6 1/2 x 11 1/2 x 11 in. (16.5 x 29.2 x 27.9 cm)

SOLD

Inquire