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Installation Views

Installation Views Thumbnails
Installation view, Books: A Group Exhibition, Paula Cooper Gallery, New York, January 6 – February 10, 2024. Photo: Steven Probert.

Installation view, Books: A Group Exhibition, Paula Cooper Gallery, New York, January 6 – February 10, 2024. Photo: Steven Probert.

Installation view, Books: A Group Exhibition, Paula Cooper Gallery, New York, January 6 – February 10, 2024. Photo: Steven Probert.

Installation view, Books: A Group Exhibition, Paula Cooper Gallery, New York, January 6 – February 10, 2024. Photo: Steven Probert.

Installation view, Books: A Group Exhibition, Paula Cooper Gallery, New York, January 6 – February 10, 2024. Photo: Steven Probert.

Installation view, Books: A Group Exhibition, Paula Cooper Gallery, New York, January 6 – February 10, 2024. Photo: Steven Probert.

Installation view, Books: A Group Exhibition, Paula Cooper Gallery, New York, January 6 – February 10, 2024. Photo: Steven Probert.

Installation view, Books: A Group Exhibition, Paula Cooper Gallery, New York, January 6 – February 10, 2024. Photo: Steven Probert.

Installation view, Books: A Group Exhibition, Paula Cooper Gallery, New York, January 6 – February 10, 2024. Photo: Steven Probert.

Installation view, Books: A Group Exhibition, Paula Cooper Gallery, New York, January 6 – February 10, 2024. Photo: Steven Probert.

Installation view, Books: A Group Exhibition, Paula Cooper Gallery, New York, January 6 – February 10, 2024. Photo: Steven Probert.

Installation view, Books: A Group Exhibition, Paula Cooper Gallery, New York, January 6 – February 10, 2024. Photo: Steven Probert.

Paula Cooper Gallery is especially pleased to announce a group exhibition on the subject of the book. The gathering of works will demonstrate the many ways in which contemporary artists have engaged with the book as surface, structure, found object, and philosophical guide.  

Reading, collecting, and fabricating books informs a particular way of creative thinking, in which a double-page spread, a fabric-bound volume, or an illustrious typeface become crucial components of works of art. While artists have often made books, and many are involved in the design of books about their own works, this exhibition will focus on how books have infiltrated the very form, shape, and structure of contemporary art.    

The exhibition will include works that memorialize the cover or internal pages of a book through photography or print. There will be books on shelves, indicating how intensely revelatory a library can be about its owner, and sculptures incorporating books as found objects will embrace the book as talisman, gesturing to the acute historical specificity of a volume that originated in a particular place and time.

Moving from an entire library to a single page, books will be taken apart––their pages, covers, or individual illustrations isolated from the whole and repurposed as readymades. Other works will demonstrate the appeal of the book as a rich surface for drawing and painting, or reimagine the familiar form of the book in unexpected materials.  

Finally, works informed by specific writings––wherein a text becomes a tool for producing a series of works––will depart from the physicality of the book to engage with its contents.

Artists in the exhibition:
Terry Adkins
Carl Andre
John Baldessari 
Jane Benson
Jonathan Borofsky
Carol Bove
stanley brouwn
Sophie Calle
Sarah Charlesworth
Bruce Conner
Rafael Domenech
Theaster Gates
Andreas Gursky
Candida Höfer
Douglas Huebler
Seung-taek Lee
Jill Magid
Oldenburg & van Bruggen
Laura Owens
Jorge Pardo
Stephen Prina
Studio K.O.S.
R. H. Quaytman
Walid Raad
Ed Ruscha
Dan Walsh
Rachel Whiteread
Steve Wolfe

Selected Works

Selected Works Thumbnails
Terry Adkins 
Credo, 1998
Leather-bound books, galvanized steel shelf, fleece and steel sword
70 x 57 x 18 in. (177.8 x 144.8 x 45.7 cm)

Photo: Steven Probert

Terry Adkins
Credo, 1998
Leather-bound books, galvanized steel shelf, fleece and steel sword
70 x 57 x 18 in. (177.8 x 144.8 x 45.7 cm)

Photo: Steven Probert

Carl Andre The birth of knowledge, 1994 wood tennis racket frame and leather bound book 10 1/4 x 11 1/4 x 1 3/4 inches (26.04 x 28.58 x 4.45 cm) ​​​​​​​on face of wood frame, titled and dated

Carl Andre
The birth of knowledge, 1994
wood tennis racket frame and leather bound book
10 1/4 x 11 1/4 x 1 3/4 inches (26.04 x 28.58 x 4.45 cm)
on face of wood frame, titled and dated

Photo: Steven Probert

John Baldessari
Scene ()/Take(): Hold it., 2014
varnished inkjet print and acrylic paint on canvas
each: 53 1/8 x 52 7/8 in. (134.9 x 134.1 cm)
overall: 106 1/4 x 52 7/8 in. (269.9 x 134.1 cm)
© John Baldessari 2014. Courtesy Estate of John Baldessari © 2023
Courtesy John Baldessari Family Foundation
Courtesy Sprüth Magers

Photo: Steven Probert

John Baldessari
Scene ()/Take(): Hold it., 2014
varnished inkjet print and acrylic paint on canvas
each: 53 1/8 x 52 7/8 in. (134.9 x 134.1 cm)
overall: 106 1/4 x 52 7/8 in. (269.9 x 134.1 cm)
© John Baldessari 2014. Courtesy Estate of John Baldessari © 2023
Courtesy John Baldessari Family Foundation
Courtesy Sprüth Magers

Photo: Steven Probert

Jane Benson So Huge a Bigness (David Quammen) V, 2023 archival pen on polyester film and acrylic paint on matboard 20 5/8 x 14 in. (52.4 x 35.6 cm)

Jane Benson
So Huge a Bigness (David Quammen) V, 2023
archival pen on polyester film and acrylic paint on matboard
20 5/8 x 14 in. (52.4 x 35.6 cm)

Photo: Steven Probert

Jane Benson The Coming Thing (David Quammen) VI, 2023 archival pen on polyester film and acrylic paint on matboard 20 5/8 x 14 in. (52.4 x 35.6 cm)

Jane Benson
The Coming Thing (David Quammen) VI, 2023
archival pen on polyester film and acrylic paint on matboard
20 5/8 x 14 in. (52.4 x 35.6 cm)

Photo: Steven Probert

Jonathan Borofsky
Book Head at 3,297,420, 1979-1990
cast bronze, welded steel base
27 x 7 x 9 in. (68.6 x 17.8 x 22.9 cm)
base: 42 x 15 x 14 1/8 in. (106.7 x 38.1 x 35.9 cm)
overall: 69 x 15 x 14 1/8 in. (175.3 x 38.1 x 35.9 cm)

Photo: Steven Probert

Jonathan Borofsky
Book Head at 3,297,420, 1979-1990
cast bronze, welded steel base
27 x 7 x 9 in. (68.6 x 17.8 x 22.9 cm)
base: 42 x 15 x 14 1/8 in. (106.7 x 38.1 x 35.9 cm)
overall: 69 x 15 x 14 1/8 in. (175.3 x 38.1 x 35.9 cm)

Photo: Steven Probert

Carol Bove
Tantra Yoga, 2005
books and periodicals on wood and steel bookshelf
36 x 30 x 10 in. (91.4 x 76.2 x 25.4 cm)

Photo: Steven Probert

Carol Bove
Tantra Yoga, 2005
books and periodicals on wood and steel bookshelf
36 x 30 x 10 in. (91.4 x 76.2 x 25.4 cm)

Photo: Steven Probert

Sophie Calle  Série Noire (Live and Let Die), 2020  book, text printed on glass in frame  11 x 8 x 2 in. (27.9 x 20.3 x 5.1 cm)

Sophie Calle
Série Noire (Live and Let Die), 2020
book, text printed on glass in frame
11 x 8 x 2 in. (27.9 x 20.3 x 5.1 cm)

Photo: Steven Probert

Sarah Charlesworth Book, 2002 Fujiflex Crystal Archive print with lacquered wood frame 22 5/8 x 28 1/8 x 3/4 in. (57.5 x 71.4 x 1.9 cm)

Sarah Charlesworth
Book, 2002
Fujiflex Crystal Archive print with lacquered wood frame
22 5/8 x 28 1/8 x 3/4 in. (57.5 x 71.4 x 1.9 cm)

Photo: Steven Probert

Bruce Conner UNFOLDING BOOK, 1993 black ink on paper mounted on paper, paper board front and back covers 4 7/8 x 3 5/8 x 1/4 in. (12.4 x 9.2 x .6 cm) unfolded 4 7/8 x 79 in.

Bruce Conner
UNFOLDING BOOK, 1993
black ink on paper mounted on paper, paper board front and back covers
4 7/8 x 3 5/8 x 1/4 in. (12.4 x 9.2 x .6 cm)
unfolded 4 7/8 x 79 in.

Photo: Steven Probert

Rafael Domenech
Chanting cutting song (an ever interface), 2023
collected sidewalk concrete, plywood, laser-print on various papers, archival adhesive, book cloth
closed: 16 x 11 1/2 x 13 in. (40.6 x 29.2 x 33 cm)
open:  16 x 20  x 6 1/2 in. (40.6 x 50.8 x 16.5 cm)

Rafael Domenech
Chanting cutting song (an ever interface), 2023
collected sidewalk concrete, plywood, laser-print on various papers, archival adhesive, book cloth
closed: 16 x 11 1/2 x 13 in. (40.6 x 29.2 x 33 cm)
open:  16 x 20  x 6 1/2 in. (40.6 x 50.8 x 16.5 cm)

Theaster Gates
Nump, 2020
bound books, aluminum shelf
9 7/16 x 85 1/2 x 6 5/16 in. (24 x 217.2 x 16 cm)
© Theaster Gates. Photo © White Cube (Ollie Hammick) 

Theaster Gates
Nump, 2020
bound books, aluminum shelf
9 7/16 x 85 1/2 x 6 5/16 in. (24 x 217.2 x 16 cm)
© Theaster Gates. Photo © White Cube (Ollie Hammick) 

Andreas Gursky
Untitled XVII, 2014
inlet-print, dibond, behind glass
frame: 36 x 42 1/2 x 1 5/8 in. (915 x 107.9 x 4.2 cm)
© Andreas Gursky / ARS. Courtesy Sprüth Magers

Andreas Gursky
Untitled XVII, 2014
inlet-print, dibond, behind glass
frame: 36 x 42 1/2 x 1 5/8 in. (915 x 107.9 x 4.2 cm)
© Andreas Gursky / ARS. Courtesy Sprüth Magers

Candida Höfer
Biblioteca Comunale dell'Archiginnasio a Bologna III , 2006
c-print
paper: 70 7/8 x 58 7/8 in. (180 x 149.5 cm)
framed: 72 1/2 x 60 5/8 in. (184.2 x 153.8 cm)
© Candida Höfer, Köln / VG Bild-Kunst, Bonn 2023
Courtesy: the artist and Sean Kelly, New York/Los Angeles

Photo: Steven Probert

Candida Höfer
Biblioteca Comunale dell'Archiginnasio a Bologna III , 2006
c-print
paper: 70 7/8 x 58 7/8 in. (180 x 149.5 cm)
framed: 72 1/2 x 60 5/8 in. (184.2 x 153.8 cm)
© Candida Höfer, Köln / VG Bild-Kunst, Bonn 2023
Courtesy: the artist and Sean Kelly, New York/Los Angeles

Photo: Steven Probert

Douglas Huebler Variable Piece #70: 1971 (In Process) Global, Crocodile Tears: Sweetheart Baby (Conceptual Comic Strip), 1984 collage and ink on paper matted image size: 10 3/4 x 13 1/4 in. (27.3 x 33.7 cm) frame: 20 3/4 x 24 3/4 x 1 1/2 in. (52.7 x 62.9 x 3.8 cm)

Douglas Huebler
Variable Piece #70: 1971 (In Process) Global, Crocodile Tears: Sweetheart Baby (Conceptual Comic Strip), 1984
collage and ink on paper matted
image size: 10 3/4 x 13 1/4 in. (27.3 x 33.7 cm)
frame: 20 3/4 x 24 3/4 x 1 1/2 in. (52.7 x 62.9 x 3.8 cm)

Photo: EPW Studio

Sherrie Levine After Gustave Flaubert: Un Coeur Simple, 1990 handmade paper 8 x 6 x 1/2 inches (20.3 x 15.2 x 1.3 cm) AP 27, Edition of 100, + 50 AP signed and numbered on last page

Sherrie Levine
After Gustave Flaubert: Un Coeur Simple, 1990
handmade paper
8 x 6 x 1/2 inches (20.3 x 15.2 x 1.3 cm)
AP 27, Edition of 100, + 50 AP
signed and numbered on last page

Photo: Steven Probert

Seung-taek Lee Untitled, 1980 ​​​​​​​rope, book and canvas 44 7/8 x 34 3/4 x 1 3/4 in. (114 x 88 x 4.3 cm)

Seung-taek Lee
Untitled, 1980
rope, book and canvas
44 7/8 x 34 3/4 x 1 3/4 in. (114 x 88 x 4.3 cm)

Photo: Steven Probert

Jill Magid 
The Barragán Library at CIVA, 2021
books, frames
The Quiet Revolution: 12 x 20 1/2 x 1 9/16 in. (30.5 x 52.1 x 4 cm)
The Architecture of Luis Barragan: 12 x 19 x  1 5/16 in. (30.5 x 48.3 x 3.3 cm)
Space and Shadows, Walls and Color: 12 1/2 x 20 x 1 1/2" in. (31.8 x 50.8 x 3.8 cm)

Photo: Steven Probert

Jill Magid
The Barragán Library at CIVA, 2021
books, frames
The Quiet Revolution: 12 x 20 1/2 x 1 9/16 in. (30.5 x 52.1 x 4 cm)
The Architecture of Luis Barragan: 12 x 19 x  1 5/16 in. (30.5 x 48.3 x 3.3 cm)
Space and Shadows, Walls and Color: 12 1/2 x 20 x 1 1/2" in. (31.8 x 50.8 x 3.8 cm)

Photo: Steven Probert

Christian Marclay Untitled, 1989 acrylic and spray paint on comic book page 7 x 5 in. (17.8 x 12.7 cm) frame: 11 5/8 x 9 3/8 x 1 7/16 in. (29.5 x 23.8 x 3.7 cm) signed and dated verso

Christian Marclay
Untitled, 1989
acrylic on comic book page
7 x 5 in. (17.8 x 12.7 cm)
framed:11 5/8 x 9 3/8 x 1 7/16 in.
signed and dated verso

Photo: Steven Probert

Christian Marclay 
Untitled, 1989
acrylic on comic book page
7 x 5 in. (17.8 x 12.7 cm)
frame: 11 5/8 x 9 3/8 x 1 7/16 in. (29.5 x 23.8 x 3.7 cm)
signed and dated verso

Photo: Steven Probert

Christian Marclay
Untitled, 1989
acrylic on comic book page
7 x 5 in. (17.8 x 12.7 cm)
frame: 11 5/8 x 9 3/8 x 1 7/16 in. (29.5 x 23.8 x 3.7 cm)
signed and dated verso

Photo: Steven Probert

Claes Oldenburg & Coosje van Bruggen From the Entropic Library-Third Study, 1989 charcoal and chalk on paper 30  x 40 in. (76.2 x 101.6 cm) frame: 33 x 42 3/4 x 1 1/2 in. (83.8 x 108.6 x 3.8 cm)

Claes Oldenburg & Coosje van Bruggen
From the Entropic Library-Third Study, 1989
charcoal and chalk on paper
30  x 40 in. (76.2 x 101.6 cm)
frame: 33 x 42 3/4 x 1 1/2 in. (83.8 x 108.6 x 3.8 cm)
Photo: Steven Probert

Laura Owens
Fruits & Nuts, 2011
Screen printing ink on California newspapers from the 1960s
11 x 7 x 3/4 in.
Published by Ooga Booga 
Edition 89/100 with 16 APs
© Laura Owens. Courtesy the Artist; Matthew Marks Gallery, New York
Photo: Alta 

Laura Owens
Fruits & Nuts, 2011
Screen printing ink on California newspapers from the 1960s
11 x 7 x 3/4 in.
Published by Ooga Booga 
Edition 89/100 with 16 APs
© Laura Owens. Courtesy the Artist; Matthew Marks Gallery, New York
Photo: Alta 

Jorge Pardo Ten People Ten Books, 1994 cloth cover book with vellum architectural plan and cut vellum parts 10 1/8 x 7 1/4 in. (25.7 x 18.4 cm)

Jorge Pardo
Ten People Ten Books, 1994
cloth cover book with vellum architectural plan and cut vellum parts
10 1/8 x 7 1/4 in. (25.7 x 18.4 cm)
Photo: Steven Probert

Stephen Prina
English for Foreigners: Book Illustrations, 2017
lithography on paper, textile covered matt, mahogany, glass
paper: 9 x 13 in. (22.9 x 33 cm)
frame: 15 3/4 x 20 1/4 in. (40 x 51.4 cm) Edition 1 of 3

Stephen Prina
English for Foreigners: Book Illustrations, 2017
lithography on paper, textile covered matt, mahogany, glass
paper: 9 x 13 in. (22.9 x 33 cm)
frame: 15 3/4 x 20 1/4 in. (40 x 51.4 cm) Edition 1 of 3

R.H. Quaytman Modern Subjects, Chapter Zero (A Blow from the hand of a Belgian Lady), 2021 oil, acrylic, silkscreen ink, gesso on wood 52 3/8 x 84 3/8 in. (133 x 214.3 cm)

R.H. Quaytman
Modern Subjects, Chapter Zero (A Blow from the hand of a Belgian Lady), 2021– 2023
oil, acrylic, silkscreen ink, gesso on wood
52 3/8 x 84 3/8 in. (133 x 214.3 cm)

Walid Raad / The Atlas Group 1989-2004 (Attributed to Anonymous) We have never been so populated _ Plate II, 1997/2020 archival inkjet print 32 3/8 x 23 1/8 in. (82.2 x 58.7 cm) frame: 33 1/4 x 24 x 1 3/4 in. (84.5 x 61 x 4.4 cm)

Walid Raad / The Atlas Group 1989-2004 (Attributed to Anonymous)
We have never been so populated _ Plate II, 1997/2020
archival inkjet print
32 3/8 x 23 1/8 in. (82.2 x 58.7 cm)
frame: 33 1/4 x 24 x 1 3/4 in. (84.5 x 61 x 4.4 cm)

Photo: Steven Probert

Studio K.O.S.
Amerika (After Kafka) - I.M., 2023
acrylic, charcoal, book pages on wood panel
24 x 24 in. (61 x 61 cm)

Photo: Steven Probert

Studio K.O.S.
Amerika (After Kafka) - I.M., 2023
acrylic, charcoal, book pages on wood panel
24 x 24 in. (61 x 61 cm)

Photo: Steven Probert

Dan Walsh Textilene, 2008 textilene 13 x 12 3/4 in. (33 x 32.4 cm) Edition of 30, 2 APs

Dan Walsh
Textilene, 2008
textilene
13 x 12 3/4 in. (33 x 32.4 cm)
Edition of 30, 2 APs

Photo: Steven Probert

Rachel Whiteread Untitled, 2000 plaster, polystyrene and steel 64 5/8 x 31 3/8 x 8 5/8 in. (164.15 x 79.59 x 21.91 cm)

Rachel Whiteread
Untitled, 2000
plaster, polystyrene and steel
64 5/8 x 31 3/8 x 8 5/8 in. (164.15 x 79.59 x 21.91 cm)

Steve Wolfe Untitled (120 Days of Sodom), 1987 oil, gold leaf, silkscreen, modeling paste on canvas on wooden stretcher 9 1/2 x 6 3/4 x 2 in. (24.1 x 17.1 x 5.1 cm

Steve Wolfe
Untitled (120 Days of Sodom), 1987
oil, gold leaf, silkscreen, modeling paste on canvas on wooden stretcher
9 1/2 x 6 3/4 x 2 in. (24.1 x 17.1 x 5.1 cm

Steve Wolfe On the Road, 1991-1992 oil, screenprint, modeling paste, linen and wood 7 3/4 x 5 1/8 x 1 1/4 in. (19.7 x 13 x 3.2 cm)

Steve Wolfe
On the Road, 1991-1992
oil, screenprint, modeling paste, linen and wood
7 3/4 x 5 1/8 x 1 1/4 in. (19.7 x 13 x 3.2 cm)

Terry Adkins 
Credo, 1998
Leather-bound books, galvanized steel shelf, fleece and steel sword
70 x 57 x 18 in. (177.8 x 144.8 x 45.7 cm)

Photo: Steven Probert

Terry Adkins
Credo, 1998
Leather-bound books, galvanized steel shelf, fleece and steel sword
70 x 57 x 18 in. (177.8 x 144.8 x 45.7 cm)

Photo: Steven Probert

Carl Andre The birth of knowledge, 1994 wood tennis racket frame and leather bound book 10 1/4 x 11 1/4 x 1 3/4 inches (26.04 x 28.58 x 4.45 cm) ​​​​​​​on face of wood frame, titled and dated

Carl Andre
The birth of knowledge, 1994
wood tennis racket frame and leather bound book
10 1/4 x 11 1/4 x 1 3/4 inches (26.04 x 28.58 x 4.45 cm)
on face of wood frame, titled and dated

Photo: Steven Probert

John Baldessari
Scene ()/Take(): Hold it., 2014
varnished inkjet print and acrylic paint on canvas
each: 53 1/8 x 52 7/8 in. (134.9 x 134.1 cm)
overall: 106 1/4 x 52 7/8 in. (269.9 x 134.1 cm)
© John Baldessari 2014. Courtesy Estate of John Baldessari © 2023
Courtesy John Baldessari Family Foundation
Courtesy Sprüth Magers

Photo: Steven Probert

John Baldessari
Scene ()/Take(): Hold it., 2014
varnished inkjet print and acrylic paint on canvas
each: 53 1/8 x 52 7/8 in. (134.9 x 134.1 cm)
overall: 106 1/4 x 52 7/8 in. (269.9 x 134.1 cm)
© John Baldessari 2014. Courtesy Estate of John Baldessari © 2023
Courtesy John Baldessari Family Foundation
Courtesy Sprüth Magers

Photo: Steven Probert

Jane Benson So Huge a Bigness (David Quammen) V, 2023 archival pen on polyester film and acrylic paint on matboard 20 5/8 x 14 in. (52.4 x 35.6 cm)

Jane Benson
So Huge a Bigness (David Quammen) V, 2023
archival pen on polyester film and acrylic paint on matboard
20 5/8 x 14 in. (52.4 x 35.6 cm)

Photo: Steven Probert

Jane Benson The Coming Thing (David Quammen) VI, 2023 archival pen on polyester film and acrylic paint on matboard 20 5/8 x 14 in. (52.4 x 35.6 cm)

Jane Benson
The Coming Thing (David Quammen) VI, 2023
archival pen on polyester film and acrylic paint on matboard
20 5/8 x 14 in. (52.4 x 35.6 cm)

Photo: Steven Probert

Jonathan Borofsky
Book Head at 3,297,420, 1979-1990
cast bronze, welded steel base
27 x 7 x 9 in. (68.6 x 17.8 x 22.9 cm)
base: 42 x 15 x 14 1/8 in. (106.7 x 38.1 x 35.9 cm)
overall: 69 x 15 x 14 1/8 in. (175.3 x 38.1 x 35.9 cm)

Photo: Steven Probert

Jonathan Borofsky
Book Head at 3,297,420, 1979-1990
cast bronze, welded steel base
27 x 7 x 9 in. (68.6 x 17.8 x 22.9 cm)
base: 42 x 15 x 14 1/8 in. (106.7 x 38.1 x 35.9 cm)
overall: 69 x 15 x 14 1/8 in. (175.3 x 38.1 x 35.9 cm)

Photo: Steven Probert

Carol Bove
Tantra Yoga, 2005
books and periodicals on wood and steel bookshelf
36 x 30 x 10 in. (91.4 x 76.2 x 25.4 cm)

Photo: Steven Probert

Carol Bove
Tantra Yoga, 2005
books and periodicals on wood and steel bookshelf
36 x 30 x 10 in. (91.4 x 76.2 x 25.4 cm)

Photo: Steven Probert

Sophie Calle  Série Noire (Live and Let Die), 2020  book, text printed on glass in frame  11 x 8 x 2 in. (27.9 x 20.3 x 5.1 cm)

Sophie Calle
Série Noire (Live and Let Die), 2020
book, text printed on glass in frame
11 x 8 x 2 in. (27.9 x 20.3 x 5.1 cm)

Photo: Steven Probert

Sarah Charlesworth Book, 2002 Fujiflex Crystal Archive print with lacquered wood frame 22 5/8 x 28 1/8 x 3/4 in. (57.5 x 71.4 x 1.9 cm)

Sarah Charlesworth
Book, 2002
Fujiflex Crystal Archive print with lacquered wood frame
22 5/8 x 28 1/8 x 3/4 in. (57.5 x 71.4 x 1.9 cm)

Photo: Steven Probert

Bruce Conner UNFOLDING BOOK, 1993 black ink on paper mounted on paper, paper board front and back covers 4 7/8 x 3 5/8 x 1/4 in. (12.4 x 9.2 x .6 cm) unfolded 4 7/8 x 79 in.

Bruce Conner
UNFOLDING BOOK, 1993
black ink on paper mounted on paper, paper board front and back covers
4 7/8 x 3 5/8 x 1/4 in. (12.4 x 9.2 x .6 cm)
unfolded 4 7/8 x 79 in.

Photo: Steven Probert

Rafael Domenech
Chanting cutting song (an ever interface), 2023
collected sidewalk concrete, plywood, laser-print on various papers, archival adhesive, book cloth
closed: 16 x 11 1/2 x 13 in. (40.6 x 29.2 x 33 cm)
open:  16 x 20  x 6 1/2 in. (40.6 x 50.8 x 16.5 cm)

Rafael Domenech
Chanting cutting song (an ever interface), 2023
collected sidewalk concrete, plywood, laser-print on various papers, archival adhesive, book cloth
closed: 16 x 11 1/2 x 13 in. (40.6 x 29.2 x 33 cm)
open:  16 x 20  x 6 1/2 in. (40.6 x 50.8 x 16.5 cm)

Theaster Gates
Nump, 2020
bound books, aluminum shelf
9 7/16 x 85 1/2 x 6 5/16 in. (24 x 217.2 x 16 cm)
© Theaster Gates. Photo © White Cube (Ollie Hammick) 

Theaster Gates
Nump, 2020
bound books, aluminum shelf
9 7/16 x 85 1/2 x 6 5/16 in. (24 x 217.2 x 16 cm)
© Theaster Gates. Photo © White Cube (Ollie Hammick) 

Andreas Gursky
Untitled XVII, 2014
inlet-print, dibond, behind glass
frame: 36 x 42 1/2 x 1 5/8 in. (915 x 107.9 x 4.2 cm)
© Andreas Gursky / ARS. Courtesy Sprüth Magers

Andreas Gursky
Untitled XVII, 2014
inlet-print, dibond, behind glass
frame: 36 x 42 1/2 x 1 5/8 in. (915 x 107.9 x 4.2 cm)
© Andreas Gursky / ARS. Courtesy Sprüth Magers

Candida Höfer
Biblioteca Comunale dell'Archiginnasio a Bologna III , 2006
c-print
paper: 70 7/8 x 58 7/8 in. (180 x 149.5 cm)
framed: 72 1/2 x 60 5/8 in. (184.2 x 153.8 cm)
© Candida Höfer, Köln / VG Bild-Kunst, Bonn 2023
Courtesy: the artist and Sean Kelly, New York/Los Angeles

Photo: Steven Probert

Candida Höfer
Biblioteca Comunale dell'Archiginnasio a Bologna III , 2006
c-print
paper: 70 7/8 x 58 7/8 in. (180 x 149.5 cm)
framed: 72 1/2 x 60 5/8 in. (184.2 x 153.8 cm)
© Candida Höfer, Köln / VG Bild-Kunst, Bonn 2023
Courtesy: the artist and Sean Kelly, New York/Los Angeles

Photo: Steven Probert

Douglas Huebler Variable Piece #70: 1971 (In Process) Global, Crocodile Tears: Sweetheart Baby (Conceptual Comic Strip), 1984 collage and ink on paper matted image size: 10 3/4 x 13 1/4 in. (27.3 x 33.7 cm) frame: 20 3/4 x 24 3/4 x 1 1/2 in. (52.7 x 62.9 x 3.8 cm)

Douglas Huebler
Variable Piece #70: 1971 (In Process) Global, Crocodile Tears: Sweetheart Baby (Conceptual Comic Strip), 1984
collage and ink on paper matted
image size: 10 3/4 x 13 1/4 in. (27.3 x 33.7 cm)
frame: 20 3/4 x 24 3/4 x 1 1/2 in. (52.7 x 62.9 x 3.8 cm)

Photo: EPW Studio

Sherrie Levine After Gustave Flaubert: Un Coeur Simple, 1990 handmade paper 8 x 6 x 1/2 inches (20.3 x 15.2 x 1.3 cm) AP 27, Edition of 100, + 50 AP signed and numbered on last page

Sherrie Levine
After Gustave Flaubert: Un Coeur Simple, 1990
handmade paper
8 x 6 x 1/2 inches (20.3 x 15.2 x 1.3 cm)
AP 27, Edition of 100, + 50 AP
signed and numbered on last page

Photo: Steven Probert

Seung-taek Lee Untitled, 1980 ​​​​​​​rope, book and canvas 44 7/8 x 34 3/4 x 1 3/4 in. (114 x 88 x 4.3 cm)

Seung-taek Lee
Untitled, 1980
rope, book and canvas
44 7/8 x 34 3/4 x 1 3/4 in. (114 x 88 x 4.3 cm)

Photo: Steven Probert

Jill Magid 
The Barragán Library at CIVA, 2021
books, frames
The Quiet Revolution: 12 x 20 1/2 x 1 9/16 in. (30.5 x 52.1 x 4 cm)
The Architecture of Luis Barragan: 12 x 19 x  1 5/16 in. (30.5 x 48.3 x 3.3 cm)
Space and Shadows, Walls and Color: 12 1/2 x 20 x 1 1/2" in. (31.8 x 50.8 x 3.8 cm)

Photo: Steven Probert

Jill Magid
The Barragán Library at CIVA, 2021
books, frames
The Quiet Revolution: 12 x 20 1/2 x 1 9/16 in. (30.5 x 52.1 x 4 cm)
The Architecture of Luis Barragan: 12 x 19 x  1 5/16 in. (30.5 x 48.3 x 3.3 cm)
Space and Shadows, Walls and Color: 12 1/2 x 20 x 1 1/2" in. (31.8 x 50.8 x 3.8 cm)

Photo: Steven Probert

Christian Marclay Untitled, 1989 acrylic and spray paint on comic book page 7 x 5 in. (17.8 x 12.7 cm) frame: 11 5/8 x 9 3/8 x 1 7/16 in. (29.5 x 23.8 x 3.7 cm) signed and dated verso

Christian Marclay
Untitled, 1989
acrylic on comic book page
7 x 5 in. (17.8 x 12.7 cm)
framed:11 5/8 x 9 3/8 x 1 7/16 in.
signed and dated verso

Photo: Steven Probert

Christian Marclay 
Untitled, 1989
acrylic on comic book page
7 x 5 in. (17.8 x 12.7 cm)
frame: 11 5/8 x 9 3/8 x 1 7/16 in. (29.5 x 23.8 x 3.7 cm)
signed and dated verso

Photo: Steven Probert

Christian Marclay
Untitled, 1989
acrylic on comic book page
7 x 5 in. (17.8 x 12.7 cm)
frame: 11 5/8 x 9 3/8 x 1 7/16 in. (29.5 x 23.8 x 3.7 cm)
signed and dated verso

Photo: Steven Probert

Claes Oldenburg & Coosje van Bruggen From the Entropic Library-Third Study, 1989 charcoal and chalk on paper 30  x 40 in. (76.2 x 101.6 cm) frame: 33 x 42 3/4 x 1 1/2 in. (83.8 x 108.6 x 3.8 cm)

Claes Oldenburg & Coosje van Bruggen
From the Entropic Library-Third Study, 1989
charcoal and chalk on paper
30  x 40 in. (76.2 x 101.6 cm)
frame: 33 x 42 3/4 x 1 1/2 in. (83.8 x 108.6 x 3.8 cm)
Photo: Steven Probert

Laura Owens
Fruits & Nuts, 2011
Screen printing ink on California newspapers from the 1960s
11 x 7 x 3/4 in.
Published by Ooga Booga 
Edition 89/100 with 16 APs
© Laura Owens. Courtesy the Artist; Matthew Marks Gallery, New York
Photo: Alta 

Laura Owens
Fruits & Nuts, 2011
Screen printing ink on California newspapers from the 1960s
11 x 7 x 3/4 in.
Published by Ooga Booga 
Edition 89/100 with 16 APs
© Laura Owens. Courtesy the Artist; Matthew Marks Gallery, New York
Photo: Alta 

Jorge Pardo Ten People Ten Books, 1994 cloth cover book with vellum architectural plan and cut vellum parts 10 1/8 x 7 1/4 in. (25.7 x 18.4 cm)

Jorge Pardo
Ten People Ten Books, 1994
cloth cover book with vellum architectural plan and cut vellum parts
10 1/8 x 7 1/4 in. (25.7 x 18.4 cm)
Photo: Steven Probert

Stephen Prina
English for Foreigners: Book Illustrations, 2017
lithography on paper, textile covered matt, mahogany, glass
paper: 9 x 13 in. (22.9 x 33 cm)
frame: 15 3/4 x 20 1/4 in. (40 x 51.4 cm) Edition 1 of 3

Stephen Prina
English for Foreigners: Book Illustrations, 2017
lithography on paper, textile covered matt, mahogany, glass
paper: 9 x 13 in. (22.9 x 33 cm)
frame: 15 3/4 x 20 1/4 in. (40 x 51.4 cm) Edition 1 of 3

R.H. Quaytman Modern Subjects, Chapter Zero (A Blow from the hand of a Belgian Lady), 2021 oil, acrylic, silkscreen ink, gesso on wood 52 3/8 x 84 3/8 in. (133 x 214.3 cm)

R.H. Quaytman
Modern Subjects, Chapter Zero (A Blow from the hand of a Belgian Lady), 2021– 2023
oil, acrylic, silkscreen ink, gesso on wood
52 3/8 x 84 3/8 in. (133 x 214.3 cm)

Walid Raad / The Atlas Group 1989-2004 (Attributed to Anonymous) We have never been so populated _ Plate II, 1997/2020 archival inkjet print 32 3/8 x 23 1/8 in. (82.2 x 58.7 cm) frame: 33 1/4 x 24 x 1 3/4 in. (84.5 x 61 x 4.4 cm)

Walid Raad / The Atlas Group 1989-2004 (Attributed to Anonymous)
We have never been so populated _ Plate II, 1997/2020
archival inkjet print
32 3/8 x 23 1/8 in. (82.2 x 58.7 cm)
frame: 33 1/4 x 24 x 1 3/4 in. (84.5 x 61 x 4.4 cm)

Photo: Steven Probert

Studio K.O.S.
Amerika (After Kafka) - I.M., 2023
acrylic, charcoal, book pages on wood panel
24 x 24 in. (61 x 61 cm)

Photo: Steven Probert

Studio K.O.S.
Amerika (After Kafka) - I.M., 2023
acrylic, charcoal, book pages on wood panel
24 x 24 in. (61 x 61 cm)

Photo: Steven Probert

Dan Walsh Textilene, 2008 textilene 13 x 12 3/4 in. (33 x 32.4 cm) Edition of 30, 2 APs

Dan Walsh
Textilene, 2008
textilene
13 x 12 3/4 in. (33 x 32.4 cm)
Edition of 30, 2 APs

Photo: Steven Probert

Rachel Whiteread Untitled, 2000 plaster, polystyrene and steel 64 5/8 x 31 3/8 x 8 5/8 in. (164.15 x 79.59 x 21.91 cm)

Rachel Whiteread
Untitled, 2000
plaster, polystyrene and steel
64 5/8 x 31 3/8 x 8 5/8 in. (164.15 x 79.59 x 21.91 cm)

Steve Wolfe Untitled (120 Days of Sodom), 1987 oil, gold leaf, silkscreen, modeling paste on canvas on wooden stretcher 9 1/2 x 6 3/4 x 2 in. (24.1 x 17.1 x 5.1 cm

Steve Wolfe
Untitled (120 Days of Sodom), 1987
oil, gold leaf, silkscreen, modeling paste on canvas on wooden stretcher
9 1/2 x 6 3/4 x 2 in. (24.1 x 17.1 x 5.1 cm

Steve Wolfe On the Road, 1991-1992 oil, screenprint, modeling paste, linen and wood 7 3/4 x 5 1/8 x 1 1/4 in. (19.7 x 13 x 3.2 cm)

Steve Wolfe
On the Road, 1991-1992
oil, screenprint, modeling paste, linen and wood
7 3/4 x 5 1/8 x 1 1/4 in. (19.7 x 13 x 3.2 cm)