Books & Catalogues

2016
Le Feuvre, Lisa, ed. A Lesson in Sculpture with John Latham, Henry Moore Institute, Leeds, 2016.
2015
Fortenberry, Diane and Morrill, Rebecca, eds., Body of Art, Phaidon Press
Sporton, Gregory. Technological Systems and Creative Actions, Digital Creativity: Something From Nothing, New York, NY: Palgrave Macmillan, 2015. pp 97; illus.
2014
Pontbriand, Chantal. Per/Form, exhibition catalogue, Sternberg Press and CA2M, Madrid, 2014.
Buchhart, Dieter. The Nature of Disappearance, exhibition catalogue, Marianne Boesky Gallery, New York, 2014, pp. 117, 119; illus.
2013
Walk On: 40 Years of Art Walking from Richard Long to Janet Cardiff, Morrison-Bell, Cynthia, ed., Art Editions North, 2013, ppg. 19-20, 126-127; illus.
Subject to Contract, monograph, Buskirk, Martha, Gygax, Raphael, Young, Carey and Zolghadr, Tirdad, JRP | Ringier and Migros Museum, Zurich, Switzerland
2012
Contemporary Art in the United Kingdom , Black Dog Publishing, London, 2012,pp. 154-157, 213; illus.
Art & Visual Culture 1850-2010: Modernity to Globalisation, Tate Publishing, London, 2012, pp. 294; illus.
Undetectable, exhibition catalogue, La MaMa La Galleria, New York, 2012
Mind the System, Find the Gap, exhibition catalogue, Z33 – house for contemporary art, Limburg, Belgium, 2012, pp. 66-67; illus.
2011
Work After Work, exhibition catalogue, MAK Center for Art and Architecture, Los Angeles, 2011, pages unnumbered; illus.
Space. About a Dream, exhibition catalogue, Kunsthalle Wien, Verlag fur Moderne Kunst, 2011, pp. 262-265; illus.
2010
Yesterday Will be Better, Aargauer Kunsthaus Aarau, exhibition catalogue, 2010, pp. 194- 197; illus.
“Ständige Rezeption (Permanent Reception),” Art & Film: Curated by­­ Vienna. exhibition catalogue, 2010, pp. 150-151; illus.
Permanent Mimesis, Electa Mondadori/ Galleria Civica d’Arte Moderna e Contemporanea, Turin, exhibition catalogue, 2010, pp. 54-55, 57.
Ramoneda, Josep. ATOPIA Art I ciutat al segle XXI, Centre de Cultura Contemporània de Barcelona, exhibition catalogue, 2010, pp. 38-41; illus and cover.
Damsbo, Mads and Merete Jankowski. FALL OUT, Gl Holtegaard, Denmark, and Malmö Kunsthal, Sweden, exhibition catalogue, 2010, pp. 85-93; illus.
2009
Beech, Dave. ‘Turning the Whole Thing Around: Test Art Today’ in Art and Text, Black Dog Publishing, London, UK, 2009 pp. 7, 32, 33, 40, 213, 242, 243; illus.
Wagner, Marianne, ‘Doing lectures. Performative lectures as a framework for artistic action’ in Lecture Performance, Koelnischer Kunstverein / Museum of Contemporary Art Belgrade, 2009
Paul, Christiane, ‘Measuring Disturbances: How Media Look at the World’ in Feedforward: The Angel of History’, LABoral, Gijon, 2009
Maria Lind, Enrico Lunghi and Zoran Eric, Soft Manipulation: Who is Afraid of the New Now?. exhibition catalogue, Luxembourg – Forum d’art Contemporain, Luxembourg, 2009,
Caron, Bruno (editor) Valeurs Crois é es/Crossing Values, Les Ateliers de Rennes – Biennale d’Art Contemporain, Les Presses du Réel, Dijon, 2009
Condorelli, Celine and Wade, Gavin, in Support Structures, Lukas and Sternberg, New York, 2009
Sperlinger, Mike, ‘Diminishing Returns, or is Robert Morris Cynical?’ in SWITCH, biannual programme published by The Power Plant, Toronto, issue 1.2, Summer 2009
Young, Carey and Malasauskas, Raimundas, ‘Revolution is a Lovely Word’ in Utopias, ed. Noble, Richard, Whitechapel Art Gallery and MIT Press, 2009
2008
Young, Carey, ‘Index (after J.G. Ballard)’ in Has Man a Function in Universe? Contribution to artist’s book (by Gavin Wade), Bookworks, London and Eastside Projects, Birmingham, 2008
Beasley, Mark. Hey Hey Glossolalia (Before) & (After): Exhibiting the Voice, Creative Time, 2008, pp. 140-146.
Wade, Gavin. Has Man a Function in Universe? Strategic Questions #2 , Book Works, London, and Eastside Projects, Birmingham, 2008, pp.108-111.
Hodby, Alex, Lucy Kimbell and Nina Wakeford (editors), Imagining Business Said Business School, Oxford University, platform projects, Newcastle-Upon-Tyme, England, 2008.
Johan Holten, Islands+Ghettos Heidelberger Kunstverein, Heidelberg, Germany, 2008.
2007
Hoffman, Jens, in For Sale, Cristina Guerra Gallery, Lisbon
Ayas, Defne, Goldberg, RoseLee, and Young, Carey in Performa, Performa Publishing, New York, 2007
Bourriaud, Nicolas, in Moscow Biennale 2, Moscow Biennale publishing, 2007
Hansen, Tone, and Young, Carey in The New Administration of Aesthetics, Torpedo Press, Oslo, 2007
2006
Hoffman, Jens in Institutional Critique and After, Welchman, John C., JRP/Ringier, 2006
Newman, Michael, in How to Improve the World, Hayward Gallery, London, 2006
Townsend, Chris, New Art from London, Thames and Hudson, London, 2006
Kivland, Sharon (ed), Transmission: Speaking and Listening, Site Gallery publications, Sheffield, 2006
Gressel, Inka and Stepken, Angelika, Critical Societies Reader, Badischer Kunstverein, Karlsruhe, 2006
Hoffman, Jens, World Question Center (Reloaded), BAK Basis for Actuele Kunst, Utrecht, 2006
Gressel, Inka and Stepken, Angelika, Critical Societies Reader, Badischer Kunstverein, Karlsruhe, 2006
2005
Farquharson, Alex, Schlieker, Andrea, and Mahony, Emma in British Art Show 6, Hayward Gallery Publishing, London, 2005
Latour, Bruno and Weibel, Peter, Making Things Public, MIT Press, Cambridge, 2005
Lind, Maria et al, Collected Newsletters, Kunstverein Munich & Revolver, Munich/Frankfurt, 2005
Hoffmann, Jens and Jonas, Joan, Art Works: Perform, Thames and Hudson, London, 2005
Battista, Kathy and Wenman, Neil, in Nothingness, Galerie Euegn Lendl, Graz
Malasauskas, Raimundas, ‘Revolution is a Lovely Word’ in I am a Revolutionary, Trafo Gallery programme, 2005
Pennings, Mark, ‘Relational Aesthetics and Critical Culture’, in Proceedings Transforming Aesthetics, Art Gallery of New South Wales, 2005
Reckitt, Helena (ed), What Business Are You In?, Atlanta Contemporary Art Center, 2005
Buskirk, Martha and Uchill, Rebecca, Trade Show, Mass MOCA, Massachusetts, 2005
2004
Hegyi, Dora, Moscow Square, Museum Ludwig, Budapest, 2004
Kimbell, Lucy (ed), New Media Art: Practice and Content in the UK 1994-2004, Arts Council of England / Cornerhouse publications, 2004, ISBN 0 948797 88 6
Gallagher, Ann and Mitrovic, Sinisa in Tales of the City (exhibition catalogue), Arte Fiera, Bologna, 2004
2003
Venice Biennale catalogue, 2003
Mulholland, Neil, The Cultural Devolution: Art in Britain in the Late Twentieth Century, Ashgate Publishing, 2003
Kyander, Pontus, in Dust to Dusk (exhibition catalogue), Charlottenborg, Copenhagen, 2003
Schuppli, Madeleine and Lunn, Felicity, in catalogue for Gesellschaftsbilder/ Images of Society, Kunstmuseum Thun, 2003
Young, Carey, ‘Notes from the Inside’ in Beck’s Futures catalogue, ICA, London, 2003
Venice Biennale catalogue, 2003
Beasley, Mark, in Electric Earth, British Council, London, 2003
Drabble, Barny and Sachs, Hinrich, in Hüttner, Per, Curatorial Mutiny, Stockholm, 2003
2002
Gillick, Liam and Young, Carey in Mir, Aleksandra, Corporate Mentalities, Lukas & Sternberg, New York, 2002
Farquharson, Alex; Gillick, Liam and Young, Carey; Kelsey, John and Millar, Jeremy, in Carey Young, Incorporated, John Hansard Gallery and Film & Video Umbrella, 2002
2001
Slyce, John, ‘Nothing Ventured’, in fig-1 retrospective catalogue, Tate / Spafax publishing, 2001

Reviews & Interviews

2016
Young, Carey. “Justice Must be Seen to be Done,” The Brooklyn Rail, March 4th, 2016; http://www.brooklynrail.org/2016/03/criticspage/justice-must-be-seen-to-be-done
2015
Healey, Luke, “Listening,” Frieze, issue 171, May
Spohn, Anna. “Handling, Teilnahme Und Beteiligung,” Kunstforum International, February—March, 2015, pp. 81; illus.
2014
Cheval, Florence. “Declared Void,” L’Art Meme, February – April, 2014, pg. 7; illus.
2013
Young, Carey. “On Purpose and Urgency: Law as Art,” Mousse, December 2013; pg. 80-81; illus.
Ardenne, Paul. “CY at Le Quartier”, ArtPress, September 1, 2013, pg. 28; illus.
“Carey Young ‘Legal Fictions’ at Migros Museum, Zurich,” Mousse, September 9, 2013
Young, Carey. “Unfinished Business: Notes toward an Artist Statement,” Social Text, Summer 2013, p. 145-152.
Dirié, Clement. “À Quimper, le monde tel qu’il (ne) tourne (pas) selon Carey Young,” Le Quotidien de l’Art, July 23, 2013, pg. 5; illus.
Herbert, Martin. “Now See This,” Art Review, May 2013, pg. 28; illus.
Bernard, Paul. “Marcel Broodthaers: Dying Speech. Notes on Speakers’ Corner,” Volume, May-November 2013, pg. 94-103; illus.
2012
Thatcher, Jennifer. “A Plea for Tenderness,” ArtReview, April 2012, p. 107; illus.
McLean-Ferris, Laura. “A Plea for Tenderness,” Art Monthly, March 12, 2012, p. 31; illus.
Pilger, Zoe. “A Plea for Tenderness,” The Independent, February 23, 2012, p. 45; illus.
Admiss, Dani. “Come Together: a Plea for Tenderness,” January 2012
2011
Magid, Jill, Rabottini, Alessandro. Young, Carey. “The Color of Law,” Mousse Magazine, Summer 2011, pp. 96-105; illus.
McClean, Daniel. “The Artist’s Contract: From the Contract of Aesthetics to the Aesthetics of the Contract,” Mousse Magazine
Williams, Eliza. “Carey Young: Memento Park,” Art Monthly, February 2011, pg. 27-28; illus.
Williams, Tom. “Carey Young: ,” Art in America, January 2011, pg. 110-111; illus.
2010
“Media Habits: Carey Young,”_ The Last Times_, December 1, 2010, Issue 9, pg. 6; illus.
“Carey Young: Contracting Universe,” Time Out, October 28- November 3, 2010, pg. 44.
Bryan- Wilson, Julia. “Inside Job: Julia Bryan-Wilson on the art of Carey Young,” Artforum, October 2010, pp. 240-247; illus.
“Paradoxical Skin,” GAM Magazine, September, 2010, pp.22- 23.
Fried, Laura. “Carey Young” FlashArt Vol. XLIII No. 270, January February 2010, pg. 84; illus.
McQuaid, Cate. “Making their points simply and effectively” The Boston Globe January 28, 2010; illus.
Buchart, Dieter, & Gerald Nestler, “Carey Young: Unternehmen machen Kreativität zu einem Fetisch,” Kunstforum International 200, 2010.
2009
Cook, Greg. “The ‘business’ of art: Carey Young’s ‘Uncertain Contracts’ at the RISD Museum” The Pheonix, December 30, 2009
Sholis, Brian. “Critics’ Picks: Providence, Carey Young” Artforum, December 2009
Jones, Laura K. “London Dispatch” Artnet.com, October 16, 2009
“Body Techniques (2007)” Stradda, October 2009, pp. 62-63; illus.
Lee, Stephen. “Pattern Recognition” Art Monthly, October 2009, pp. 28-29.
“Artist Khebrehzadeh mixes the simple and complex in RISD exhibit” The Providence Journal, November 26, 2009,
Geldard, Rebecca. “Deceitful Moon” Art Review: Issue 35, October, 2009, pg. 125.
Friswold, Paul. “Sound and Vision” Riverfront Times, May 8, 2009.
“Carey Young: Inventory” _Parabol Art Magazine_The Value Issue, Almost Summer 2009, pp. 6-7, 36-37; illus.
Amado, Miguel. “Carey Young” Artforum, Summer 2009, pg. 347; illus.
Katz, Miriam. “Carey Young: 500 Words,” Artforum,May 5, 2009, illus.
Piovesan, Giulio, “Carey Young; Body Techniques,” Next Level, No. 17, Spring 2009, pp. 15-22, illus., cover.
Goddard, Peter. “An alternate history of Canada, not written by the winners” Toronto Star, March 26, 2009.
“We’re All Corporate Now” National Post Avenue Questions & Artists, March 13, 2009; illus.
“The law firm version of a value meal” Globe and Mail, March 11, 2009; illus.
Connolly, Maeve. “Getting Even: Oppositions + Dialogues in Contemporary Art,” Art Monthly, February 2009.
Dunne, Aidan. “Attacking the subject of 20th century conflict” The Irish Times, February 11, 2009.
Johnson, Ken. “Aesthetic Withdrawal in the Quest for Ideas,” The New York Times, Friday, January 23, 2009, pg. 39, illus.
Goddard, Peter. “Art Sales Slide as Artistic Stars Rise” Toronto Star, January 1, 2009, pg. E6; illus.
Brunner, Bettina. “Carey Young: Mutual Release,” Frieze (online)
2008
Austin, Tom. “Dollar Signs, Moral Symbols: A MAM exhibition incites plenty of value judgements” The Miami Herald, December 17, 2008
Wilson, Siona, ‘Destinations of Feminist Art: Past, Present, and Future’, Womens’ Studies Quarterly, Vol 36, Nos. 1 & 2, pp 324-330
Okiishi, Ken. “If/Then: Carey Young,” Bidoun, Spring/Summer 2008, pp. 154-155; illus.
Bell, Natalie. “Carey Young,” Art Papers, March/April, 2008, pp. 1, 62; illus.
Kerr, Merrily. “Carey Young: If/Then at Paula Cooper Gallery, New York,”_ Art on Paper_, March/April 2008, pp. 88-89; illus.
Sarmiento, Sergio Munoz. “Concealment and Law in the Work of Carey Young,” CLANCCO, March 4, 2008; illus.
Banai, Nuit. “Carey Young,” Modern Painters, March 2008, pg. 81; illus.
“Carey Young,” The New Yorker, January 14, 2008, pg. 16.
2007
“Baker, R.C. ‘The Road to Dystopia,’ The Village Voice, December 12-18 2007, pg. 59; illus.
‘Carey Young,’ Time Out New York, December 6-12, 2007, pg. 74
‘Carey Young,’ Flaverpill, December 2007, illus.
‘Issue 225,’ Kultureflash, November 29, 2007
‘Albersworth,’ Kate, Bidoun, Fall issue
2006
Williams, Eliza, ‘Studio Visits’, Flash Art International, Oct
Hunt, Andrew, ‘Work’, Frieze, Sept
Zolghadr, Tirdad, ‘Academic Questions’, Frieze, Sept
Blaker, Helena, Performa05, Art Monthly, Feb
Hunt, Andrew, ‘British Art Show 6’, Frieze, Jan-Feb
2005
Comer, Stuart, ‘On the Ground’, Artforum, Dec
Dannatt, Adrian, The Art Newspaper, Dec
Cesare, T. Nikki, ‘The Negation of Art’, NYArts magazine, Dec
A Dimitrakaki, ‘Five o’clock on the Sun: Three Questions on Feminism and the Moving Image in the Visual Arts of Non-Western Europe’, Third Text, 2005
Goldberg, Roselee & Moulton, Aaron, ‘Interview with Roselee Goldberg’, Flashartonline, Nov
Interview with Carey Young, Soundcheck, WNYC radio (archived webcast)
Vaughan, Hannah, ‘One to Watch: Carey Young’, Artkrush, issue 18, Nov
British Art Show 6,Marlow, Tim, Channel 5 (TV programme), Oct 9
Bode, Steven, ‘No Fade Away’, Contemporary, Oct
British Art Show 6, review, Glasgow Herald, Oct 2
Schwabsky, Barry, ‘Disclaimer’, Artforum, Sept
Downey, Anthony, ‘Disclaimer’, Flash Art, May/June
O’Reilly, Sally, ‘Disclaimer’, Time Out (London), April 20
Perra, Daniele, ‘Revolution is on Hold’, Tema Celeste, May/June
Giacomelli, Marco, Revolution is on Hold, Arte e Critica, no. 42, April - June
‘Critical of Business, Not Always Positive about Art’, Miklos Erhardt, Balkon, June
Flash Art, April/May
Allen, Jennifer, Critics’ Pick, Artforum.com, April
O’Reilly, Sally, Time Out (London), April
Casavecchia, Barbara, Sette rivoluzionari e un’Isola da salvare, La Repubblica, March 5
2004
Lind, Maria, ‘Notes on Sputniks’, Site magazine, Oct
Millard, Rosie, New Statesman, 27 Sept
Godfrey, Mark, ‘Works both Ways: Carey Young’s projects for the Kunstverein Munchen’, Kunstverein Munchen Drucksache, Autumn 2004
Lind, Maria, ‘Soft and strict strands - new art in Europe’, Ootal, Stockholm, issue 17/18
Nelson, Robert, ‘Cycle Tracks will abound in Utopia’, The Age, Australia, 1 Sept
Tema Celeste, Issue 104, Aug
Elle, August
Herald Sun, Melbourne, August 7
Aspden, Peter, ‘The Revolver: a twilight of ambiguity’, Financial Times, 22 July
Davies, Lucy, Metro, July 21
Recommended Exhibitions, The Guardian, 5 July
The Guide, The Guardian, 3 July
Murray, Lavinia, Flux Magazine, July - August
Ericsson, Lars O., ‘Marknadens favoriter’, Dagens Nyheter, May 15
Withers, Rachel, ‘A Short History of Performance, Part II’, Artforum, April
LaBelle, Brandon, review of ‘Dust to Dusk’, Contemporary, Issue 60
Dezeuze, Anna, ‘Art, Lies and Performance’, Art Monthly, Feb
2003
Kyander, Pontus, feature interview for ‘Bildjournalen’, Swedish Television, May
Ward, Ossian, ‘Straight to Video & Back Again’, Dazed & Confused, April
‘Beck’s Futures’, BBC4 TV documentary, April
Front Row, BBC Radio 4, April
Night Waves, panelist, BBC Radio 3, March
Renton, Andrew, ‘The Show that Isn’t There’, Evening Standard, April 1
2002
Lind, Maria. ‘All Inside’. Kunstverein Munchen Drucksache
Frontline, Radio 3, May 6
Smith, Roberta, ‘The Passsions of the Good Citizen’, The New York Times, May 3
Suchin, Peter, ‘Carey Young’, Frieze, January
Kelsey, John, ‘Carey Young: Business as Usual’, artext, Spring
Parker, Graham, ‘Nothing’, Contemporary, Jan
2001
Tan, Eugene, ‘Carey Young’, Contemporary, Dec
Drabble, Barny, ‘Trading Places’, Flash Art, Nov
Wilson, Rob, ‘The Communications Department’, Untitled, Autumn/Winter
Beech, Dave, ‘The Communications Department’, Art Monthly, Sept
Herbert, Martin, ‘The Communications Department’, Time Out, 15 - 21 July
Tan, Eugene, ‘Nothing’, Art Review, June
Whitehouse, Christine, ‘Young at Art’, Time Magazine
2000
Mehta, Nina, ‘The Business of Art, Carey Young Profiled’, Art Monthly, Nov
Gillick, Liam, ‘A 90% Politeness Trustability Factor’, Make, Sept - Nov 2000
Napack, Jonathan, ‘The Taipei and Seoul Biennials: Video Sensations’, The Art Newspaper, Oct
Stallabrass, Julian, ‘Art I Like’, Modern Painters, Summer issue
Rugoff, Ralph, ‘Project Space with a Whirlwind Schedule’, Financial Times, May 20
Mehta, Nina, Art Monthly, April
Seymour, Ben, ‘Everything Must Go’, Mute, issue 16

Journals, Magazines, and Newspapers

2017
Exhibitions: Carey Young “The New Architecture” at Dallas Museum of Art, Dallas, Mousse Magazine, March, 2017. http://moussemagazine.it/carey-young-new-architecture-dallas-museum- art-dallas-2017/
D. Gruska, “Playing Hide and Law,” Flash Art, March – May, 2017
Bourbon, Matthew, “Carey Young at Dallas Museum of Art,” Artforum.com
Shore, Robert, and Young, Carey, “Friendly, Honest, Straightforward: Meditations on Power.”Elephant Magazine, February, 2017.
Avram, Danielle, “Artist’s provocative work focuses on women in a particular world,” Dallas News, April 4th, 2017. http://www.dallasnews.com/arts/visual-arts/2017/04/03/artists-provacative- work-focuses-women-patriarchal-world
Sachson, Gail. “Carey Young Beckons the Male Gaze at the DMA,” Art and Seek, February 22, 2017; http://artandseek.org/2017/02/22/carey-young-beckons-the-male-gaze-at-the-dma/
2016
Medd, Emily, “London Round-up: Showroom, Delfina Foundation, The Ryder,” Art Monthly, November
Potts, Daniel, “A Lesson in Sculpture with John Latham,” Aesthetica, June/July
Zakiewicz, Neil, “A Lesson in Sculpture with John Latham,” Art Monthly, May
Young, Carey. “Justice Must be Seen to be Done,” The Brooklyn Rail, March 4th, 2016; http://www.brooklynrail.org/2016/03/criticspage/justice-must-be-seen-to-be-done
2015
Healey, Luke, “Listening,” Frieze, issue 171, May
2014
Cheval, Florence. “Declared Void,” L’Art Meme, issue 61
2013
Dirie, Clement. “A Quimper, Le Monde Tel Qu’I (ne) Tourne (Pas) selon Carey Young,” Le Quotidien de l‘Art, 23 Juillet
Young, Carey. “On Purpose and Urgency,”Mousse, Issue 41, 2013
Herbert, Martin. “Now See This,” Art Review, May
Bernard, Paul. “Marcel Broodthaers. Dying Speech: Notes on Speakers’” Corner. Volume, May – Nov
Jurt, Pascal. “Carey Young: Lücken des Rechts,” Missy Magazine, August-November, 2013.
“Carey Young: Legal Languages,” ADC Journal, November, 2013.
“Carey Young-Kraft meines Amtes als Künstlerin,” Kunst Bulletin, November, 2013.
“International Exhibitions,” Art Monthly, October, 2013.
Scheltwort, Sabine. “Verklausulierung des Lebens-Carey Young im Museum in Zürich,” Kunst:Art, October, 2013.
Hofmann, Annette, Artline, October, 2013.
Kunst Art, Sept-Oct, 2013.
Kohli, Alice, “Das Gesetz ist Faszinieriend,” Freitag, October 2, 2013.
Schneebauer, Claudia, “Carey Young untersucht die spröde Sprache der Juristen,” Sarganserlander, October 9, 2013.
Zeitkunst, October, 2013.
Soll, Nadine, “Carey Young at the Migros Museum für Gegenwartskunst, Zurich,” NYartsmagazine.com
“Jede haftung wird abgelehnt,” NZZ, September, 2013.
Froschaux, Thierry, “zum Denken verführt,” Tages Anzeiger, August 31, 2017.
Art Investor, August, 2013.
Jurt, Pascal, “Lücken des Rechts,” Missy Magazine, Aug-Nov, 2013.
“Einfluss von Konzernen auf des Individuum,” www.deradio.de, August, 2013.
“Kunst aus der Sprache,” Tages Anzeiger, August 31, 2013.
“Carey Young laisse le monde parler,” Ouest, France, May, 2013.
Herbert, Martin, “Now See This,” Art Review, May, 2013.
Bernard, Paul, “Marcel Broodthaers. Dying Speech: Notes on Speakers’ Corner.” Volume, May-Nov, 2013.
Architectural Digest, April, 2013.
2012
Alberro, Alex. “Life Models,” Frieze, Summer 2002, pp. 154-159
Thatcher, Jennifer, “A Plea for Tenderness,” The Independent, Feb. 23, 2012
McLean-Ferris, Laura. “A Plea for Tenderness,” Art Monthly, March 2012, pp. 30-31
Pilger, Zoe. “A Plea for Tenderness,” The Independent, Feb. 23, 2012
2011
Magid, Jill and Young, Carey. “The Color of Law,” Mousse Magazine, Issue 29, June 2011, pp. 96-105; illus.
Hapgood, Susan and Lauf, Cornelia. “In Deed – Certificates of Authenticity in Art,” Cabinet, Spring 2011.
Townsend, Christopher. “Carey Young: Memento Park,” Art Monthly, Feb. 2011
“Preview,” Bidoun, Issue 24
2010
Bryan-Wilson, Julia. “Inside Job: Julia Bryan-Wilson on the art of Carey Young,” Art Forum, October 2010, pp. 240-247; illus.
McLean, Daniel. “The Artist’s Contract,” Mousse Magazine, Issue 25, Sept. 2010
“Paradoxical Skin,” GAM Magazine, September, 2010, pp. 22-23.
McQuaid, Cate. “Making their points simply and effectively,” The Boston Globe, Jan. 28th, 2010; illus.
Fried, Laura. “Carey Young,” FlashArt, Vol. XLIII No. 270, Jan-Feb, 2010, pp.84; illus.
Burchart, Dieter, and Nester, Geral. “Interview with Carey Young,” Kunstforum International, Art and Economy Issue, Vol. 200, 2010
2009
Sholis, Brian. “Critics Picks,” Artforum.com, Dec. 16
Jones, Laura. “K. Frieze Fair Roundup,” artnet.com, Oct. 16
“Body Techniques,” Stradda, Oct.
“Carey Young: Inventory,” Parabol, The Value Issue, Summer Issue
Armado, Miguel. “Carey Young,” Artforum, Summer Issue
Katz, Miriam and Young, Carey. “Carey Young: 500 Words,” Artforum.com, May 5
“Carey Young: Body Techniques,” Next Level Magazine, Issue 17
Beech, Dave. “Rediscovering Radicalism,” Art Monthly, March
Connoly, Maeve. “Getting Even,” Art Monthly, March
Dunne, Aidan. “Attacking the subject of 20th Century conflict,” The Irish Times, Feb. 11
2008
Austin, Tom. Dollar Signs, Moral Symbols, the Miami Herald, Dec. 17
Brunner, Bettina. Carey Young, Frieze, Dec. 18, web edition.
Okiishi, Ken. If/Then: Carey Young, Bidoun, Spring/Summer
Bell, Natalie. Carey Young, Art Papers, March/April
Kerr, Merrily. Carey Young: If/Then at Paula Cooper Gallery, New York, Art on Paper, March/April
Banai, Nuit. Carey Young, Modern Painters, March
2007
Baker, R.C. “Best In Show,” Village Voice, Dec. 11
“Carey Young,” Flavorpill, New York, Dec.
Albersworth, Kate. “Body Techniques,” Bidoun, Fall Issue.
2006
Williams, Eliza. “Studio Visits,” Flash Art International, Oct.
Hunt, Andrew. “Work (W3:K),” Frieze, Sept.
Zolghadr, Tirdad. “Academic Questions,” Frieze, Sept.
Blaker, Helena. “Performa05,” Frieze, Jan-Feb.
2005
Comer, Stuart. “London,” Artforum, Dec
Cesare, T. Nikki. “The Negation of Art”, NY Arts Magazine, Nov/Dec
Dannatt, Adrian. The Art Newspaper, Dec
Goldberg, Roselee & Moulton, Aaron. “Interview with Roselee Goldberg,” Flashartonline, Nov
“Interview with Carey Young,” Soundcheck, WNYC radio
Vaughan, Hannah. “One to Watch: Carey Young,” Artkrush, issue 18, Nov
British Art Show 6, Marlow, Tim, Channel 5 (TV programme), October 9
Schwabsky, Barry. “Carey Young,”_ Artforum_, Sept
Perra, Daniele. “Revolution is on Hold,” Tema Celeste, May/June
Erhardt, Miklos. “Critical of Business, Not Always Positive about Art,” Balkon, June
Flash Art, April/May
McMillan, Duncan. “A not-so-starry start for the art that fell to Earth,” The Scotsman, 10 May
Allen, Jennifer. “Critics’ Pick,” Artforum.com, April
O’Reilly, Sally, Time Out, April
2004
Lind, Maria. “Notes on Sputniks,” Site Magazine, Oct.
Millard, Rosie. New Statesmen, Sept. 27
Lind, Maria. “Soft and Strict Strands – New Art in Europe,” Ootal, Stockholm, Issue 17/18
Nelson, Robert. “Cycle Tracks Will Abound in Utopia,” The Age, Australia, Sept. 1
Tema Celeste, Issue 104, Aug.
Elle, August
Herald Sun, Melbourne, August 7
Lind, Maria. “Notes on Sputniks,” Site, Issue 9, 2004
Aspden, Peter. “The Revolver: a Twilight of Ambiguity,” Financial Times, July 22
Davies, Lucy. Metro, July 21
“Recommended Exhibitions,” The Gaurdian, July 5
“The Guide,” The Guardian, July 3
Murray, Lavinia. “Flux Magazine,” July – August
Ericsson, Lars O. “Marknadens Favoriter,” Dagens Nyheter, May 15.
Withers, Rachel. “A Short History Of Performance, Part II,” Art Forum, April
Kunstverein Muenchen Drucksache, Spring
LaBelle, Brandon. “Review of Dust to Dusk,” Contemporary, Issue 60
Dezeuze, Anna. “Art, Lies, and Performance,” Art Monthly, February
Ruhle, Alex. Krieg Mich, Wenn du Kannst, Suddeutsche Zeitung, January 17
Moliterni, Rocco, La Stampa, January 22
2003
Guner, Filsun. “A Top Performance,”Evening Standard, November 18
Lack, Jessica. “A Short History of Performance,” The Guardian, November 15
Lack, Jessica. “Alive and Kicking: How Can a Board Meeting be Subversive?,” RA Magazine, Winter
Gerber, Elisabeth. “Gesellscahftbilder,” Kunst Bulletin, November
Spinelli, Claudia. “Auf dem Prüfstand,” Die Weltwoche, No. 39
“Gesellscahftbilder,” Basler Zeitung, October 4
Ewige Rettung, Neue Bürcher Zeitung, October 11/12
Farquharson, Alex. “Curator and Artist,” Art Monthly, October
Plagens, Peter. “The Celtic Alternative,” Newsweek, June 23
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Kyander, Pontus. “Feature interview for Bildjournalen,” Swedish Television, May
Field, Marcus. “Beck’s Futures,” Independent on Sunday, May
“Anger is an Energy,” i-D Magazine, May
Withers, Rachel. “Beck’s Futures 2003,” Art Forum online ed., May
Kimmelman, Michael. “Critics Notebook,” The New York Times, April 29
Hoge, Warren. “Shocking Art in Edwardian Digs,” The New York Times, April 16
Ward, Ossian. “Straight to Video & Back Again,” Dazed and Confused, April
“Beck’s Futures,” BBC4 TV, documentary, April
Reynolds, Nigel. “Invisible Art is the New Must-See,” The Telegraph, April 2
BBC London, 6:30pm News
Renton, Andrew. “The Show that Isn’t There,” The Evening Standard, April 1
“Beck’s Futures,” Attitude, April
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Freeman, Colin. “Artist Shows the Secret of Her Success – Nothing,” Evening Standard, March 3
“Editorial Comment, But Is it Art?,” Evening Standard, March 3
2002
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“Frontline,” Radio 3, May 6
Smith, Roberta. “The Passions of the Good Citizen,” The New York Times, May 3
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Stallabrass, Julian, “Art I Like,” Modern Painters, Summer issue
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Rugoff, Ralph, “Project Space with a Whirlwind Schedule,” Financial Times, May 20
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1998
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Guha, Tania, Time Out, Xmas - New Year issue

Updated: October 3, 2017