Subject to Contract. Buskirk, Martha, Gygax, Raphael, Young, Carey and Zolghadr, Tirdad, JRP Ringier and Migros Museum, Zurich, Switzerland
Carey Young, Incorporated. Farquarson, Alex, Gillick, Liam, and Young, Carey, Kelsey, John and Millar, Jeremy. John Hansard Gallery and Film & Video Umbrella, London

Books & Catalogues

Universe: Exploring the Astronomical World, Phaidon, 2017.
Le Feuvre, Lisa, ed. A Lesson in Sculpture with John Latham, Henry Moore Institute, Leeds, 2016.
Fortenberry, Diane and Morrill, Rebecca, eds., Body of Art, Phaidon Press
Sporton, Gregory. Technological Systems and Creative Actions, Digital Creativity: Something From Nothing, New York, NY: Palgrave Macmillan, 2015. pp 97; illus.
Pontbriand, Chantal. Per/Form, exhibition catalogue, Sternberg Press and CA2M, Madrid, 2014.
Buchhart, Dieter. The Nature of Disappearance, exhibition catalogue, Marianne Boesky Gallery, New York, 2014, pp. 117, 119; illus.
Walk On: 40 Years of Art Walking from Richard Long to Janet Cardiff, Morrison-Bell, Cynthia, ed., Art Editions North, 2013, ppg. 19-20, 126-127; illus.
Subject to Contract, monograph, Buskirk, Martha, Gygax, Raphael, Young, Carey and Zolghadr, Tirdad, JRP | Ringier and Migros Museum, Zurich, Switzerland
Contemporary Art in the United Kingdom , Black Dog Publishing, London, 2012,pp. 154-157, 213; illus.
Art & Visual Culture 1850-2010: Modernity to Globalisation, Tate Publishing, London, 2012, pp. 294; illus.
Undetectable, exhibition catalogue, La MaMa La Galleria, New York, 2012
Mind the System, Find the Gap, exhibition catalogue, Z33 – house for contemporary art, Limburg, Belgium, 2012, pp. 66-67; illus.
Work After Work, exhibition catalogue, MAK Center for Art and Architecture, Los Angeles, 2011, pages unnumbered; illus.
Space. About a Dream, exhibition catalogue, Kunsthalle Wien, Verlag fur Moderne Kunst, 2011, pp. 262-265; illus.
Yesterday Will be Better, Aargauer Kunsthaus Aarau, exhibition catalogue, 2010, pp. 194- 197; illus.
“Ständige Rezeption (Permanent Reception),” Art & Film: Curated by­­ Vienna. exhibition catalogue, 2010, pp. 150-151; illus.
Permanent Mimesis, Electa Mondadori/ Galleria Civica d’Arte Moderna e Contemporanea, Turin, exhibition catalogue, 2010, pp. 54-55, 57.
Ramoneda, Josep. ATOPIA Art I ciutat al segle XXI, Centre de Cultura Contemporània de Barcelona, exhibition catalogue, 2010, pp. 38-41; illus and cover.
Damsbo, Mads and Merete Jankowski. FALL OUT, Gl Holtegaard, Denmark, and Malmö Kunsthal, Sweden, exhibition catalogue, 2010, pp. 85-93; illus.
Beech, Dave. ‘Turning the Whole Thing Around: Test Art Today’ in Art and Text, Black Dog Publishing, London, UK, 2009 pp. 7, 32, 33, 40, 213, 242, 243; illus.
Wagner, Marianne, ‘Doing lectures. Performative lectures as a framework for artistic action’ in Lecture Performance, Koelnischer Kunstverein / Museum of Contemporary Art Belgrade, 2009
Paul, Christiane, ‘Measuring Disturbances: How Media Look at the World’ in Feedforward: The Angel of History’, LABoral, Gijon, 2009
Maria Lind, Enrico Lunghi and Zoran Eric, Soft Manipulation: Who is Afraid of the New Now?. exhibition catalogue, Luxembourg – Forum d’art Contemporain, Luxembourg, 2009,
Caron, Bruno (editor) Valeurs Crois é es/Crossing Values, Les Ateliers de Rennes – Biennale d’Art Contemporain, Les Presses du Réel, Dijon, 2009
Condorelli, Celine and Wade, Gavin, in Support Structures, Lukas and Sternberg, New York, 2009
Sperlinger, Mike, ‘Diminishing Returns, or is Robert Morris Cynical?’ in SWITCH, biannual programme published by The Power Plant, Toronto, issue 1.2, Summer 2009
Young, Carey and Malasauskas, Raimundas, ‘Revolution is a Lovely Word’ in Utopias, ed. Noble, Richard, Whitechapel Art Gallery and MIT Press, 2009
Young, Carey, ‘Index (after J.G. Ballard)’ in Has Man a Function in Universe? Contribution to artist’s book (by Gavin Wade), Bookworks, London and Eastside Projects, Birmingham, 2008
Beasley, Mark. Hey Hey Glossolalia (Before) & (After): Exhibiting the Voice, Creative Time, 2008, pp. 140-146.
Wade, Gavin. Has Man a Function in Universe? Strategic Questions #2 , Book Works, London, and Eastside Projects, Birmingham, 2008, pp.108-111.
Hodby, Alex, Lucy Kimbell and Nina Wakeford (editors), Imagining Business Said Business School, Oxford University, platform projects, Newcastle-Upon-Tyme, England, 2008.
Johan Holten, Islands+Ghettos Heidelberger Kunstverein, Heidelberg, Germany, 2008.
Hoffman, Jens, in For Sale, Cristina Guerra Gallery, Lisbon
Ayas, Defne, Goldberg, RoseLee, and Young, Carey in Performa, Performa Publishing, New York, 2007
Bourriaud, Nicolas, in Moscow Biennale 2, Moscow Biennale publishing, 2007
Hansen, Tone, and Young, Carey in The New Administration of Aesthetics, Torpedo Press, Oslo, 2007
Hoffman, Jens in Institutional Critique and After, Welchman, John C., JRP/Ringier, 2006
Newman, Michael, in How to Improve the World, Hayward Gallery, London, 2006
Townsend, Chris, New Art from London, Thames and Hudson, London, 2006
Kivland, Sharon (ed), Transmission: Speaking and Listening, Site Gallery publications, Sheffield, 2006
Gressel, Inka and Stepken, Angelika, Critical Societies Reader, Badischer Kunstverein, Karlsruhe, 2006
Hoffman, Jens, World Question Center (Reloaded), BAK Basis for Actuele Kunst, Utrecht, 2006
Gressel, Inka and Stepken, Angelika, Critical Societies Reader, Badischer Kunstverein, Karlsruhe, 2006
Farquharson, Alex, Schlieker, Andrea, and Mahony, Emma in British Art Show 6, Hayward Gallery Publishing, London, 2005
Latour, Bruno and Weibel, Peter, Making Things Public, MIT Press, Cambridge, 2005
Lind, Maria et al, Collected Newsletters, Kunstverein Munich & Revolver, Munich/Frankfurt, 2005
Hoffmann, Jens and Jonas, Joan, Art Works: Perform, Thames and Hudson, London, 2005
Battista, Kathy and Wenman, Neil, in Nothingness, Galerie Euegn Lendl, Graz
Malasauskas, Raimundas, ‘Revolution is a Lovely Word’ in I am a Revolutionary, Trafo Gallery programme, 2005
Pennings, Mark, ‘Relational Aesthetics and Critical Culture’, in Proceedings Transforming Aesthetics, Art Gallery of New South Wales, 2005
Reckitt, Helena (ed), What Business Are You In?, Atlanta Contemporary Art Center, 2005
Buskirk, Martha and Uchill, Rebecca, Trade Show, Mass MOCA, Massachusetts, 2005
Hegyi, Dora, Moscow Square, Museum Ludwig, Budapest, 2004
Kimbell, Lucy (ed), New Media Art: Practice and Content in the UK 1994-2004, Arts Council of England / Cornerhouse publications, 2004, ISBN 0 948797 88 6
Gallagher, Ann and Mitrovic, Sinisa in Tales of the City (exhibition catalogue), Arte Fiera, Bologna, 2004
Venice Biennale catalogue, 2003
Mulholland, Neil, The Cultural Devolution: Art in Britain in the Late Twentieth Century, Ashgate Publishing, 2003
Kyander, Pontus, in Dust to Dusk (exhibition catalogue), Charlottenborg, Copenhagen, 2003
Schuppli, Madeleine and Lunn, Felicity, in catalogue for Gesellschaftsbilder/ Images of Society, Kunstmuseum Thun, 2003
Young, Carey, ‘Notes from the Inside’ in Beck’s Futures catalogue, ICA, London, 2003
Venice Biennale catalogue, 2003
Beasley, Mark, in Electric Earth, British Council, London, 2003
Drabble, Barny and Sachs, Hinrich, in Hüttner, Per, Curatorial Mutiny, Stockholm, 2003
Gillick, Liam and Young, Carey in Mir, Aleksandra, Corporate Mentalities, Lukas & Sternberg, New York, 2002
Farquharson, Alex; Gillick, Liam and Young, Carey; Kelsey, John and Millar, Jeremy, in Carey Young, Incorporated, John Hansard Gallery and Film & Video Umbrella, 2002
Slyce, John, ‘Nothing Ventured’, in fig-1 retrospective catalogue, Tate / Spafax publishing, 2001

Journals, Magazines, and Newspapers

Higgins, Charlotte. “We gotta get out of this place! The artist snared by the lure of the labyrinth,” The Guardian, February 3, 2019;
“High Score for Dual Exhibitions and Live Music at Towner Art Gallery,”Eastbourne Herald, February 19, 2019;
LaBarge, Emily. “Critics’ Picks: In the Labyrinth,” ArtForum, February 2019;
“The Week Ahead. Carey Young: Palais de Justice,” The Observer, February 17th, 2019; pg. 43.
Walsh, Maria. “Lawwoman,” Interview, Art Monthly, March 2019; pp. 1-5.
Regan, Sheila. “Art About Boundaries, a Massive Craft Show, and Other Art Happenings This Week,” City Pages, April 2nd, 2019;
Dillon, Brian. “At the Towner Gallery,” London Review of Books, April 4, 2019; Vol. 41, No. 7, pg. 35;
Brown, Matt. “Dark Matter: 95% Of The Universe Is Missing At Science Gallery London,”Londonist, June 05, 2019;
Kirkwood, Jeffrey. “Carey Young,” Osmos Magazine, Issue 14, Winter, 2018; pp 18-23.
Judah, Hettie. “2 Literary Greats, in Art Galleries by the Sea,” The New York Times, May 7, 2018;
“Carey Young: The Peeping Tom,” Musée Magazine, No. 19. Power, April 6th, 2018; pp. 54-67.
Excerpt from, “Working With Performance: A Conversation about Collaboration, Collectivity, and the Value of Performance,” Texte Zur Kunst, Issue 110, June, 2018; pp. 118-138.
Shore, Amanda. “The Radical Imaginary: The Social Contract,” Canadianart, December 6, 2018;
Exhibitions: Carey Young “The New Architecture” at Dallas Museum of Art, Dallas, Mousse Magazine, March, 2017.
D. Gruska, “Playing Hide and Law,” Flash Art, March – May, 2017
Bourbon, Matthew, “Carey Young at Dallas Museum of Art,” ArtForum February, 2017
Shore, Robert, and Young, Carey, “Friendly, Honest, Straightforward: Meditations on Power.”Elephant Magazine, February, 2017.
Avram, Danielle, “Artist’s provocative work focuses on women in a particular world,” Dallas News, April 4th, 2017.
Sachson, Gail. “Carey Young Beckons the Male Gaze at the DMA,” Art and Seek, February 22, 2017
“‘Collection on Display: Rules’ Migros Museum Für Gegenwartskunst, Zurich,” Blouin ArtInfo, June 13, 2017.
Cascone, Sarah. Excerpt from, “Editors’ Picks: 13 Things to See in New York This Week,” Artnet news, September 4th, 2017.
Farago, Jason, Smith, Roberta, and Heinrich, Will. “What to See in New York Art Galleries This Week,” The New York Times, September 20, 2017.
Tenaglia, Francesco and Young, Carey. “Conversations: Palais de Justice: Carey Young,” Mousse Magazine, September 21, 2017.
Gauss, Daniel. “Could Gender Have Changed the World?,” Wall Street International, September 27, 2017
Kastner, Jeffrey. “Carey Young Fights the Law and Wins in Her Imposing New Videos,” Garage Magazine, September 28, 2017
Farago, Jason. “Carey Young,” The New York Times, September 29, 2017. Pg. C17
Fateman, Johanna. “New York Reviews: Carey Young,”ArtForum
Pys, Pavel, de Bellis, Vincenzo, and Edwards, Adrienne. “Art in Times of Uncertainty: I am you, you are too,” Walker Magazine: Sightlines, November 20, 2017.
Goldstein, Jared A. and Campbell, Mimi. “Double Take,” Manual Magazine, Fall, 2017, Issue – 9. Pg. 34-37,
Medd, Emily, “London Round-up: Showroom, Delfina Foundation, The Ryder,” Art Monthly, November
Potts, Daniel, “A Lesson in Sculpture with John Latham,” Aesthetica, June/July
Zakiewicz, Neil, “A Lesson in Sculpture with John Latham,” Art Monthly, May
Young, Carey. “Justice Must be Seen to be Done,” The Brooklyn Rail, March 4th, 2016
Healey, Luke, “Listening,” Frieze, issue 171, May
Cheval, Florence. “Declared Void,” L’Art Meme, issue 61
Dirie, Clement. “A Quimper, Le Monde Tel Qu’I (ne) Tourne (Pas) selon Carey Young,” Le Quotidien de l‘Art, 23 Juillet
Young, Carey. “On Purpose and Urgency,”Mousse, Issue 41, 2013
Herbert, Martin. “Now See This,” Art Review, May
Bernard, Paul. “Marcel Broodthaers. Dying Speech: Notes on Speakers’” Corner. Volume, May – Nov
Jurt, Pascal. “Carey Young: Lücken des Rechts,” Missy Magazine, August-November, 2013.
“Carey Young: Legal Languages,” ADC Journal, November, 2013.
“Carey Young-Kraft meines Amtes als Künstlerin,” Kunst Bulletin, November, 2013.
“International Exhibitions,” Art Monthly, October, 2013.
Scheltwort, Sabine. “Verklausulierung des Lebens-Carey Young im Museum in Zürich,” Kunst:Art, October, 2013.
Hofmann, Annette, Artline, October, 2013.
Kunst Art, Sept-Oct, 2013.
Kohli, Alice, “Das Gesetz ist Faszinieriend,” Freitag, October 2, 2013.
Schneebauer, Claudia, “Carey Young untersucht die spröde Sprache der Juristen,” Sarganserlander, October 9, 2013.
Zeitkunst, October, 2013.
Soll, Nadine, “Carey Young at the Migros Museum für Gegenwartskunst, Zurich,”
“Jede haftung wird abgelehnt,” NZZ, September, 2013.
Froschaux, Thierry, “zum Denken verführt,” Tages Anzeiger, August 31, 2017.
Art Investor, August, 2013.
Jurt, Pascal, “Lücken des Rechts,” Missy Magazine, Aug-Nov, 2013.
“Einfluss von Konzernen auf des Individuum,”, August, 2013.
“Kunst aus der Sprache,” Tages Anzeiger, August 31, 2013.
“Carey Young laisse le monde parler,” Ouest, France, May, 2013.
Herbert, Martin, “Now See This,” Art Review, May, 2013.
Bernard, Paul, “Marcel Broodthaers. Dying Speech: Notes on Speakers’ Corner.” Volume, May-Nov, 2013.
Architectural Digest, April, 2013.
Alberro, Alex. “Life Models,” Frieze, Summer 2002, pp. 154-159
Thatcher, Jennifer, “A Plea for Tenderness,” The Independent, Feb. 23, 2012
McLean-Ferris, Laura. “A Plea for Tenderness,” Art Monthly, March 2012, pp. 30-31
Pilger, Zoe. “A Plea for Tenderness,” The Independent, Feb. 23, 2012
Magid, Jill and Young, Carey. “The Color of Law,” Mousse Magazine, Issue 29, June 2011, pp. 96-105; illus.
Hapgood, Susan and Lauf, Cornelia. “In Deed – Certificates of Authenticity in Art,” Cabinet, Spring 2011.
Townsend, Christopher. “Carey Young: Memento Park,” Art Monthly, Feb. 2011
“Preview,” Bidoun, Issue 24
Bryan-Wilson, Julia. “Inside Job: Julia Bryan-Wilson on the art of Carey Young,” Art Forum, October 2010, pp. 240-247; illus.
McLean, Daniel. “The Artist’s Contract,” Mousse Magazine, Issue 25, Sept. 2010
“Paradoxical Skin,” GAM Magazine, September, 2010, pp. 22-23.
McQuaid, Cate. “Making their points simply and effectively,” The Boston Globe, Jan. 28th, 2010; illus.
Fried, Laura. “Carey Young,” FlashArt, Vol. XLIII No. 270, Jan-Feb, 2010, pp.84; illus.
Burchart, Dieter, and Nester, Geral. “Interview with Carey Young,” Kunstforum International, Art and Economy Issue, Vol. 200, 2010
Sholis, Brian. “Critics Picks,”, Dec. 16
Jones, Laura. “K. Frieze Fair Roundup,”, Oct. 16
“Body Techniques,” Stradda, Oct.
“Carey Young: Inventory,” Parabol, The Value Issue, Summer Issue
Armado, Miguel. “Carey Young,” Artforum, Summer Issue
Katz, Miriam and Young, Carey. “Carey Young: 500 Words,”, May 5
“Carey Young: Body Techniques,” Next Level Magazine, Issue 17
Beech, Dave. “Rediscovering Radicalism,” Art Monthly, March
Connoly, Maeve. “Getting Even,” Art Monthly, March
Dunne, Aidan. “Attacking the subject of 20th Century conflict,” The Irish Times, Feb. 11
Austin, Tom. Dollar Signs, Moral Symbols, the Miami Herald, Dec. 17
Brunner, Bettina. Carey Young, Frieze, Dec. 18, web edition.
Okiishi, Ken. If/Then: Carey Young, Bidoun, Spring/Summer
Bell, Natalie. Carey Young, Art Papers, March/April
Kerr, Merrily. Carey Young: If/Then at Paula Cooper Gallery, New York, Art on Paper, March/April
Banai, Nuit. Carey Young, Modern Painters, March
Baker, R.C. “Best In Show,” Village Voice, Dec. 11
“Carey Young,” Flavorpill, New York, Dec.
Albersworth, Kate. “Body Techniques,” Bidoun, Fall Issue.
Williams, Eliza. “Studio Visits,” Flash Art International, Oct.
Hunt, Andrew. “Work (W3:K),” Frieze, Sept.
Zolghadr, Tirdad. “Academic Questions,” Frieze, Sept.
Blaker, Helena. “Performa05,” Frieze, Jan-Feb.
Comer, Stuart. “London,” Artforum, Dec
Cesare, T. Nikki. “The Negation of Art”, NY Arts Magazine, Nov/Dec
Dannatt, Adrian. The Art Newspaper, Dec
Goldberg, Roselee & Moulton, Aaron. “Interview with Roselee Goldberg,” Flashartonline, Nov
“Interview with Carey Young,” Soundcheck, WNYC radio
Vaughan, Hannah. “One to Watch: Carey Young,” Artkrush, issue 18, Nov
British Art Show 6, Marlow, Tim, Channel 5 (TV programme), October 9
Schwabsky, Barry. “Carey Young,”_ Artforum_, Sept
Perra, Daniele. “Revolution is on Hold,” Tema Celeste, May/June
Erhardt, Miklos. “Critical of Business, Not Always Positive about Art,” Balkon, June
Flash Art, April/May
McMillan, Duncan. “A not-so-starry start for the art that fell to Earth,” The Scotsman, 10 May
Allen, Jennifer. “Critics’ Pick,”, April
O’Reilly, Sally, Time Out, April
Lind, Maria. “Notes on Sputniks,” Site Magazine, Oct.
Millard, Rosie. New Statesmen, Sept. 27
Lind, Maria. “Soft and Strict Strands – New Art in Europe,” Ootal, Stockholm, Issue 17/18
Nelson, Robert. “Cycle Tracks Will Abound in Utopia,” The Age, Australia, Sept. 1
Tema Celeste, Issue 104, Aug.
Elle, August
Herald Sun, Melbourne, August 7
Lind, Maria. “Notes on Sputniks,” Site, Issue 9, 2004
Aspden, Peter. “The Revolver: a Twilight of Ambiguity,” Financial Times, July 22
Davies, Lucy. Metro, July 21
“Recommended Exhibitions,” The Gaurdian, July 5
“The Guide,” The Guardian, July 3
Murray, Lavinia. “Flux Magazine,” July – August
Ericsson, Lars O. “Marknadens Favoriter,” Dagens Nyheter, May 15.
Withers, Rachel. “A Short History Of Performance, Part II,” Art Forum, April
Kunstverein Muenchen Drucksache, Spring
LaBelle, Brandon. “Review of Dust to Dusk,” Contemporary, Issue 60
Dezeuze, Anna. “Art, Lies, and Performance,” Art Monthly, February
Ruhle, Alex. Krieg Mich, Wenn du Kannst, Suddeutsche Zeitung, January 17
Moliterni, Rocco, La Stampa, January 22
Guner, Filsun. “A Top Performance,”Evening Standard, November 18
Lack, Jessica. “A Short History of Performance,” The Guardian, November 15
Lack, Jessica. “Alive and Kicking: How Can a Board Meeting be Subversive?,” RA Magazine, Winter
Gerber, Elisabeth. “Gesellscahftbilder,” Kunst Bulletin, November
Spinelli, Claudia. “Auf dem Prüfstand,” Die Weltwoche, No. 39
“Gesellscahftbilder,” Basler Zeitung, October 4
Ewige Rettung, Neue Bürcher Zeitung, October 11/12
Farquharson, Alex. “Curator and Artist,” Art Monthly, October
Plagens, Peter. “The Celtic Alternative,” Newsweek, June 23
Lydiate, Henry. “Questions of Attribution,” Art Monthly, June
Kyander, Pontus. “Feature interview for Bildjournalen,” Swedish Television, May
Field, Marcus. “Beck’s Futures,” Independent on Sunday, May
“Anger is an Energy,” i-D Magazine, May
Withers, Rachel. “Beck’s Futures 2003,” Art Forum online ed., May
Kimmelman, Michael. “Critics Notebook,” The New York Times, April 29
Hoge, Warren. “Shocking Art in Edwardian Digs,” The New York Times, April 16
Ward, Ossian. “Straight to Video & Back Again,” Dazed and Confused, April
“Beck’s Futures,” BBC4 TV, documentary, April
Reynolds, Nigel. “Invisible Art is the New Must-See,” The Telegraph, April 2
BBC London, 6:30pm News
Renton, Andrew. “The Show that Isn’t There,” The Evening Standard, April 1
“Beck’s Futures,” Attitude, April
“The Front Row Show,” BBC Radio 4, April 3rd
Freeman, Colin. “Artist Shows the Secret of Her Success – Nothing,” Evening Standard, March 3
“Editorial Comment, But Is it Art?,” Evening Standard, March 3
“Socially engaging eccentrics lay claim to £24,000 arts prize,” Independent, Dec. 17
“Frontline,” Radio 3, May 6
Smith, Roberta. “The Passions of the Good Citizen,” The New York Times, May 3
Zita, Carmen. “In sight: 20 artists on the rise,” Trace Magazine, May
Suchin, Peter, Carey Young. Frieze, January
Kelsey, John. “Carey Young: Business as Usual,” artext, Spring
Parker, Graham. “Nothing,” Contemporary, January
Tan, Eugene. “Carey Young,” Contemporary, December
Kimbell, Lucy. “What Business are You in?,” AN Magazine, December
Drabble, Barny. “Trading Places,” Flash Art, November
Wilson, Rob. “The Communications Department,” Untitled, Autumn/Winter
Beech, Dave. “The Communications Department,” Art Monthly, September
Bishop, Claire. “Global Action East End Style,” Evening Standard, 31 July
Herbert, Martin. “The Communications Department,” Time Out, 15 - 21 July
Tan, Eugene. “Nothing,” Art Review, June
Faucon, Benoit. “Les Echos,” June 15
Searle, Adrian.”Empty Promise,” The Guardian, April 24
Dodson, Sean. “Art with a Message,” The Guardian, April 19
Whitehouse, Christine. “Young at Art,” Time Magazine (European Web edition)
Newsome, Rachel. “My Megastore,” Dazed and Confused, April
ART News, March
Herbert, Martin. “Look Out,” Time Out, Feb 21
Gellatly, Andrew. Frieze, January
Mehta, Nina, “The Business of Art, Carey Young Profiled,” Art Monthly, November
Cukier, Kenneth Neil, “When the Value of Art Outweighs Life,” Red Herring, December
Gillick, Liam, “A 90% Politeness Trustability Factor,” Make, Sept - Nov 2000
Napack, Jonathan, “The Taipei and Seoul Biennals: Video Sensations,” The Art Newspaper, October
Stallabrass, Julian, “Art I Like,” Modern Painters, Summer issue
London Evening Standard, May 22
Rugoff, Ralph, “Project Space with a Whirlwind Schedule,” Financial Times, May 20
Mehta, Nina, Art Monthly, April
Donald, Ann, The Herald, February 21
Mahoney, Elizabeth, The Scotsman, February 18
Seymour, Ben, “Everything Must Go,” Mute, Issue 16
Weale, Sally, “System C.R.A.S.H.,” The Guardian, November 28
Dodson, Sean, “Art Workers,” The Guardian, November 18
Newsome, Rachel. “Who’s Putting the Boot in to Posh and Becks?,” The Observer, November 17
Arnot, Chris, “Sculpting with Nukes,” The Guardian, October 26
Charlesworth, JJ, MayDay, “Art Monthly,” June
Miller, Mara, “What is the Subject in Landscape Photography?,” Photography Quarterly, issue 74
Smith, Caroline, “Carey Young,” Creative Camera, February - March
van Mourik Broekman, Pauline, “The Two Hacks,” Mute, Issue 9
Jenkins, Milly, “Technology with a Human Face,” The Independent, March 17
Williams, Val, “Shine - a light,” British Journal of Photography, March 15
Smith, Caroline, Wired, “Creative Camera,” December 97 - January 98
Gilbert, Andrea, Arti, November
Jenkins, Milly, “Cyberspace on Earth,” The Independent, August 12
Lovinck, Geert, interview, Radio 100, Amsterdam, August 4
Napoli, Lisa, The New York Times
Flint, James, “Visions of Cyberspace,” Wired (UK edition), January
Williams, Val, Creative Camera, February - March issue
van Mourik Broekman, Pauline, “Stream - Contemporary Flaneuses Take on the City - Sex, Surveillance & Science Fiction” Mute, issue 4
Guha, Tania, Time Out, Xmas - New Year issue

Updated: April 20, 2021