Born 1970 in Lusaka, Zambia


1997 MA, Photography, Royal College of Art, London
1992 BA (Hons), University of Brighton

Fellowships, Residencies & Awards

Creative Arts Fellowship, Wolfson College, University of Oxford
Casino Luxembourg, Artist in Residence
Honorary Research Fellow, School of Law, Birkbeck, University of London (ongoing)
Research Associate, Photography and the Archive Research Centre at London College of Communication
Sharjah Art Foundation residency, United Arab Emirates
Grants to Artists, British Council
Artist’s residency, IASPIS, Stockholm
Artist’s residency, BBC
Research Fellowship, Henry Moore Institute
Sputnik, Kunstverin Munich, (Through 2004)
Year of the Artists residency (Xerox), Eastern Arts
Artist in Residence, First Tuesday
New Media Fund, Arts Council of England
Easter Arts Board Development Fund
Live Art Travel & Research Fund, Arts Council of England

One Person Exhibitions & Projects

The Vision Machine, Kunsthal Aarhus, Aarhus, Denmark
Carey Young: Palais de Justice, Women Filmmakers Festival, Smithsonian American Art Museum, Washington, D.C.
Carey Young: Palais de Justice, Towner Art Gallery, Eastbourne, UK
Carey Young: Palais de Justice, La Loge, Brussels, Belgium
Carey Young: Palais de Justice, Paula Cooper Gallery, New York, NY
Carey Young: The New Architecture, curated by Gavin Delahunty, Dallas Museum of Art, Dallas, TX
Carey Young: Legal Fictions, curated by Raphael Gygax, Migros Museum of Contemporary Art, Zurich, Switzerland
Carey Young: Let The World Speak for Itself, Le Quartier, Quimper, France
Memento Park, Eastside Projects, Birmingham, UK; traveled to Cornerhouse, Manchester, UK (2/4 – 3/20/11) and mima, Middlesbrough, UK
Carey Young: Contracting Universe, Paula Cooper Gallery, New York, NY
Carey Young: Uncertain Contracts, Museum of Art, Rhode Island School of Design, Providence, RI
Counter Offer, The Power Plant, Toronto, Canada
Speech Acts, Contemporary Art Museum Saint Louis, Saint Louis, MO
Mutual Release, Thomas Dane Project Space, London, UK
Speechcraft, Creative Time, New York Bar Association, New York, NY (performance)
If/Then, Paula Cooper Gallery, New York, NY
Speechcraft, Modern Art Oxford, London, UK (performance)
Consideration, Midway Contemporary Art, Minneapolis, MN
Image Transfer, Production as Process, Umea Art Academy, Sweden
Consideration, part of Performa05 Biennial, curated by Rose Lee Goldberg, Paula Cooper Gallery, New York, NY
Disclaimer, IBID Projects, London, UK
Carey Young, Trafo Gallery, Budapest, Hungary
Disclaimer, Henry Moore Institute, Leeds, UK
I Believe in You, web and mobile phone project, launched at Tate Britain, London, UK
Carey Young, Index, Stockholm, Sweden
Participant Observer, participative workshop on art and economics, IASPIS, Stockholm
Optimum Performance, in A Short History of Performance – Part II, curated by Andrea Tarsia and Iwona Blazwick, Whitechapel Gallery, London, UK
Grey Area, Video commission, Bildjournalen (arts TV programme), Swedish Television
Carey Young, IBID Projects, Vilnius
Viral Marketing, Kunstverein München, various works created within or in relation to the Kunstverein’s marketing structure (2002-2004)
Business as Usual, curated and organized by Film & Video Umbrella, John Hansard Gallery, Southampton, UK; traveled to Angel Row, Nottingham, UK; Firstsite, Colchester, UK (2001-2002) (exh. cat.)
My Megastore, site-specific works at Virgin Megastore, London, UK
Carey Young, Video Project Space, Wilkinson Gallery, London
Nothing Ventured, fig-1, London, UK (exh. cat.)

Selected Group Exhibitions & Projects

_Crocodile Cradle, Peer, London, UK
Busan Biennial, Curated by Jacon Fabricius, Busan, South Korea
In the Labryinth/Maze Part 2,” Online Exhibition:
In the Labyrinth, Large Glass, London, UK
95% of the Universe is Missing, Science Gallery, Kings College, London, UK
Dark Matter, London Science Gallery, London, UK
Get Together and Get Things Done, Manchester Art Gallery, Manchester, UK
Journeys with ‘The Waste Land’, Turner Contemporary, Margate, UK
Idiorrythmia, CACBM Paris, Paris, France
Front International: Cleveland Triennial for Contemporary Art, Cleveland, OH
United Histories, RISD Museum, Providence, RI
L’imaginaire Radical: Le Contrat Social, VOX: Centre de l’image contemporaine, Montreal, Canada
Entangle/Physics and The Artistic Imagination, Bildmuseet, Umea, Sweden
Omnipresence, The Kitchen, New York, NY
Post Institutional Stress Disorder, Kunsthal Aarhus, Aarhus, Denmark
Kanal, Centre Pompidou Brussels, Belgium
Playing Hide and Law: A Visual Unraveling of the Latent Power of Law, curated by Avi Feldman, Tranzit Gallery, Bratislava
Feedback, Marlborough Gallery, New York, NY
Venice Agendas 2017: The Contract, DACS, London, England
Extra Bodies –The Use of the ‘Other Body’ in Contemporary Art, Migros Museum für Gegenwartskunst, Zürich, Switzerland
Collection on Display: Rules, Migros Museum für Gegenwartskunst, Zürich, Switzerland
Lodgers #10 – Jubilee, Museum van Hedendagse Kunst Antwerpen, Belgium
CODEX, D21 Kunstraum Leipzig, Leipzig, Germany
I am you, you are too, Walker Art Center, Minneapolis, MN
Hold These Truths, Curated by Rachel Gugelberger and Manon Slome, Nathan Cummings Foundation, New York, NY
End User, The Ryder Projects, London, England
Liberties, Newlyn Art Gallery and the Exchange Penzance, Cornwall, UK
The Revolution will not be Gray, Aspen Art Museum
New Self-portrait Paradox, Ludlow 38, Goethe Institut, New York
As Rights Go By, Q21, Museums Quartier, Vienna, curated by Sabine Winkler
No-one Belongs Here More than You, Despacio, San Jose, Costa Rica
A Lesson in Sculpture with John Latham, Henry Moore Institute, Leeds, UK
Grand Opening Reception, Neuer Aachener Kunstverein, Aachen, curated by Elisa R. Linn and Lennart Wolff
During the Exhibition the Museum will be Closed, Museum fur Neue Kunst, Freiburg, Germany
Et Mot Droit, Copperfield Gallery, London, UK
Nouveau Festival Centre Georges Pompidou, Paris, France
Not: The Art of Resistance, Holden Gallery, Manchester School of the Art, Manchester, UK
Curatorial Open 2014: Listening, Hayward Gallery, London, UK traveling to BALTIC 39, Newcastle, The Bluecoat, Liverpool, Site Gallery, Sheffield, Norwich University of the Arts Gallery
These Immovable Walls: Performing Power at Dublin Castle, Dublin Castle, Dublin, Ireland
Bridge, Museum of London, London
A Guest Without a Host is a Ghost, The Kadist Collection in Residency, Cairo, Egypt
PER/FORM How to do Things With [Out] Words, CA2M (Centro d’Arte Dos de Mayo), Madrid, Spain
Buildering: Misbehaving the City, curated by Steven Matijcio, Contemporary Arts Center, Cincinnati, OH
And I laid traps for troubadours, Clark House Initiative, in collaboration with Kadist Art Foundation, Bombay, India
Prospectif Cinema, Centre Georges Pompidou, Paris, France (screening)
Jonathan Borofsky, Sam Durant, Charles Gaines, Liz Glynn, Wayne Gonzales, Hans Haacke, Walid Raad, Carey Young, Paula Cooper Gallery, New York, NY
Spaces of Exception, ArtPlay, Moscow Biennale, Russia
Par Les Temps Qui Courent, Le Grand Café, Centre d’Art Contemporain de St. Nazaire, France
At the outset, Circus, Berlin, Germany
DLA Piper Series: Constellations, Tate Liverpool, UK
The 2nd Ned James Festival of Womens’ Work, Worcester City Gallery, Worcester, UK
Keywords, iniva, London, UK; tours to Tate Liverpool (2014)
An Exhibition, The Holden Gallery at the Manchester School of Art, Manchester, UK
Constellations, Tate Liverpool
Collection’12, Institut d’Art Contemporain, Villeurbanne/Rhône-Alpes, France
Demonstrations: Mircea Cantor, Oyvind Fahlstrom, Carey Young, Phyllis Wattis Theater, San Francisco Museum of Modern Art, CA
Stage Presence: Theatricality in Art and Media, curated by Rudolf Frieling, San Francisco Museum of Modern Art, San Francisco, CA
The Nature of Disappearance, curated by Dieter Buchhart, Marianne Boesky, New York, NY
Always Working, Access Gallery, Vancouver, Canada
Port, Galeria Nuno Centeno, Porto, Portugal
Wide Open School, Hayward Gallery, London, UK
Mind the System, Find the Gap, curated by Karen Verschooren, Z33, Limburg, Belgium
You Are Now Entering ___ , curated by Miguel Amado, Centre for Contemporary Art Derry-Londonderry, Derry-Londonderry, Northern Ireland
K, curated by Juan Gaitán, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
Undetectable, curated by Nathan Lee for Visual AIDS, LaMaMa Galleria, New York, NY
A Plea for Tenderness, Seventeen Gallery, London, UK
Sophie Calle, Christian Marclay, Paul Pfeiffer, Walid Raad, Michael Sailstorfer, Carey Young, Paula Cooper Gallery, New York, NY
Living as Form (the Nomadic Version), Kadist Foundation, San Francisco, CA
To Pay Respect to the Generosity of the Three-Minute Punk-Rock Song, Crate Project Space, Margate, England
This Morning I Attentively Observed The Destruction Of The World, Then I Went Back To Work, curated by Keren Detton, Le Quartier, Quimper
Ce matin j’ai assisté à la destruction du monde en spectateur attentif, et puis je me suis remis au travail, Le Quartier - Centre d’art contemporain, Quimper, France
Specters of the Nineties, curated by Lisette Smits and Matthieu Laurette, Marres, Center of Contemporary Art and Culture, Maastricht, The Netherlands
In Deed: Certificates of Authenticity in Art, curated by Susan Hapgood and Cornelia Lauf, De Vleeshal, Middelsburg, The Netherlands
Again and Again and Once More, curated by Sabine Winkler, Kunstverein Medieturm, Graz, Austria
Charter of the Forest, Lincoln Art Programme, Lincoln, UK
Yes, we don’t, Institut d’Art Contemporain, Villeurbanne, France
Nul si Découvert / Void if Removed, curated by Guillaume Désanges, Le Plateau / Frac Île-de-France, Paris, France
Work After Work, curated by Eric Stone and Joshua Decter, MAK Center, Los Angeles, CA
Pertaining to a profession proverbially energetic and nervous, curated by Sarah Demeuse, ISCP, New York, NY
Space: About a Dream, curated by Catherine Hug, Kunsthalle Wien, Vienna, Austria
We are Grammar, Pratt Manhattan Gallery, New York, NY
Museum as Hub: The Accords, curated by Sarah Rifky, The New Museum, New York, NY
During Office Hours, FEINKOST, Berlin, Germany
Taipei Biennial 2010, curated by Hongjohn Lim and Tirdad Zolghadr, Taipei
Yesterday Will be Better – Taking Memory into the Future, Aargauer Kunsthaus, Aarau, Switzerland
The Philosophy of Money, curated by Miguel Amado, Lisbon City Museum, Lisbon, Portugal
Midway Contemporary Art June Film Series, curated by Jonathan Thomas, Midway Contemporary Art, Minneapolis, MN
Permanent Mimesis, curated by Alessandro Rabottini, Galleria Civica d’Arte Moderna e Contemporanea, Turin, Italy
The Perfect Exhibition, Heidelberger Kunstverein, Heidelberg, Germany
Ständige Rezeption (Permanent Reception), curated by Clemens von Wedemeyer, Galerie \ Nachst St. Stephan Rosemarie Schwarzwälder, Vienna, Austria
Wouldn’t a Title Just Make it Worse?, Central Reservation, Bristol, UK
Yesterday Will Be Better, Aargauer Kunsthaus, Aarau, Switzerland
Reprise, Paula Cooper Gallery, New York, NY
The Talent Show, Walker Art Center, Minneapolis, MN (4/10 – 8/15/10); traveled to MoMA PS1 Contemporary Art Center, New York, NY
Sculpture Center Lucky Draw 2010, Sculpture Center, Long Island City, NY
Corporate Everything, Centre d’Art De Fribourg Kunsthalle Freiburg, Germany
Atopia: Art and City in the 21st Century, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Spain
FALL OUT – art, desire and disengagement, curated by Mads Damsbo and Merete Jankowski, Gl Holtegaard, Denmark, and Malmö Konsthall, Sweden
Die Welt als Bühne (World as Stage), curated by Solvej Ovesen, NBK, Berlin
Hypnotic Show, curated by Raimundas Malasaukas, Kadist Art Foundation, Paris, France; traveled to LABOR, Mexico City, Mexico
Impossible Exchange, curated by Miguel Amado and Filipa Oliviera, Frieze Projects, Frieze Art Fair 2009, London, UK
Feedforward: The Angel of History, curated by Christiane Paul and Steve Deitz, Laboral Art Center, Gijón
Void of Memory, Kimusa/ArtSonje Centre, Seoul
Deceitful Moon, The Hayward Project Space, London, UK
Pattern Recognition, City Gallery, Leicester, UK
How to do things with Words, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York
Commentary, Paula Cooper Gallery, New York, NY
The Space of the Work and the Place of the Object, Sculpture Center, New York, NY
Soft Manipulation, or Who’s Afraid of the New Now?, curated by Maria Lind, Enrico Lunghi and Zoran Eric, Casino Luxembourg, Luxembourg; traveled to Stiftelsen 3, 14, Bergen, Norway
Objects of Value, curated by Rene Morales, Miami Art Museum, Miami, FL
Getting Even: Oppositions and Dialogues in Contemporary Art, Lewis Glucksman Gallery, University College Cork, Cork, Ireland; traveled to Kunstverein Hannover
Open Video Series #7, curated by Peter Garfield, CRG Gallery, New York, NY
Electioneering, Fort Worth Contemporary Arts, Fort Worth, Texas
OURS Democracy in the Age of Branding, Parsons The New School for Design, Anna-Maria and Stephen Kellen Gallery, New York, NY
Better being a virus than catching a cold, Mains d’Oeuvres, Paris, France (9/19 – 10/26/08)
Business As Usual, curated by Jacob Proctor, Museum of Contemporary Art Detroit, Detroit, Michigan
Imagining Business, Said Business School, University of Oxford, Oxford, United Kingdom
Terms of Use, curated by Lisa Rosendahl, Montehermoso Cultural Center, Vitoria, Spain
Valeurs croisées, Les Ateliers de Rennes, Biennale d’art contemporain, Rennes, France
The Dotted Line, curated by Colby Chamberlain, BRIC Rotunda Gallery, Brooklyn, New York, NY
No, Future, Bloomberg Space, London, UK
For Sale, Cristina Guerra Contemporary Art, Lisbon, curated by Jens Hoffman (exh. cat.)
From 60 to 7, Henie Onstad Art Centre, Oslo
Failure (Scheitern), Landesgalerie, Linz (exh. cat.)
Global Feminisms, Brooklyn Museum of Art, Brooklyn, New York (exh. cat.)
Akta Vara, Roda Sten, Gothenburg
Moscow Biennale 2, curated by Nicolas Bourriaud, Moscow (exh. cat.)
E-flux Video Rental, PiST, Istanbul and tour
How to Improve the World, Hayward Gallery, London, UK (exh. cat.)
SCAPE 2006 Biennale of Art in Public Space, Christchurch, New Zealand
Happy Believers, Werkleitz Biennale, Halle, Germany (exh. cat.)
Mostly Harmless, Govett Brewster Gallery, New Plymouth, New Zealand
British Art Show 6, Bristol, UK
Jump into Cold Water, Shedhalle, Zurich
Arbeit/Labor/Work, Lewis Glucksman Gallery, Cork
British Art Show 6, Baltic, Newcastle; traveled to Cornerhouse, Manchester; Nottingham Castle, Nottingham; Spike Island at A-Bond Warehouse, Bristol (2005 – 2006) (exh. cat.)
Tirana Biennial, Tirana
Baltic Triennial, ICA, London, UK (exh. cat.)
Arbeit/Work, Galerie im Taxispalais, Innsbruck; traveled to Lewis Glucksman Gallery, Cork; Ormeau Baths Gallery, Belfast (exh. cat.)
Body: New Art from the UK, Vancouver Art Gallery, Vancouver; traveled to Edmonton Art Gallery; Oakville Art Galleries; Ottawa Art Gallery, Ottawa; co-curated with the British Council (2005 – 2006) (exh. cat.)
An Age of Rite and Reason, curated by Walead Beshty, Champion Fine Art, Los Angeles, CA
Critical Societies - Art, Critique and the Promises of Capitalism, Badischer Kunstverein, Karlsruhe (exh. cat.)
Sharjah Biennale, Sharjah (exh. cat.)
Social Sculpture, curated by Sophie Berrebi, Ellen de Bruijne Projects, Amsterdam
Making Things Public, curated by Bruno Latour and Peter Weibel, ZKM, Karlsruhe (exh. cat.)
Mir – Dreams of Space, Stills Gallery, Edinburgh
Revolution is on Hold, curated by Adrian Paci, Isola Dell’Arte, Milan
Trade Show, Mass MOCA, North Adams, Massachusetts (exh. cat.)
What Business are You in?, Contemporary Art Center, Atlanta (exh. cat.)
I am not a feminist. I am normal., Austrian Cultural Institute, London, UK
Nothingness, Galerie Eugen Lendl, Graz & tour (exh. cat.)
Trailer, Man in the Holocene, London, UK
Black Friday, Galerie Kamm, Berlin, (exh. cat.)
Cycle Tracks will abound in Utopia, Centre for Contemporary Art, Melbourne (exh. cat.)
Tales of the City, curated by the British Council, Arte Fiera, Bologna (exh. cat.)
A Short History of Performance - Part II, Whitechapel Gallery, London, UK (exh. cat.)
Dust to Dusk, Charlottenborg Palace, Copenhagen (curated by Pontus Kyander) (exh. cat.)
World Question Centre (Reloaded), curated by Jens Hoffman, Basis voor Actuele Kunst, Utrecht
Gesellschaftsbilder/ Images of Society, Kunstmuseum Thun (exh. cat.)
24/7, Contemporary Art Centre, Vilnius
Utopia Station Poster Project, La Biennale di Venezia, Venice, Haus der Kunst, Munich, Germany (exh. cat.)
Moskva ter / Moscow Square, Museum Ludwig, Budapest
Beck’s Futures, ICA London; CCA (Glasgow); Southampton City Art Gallery (exh. cat.)
Electric Earth, curated by the British Council, State Russian Museum (St. Petersburg) & tour (exh. cat.)
The Passions of the Good Citizen, curated by Heather Felty, apex art, New York, NY
Exchange and Transform (Arbeitstitel), Kunstverein Munich
Ausgeträumt (Without Dreams), curated by Kathrin Rhomberg, Secession, Vienna (exh. cat.)
The Communications Department, curated by Alex Farquharson, Anthony Wilkinson Gallery, London, UK
Nothing, curated by Ele Carpenter and Graham Gussin, Northern Gallery of Contemporary Art, Sunderland; traveled to Rooseum, Malmo; CCA, Vilnius; Mead Gallery, Warwick (exh. cat.)
Look Out: Artists’ Reactions to Contemporary Social and Political Events, curated by Peter Kennard, Pitshanger Manor, London, UK
Media Art 2000, curated by Jeremy Millar & Barbara London, Metropolitan Museum of Modern Art, Seoul Biennale, Seoul (exh. cat.)
Continuum001, curated by Rebecca Gordon Nesbitt, Centre for Contemporary Art, Glasgow, UK
EXIT, Art & Cinema at the End of the Century, Chisenhale Gallery, London, UK
CRASH!, Institute of Contemporary Art, London, UK (exh. cat.)
MayDay, curated by Jeremy Millar, The Photographers’ Gallery, London, UK
Zones of Disturbance / Zonen der Ver-Storung, curated by Silvia Eiblmayr, Marieninstitut, Graz, as part of Steirischer Herbst (exh. cat.)
Stream, with Sophy Rickett & Rut Blees Luxemburg, plummet, London, UK

Talks & Lectures

Performing the Law, (screening and discussion), University College, London, UK
A Conversation with Carey Young, Dallas Museum of Art, Dallas, TX (with Dr. Michael Corris)
Panel Discussion with Carey Young, Colby Chamberlain, and Joan Kee, Paula Cooper Gallery, New York, NY
Palais de Justice, Birbeck Cinema, London, with Professor Linda Mulcahy
Synaesthasia of Law, international conference, Princeton University
New Legal Temporalities? Discipline and Resistance Across Domains of Time, international conference, University of Kent
Photography and the Legacy of Conceptual Art, London College of Communication, June 3, 2016 (conference)
Art/Law? Creative Responses to Copyright in the Twenty-First Century, Radcliffe Institute for Advanced Study, Harvard University
Plague of Diagrams, symposium, Institute of Contemporary Art, London
Artist’s talk, Tate Britain (with Jill Magid)
Radcliffe Institute for Advanced Study, Harvard University
Show Time, Carey Young interviews Jens Hoffmann, Tate Modern
Panning for Atomic Gold, symposium, the Arts Catalyst, London
What Art Has to Say about the Law, (panel discussion), Association of Art Historians Conference, Royal College of Art, London
Performing the Law, (conference), Institut Francais, London, organized by Birkbeck, University of London, and the Universities of Paris 8 and 10
Carey Young in conversation with Steven Bode’, hosted by Film & Video Umbrella, London
Migros Museum for Contemporary Art, Zurich, Switzerland
Cabaret Voltaire, Zurich, Switzerland
25 Frames, artist talk organized by Film and Video Umbrella, London, UK
_Ecole Nationale de la Magistrature / Universite de Paris 8, Paris
Politics and Photography - Carey Young & Immo Klink, Photoworks, Brighton
Art Speech: A Symposium on Symposia, MoMA, New York, NY
Vidéo et après, Centre Pompidou, Paris, France
Photoworks, Brighton
mima, Middlesbrough
Eastside Projects, Birmingham
Uncertain Contracts, Artist talk, Centre Pompidou, Paris
Social Enterprise, Miami Art Museum
Faith in Art, Pavilion/Henry Moore Institute, Leeds, UK, panel discussion
Carey Young: Urban Field Speakers Series, Prefix Institute of Contemporary Art, Toronto, Canada
Cultural Practices Outrun Legal Language, (symposium), Jan van Eyck Academy, Mastricht
The Aesthetics of Governance: From the Cold War to Neoliberalism, (symposium), University of Sussex
Museum 21, IMMA International Symposium, Dublin, Ireland
Institutional Critique: can the institution ever criticize?, ICA London, panel discussion
Imagining Business, Saïd Business School, Oxford University, conference with publication
Night School: Contemporary Models of Agency, New Museum, New York, NY
Against the Avant-garde? Duchamp, Man Ray, Picabia, Tate Modern, London, UK, symposium
Your Game by my Rules: Contemporary Art in the Corporate Environment, LBi, London, UK
Art and Democracy, ICA London, panel discussion
Between Culture and Capital: Art, Institutions and Corporate Patronage, conference, Courtauld Institute, London, UK
Carey Young, Artist’s Talk, Midway Contemporary Art, Minneapolis, MN
International Association of Curators of Contemporary Art conference, Paris, France
The New Administration of Aesthetics conference, Academy of Arts, Oslo (publication)
Camera Constructs conference, University of East London
Transmission: Speaking and Listening, artist talk series, Sheffield Hallam University, Sheffield (publication)
BALTIC, Newcastle
16Beaver, New York, NY
Witte de With, Rotterdam
Sharjah Biennale, United Arab Emirates
Ways of Working 2 – artists’ engagements with copyright, intellectual property and new forms of ownership, Arts Council conference, University of Westminster (publication)
College Art Association Conference, Atlanta Centre for Contemporary Art
Index Gallery, Stockholm
University of the Arts London
Tate Britain, London, UK (New Media in Britain conference)
Tate Britain, London, UK (British Art Talks: Notions of the Public)
Whitworth Art Gallery, Manchester
Photographers’ Gallery, London, UK
Whitechapel Gallery, London, UK
Tate Modern, London, UK (archived webcast)
ICA London, London, UK
Museum of Modern Art, New York, NY
Tate Liverpool, Liverpool, UK
Serpentine Gallery, London, UK
Whitechapel Gallery, London, UK
Kunstverein, Munich, Germany
Slade School of Art, London
Firstsite, Colchester
Angel Row Gallery, Nottingham
Whitechapel Gallery, London, UK
CCA, Glasgow, UK
John Hansard Gallery, Southampton
Baltic, Newcastle
ICA, London
Whitechapel Gallery, London (on the Whitechapel exhibition Speed)

Updated: April 20, 2021