Born 1970 in Lusaka, Zambia

Education

1997 MA, Photography, Royal College of Art, London
1992 BA (Hons), University of Brighton

Fellowships, Residencies & Awards

2017
Casino Luxembourg, Artist in Residence
2013
Honorary Research Fellow, School of Law, Birkbeck, University of London (ongoing)
2009
Research Associate, Photography and the Archive Research Centre at London College of Communication
2007
Sharjah Art Foundation residency, United Arab Emirates
2005
Grants to Artists, British Council
2004
Artist’s residency, IASPIS, Stockholm
2003
Artist’s residency, BBC
2002
Research Fellowship, Henry Moore Institute
Sputnik, Kunstverin Munich, (Through 2004)
2001
Year of the Artists residency (Xerox), Eastern Arts
2000
Artist in Residence, First Tuesday
New Media Fund, Arts Council of England
1998
Easter Arts Board Development Fund
1997
Live Art Travel & Research Fund, Arts Council of England

One Person Exhibitions & Projects

2017
Carey Young: Palais de Justice, Paula Cooper Gallery, New York, NY (9/16-10/21/17)
Carey Young: The New Architecture, curated by Gavin Delahunty, Dallas Museum of Art, Dallas, TX (2/2-4/2/17)
2013
Carey Young: Legal Fictions, curated by Raphael Gygax, Migros Museum of Contemporary Art, Zurich, Switzerland (8/31 – 11/10/13)
Carey Young: Let The World Speak for Itself, Le Quartier, Quimper, France (5/25 – 9/15/13)
2010
Memento Park, Eastside Projects, Birmingham, UK (11/27/10 – 1/29/11); traveled to Cornerhouse, Manchester, UK (2/4 – 3/20/11) and mima, Middlesbrough, UK (3/31 – 7/20/11)
Carey Young: Contracting Universe, Paula Cooper Gallery, New York, NY (10/30 – 11/27/10)
2009
Carey Young: Uncertain Contracts, Museum of Art, Rhode Island School of Design, Providence, RI (10/15/09 – 4/18/10)
Counter Offer, The Power Plant, Toronto, Canada (3/14 – 5/18/09)
Speech Acts, Contemporary Art Museum Saint Louis, Saint Louis, MO (5/8 – 8/2/09)
2008
Mutual Release, Thomas Dane Project Space, London, UK
Speechcraft, Creative Time, New York Bar Association, New York, NY (5/9/08) (performance)
2007
If/Then, Paula Cooper Gallery, New York, NY
Speechcraft, Modern Art Oxford, London, UK (performance)
Consideration, Midway Contemporary Art, Minneapolis, MN
2006
Image Transfer, Production as Process, Umea Art Academy, Sweden
2005
Consideration, part of Performa05 Biennial, curated by Rose Lee Goldberg, Paula Cooper Gallery, New York, NY
Disclaimer, IBID Projects, London, UK
Carey Young, Trafo Gallery, Budapest, Hungary
2004
Disclaimer, Henry Moore Institute, Leeds, UK
I Believe in You, web and mobile phone project, launched at Tate Britain, London, UK
Carey Young, Index, Stockholm, Sweden
Participant Observer, participative workshop on art and economics, IASPIS, Stockholm
2003
Optimum Performance, in A Short History of Performance – Part II, curated by Andrea Tarsia and Iwona Blazwick, Whitechapel Gallery, London, UK
Grey Area, Video commission, Bildjournalen (arts TV programme), Swedish Television
Carey Young, IBID Projects, Vilnius
2002
Viral Marketing, Kunstverein München, various works created within or in relation to the Kunstverein’s marketing structure (2002-2004)
2001
Business as Usual, curated and organized by Film & Video Umbrella, John Hansard Gallery, Southampton, UK; traveled to Angel Row, Nottingham, UK; Firstsite, Colchester, UK (2001-2002) (exh. cat.)
My Megastore, site-specific works at Virgin Megastore, London, UK
Carey Young, Video Project Space, Wilkinson Gallery, London
2000
Nothing Ventured, fig-1, London, UK (exh. cat.)

Selected Group Exhibitions & Projects

2018
Journeys with ‘The Waste Land’, Turner Contemporary, Margate, UK (1/27-5/20/2018)
2017
Playing Hide and Law: A Visual Unraveling of the Latent Power of Law, curated by Avi Feldman, Tranzit Gallery, Bratislava (3/10-5/6/17)
Feedback, Marlborough Gallery, New York, NY (7/6-8/11/17)
Venice Agendas 2017: The Contract, DACS, London, England (5/3-5/26/17)
Extra Bodies –The Use of the ‘Other Body’ in Contemporary Art, Migros Museum für Gegenwartskunst, Zürich, Switzerland (11/18/17-2/4/18)
Collection on Display: Rules, Migros Museum für Gegenwartskunst, Zürich, Switzerland (5/20-8/13/17)
Lodgers #10 – Jubilee, Museum van Hedendagse Kunst Antwerpen, Belgium (5/17-7/28/17)
CODEX, D21 Kunstraum Leipzig, Leipzig, Germany (6/8-7/16/17)
I am you, you are too, Walker Art Center, Minneapolis, MN (9/7/17—10/27/19)
Hold These Truths, Curated by Rachel Gugelberger and Manon Slome, Nathan Cummings Foundation, New York, NY (11/13/17—3/13/18)
2016
End User, The Ryder Projects, London, England
Liberties, Newlyn Art Gallery and the Exchange Penzance, Cornwall, UK (10/22/16 - 1/7/17)
The Revolution will not be Gray, Aspen Art Museum
New Self-portrait Paradox, Ludlow 38, Goethe Institut, New York
As Rights Go By, Q21, Museums Quartier, Vienna, curated by Sabine Winkler
No-one Belongs Here More than You, Despacio, San Jose, Costa Rica
A Lesson in Sculpture with John Latham, Henry Moore Institute, Leeds, UK (3/24 – 6/19/16)
2015
Grand Opening Reception, Neuer Aachener Kunstverein, Aachen, curated by Elisa R. Linn and Lennart Wolff
During the Exhibition the Museum will be Closed, Museum fur Neue Kunst, Freiburg, Germany (11/30/15 – 3/18/16)
Et Mot Droit, Copperfield Gallery, London, UK (5/27 – 7/11/15)
Nouveau Festival Centre Georges Pompidou, Paris, France (4/15– 17 3/6/2015)
Not: The Art of Resistance, Holden Gallery, Manchester School of the Art, Manchester, UK (1/19 – 2/27/15)
2014
Curatorial Open 2014: Listening, Hayward Gallery, London, UK traveling to BALTIC 39, Newcastle (9/16/2014 – 1/11/2015), The Bluecoat, Liverpool (1/24 – 3/29/15), Site Gallery, Sheffield (4/11 – 5/31/15), Norwich University of the Arts Gallery (7/19 – 10/17/15)
These Immovable Walls: Performing Power at Dublin Castle, Dublin Castle, Dublin, Ireland (July 11-12, 2014)
Bridge, Museum of London, London (6/27–1/2/14)
A Guest Without a Host is a Ghost, The Kadist Collection in Residency, Cairo, Egypt (May 2014 – January 2015)
PER/FORM How to do Things With [Out] Words, CA2M (Centro d’Arte Dos de Mayo), Madrid, Spain (3/22 – 9/20/14)
Buildering: Misbehaving the City, curated by Steven Matijcio, Contemporary Arts Center, Cincinnati, OH (2/28 – 8/24/14)
And I laid traps for troubadours, Clark House Initiative, in collaboration with Kadist Art Foundation, Bombay, India (2/7 – 4/23/14)
Prospectif Cinema, Centre Georges Pompidou, Paris, France (screening)
2013
Jonathan Borofsky, Sam Durant, Charles Gaines, Liz Glynn, Wayne Gonzales, Hans Haacke, Walid Raad, Carey Young, Paula Cooper Gallery, New York, NY (10/10-10/26/13)
Spaces of Exception, ArtPlay, Moscow Biennale, Russia (9/11 – 9/26/13)
Par Les Temps Qui Courent, Le Grand Café, Centre d’Art Contemporain de St. Nazaire, France
At the outset, Circus, Berlin, Germany (8/24 – 9/28/13)
DLA Piper Series: Constellations, Tate Liverpool, UK (7/19 – 2014)
The 2nd Ned James Festival of Womens’ Work, Worcester City Gallery, Worcester, UK
Keywords, iniva, London, UK (3/27 – 5/18/13); tours to Tate Liverpool (2014)
An Exhibition, The Holden Gallery at the Manchester School of Art, Manchester, UK (1/2 – 3/14/13)
Constellations, Tate Liverpool
2012
Collection’12, Institut d’Art Contemporain, Villeurbanne/Rhône-Alpes, France (12/14/12 – 2/3/13)
Demonstrations: Mircea Cantor, Oyvind Fahlstrom, Carey Young, Phyllis Wattis Theater, San Francisco Museum of Modern Art, CA (11/6/12)
Stage Presence: Theatricality in Art and Media, curated by Rudolf Frieling, San Francisco Museum of Modern Art, San Francisco, CA (7/7 – 10/7/12)
The Nature of Disappearance, curated by Dieter Buchhart, Marianne Boesky, New York, NY(6/28 – 12/10/12)
Always Working, Access Gallery, Vancouver, Canada (6/23 – 7/30/12)
Port, Galeria Nuno Centeno, Porto, Portugal (7/13-8/11/12)
Wide Open School, Hayward Gallery, London, UK (6/11 – 7/11/12)
Mind the System, Find the Gap, curated by Karen Verschooren, Z33, Limburg, Belgium (6/1 – 9/30/12)
You Are Now Entering ___ , curated by Miguel Amado, Centre for Contemporary Art Derry-Londonderry, Derry-Londonderry, Northern Ireland (6/2 – 6/29/12)
K, curated by Juan Gaitán, CCA Wattis Institute for Contemporary Arts, San Francisco, CA (5/31 – 6/30/12)
Undetectable, curated by Nathan Lee for Visual AIDS, LaMaMa Galleria, New York, NY (5/31 – 6/30/12)
A Plea for Tenderness, Seventeen Gallery, London, UK (1/12 – 2/19/12)
Sophie Calle, Christian Marclay, Paul Pfeiffer, Walid Raad, Michael Sailstorfer, Carey Young, Paula Cooper Gallery, New York, NY (1/7 – 2/4/12)
Living as Form (the Nomadic Version), Kadist Foundation, San Francisco, CA
2011
To Pay Respect to the Generosity of the Three-Minute Punk-Rock Song, Crate Project Space, Margate, England (11/18 – 12/18/11)
This Morning I Attentively Observed The Destruction Of The World, Then I Went Back To Work, curated by Keren Detton, Le Quartier, Quimper (11/12/11 – 1/8/12)
Ce matin j’ai assisté à la destruction du monde en spectateur attentif, et puis je me suis remis au travail, Le Quartier - Centre d’art contemporain, Quimper, France (11/10/11 – 1/8/12)
Specters of the Nineties, curated by Lisette Smits and Matthieu Laurette, Marres, Center of Contemporary Art and Culture, Maastricht, The Netherlands (9/10 – 11/20/11)
In Deed: Certificates of Authenticity in Art, curated by Susan Hapgood and Cornelia Lauf, De Vleeshal, Middelsburg, The Netherlands (9/10 – 10/09/11)
Again and Again and Once More, curated by Sabine Winkler, Kunstverein Medieturm, Graz, Austria (5/28 – 8/27/11)
Charter of the Forest, Lincoln Art Programme, Lincoln, UK (8/6 – 8/7/11)
Yes, we don’t, Institut d’Art Contemporain, Villeurbanne, France (5/20 – 8/14/11)
Nul si Découvert / Void if Removed, curated by Guillaume Désanges, Le Plateau / Frac Île-de-France, Paris, France (6/8 – 8/7/11)
Work After Work, curated by Eric Stone and Joshua Decter, MAK Center, Los Angeles, CA (4/28 – 5/8/11)
Pertaining to a profession proverbially energetic and nervous, curated by Sarah Demeuse, ISCP, New York, NY (3/30 – 4/16/11)
Space: About a Dream, curated by Catherine Hug, Kunsthalle Wien, Vienna, Austria (4/1 – 8/15/11)
We are Grammar, Pratt Manhattan Gallery, New York, NY (2/25 – 5/7/11)
Museum as Hub: The Accords, curated by Sarah Rifky, The New Museum, New York, NY (2/9 – 5/1/11)
2010
During Office Hours, FEINKOST, Berlin, Germany (9/22/10 – 1/22/11)
Taipei Biennial 2010, curated by Hongjohn Lim and Tirdad Zolghadr, Taipei
Yesterday Will be Better – Taking Memory into the Future, Aargauer Kunsthaus, Aarau, Switzerland (8/21 – 11/1/10)
The Philosophy of Money, curated by Miguel Amado, Lisbon City Museum, Lisbon, Portugal, (6/23 – 9/5/10)
Midway Contemporary Art June Film Series, curated by Jonathan Thomas, Midway Contemporary Art, Minneapolis, MN (6/10/10 and 6/15/10)
Permanent Mimesis, curated by Alessandro Rabottini, Galleria Civica d’Arte Moderna e Contemporanea, Turin, Italy (6/10 – 9/26/10)
The Perfect Exhibition, Heidelberger Kunstverein, Heidelberg, Germany (5/22 – 8/22/10)
Ständige Rezeption (Permanent Reception), curated by Clemens von Wedemeyer, Galerie \ Nachst St. Stephan Rosemarie Schwarzwälder, Vienna, Austria (5/6 – 6/5/10)
Wouldn’t a Title Just Make it Worse?, Central Reservation, Bristol, UK (4/24 – 5/16/10)
Yesterday Will Be Better, Aargauer Kunsthaus, Aarau, Switzerland (8/21 – 11/7/10)
Reprise, Paula Cooper Gallery, New York, NY (4/29 – 5/28/10)
The Talent Show, Walker Art Center, Minneapolis, MN (4/10 – 8/15/10); traveled to MoMA PS1 Contemporary Art Center, New York, NY (12/12/10 – 4/4/11)
Sculpture Center Lucky Draw 2010, Sculpture Center, Long Island City, NY (4/13/10)
Corporate Everything, Centre d’Art De Fribourg Kunsthalle Freiburg, Germany (2/14 – 5/9/20)
Atopia: Art and City in the 21st Century, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Spain (2/25 – 5/24/10)
FALL OUT – art, desire and disengagement, curated by Mads Damsbo and Merete Jankowski, Gl Holtegaard, Denmark, and Malmö Konsthall, Sweden (1/15 – 3/21/10)
2009
Die Welt als Bühne (World as Stage), curated by Solvej Ovesen, NBK, Berlin (11/21/09 – 1/10/10)
Hypnotic Show, curated by Raimundas Malasaukas, Kadist Art Foundation, Paris, France (11/14/09); traveled to LABOR, Mexico City, Mexico (12/16/09)
Impossible Exchange, curated by Miguel Amado and Filipa Oliviera, Frieze Projects, Frieze Art Fair 2009, London, UK (10/15 – 10/18/09)
Feedforward: The Angel of History, curated by Christiane Paul and Steve Deitz, Laboral Art Center, Gijón (10/22/09 – 4/5/10)
Void of Memory, Kimusa/ArtSonje Centre, Seoul (9/2 – 9/25/09)
Deceitful Moon, The Hayward Project Space, London, UK (7/21 – 8/31/09)
Pattern Recognition, City Gallery, Leicester, UK (6/20 – 10/24/09)
How to do things with Words, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York (3/8 – 4/5/09)
Commentary, Paula Cooper Gallery, New York, NY (2/19 – 3/14/2009)
The Space of the Work and the Place of the Object, Sculpture Center, New York, NY (1/11 – 3/22/09)
2008
Soft Manipulation, or Who’s Afraid of the New Now?, curated by Maria Lind, Enrico Lunghi and Zoran Eric, Casino Luxembourg, Luxembourg (12/20/08 – 3/1/09); traveled to Stiftelsen 3, 14, Bergen, Norway
Objects of Value, curated by Rene Morales, Miami Art Museum, Miami, FL (11/21/08 – 2/22/09)
Getting Even: Oppositions and Dialogues in Contemporary Art, Lewis Glucksman Gallery, University College Cork, Cork, Ireland (11/14/08 – 3/1/09; traveled to Kunstverein Hannover
Open Video Series #7, curated by Peter Garfield, CRG Gallery, New York, NY (11/7/08)
Electioneering, Fort Worth Contemporary Arts, Fort Worth, Texas (10/24 – 12/7/08)
OURS Democracy in the Age of Branding, Parsons The New School for Design, Anna-Maria and Stephen Kellen Gallery, New York, NY (10/16/08 – 2/1/09)
Better being a virus than catching a cold, Mains d’Oeuvres, Paris, France (9/19 – 10/26/08)
Business As Usual, curated by Jacob Proctor, Museum of Contemporary Art Detroit, Detroit, Michigan (9/12 – 12/21/08)
Imagining Business, Said Business School, University of Oxford, Oxford, United Kingdom (6/6 – 6/28/08)
Terms of Use, curated by Lisa Rosendahl, Montehermoso Cultural Center, Vitoria, Spain (5/23 – 8/31/08)
Valeurs croisées, Les Ateliers de Rennes, Biennale d’art contemporain, Rennes, France (5/15 – 7/20/08)
2007
The Dotted Line, curated by Colby Chamberlain, BRIC Rotunda Gallery, Brooklyn, New York, NY (11/7-12/21/07)
No, Future, Bloomberg Space, London, UK
For Sale, Cristina Guerra Contemporary Art, Lisbon, curated by Jens Hoffman (exh. cat.)
From 60 to 7, Henie Onstad Art Centre, Oslo
Failure (Scheitern), Landesgalerie, Linz (exh. cat.)
Global Feminisms, Brooklyn Museum of Art, Brooklyn, New York (exh. cat.)
Akta Vara, Roda Sten, Gothenburg
Moscow Biennale 2, curated by Nicolas Bourriaud, Moscow (exh. cat.)
2006
E-flux Video Rental, PiST, Istanbul and tour
How to Improve the World, Hayward Gallery, London, UK (exh. cat.)
SCAPE 2006 Biennale of Art in Public Space, Christchurch, New Zealand
Happy Believers, Werkleitz Biennale, Halle, Germany (exh. cat.)
Mostly Harmless, Govett Brewster Gallery, New Plymouth, New Zealand
British Art Show 6, Bristol, UK
Jump into Cold Water, Shedhalle, Zurich
Arbeit/Labor/Work, Lewis Glucksman Gallery, Cork
2005
British Art Show 6, Baltic, Newcastle; traveled to Cornerhouse, Manchester; Nottingham Castle, Nottingham; Spike Island at A-Bond Warehouse, Bristol (2005 – 2006) (exh. cat.)
Tirana Biennial, Tirana
Baltic Triennial, ICA, London, UK (exh. cat.)
Arbeit/Work, Galerie im Taxispalais, Innsbruck; traveled to Lewis Glucksman Gallery, Cork; Ormeau Baths Gallery, Belfast (exh. cat.)
Body: New Art from the UK, Vancouver Art Gallery, Vancouver; traveled to Edmonton Art Gallery; Oakville Art Galleries; Ottawa Art Gallery, Ottawa; co-curated with the British Council (2005 – 2006) (exh. cat.)
An Age of Rite and Reason, curated by Walead Beshty, Champion Fine Art, Los Angeles, CA
Critical Societies - Art, Critique and the Promises of Capitalism, Badischer Kunstverein, Karlsruhe (exh. cat.)
Sharjah Biennale, Sharjah (exh. cat.)
Social Sculpture, curated by Sophie Berrebi, Ellen de Bruijne Projects, Amsterdam
Making Things Public, curated by Bruno Latour and Peter Weibel, ZKM, Karlsruhe (exh. cat.)
Mir – Dreams of Space, Stills Gallery, Edinburgh
Revolution is on Hold, curated by Adrian Paci, Isola Dell’Arte, Milan
Trade Show, Mass MOCA, North Adams, Massachusetts (exh. cat.)
What Business are You in?, Contemporary Art Center, Atlanta (exh. cat.)
2004
I am not a feminist. I am normal., Austrian Cultural Institute, London, UK
Nothingness, Galerie Eugen Lendl, Graz & tour (exh. cat.)
Trailer, Man in the Holocene, London, UK
Black Friday, Galerie Kamm, Berlin, (exh. cat.)
Cycle Tracks will abound in Utopia, Centre for Contemporary Art, Melbourne (exh. cat.)
Tales of the City, curated by the British Council, Arte Fiera, Bologna (exh. cat.)
2003
A Short History of Performance - Part II, Whitechapel Gallery, London, UK (exh. cat.)
Dust to Dusk, Charlottenborg Palace, Copenhagen (curated by Pontus Kyander) (exh. cat.)
World Question Centre (Reloaded), curated by Jens Hoffman, Basis voor Actuele Kunst, Utrecht
Gesellschaftsbilder/ Images of Society, Kunstmuseum Thun (exh. cat.)
24/7, Contemporary Art Centre, Vilnius
Utopia Station Poster Project, La Biennale di Venezia, Venice, Haus der Kunst, Munich, Germany (exh. cat.)
Moskva ter / Moscow Square, Museum Ludwig, Budapest
Beck’s Futures, ICA London; CCA (Glasgow); Southampton City Art Gallery (exh. cat.)
Electric Earth, curated by the British Council, State Russian Museum (St. Petersburg) & tour (exh. cat.)
2002
The Passions of the Good Citizen, curated by Heather Felty, apex art, New York, NY
Exchange and Transform (Arbeitstitel), Kunstverein Munich
2001
Ausgeträumt (Without Dreams), curated by Kathrin Rhomberg, Secession, Vienna (exh. cat.)
The Communications Department, curated by Alex Farquharson, Anthony Wilkinson Gallery, London, UK
Nothing, curated by Ele Carpenter and Graham Gussin, Northern Gallery of Contemporary Art, Sunderland; traveled to Rooseum, Malmo; CCA, Vilnius; Mead Gallery, Warwick (exh. cat.)
Look Out: Artists’ Reactions to Contemporary Social and Political Events, curated by Peter Kennard, Pitshanger Manor, London, UK
2000
Media Art 2000, curated by Jeremy Millar & Barbara London, Metropolitan Museum of Modern Art, Seoul Biennale, Seoul (exh. cat.)
Continuum001, curated by Rebecca Gordon Nesbitt, Centre for Contemporary Art, Glasgow, UK
1999
EXIT, Art & Cinema at the End of the Century, Chisenhale Gallery, London, UK
CRASH!, Institute of Contemporary Art, London, UK (exh. cat.)
MayDay, curated by Jeremy Millar, The Photographers’ Gallery, London, UK
1997
Zones of Disturbance / Zonen der Ver-Storung, curated by Silvia Eiblmayr, Marieninstitut, Graz, as part of Steirischer Herbst (exh. cat.)
1995
Stream, with Sophy Rickett & Rut Blees Luxemburg, plummet, London, UK

Talks & Lectures

2017
A Conversation with Carey Young, Dallas Museum of Art, Dallas, TX (with Dr. Michael Corris)
Panel Discussion with Carey Young, Colby Chamberlain, and Joan Kee, Paula Cooper Gallery, New York, NY
2016
Synaesthasia of Law, international conference, Princeton University
New Legal Temporalities? Discipline and Resistance Across Domains of Time, international conference, University of Kent
Photography and the Legacy of Conceptual Art, London College of Communication, June 3, 2016 (conference)
2015
Art/Law? Creative Responses to Copyright in the Twenty-First Century, Radcliffe Institute for Advanced Study, Harvard University
Plague of Diagrams, symposium, Institute of Contemporary Art, London
Artist’s talk, Tate Britain (with Jill Magid)
Radcliffe Institute for Advanced Study, Harvard University
2014
Show Time, Carey Young interviews Jens Hoffmann, Tate Modern
Panning for Atomic Gold, symposium, the Arts Catalyst, London
What Art Has to Say about the Law, (panel discussion), Association of Art Historians Conference, Royal College of Art, London
Performing the Law, (conference), Institut Francais, London, organized by Birkbeck, University of London, and the Universities of Paris 8 and 10
2013
Carey Young in conversation with Steven Bode’, hosted by Film & Video Umbrella, London
Migros Museum for Contemporary Art, Zurich, Switzerland
Cabaret Voltaire, Zurich, Switzerland
25 Frames, artist talk organized by Film and Video Umbrella, London, UK
_Ecole Nationale de la Magistrature / Universite de Paris 8, Paris
2011
Politics and Photography - Carey Young & Immo Klink, Photoworks, Brighton (5/9/11)
Art Speech: A Symposium on Symposia, MoMA, New York, NY (5/20 - 5/21/11)
2010
Vidéo et après, Centre Pompidou, Paris, France (5/17/10)
Photoworks, Brighton
mima, Middlesbrough
Eastside Projects, Birmingham
Uncertain Contracts, Artist talk, Centre Pompidou, Paris
2009
Social Enterprise, Miami Art Museum (4/4/09)
Faith in Art, Pavilion/Henry Moore Institute, Leeds, UK, panel discussion
Carey Young: Urban Field Speakers Series, Prefix Institute of Contemporary Art, Toronto, Canada (3/11/09)
Cultural Practices Outrun Legal Language, (symposium), Jan van Eyck Academy, Mastricht
_The Aesthetics of Governance: From the Cold War to Neoliberalism, (symposium), University of Sussex
2008
Museum 21, IMMA International Symposium, Dublin, Ireland (11/12 – 11/13/08)
Institutional Critique: can the institution ever criticize?, ICA London, panel discussion (10/29/08)
Imagining Business, Saïd Business School, Oxford University, conference with publication
Night School: Contemporary Models of Agency, New Museum, New York, NY (4/26/08)
Against the Avant-garde? Duchamp, Man Ray, Picabia, Tate Modern, London, UK, symposium (3/8/08)
2007
Your Game by my Rules: Contemporary Art in the Corporate Environment, LBi, London, UK
Art and Democracy, ICA London, panel discussion
Between Culture and Capital: Art, Institutions and Corporate Patronage, conference, Courtauld Institute, London, UK
Carey Young, Artist’s Talk, Midway Contemporary Art, Minneapolis, MN
2006
International Association of Curators of Contemporary Art conference, Paris, France
The New Administration of Aesthetics conference, Academy of Arts, Oslo (publication)
Camera Constructs conference, University of East London
Transmission: Speaking and Listening, artist talk series, Sheffield Hallam University, Sheffield (publication)
2005
BALTIC, Newcastle
16Beaver, New York, NY
Witte de With, Rotterdam
Sharjah Biennale, United Arab Emirates
Ways of Working 2 – artists’ engagements with copyright, intellectual property and new forms of ownership, Arts Council conference, University of Westminster (publication)
College Art Association Conference, Atlanta Centre for Contemporary Art
2004
Index Gallery, Stockholm
University of the Arts London
Tate Britain, London, UK (New Media in Britain conference)
Tate Britain, London, UK (British Art Talks: Notions of the Public)
Whitworth Art Gallery, Manchester
Photographers’ Gallery, London, UK
2003
Whitechapel Gallery, London, UK
Tate Modern, London, UK (archived webcast)
ICA London, London, UK
Museum of Modern Art, New York, NY
Tate Liverpool, Liverpool, UK
Serpentine Gallery, London, UK
2002
Whitechapel Gallery, London, UK
Kunstverein, Munich, Germany
Slade School of Art, London
Firstsite, Colchester
Angel Row Gallery, Nottingham
2001
Whitechapel Gallery, London, UK
CCA, Glasgow, UK
John Hansard Gallery, Southampton
Baltic, Newcastle
2000
ICA, London
1999
Whitechapel Gallery, London (on the Whitechapel exhibition Speed)

Updated: October 3, 2017