Books, Catalogues, & Artists’ Publications

2016
Fine Young Cannibals, exhibition catalogue, Petzel Gallery, New York, 2016;illus.
Uslip, Jeffrey, and Kelley Walker. Kelley Walker: Direct Drive, exhibition catalogue, Contemporary Art Museum, St Louis, 2016.
Walker, Kelley. Kelley Walker: Black Star Press. exhibition catalogue, Contemporary Art Museum, St. Louis 2016.
2014
The Twenty First Century Art Book, New York: Phaidon Press Inc., 2014, p. 275.
Kelley Walker, exhibition catalogue, New York: Paula Cooper Gallery, 2014.
Wade Guyton, Guyton\Walker, Kelley Walker, ed. Yilmaz Dziewior, exhibition catalogue, Kunsthaus Bregenz, Austria, 2014.
2012
Rosenthal, Mark, et al. Regarding Warhol: Sixty Artists, Fifty Years, New York: Metropolitan Museum of Art, 2012, pp. 113, 116-117, 247, 292; illus.
Print/Out, ed. Christophe Cherix, exhibition catalogue, The Museum of Modern Art, New York, 2012; illus.
Diacono, Mario. Archetypes and Historicity. Painting and Other Radical Forms 1995-2007, Silvana Editoriale in collaboration with Collezione Maramotti, Italy, 2012; pp. 297-301, 94-95; illus.
The Painting Factory: Abstraction After Warhol, Los Angeles Museum of Contemporary Art, 2012, pp. 150-163; illus.
Decade: Contemporary Collecting 2002 ­­– 2012, Buffalo, NY: Albright-Knox Art Gallery, 2012, pp. 220-221; illus.
Chaillou, Timothée. Seuls quelques fragments de nous toucheront quelques fragments d’autrui (Only Parts of us Will Ever Touch Parts of Others). Paris/Salzburg: Galerie Thaddaeus Ropac, 2012. Print. pp. 145
Annual Magazine, A.P.C Trading. Ltd., Verona, 2012 pp. 1, 125; illus.
Kramer, Marcus. Photographic Objects, Berlin: Kehrer Verlag Heidelberg Berlin, 2012.
2011
That’s The Way We Do It: Techniques and Aesthetics of Appropriation, exhibition catalogue, Kunsthaus Bregenz, Bregenz, Austria, 2011, pp. 260–275; illus.
Born in Dystopia, exhibition catalogue, Rosenblum Collection & Friends, Paris, 2011, pp. 50–55; illus.
Defining Contemporary Art, Phaidon, London, 2011, pp. 390–391; illus.
Vitamin P2: New Perspectives in Painting, Phaidon, London, 2011, pp. 304–305; illus.
The 2011 Bridgehampton Biennial, exhibition catalogue, Martos Gallery, New York, 2011; illus.
Nickas, Bob. Catalog of the Exhibition, 2nd Cannons Publications, Los Angeles, 2011; illus.
Ligon, Glenn. Yourself in the World: Selected Writings and Interviews, Yale University Press, New Haven, 2011, pp. 51–58; illus.
After Images, exhibition catalogue, Musée Juif de Belgique, Brussels, Belgium, 2011, pp. 21, 138–143; illus.
The Luminous Interval, exhibition catalogue, Guggenheim Museum Bilbao, Bilbao, Spain, 2011, pp. 90–95; illus.
2010
Keeping it Real: From the readymade to the everyday, ed. Achim Borchardt-Hume, exhibition catalogue, Whitechapel Gallery, London, England, 2010, pp. 94–101, 112–113; illus.
The Art of Tomorrow, ed. Laura Hoptman, Yilmaz Dziewior, and Uta Grosenick, DISTANZ Verlag, Berlin, Germany, 2010, pp. 302–305; illus.
Image Transfer: Pictures in a Remix Culture, ed. Sara Krajewski, exhibition catalogue, Henry Art Gallery, Seattle, 2010, pp. 92–97; illus.
Kelsey, John. Rich Texts: Selected Writings for Art, Sternberg Press, New York, 2010, pp. 65–74.
At Home / Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, exhibition catalogue, CSS Bard Hessel Museum, Annadale-on-Hudson, New York, 2010, pp. 34, 58–59; illus.
Price, Seth and Kelley Walker. Freelance Stenographer, 2010.
Permanent Mimesis, exhibition catalogue, Galleria Civica d’Arte Moderna e Contemporanea, Turin, Italy, 2010, pp. 27, 38–39, 48; illus.
FIVE, exhibition catalogue, Baibakov art projects, Moscow, Russia, 2010, pp. 30–35, 39–41, 46–53, 66–67, 69–70, 96–102, 120–121; illus.
2009
Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting, Phadion, New York, 2009, pp. 292, 332–335, 348; illus.
Funcke, Bettina. Pop or Populus: Art between High and Low, Sternberg Press, New York, 2009; illus.
Beg Borrow and Steal, exhibition catalogue, Rubell Family Collection, Miami, FL, 2009, pp. 80, 240–249; illus.
Cranford Collection 02, ed. Andrew Renton, Cranford Collection, London, 2009, pp. 92, 96; illus.
Where Do We Go From Here? Selections from La Colleción Jumex, Bass Museum of Art and Fondación/Coleccion Jumex, 2009, pp. 88–89; illus.
Compass in Hand, ed. Christian Rattemeyer, exhibition catalogue, The Museum of Modern Art, New York, 2009, pp. 183–185; illus.
The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné, ed. Christian Rattemeyer, The Museum of Modern Art, New York, 2009, pp. 137, 275; illus.
Transitions: painting at the (other) end of art, exhibition catalogue, Collezione Maramotti, 2009, pp. 20–21; illus.
Sueno y Materia / Dream and Matter, LABoral, Gijon, Spain, 2009, pp. 222–223, illus.
The Sickness of the Hunting Part I, exhibition catalogue, curated by Gilbert Perlein, Mamac Nice, 2008, pp. 122–123; illus.
Quand la première ivresse des succès bruyants…, eds. Charlotte Laubard and Louise Nègre, exhibition catalogue, Château Guiraud, Sauterners, France, 2009.
Higgs, Matthew. Fifteen People Present Their Favorite Book [After Kosuth], exhibition catalogue, Glenn Horowitz Bookseller, East Hampton, NY, 2009.
2008
guyton\walker, exhibition catalogue, Museo d’Arte Moderna di Bologna, Milano, Italy, 2008; illus.”Kelley Walker,” Beaux Arts Editions: Qu’est-ce que la peinture aujourd’hui, 2008, pp. 174–175; illus.
Not Quite How I Remember It, exhibition catalogue, The Power Plant, Toronto, Canada, 2008, pp. 52–53; illus.
Blasted Allegories: Works from the Ringier Collection, JRP Ringier, Zurich, Switzerland, 2008, p. 149; illus.
Patterns 2: Design, Art, and Architecture, ed. Barbara Glasner, Petra Schmidt, Ursula Schöndeling. Berkhäuser Verlag AG, Basel, Switzerland, 2008, pp. 304–307, 332; illus.
Stations: 100 Meisterwerke Zeitgenossischer Kunst, Dumon Buchverlag, Cologne, Germany, 2008, pp. 188–189, illus.
Always There, exhibition catalogue, Galerie Max Hetzler, Berlin, Germany, 2008, pp. 34–35; illus.
Guyton Price Smith Walker, ed. Beatrix Ruf, 38 St. Publishers, exhibition catalogue, Kunsthalle Zurich, 2008, p. 135–165; illus.
2007
Nickas, Bob. Theft Is Vision, JRP Ringier, Zurich, Switzerland, 2007.
Continuous Project #12, exhibition catalogue, eds. Suzanne Cotter and Continuous Project, Modern Art Oxford, Oxford, UK, 2007; illus.
Just Kick It Till It Breaks, exhibition catalogue, The Kitchen, New York, NY, 2007, p. 49.
Collage: The Unmonumental Picture, exhibition catalogue, New Museum of Contemporary Art, 2007, pp. 120–128; illus.
Kelley Walker, JRP Ringier, exhibition catalogue, Le Magasin, Grenoble, France, 2007; illus.
Um Atlas de Acontecimentos / An Atlas of Events, exhibition catalogue, Fundacao Calouste Gulbenkian, Lisbon, Portugal, 2007, pp. 52–53; illus.
Art in America: 300 Years of Innovation, exhibition catalogue, ed. Susan Davidson, Solomon R. Guggenheim Foundation, New York, 2007, pp. 303–307; illus.
Moisdon, Stéphanie and Hans Ulrich Obrist. The History Of A Decade That Has Not Yet Been Named, JRP Ringier, Zurich, Switzerland, 2007, p. 241; illus.
Painting as Fact–Fact as Fiction, exhibition catalogue, de Pury & Luxembourg, Zurich, Switzerland, 2007.
Ice Cream: Contemporary Art in Culture, Phaidon, New York, 2007, pp. 132–135; illus.
Masterpieces, CAPC musée d’art contemporain de Bordeaux, Bordeaux, France, pp. 224–225; illus.
Print-Out #1, eds. Sarina Basta and Paul-Aymar Mourgue d’Algue, SculptureCenter and BlankBox Projects, New York, 2007.
2006
USA Today, exhibition catalogue, Royal Academy of Arts, London, England, 2006, pp. 378–393; illus.
LAB MAG 01, eds. Adam Pendelton and Bartholomew Ryan, LAB BOOKS, New York, pp. 298–301; illus.
Imagination Becomes Reality: Part IV, Borrowed Images, exhibition catalogue, Sammlung Goetz, Munich, Germany, pp. 86–103; illus.
Are You Experienced, exhibition catalogue, Fuori Uso’06 Altered States, Publish srl, Ex Mercato Ortofrutticolo, 2006, pp. 102–105; illus.
Infinite Painting, exhibition catalogue, Villa Manin Centro d’Arte Contemporanea, Codroipo (Udine), Italy, 2006, pp. 178–179; illus.
Whitney Biennial 2006: Day for Night, exhibition catalogue, Whitney Museum of American Art, Harry Abrams, Inc., New York, 2006, pp. 356–357; illus.
Etc. Text, ed. Matt Keegan, Andrew Kreps Gallery, New York, 2006, pp. 28–47.
2005
Make It Now: New Sculpture in New York, exhibition catalogue, SculptureCenter, New York, 2005, pp.17, 46–47; illus.
Bridge Freezes Before Road, exhibition catalogue, Gladstone Gallery, New York, 2005.
Guyton, Wade and . The Failever of Judgement, JRP Ringier, Zurich, Switzerland, 2005.
Greater New York 2005, ed. Klaus Biesenbach, exhibition catalogue, PS 1 Contemporary Art Center, Long Island City, NY, 2005.
Sharjah Biennial 7: Belonging, exhibition catalogue, United Arab Emirates, 2005.
Uncertain States of America: American Art in the 3rd Millennium, exhibition catalogue, Astrup Fearnley Museum of Modern Art, Oslo, Norway, 2005, pp. 52–53; illus.
2004
La lettre volée / The Purloined Letter, exhibition catalogue, FRAC Franche-Comté/Musée de Dole, Les presses du réel, 2004, p. 68; illus.
2003
Nickas, Bob. After the Observatory, Paula Cooper Gallery, New York, 2003.
2001
Nickas, Bob. W, Musée des Beaux-Arts, Dole, France, 2001, p. 10; illus.

Journal & Newspaper Articles

2017
Martin, Alison. “Kelley Walker at Mamco (The Contemporary Art Museum of Geneva),” Arte Fuse, July 5, 2017. https://artefuse.com/2017/07/05/kelley-walker-at-mamco-125103/
2016
Baran, Jessica. “Review,” FlashArt, November / December, 2016; pp. 106-107
2015
Indrisek, Scott. “Reviews: Kelley Walker,” _Modern Painters-, June 2015, pg. 92.
Murg, Stephanie. “Kelley Walker tears down convention brick by brick,’” Wallpaper, March 9, 2015
Indrisek, Scott. “Bricks, Latex, Value: Kelley Walker Deconstructs a Luxury Magazine,’” Blouin Artinfo, March 9, 2015
2014
Hirsch, Faye. “Kelley Walker, Paula Cooper Gallery,” Art in America, June/July 2014, pg. 155; illus.
“Kelley Walker at Paula Cooper Gallery,” Time Out New York, March 20-26; pg. 42
“Kelley Walker at the Paula Cooper Gallery,” Art Media Agency Newsletter 139, 13 February 2014, p.18
2013
“New York Artists Now,” The New York Observer, February 20, 2013
Schiff, Lisa & Levine, Arriane. “It’s Not About the Money”, Imagine, 2013, pp. 50-57
2012
Pollack, Barbara. “Copy Rights,” Artnews, March 2012, pp.76–83; illus.
Knight, Christopher. “Review: Warhol odd man out in MOCAʼs ʻThe Painting Factoryʼ,” Los Angeles Times, May 3, 2012
Kantor, Jordan. “U.S. Museum Exhibitions,” Artforum, May 17, 2012
Rothkopf, Scott. “File Sharing,” Artforum, September 2012, pp. 454-457; illus.
Vogel, Carol. “Painting, Rebooted,” The New York Times, September 20, 2012
Desaive, Pierre-Yves. “Kelley Walker at Catherine Bastide-Brussels,” Flash Art, October 2012, pg. 116; illus.
Walker, Kelley. “Kelley Walker: The story behind an artwork, in the artist’s own words,” Modern Painters, November 2012, pg. 41; illus.
Nickas, Bob. “Komplaint Dept.: giving Up the Ghost: Andy Warhol Visits the Warhol Show at the Met,” Nov. 2012
Annual, 2012. pp. 24-25. illus.
2011
Suzuki, Sarah. “Print People: A Brief Taxonomy of Contemporary Printmaking,” Art Journal, Vol. 70, no. 4, Winter 2011, ed. Katy Siegel, pp. 7-25
Tissot, Karine. “Review: Wade Guyton and Kelley Walker,” Flash Art, Vol. XLIV, October 2011, p. 116; illus.
Rosenberg, Karen. “All Nooks, Crannies, Bedrooms and Trees Are Backdrops for Art,” (Guyton\Walker), The New York Times, August 8, 2011, p. C5.
Crow, Kelly. “Tips from Russian Heiress, 25: Do Your Homework on Artists,”
The Wall Street Journal, June 25, 2011.
Landi, Ann. “Dear Picasso,” Artnews, May 2011, pp. 92–98.
Guyton, Wade and Kelley Walker. “Guyton\Walker,” Artforum, February 2011, pp.168–169; illus.
Beshty, Walead. “The Whiteness of the Whale: Kelley Walker, Untitled, 2011,” Domus, October 2011
2010
Gopnik, Blake. “A Warholian companion show by Guyton\Walker,” The Washington Post, November 11, 2010, p. C10.
“Paradoxical Skin: Le Mutazioni Nella Giovane Arte Dall’Analogico al Digitale,” GAM Magazine, September 2010, pp. 22–23.
Rothkopf, Scott. “The Whitney’s Trippy Outdoor Pop Art,” (Guyton\Walker), The Daily Beast, June 17, 2010; illus.
Scott, Andrea K. “The Creative Life: Ars Brevis,” (Guyton\Walker), The New Yorker, May 24, 2010, p. 23.
Vogel, Carol. “Whitney Heads for the High Line,” (Guyton\Walker), The New York Times, April 15, 2010, p. C25; illus.
Gritz, Anna. “Vertically Integrated Manufacturing,” Frieze, April 2010, p. 127.
Daly, Ian. “Artistic License,” Details, April 2010, pp. 91–96; illus.
Burton, Johanna. “Bringing it Back Alive!” Parkett, Number 87, October 2010, pp. 62–77; illus.
Ligon, Glenn. “Kelley Walker’s Negro Problem,” Parkett, Number 87, October 2010, pp. 78–87; illus.
Walczak, Antek. “New, Uncertain: Speculations Around the Work of Kelley Walker,” Parkett, Number 87, October 2010, pp. 88–101; illus.
Hudson, Suzanne. “Besides, With, Against, and Yet,” Artforum, February 2010, p. 201; illus.
2009
Cotter, Holland. “Golden Oldies All Over Chelsea,” The New York Times, December 4, 2009, p. C37.
Lavrador, Judicaël. “Tout Contre La Factory,” (Guyton\Walker),Les Inrockuptibles, October 13–19, 2009, pp. 50–52; illus.
Falconer, Morgan. “Reviews: Guyton\Walker,” Art Review, Issue 34, September 2009, p. 127; illus.
Cooke, Lynne. “Play Grounds,” Artforum, September 2009, pp. 232–237.
“Guyton\Walker,” The New Yorker, August 10–17, 2009, p. 11; illus.
Pécoil, Vincent. “Guyton\Walker,” 02, No. 51, Autumn 2009, pp. 45–49; illus.
Smith, Roberta. “Art in Review: Guyton\Walker,” The New York Times, July 17, 2009, p. C25; illus.
Finel Honigman, Ana. “Ali Baba-like treasure trove at PSM,” ARTslant June 25, 2009
Marshall, Piper. “Cave Painting: A Conversation with Bob Nickas,” Art in America, June 22, 2009; illus.
“Gruppenschau: Die Moderne ist eine Höhle,” Zitty Berlin June 29, 2009
Hafner, Hans-Jürgen.”Archäologie an der Bildoberfläche,” artnet, June 4, 2009
“53rd Venice Biennale – Artists’ Special Projects: Guyton\Walker,” FlashArt, May/June 2009, p. 99; illus.
Smith, Roberta. “MoMA Pushes the Envelope in Works on Paper,” The New York Times, April 24, 2009, pp. C27, C29 illus.
Fiduccia, Joanna, “Original Copies: Images in the Zero Dimension,” Art on Paper, Vol. 13, No. 5, May/June 2009, pp. 46–57, illus.
Johnson, Ken. “Every Revolution Is a Roll of the Dice,” The New York Times, Friday, February 6, 2009, p. 27.
Wilson, Michael. “Every Revolution Is a Roll of the Dice,” Time Out New York, January 29- February 4, 2009, No.696, p. 49.
Burton, Johanna. “Reviews: Kelley Walker,” Artforum, February, 2009, XLVII, No. 6, p.189, illus.
Zinsser, John. “Kelley Walker: Paula Cooper Gallery,” Flash Art, Vol. XLII, No. 264, January-February, 2009, p. 98; illus.
2008
McDean, Craig. “15 For ‘09: Kelley Walker,” Interview, December 2008 – January 2009, pp. 158–159; illus.
Politi, Giancarlo. “Focus: Painting: Dead Language of Cultural Terrorism?” Flash Art, November – December 2008, pp. 50–51; illus.
“Kelley Walker,” Time Out New York, 20–26 November 2008, p. 26.
“Kelley Walker,” Time Out New York,13–19 November 2008, p. 78.
“Kelley Walker,” The New Yorker November 24, 2008, p. 26.
Ralickas, Vivian “The Power Plant, Toronto, du 7 juin au 1er septembre 2008,” esse, Issue No 64 — Waste, Fall 2008
Sherwin, Skye. “Kelley Walker” Art Review, October 2008, Issue 26, p. 40; illus.
“Consumed” Art Review, September 2008, Issue 25, p. 50; illus.
Kunitz, Daniel. “Painting: Now and Forever, Part II,” NY Sun, August 14, 2008, p.15; illus.
Smith, Roberta. “Painting: Now and Forever, Part II,” ­New York Times, August 8, 2008, p. E30.
Baier, Simon. “Kelley Walker: Run from Fear, Fun from Rear,” Spike 16, Summer 2008, pp. 62–71; illus.
Jennings, Jay. “Ode to a Multimedia Artist,” Oxford American, Summer 2008, No. 61; p. 73, illus.
Sandals, Leah. “Signs of the Times,” National Post, June 20, 2008; illus.
Heartney, Eleanor. “Make It New,” Art in America, April 2008, pp. 82–85; illus.
Sholis, Brian. “Distant Relations,” Artforum, March 2008, pp. 139–140.
“Guyton\Walker par Guyton\Walker,” Frog 7, Spring 2008, pp. 164–171; illus.
“Collage: The Unmonumental Picture,” New Museum Paper, Winter 2008, p. 6.
Smith, Roberta. “‘Collage: The Unmonumental Picture’,” The New York Times, February 1, 2008, p. E31; illus.
Amado, Miguel. “An Atlas of Events,” Artforum, February 2008, p. 309.
2007
“Best of 2007,” Artforum, December 2007, cover; illus.
Kelsey, John. “Best of 2007: John Kelsey,” Artforum, December 2007, pp. 322–323; illus.
Bankowsky, Jack. “Best of 2007: Jack Bankowsky,” Artforum, December 2007, pp. 334–335; illus.
Dzuverovic, Lina. “Oxford: Modern Art Oxford,” Contemporary, Issue 94, 2007, pp. 57–58; illus.
“New Museum to the Bowery,” Art in America, December 2007, p. 33; illus.
Turner, Elisa. “Why Don’t You Come and Install It?” ARTnews, October 2007, pp. 162–165; illus.
“Kelley Walker,” Beaux Arts Magazine, October 2007, p. 194.
Smith, Roberta. “Pilfering From a Culture Out of Joint,” The New York Times, September 28, 2007, pp. E33, E41; illus.
Schambelan, Elizabeth. “Kelley Walker,” Artforum, September 2007, p. 204; illus.
Lin, Tan. “Less Creative Anachronism – Tan Lin on Freelance Stenographer,” Artforum, Summer, 2007, pp. 199–200; illus.
Vogel, Carol. “In for a Penny, In for the Pounce,” The New York Times, June 14 2007, pp. E1, E5.”Disaster Art,” VMAN, Spring/Summer, 2007, p. 89; illus.
Obrist, Hans Ulrich. “London,” Acne Paper, Spring 2007, pp. 34–35; illus.
Lavrador, Judicaël. “Op-Ed World,” Les Inrockuptibles, March 20, 2007, p. 109; illus.
2006
Exertier, Nicolas. “L’Angoisse simulée de l’influence (After Harold Bloom),” ART PRESENCE, December 2006, p. 13; illus.
Jasper, Adam. “Wade Guyton, Seth Price, Josh Smith, Kelley Walker,” Frieze, September 2006, p. 195; illus.
Zulauf, Tim. “Die Sorge um Das Ereignis,” Texte Zur Kunst 63, September 2006, pp. 186–188.
Graw, Isabelle and Johanna Burton. “When Procedures Become Market Tools,” Texte Zur Kunst 62, June 2006, pp. 96–109,184–191; illus.
Eleey, Peter, “2006 Whitney Biennial,” Frieze, June – August 2006, pp. 256–57.
Scott, Andrea K., “Occluded Front,” Time Out New York, June 2006, p. 75.
Mack, Joshua, “Kelley Walker,” Modern Painters, May 2006, p. 110; illus.
Schambelan, Elizabeth, “Kelley Walker,” Artforum, May 2006, p. 287; illus.
Génies, Bernard, “Musiques Attitudes,” SortirObs, March 2006.
Colard, Jean-Max, “Deaf – From the Audible to the Visible,” Les Inrockuptibles, March 2006, p. 77; illus.
“Kelley Walker,” The New Yorker, March 2006, p. 12.
Johnson, Ken, “Kelley Walker,” The New York Times, March 17, 2006, p. E37.
Pécoil, Vincent, “Kelley Walker,” Flash Art, March 2006, pp. 62–64; illus.
Scott, Andrea K., “Exhibit A-list,” Time Out New York, February 23–March 1, 2006, p. 21; illus.
Harris, Larissa. “New York Twice,” Art on Paper, January/February 2006, p. 84.
Léith, Caoimhin MacGiolla. “Biennals/Survey Shows,” Frieze, January 2006, p. 112.
2005
Smith, Roberta. “A Carnival of Art, Money, Surf, and Sand,” New York Times, December 3, 2005, pp. B14, B17.
LeMieux-Ruibal, Bruno. “From Radical to Mainstream,” Lapiz 218, pp. 62–75; illus.
Griffin, Tim. “Please Recycle: The Art of ,” Artforum, April 2005, pp. 148–153, 214–215 & cover; illus.
Higgs, Matthew. “2005 Top Ten,” Artforum, December 2005, p. 258.
Pécoil, Vincent. “Abstraction and Appropriation,” Art Monthly (UK), April 2005, pp. 7–10; illus.
Rosenberg, Karen. “Artists on the Verge of a Breakthrough: The ten most likely to succeed from the ‘Greater New York’ show,” New York, March 7, 2005, p. 34–37; illus.
Scott, Andrea K. “Local heroes: MoMA and P.S.1 survey the past five years of emerging art in New York,” Time Out New York, March 31–April 6, 2005, p. 62.
Henry, Max, “The Failever of Judgment Part III,” (Guyton\Walker), Time Out New York, March 17–23, p. 89; illus.
2004
Burton, Johanna. “The ‘Urmaterial’ Urge,” Parkett, Number 70, 2004, pp. 3–7.
Burton, Johanna. “Subject to Revision,” Artforum, October 2004, pp. 259–262, 305; illus.
Walker, Kelley. “My Pop,” Artforum, October 2004, p. 173; illus.
“Electoral Collage: A Portfolio,” Artforum, September 2004, p. 236; illus.
Smith, Roberta. “‘Rimbaud’,” The New York Times, July 30, 2004, p. E35.
Manami, Fujimori. “Artforum International Interview,” Bijutsu Techo, July 2004, p. 101; illus.
Cotter, Holand. “Art Review; Politics That Makes Peace With the Beauty of Objects,” The New York Times, June 18, 2004.
Pécoil, Vincent. “Kelley Walker. Reappropriations,” 02, No. 30, Summer 2004, pp. 28–30; illus.
Backström, Fia. “So Fake It’s Real - Kelley Walker,” U-N-I-O-N, NR 01, May 2004, p. 46; illus.
Hainley, Bruce. “‘Notes on Renewed Appropriationisms’, The Project,” Artforum, May 2004, p. 217.
Walker, Kelley. “Top Ten,” Artforum, April 2004, p. 60.
Smith, Roberta. “Eunice Kim and Joe Bradley ‘Joy to the Max’,” The New York Times, January 9, 2004, p. E43.
Burton, Johanna. “Kelley Walker,” Artforum, January 2004, pp. 153–4; illus.
2003
Clem, Chivas. “Kelley Walker,” Time Out New York, November 27 – December 4, 2003, p. 81; illus.
Clerc, Thomas. “Ralentissez Vite,” 02, Number 28, Winter 2003–2004, pp. 6–7; illus.
Firstenberg, Lauri, “Cumulus from America”, Parkett, Issue 67, 2003, pp. 170–173; illus.
Nickas, Bob. “Collision’s Course: Interview with Kelley Walker,” Purple Magazine, Spring – Summer 2003, pp. 108–111; illus.
Smith, Roberta. “Art in Review: Kelley Walker,” The New York Times, November 28, 2003, p. E44.
2002
“News & Around,” Tema Celeste, November – December 2002, p. 111.
Smith, Roberta. “Julie Becker, Paidrag Timoney, Kelley Walker,” The New York Times, September 27, 2002, p. E33.
Kerr, Merrily. “From the Observatory,” Flash Art, May – June 2002, p. 82.
Smith, Roberta. “From the Observatory,” The New York Times, April 12, 2002, p. E33.
“Goings On Around Town: Galleries–Chelsea, ‘From the Observatory,’” The New Yorker, April 15, 2002, p. 16.
Bollen, Christopher, “Retrofit.” Time Out, 25 April – 2 May 2002, p. 59.
Nickas, Robert. “New Year New Artist,” Artforum, January 2002, p. 123.
2001
“Goings On Around Town: Galleries–Chelsea, ‘Alpha Flight,’” The New Yorker, 17 December 2001, p. 18.
2000
Anp. “This Flight Tonight,” Zingmagazine, January 2000.
1999
Arning, Bill. “Multiple Choice,” The Village Voice, 16 February 1999.
Schmerler, Sarah. “Answer Yes, No, or Don’t Know,” Time Out, 18–25 February 1999.

Updated: October 20, 2017