Books and Catalogues

“Re-enactments: Nancy Davenport, Stan Douglas, Harun Farocki, Ann Lislegaard, Paul Pfeiffer, Kerry Tribe,” LIBRE DHC/ART, München: Hirmer, 2018. pp. 20-29.
Miller, Dana, and Adam D. Weinberg. Whitney Museum of American Art: Handbook of the Collection, New York: Whitney Museum of American Art, 2015, pp. 303; illus.
Open This End: Contemporary Art from the Collection of Blake Byrne, exhibition catalogue, Los Angeles: The Skylark Foundation, pp. 74-75; illus.
Come As You Are: Art of the 1990s, exhibition catalogue, Montclair: Montclair Museum of Art, 2014, p. 61; illus.
HE: The Hergott Shepard Photography Collection, Ann Arbor, Michigan: University of Michigan Museum of Art, 2015, pp. 36-39; illus.
The Twenty First Century Art Book, New York: Phaidon Press Inc., 2014, p. 207.
The International Review of African American Art.. Vol. 24 No. 2 ed. Hampton, Virginia: Hampton University Museum, 2013, pp. 61-63
The Twenty First Century Art Book, New York: Phaidon Press Inc., 2014, p. 207.
The International Review of African American Art. Vol. 24, No. 2, ed. Hampton, Virginia: Hampton University Museum, 2013. Print. pp. 61-63
Paul Pfeiffer – Munich, Sammlung Goetz, 2011
Foster, Hal, Rosalind Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh, and David Joselit. Art Since 1900: Modernism, Antimodernism, Postmodernism, 2nd ed. London: Thames & Hudson, 2011, pp. 700-1
Paul Pfeiffer - The Saints. Berlin: Nationalgalerie im Hamburger Bahnhof—Museum für Gegenwart, 2010.
A Decade in Conversation: A Ten-Year Celebration of The Bucksbaum Award, 2000-2010: Interviews With Paul Pfeiffer, Irit Batsry, Raymond Pettibon, Mark Bradford, and Omer Fast, Vol. 1. New York: Whitney Museum of American Art, 2010.
I Want To See How You See: Julia Stoschek Collection. Deichtorhallen Hamburg, 2010. Perez Rubio, Agustin, ed. Discursive Variants: MUSAC Collection III. León: Museo de Arte Contemporáneo de Castilla y León (MUSAC), 2010.
Hard Targets, exh. cat. Ohio: Wexner Center For The Arts, 2010.
Zaya, Octavio, ed. Paul Pfeiffer. León: Museo de Arte Contemporáneo de Castilla y León (MUSAC), 2009.
Olivares, Rosa, ed. 100 Video Artists. EXIT Publications, 2009.
Hammer Projects 1999-2009. Los Angeles: UCLA Hammer Museum 2009.
Waiting for Video: Works from the 1960s To Today. Tokyo: The National Museum of Modern Art, 2009.
Bradford, Christopher. Mixed Signals: Artists Consider Masculinity in Sports, exh. cat. New York: ICI (Independent Curators International), 2009.
De Wachter, Ellen Mara and Neilson, Elizabeth, ed. Pete and Repeat: Works from the Zabludowicz Collection, exh. cat. London: 2009.
Contemporary Art at the Dodd: Paul Pfeiffer. Athens: University of Georgia Press, 2008.
Ebersberger, Eva, and Zyman, Daniela, ed. The Collection Book: Thyssen-Bornemisza Art Contemporary. Cologne: Verlag Der Buchhandlung Walther König, Köln, 2008.
Whitney Museum of American Art. Independent Study Program: 40 Years. New York: Whitney Museum of American Art, 2008.
Luri, Aya and Nili Guren, eds. Depletion: Works from the Doron Sebbag Art Collection, Tel Aviv: Tel Aviv Museum of Art, 2008, 98-99.
Flicks – The Cinematic In Art, exh. cat. Ireland: Highlanes Gallery, 2008.
Weintraub, Linda. “Paul Pfeiffer.” In EnvironMentalities: Twenty-Two Approaches to Eco-Art, 41-44. New York: Artnow Publications, 2007.
Art in America: Now, exh. cat. Shanghai: Museum of Contemporary Art, Shanghai, 2007, 52-53.
Año Filipinas – España, 2006: Casa Asia = Taon Ng Pilipinas – Espanya, 2006, exh. Cat. Barcelona: Casa Asia, 2006.
Cramm, Michael. 1x Art Now: Tear Off Calendar 2007, Taschen, Koln, August 2006.
Liebermann, Valeria. Paul Pfeiffer. Berlin: K21 Kunstsammlung Nordrhein-Westfalen, 2004.
Joas, Hans. “Die zehn Gebote.” Exh. cat. Deutsche Hygiene-Museum, Dresden, June 2004-5.
9th Cairo International Biennale, Exh. cat. The Palace of Fine Art, Cairo, December 13, 2003-February 13, 2004.
Dahlgren, Kari, ed. Paul Pfeiffer, Exh. cat. Chicago: Museum of Contemporary Art and Cambridge: MIT List Visual Arts Center, 2003.
Startkapital, K21, Exh. cat. Dusseldorf: Kunstsammlung Nordrhein-Westfalen, 2002.
Gillings, Andrew, ed. Race In Digital Space, exh. cat. New York: The Studio Museum in Harlem, 2002.
Second Sight: Selections of Artwork by Hunter College Alumni 1991-2001, exh. cat. New York: Hunter College, 2002.
Rosenblum, Robert. The Beach, Exh. cat. Vero Beach: The Gallery at Windsor, 2002.
Basilio, Miriam, and Roxana Marcoci. Tempo, exh. cat. Edited by Paulo Herkenhoff. New York: Museum of Modern Art, 2002.
“K21”, Exh. cat. Sammlung Ackermans Collection, 2002.
Grosenick, Uta, and Burkhard Riemschneider, eds. Art Now: 137 Artists at the Rise of the New Millenium. Köln: Taschen, 2002.
Schumacher, Rainald, ed. American Art: From The Goetz Collection. Munich: Sammlung Goetz, 2002.
Hough, Jessica, Ed. “Model World”, Exh. cat. The Aldrich Contemporary Art Museum, January 20- May 2002.
Kastner, Jeffrey, ed. Paul Pfeiffer: Orpheus Descending, exh. cat. New York: Public Art Fund, 2001.
Sport in Der Zeitgenossischen Kunst, exh. cat. Nuremberg: Kunsthalle Nürnberg, 2001.
“Paul Pfeiffer The Long Count:, Exh. cat. MIT LIST Visual Arts Center.
Als, Hilton, “Paul Pfeiffer”, Exh. cat. UCLA Hammer Museum.
Morsiani, Paola. Subject Plural: Crowds in Contemporary Art, exh. cat. Houston: Contemporary Arts Museum, Houston, 2001.
Greenberg-Rohatyn, Jeanne, et al. Casino 2001 exh. cat. Gent: Stedjelijk Museum voor Actuele Kunst, 2001.
Hypermental, exh. cat. Zurich: Kunsthaus Zurich, 2001.
Biesenbach, Klaus. Loop – Alles auf Anfang, exh. cat. Munich: Kunsthalle der Hypo-kultursiftung, 2001.
Pietromarchi, Bartolomeo, and Maria Grazia Tolomeo. Gravità Zero, exh. cat. Rome: Palazzo delle Esposizioni Editions, 2001.
The Americans, exh. cat. London: Barbican Art Center, 2001.
Whitney Biennial: 2000 Exhibition, Exh. cat. New York: Whitney Museum of American Art, 2000.
“Greater New York: New Art In New York Now”, Exh. cat. PS1/MOMA, New York.
“Quod Nomen Mihi Est: Fragments from a Conversation with Satan.” Felix: A Journal of Media Arts and Communication, vol. 2 no. 2, 1999.
“Where The Stains Begin.” Image/text collaboration with Lawrence Chua for The Passionate Camera: Photography and Bodies of Desire. New York: Routledge, 1998.
Friis-Hanson, Dana, Alice Guillermo, and Jeff Baysa. At Home And Abroad: 20 Contemporary Filipino Artists, exh. cat. San Francisco: Asian Art Museum of San Francisco, 1998.
Artist portfolio, MUAE II: Collapsing New Buildings. New York: Kaya Production, 1997.
Memories of Overdevelopment, exh. cat. Canada: Plug In Gallery, 1997
Chua, Lawrence, Ed. “Vitruvian Figure / Plan (After Palladio).” Muai 2: Collapsing New Buildings, New York, 1997, 168-171.
In A Different Light, exh. cat. Berkeley: University of California Museum/ City Lights, 1995.
Art In General Annual Catalogue, exh. cat. New York: Art In General, 1995.
Pervert, exh. cat. Irvine: University of California Gallery, 1995.
Extreme Unction, exh. cat. London: Panchayat, 1994.
“Our Lady of Perpetual Health.” Lavender Godzilla: Voices of Gay Asian & Pacific Islander Men (San Francisco, CA), Fall 1992.
“Out In the 90s.” Godzilla: The Magazine of the Asian American Artists Network, vol. 2 no. 1 Summer 1992.
“Is There An Asian American Aesthetic?” Artspiral (Asian American Arts Center), Fall 1992.
Asian American Arts Dialogue (cover reproduction), vol. 11 no. 1, January/February 1992.
Altars, Divinations and Icons, Exh. cat. Philadelphia: Painted Bride Gallery, 1992.
(En)Gendered Visions: Race, Gender and Sexuality in Asian American Art, exh. cat. San Antonio: Guadalupe Cultural Center, 1992.

Journals, Magazines & Newspapers

“Paul Pfeiffer Performance with the Redcoat Marching Band for Performa Biennial,” Lamar Dodd School of Art, November, 2019;
“Get Help From Your Children and Other Lessons From First-Time Performa Artists,” Artnet News, November 23, 2019; 1713579
Russeth, Andrew. “In Office Above Ground Zero, Tiny Cubicle Hosts Contemporary Art Gallery Focused on Monuments and Memory,” ARTnews, November 12, 2019;
Ables, Kelsey. “World-class conceptual art pops up in a vacant bank at the Watergate,” The Washington Post, November 14, 2019; 9518-1e76abc088b6story.html :Yablonsky, Linda. “Get your rah-rahs out: Paul Pfeiffer marches to a political tune at the Apollo,” _The Art Newspaper, November 19, 2019;
Lukach, Adam. Excerpt from, “5 things to do in Chicago this weekend,” Chicago Tribune, January 4, 2018.
Tani, Ellen. “Exhibition Review: Paul Pfeiffer,” Apricota, Issue #1, Spring 2018; pp. 89-93.
Smee, Sebastian. “More Than a Thrilling Game, Soccer is Art,” Edwardsville Intelligencer, June 14th, 2018;
Frankel, Eddy. “Dream Team: 11 of the Best Football Works,” The Art Newspaper, June 14th, 2018;
Can Yerebakan, Osman. “Among Chelsea Galleries’ Summer Shows, Some Add Fire to the Heat,” L’Officiel, July, 23rd, 2018;
Armstrong, Annie. “Paul Pfeiffer Named Cornell University Teiger Mentor in the Arts,” ArtNews, August 29, 2018; university-teiger-mentor-arts/
Brantley, Rebecca. “Interview: Image, Identity & the Exorcist: Q&A with Paul Pfeiffer,” Burnaway, March 22, 2017;
Estorick, Alex. “Art in the Age of AR: Alex Estorick in conversation with Paul Pfeiffer,” Flash Art, January / February, 2017; illus. pp. 44-49.
Meyer, Graham. “The top events for the week and beyond,” Crain’s Chicago Business, December 20, 2017;
Thomson, John. “Paul Pfeiffer: Rules of the Game,” Vault, Issue 20, October, 2017; pp. 18-20.
INCITE: Journal of Experimental Media, Issue #7/8: Sports, 2016/2017, pp. 252-257, 278-280.
King, Danny. “Paul Pfeiffer,” The Village Voice, October 2016.
“Art: Galleries-Chelsea” The New Yorker, November 2016; pp.25.
Can Yerebakan, Osman. “The Loneliness of a Digitally Manipulated Boxing Match,”, November 24, 2016. Illus. web.
Smith, Roberta. “What to See in New York Art Galleries This Week,” The New York Times, December 9, 2016;
Shaw, Catherine. Day of the fight: Paul Pfeiffer’s display of iconic boxing matches at Galerie Perrotin, Wallpaper, November 16, 2015;
Agnes T. Cruz, Jasmine. Questioning Images and Aesthetics, Business World, November-December 2014, p. 159;
Friedman, Julia. Teachable Moments from a Conference on Art and Education, Hyperallergic, March 2, 2015;
Mehretu, Julie. “Collectors: The Painters,” Aperture, Fall 2014, pg. 19; illus.
Forbes, Alexander, “Paul Pfeiffer Debuts Online-Only Artwork for World Cup,” Artnet News, June 30, 2014
Coxhead, Gabriel. “Paul Pfeiffer: The Drives,” TimeOut London, May 3, 2013; illus.
Dowda, Stephanie. “Review: Paul Pfeifferʼs Morning After the Deluge at ATHICA in three parts”, Burnaway, March 7, 2013; illus.
“Exhibitions”, The Guardian, March 20, 2013; illus.
Hoinski, Michael. “GTT ★,” The New York Times, January 10, 2013
Faires, Robert. “Holy Hoops, ‘The Rules of Bastetball’ at the Blanton reviewed,” The Austin Chronicle, December 29, 2012.
Benway, Nova. “Paul Pfeiffer at Paula Cooper Gallery,” Modern Painters, December 2012; pg. 103, illus.
Princenthal, Nancy. “Paul Pfeiffer at Paula Cooper,” Art in America, December 2012, pg. 183-84; illus.
Farago, Jason. “Paul Pfeiffer, Paula Cooper Gallery,” Frieze, November-December 2012, pg. 171-2; illus.
Diaz, Eva. “Paul Pfeiffer,” Artforum, November 2012; illus.
Ko Hanae. “Paul Pfeiffer: Playroom,” Art Asia Pacific, November/December 2012, pg. 148; illus.
Rosenberg, Karen. “Paul Pfeiffer: ‘Playroom’,” The New York Times, October 5, 2012, pg. C29
“Paul Pfeiffer, ‘Playroom’,” Time Out New York, October 4-10, 2012, pg. 46
“Paul Pfeiffer,” The New Yorker, October 1, 2012, p.11
Matthews, Jessica. “Paul Pfeiffer, The Blanton Museum of Art, Austin,” …might be good, September 28, 2012.
Workneh, Sarah, “The Path and the Flash: A Conversation with Paul Pfeiffer,” Skowhegan Journal, 2012, pg. 11
Miller, Michael H. “Back on Home Court: Paul Pfeiffer Rebounds in New York with a Show Inspired by Basketball’s Most Prodigious Lothario, Welcome to the ‘Playroom’,” The New York Observer, September 17, 2012, pp. B1 and B7; illus.
Green, Tyler. “Moving Images: Before the London Olympics, artists tackle sports,” Modern Painters, July/August 2012, pp. 32-33; illus.
“50 Most Collectible Artists,” Art + Auction, June 2012, illus.
“Exhibitions At Blanton Museum Explore Tibetan Arts and Sport of Basketball” Antiques and the Arts weekly, August 10, 2012.
“Minneapolis Institute of Arts is the First Major Art Museum to Trace the Rise of a Global Sports Culture,” Artdaily, February 20, 2012
“’Audience as subject’ Puts Spotlight on the Spectator at Yerba Buena Center for the Arts,” The Huffington Post, February 15, 2012.
Riddle, Mason. “With ʻSports Show,ʼ MIA Throws a Change-up,” StarTribune, February 16, 2012
Phillips, Ian. “Modern English”. Elle Decor, April 2011, pp. 146-151, illus.
“Guggenheim in Bilbao Presents the Luminous Interval: The D. Daskalopoulos Collection,”, April 11, 2011
Klein, Jeff Z. “Artist Elevates Stanley Cup in Artwork,” The New York Times April 13, 2011, illus.
Douglas, Sarah. “Politics, Doubt, and Daskalopoulos at the Guggenheim Bilbao,” Artinfo, April 13, 2011.
Stoilas, Helen. “Artists boycott Guggenheim Abu Dhabi project,” The Artnewspaper March 17, 2011, illus.
Berg, Ronald, “Paul Pfeiffer – The Saints”, Kunstforum, March 2010.
Volk, Gregory. “Paul Pfeiffer at the Hamburger Bahnhof.” Art in America, no. 1 January 2010, 129.
“The Art of Leaping Off The Page.” Art Asia Pacific Almanac, Vol 5, 2010, 55, 237, 238.
Ksenia Galouchko. “Monroe, NBA Icons Vanish at Red October Chocolate Factory.” The Moscow Times, October 28, 2009.
Curtin, Brian. “Accessing Other Dimensions: In the Hands of Digital Wizard Paul Pfeiffer, Images of professional athletes and celebrities get an uncanny makeover.” Art Asia Pacific, issue 64, July/August 2009, 62-63.
Volk, Gregory. “The Wheel is Turning.” Art in America, no. 10, November 2008, 63-69.
Del Río, Víctor. “Pfeiffer: “El Mal de las Imágenes.” El Cultural, October 2, 2008, 28-29.
Bennett, Jennifer, and Kim Shaw. “City of Art Sets Sail: Journey to Discovery to Heart of Art.” Central Sydney Magazine, Wednesday, June 25, 2008, 6-7.
Pfeiffer, Paul. “Paul Pfeiffer on Perspective.” Art Review, no. 22, May 2008, 40.
Chan, Yonina. “Society and Spectacle.” Imagine, Holiday, 2007, 228-230.
Sardo, Delfim. “Four Horsemen of the Apocalypse (12).” Unica, December 29, 2007, 12-13.
Sardo, Delfim. “Four Horsemen of the Apocalypse (12).” Courier Internacional, December 28, 2007, 40-41.
Zweig, Susan. “Idle Worship: Paul Pfeiffer’s Assessment of Us – And His Dealer’s Take on Pfeiffer Himself.” Clear Magazine, vol. VII no. 4, December 2007, 58-65.
Morrison, Richard. “Fame Game: A New Show Makes Our Critic Question Sporting Adulation and Glory.” The Times, October 6, 2007.
Camhi, Leslie. “Art: What People Are Talking About, ‘Live from London’.” Vogue (USA), October 2007.
Moore, Susan. “Collecting: ‘It’s Amazing What Adrenaline Can Do’.” Financial Times, September 29, 2007.
Ward, Ossian. “Paul Pfeiffer Critic’s Choice.” Time Out London, no. 936, September 28, 2007.
“Erase Errata.” Modern Painters, September 2007, 34.
Smith, Roberta. “Paul Pfeiffer: Live from Neverland.” New York Times, June 8, 2007.
“Paul Pfeiffer.” The New Yorker, June 11 -18, 2007, 24.
Rosenberg, Karen. “Paul Pfeiffer: Live From Neverland.”, May 28, 2007.
Bedford, Christopher. “Paul Pfeiffer.” Tema Celeste, May/ June 2007, 76-77.
Kertess, Klaus, “A Velvet Glove Can Hold a Burning Issue.” Meditations in an Emergency, October 2006 – April 2007. 52-57.
Galleries, ArtAsiaPacific, Almanac 2007, 93.
Hebron, Micol. “Paul Pfeiffer MC Kunst.” Flash Art, no. 253, March- April, 2006, 126.
Grison, Brian. “Fantastic Frameworks: Architectural Utopias + Designs for Life.” Focus, November 2006.
Boukobza, Julie. “Paul Pfeiffer.”L’Officiel Hommes, Summer 2006, 18-19; 48-51.
Fairley, Gina. “Manila 2006.” Art & Australia Journal, vol.44 no.2, Summer 2006, 184-185.
Pollack, Barbara. “Spirited Away.” Time Out New York, no. 564, July 20-26, 2006, 24-25.
Scott, Andrea K. “Occluded Front.” Time Out New York, June 1-7, 2006, 75.
Cruz, Joselina.“Where.” In Home Productions. Singapore: Singapore Art Museum, 2006.
Cope, Lily. “Throngs of Praise.” Blueprint, no. 240, March 2006.
Lewison, Cedar. “A Perfect Match.” Art Review, vol.4 no. 2, February-March 2006, cover; 58 -63.
“Paul Pfeiffer: Shadows and Specters.” The Blow Up, no. 3, Spring/Summer 2005, 22-23.
“Paul Pfeiffer.” Modern Painters, February, 2005, 108.
Dube, Ilene. “Bzzz.” Time Off, December 20, 2005
Auricchio, Laura. Art Papers, reviews, May/June 2005, 48-49
Smith, Roberta. “A Medium in the Making: Slicing Familiar Films Into Something New.” New York Times, July 29, 2005.
Lee, Nathan. “Work in Progress.” Film Comment, March-April, 2005, 17.
Smith, Roberta. “Paul Pfeiffer ‘Pirate Jenny’.” New York Times, December 17, 2004.
Halle, Howard. “Light Touch.” Time Out New York, December 2 – 8, 2004, 61.
Coomer, Martin. “Paul Pfeiffer.” Time Out London, no. 787, November 17 -24 2004, 60.
Myers, Holly. “Human Behavior on Videotape.” The Los Angeles Times, November 5, 2004.
“Multimedia Paul Pfeiffer: Pirate Jenny.”Flavorpill, November 2004.
Hackworth, Nick. “Paul Pfeiffer.” Time Out London, no. 118, October 2004, 60.
Gleeson, David. “Crowd-pleaser.” Art Review, October 2004.
“The Sun is God: Paul Pfeiffer on Joseph Mallord William Turner (1775-1851).” Tate Etc., Autumn 2004, 90-93.
Lorch, Catrin. “Paul Pfeiffer im K21.” Kunst-Bulletin, September 2004.
Panaghiotaku, Afrodite. “Paul Pfeiffer.”Highlights, July-August 2004, 64.
Müller, Hans-Joachim. “Nichts, nur Killerschleim.” Die Zeit, 1 July 2004, 39.
Maak, Niklas. “Lehben ohne Marilyn.” Frankfurter Allgemeine Zeitung, 26 June 2004, 35.
“Kleinvieh macht Kunst.”NRZ, 12 June 2004, 3.
Meister, Helga. “Die Kunst der Leerstellen.” WZ Düsseldorfer Kultur, June 12, 2004, 17.
Sebastian, Klaus. “Duschkabine ohne Grusel.” Düsseldorfer Feuilleton, June 12, 2004, LF.
Wei, Lilly. “The Cairo Effect.” Art in America, May 2004, 67-73.
Joselit, David. “Apocalypse Not.” Artforum, vol. XLII no. 9, May 2004, 172-3.
Makai, Mauka. “Artist Explores Influence of Technology.”Honolulu Star Bulletin, vol. 9 no. 25, Sunday, January 25, 2004, G8.
Morse, Marcia. “Challenging Comforts.” Honolulu Weekly, vol. 14 no. 3, January 2004, 21-27.
Gail-White, Victoria. “Pfeiffer’s Provocative Images Not Meant to be Pretty.” The Honolulu Advertiser, January 18, 2004.
Mofokeng, Santu and, Thomas Wulffen. “Paul Pfeiffer.” Kunstforum, January-February 2004, 294.
Coxhead, Gabriel. “Paul Pfeiffer: The Morning after the Deluge.” Contemporary, November 2004, 71.
Pfeiffer, Paul. “Private View: The Sun is God — Paul Pfeiffer on Joseph Mallord William Turner (1775-1851).” Tate Etc., issue 3, 2004, 90-93.
Pahwa, Sonali. “Suggestions of the New.” Al-Ahram Weekly, 11-17 December 2003, 17.
Heuer, Megan. “Punchy Statements.”Art News, vol. 103 no. 7, Summer 2003.
Sellnow, Greg. “Put Up Your Dukes and Step Into ‘The Squared Circle’.” Post Bulletin, 26 July 2003.
Casciani, Stefano. “Are the Moderns Back?” Domus, June 2003.
Velez, Pedro. “Looking Good.”, June 12, 2003.
Pignatti, Lorenza. “The Art of Noise.” Kult, June 2003.
Cherubini, Laura. “Perche’ non possiamo non dirci moderni.” il Giornale, 5 May 2003.
Moliterni, Rocco. “Giubbotti e scarpe fatti d’arte.” La Stampa, 15 April 2003.
Fanelli, Franco. “Moderni si’, modaioli no: chi sono gli artisti della generazione post-Twin Towers’.” Il giornale dell’arte, April 2003.
“Castello di Rivoli.” Tema Celeste, March/April 2003.
McQuaid, Cate. “His Photographic Truth is the (Un)Real Thing.” The Boston Globe, February 23 2003.
Kennedy, Louise. “Visionary Video Artist is in the Loop.” The Boston Globe, Friday, February 7th 2003, C15; C19.
“Sun’s Gonna Rise: Paul Pfeiffer at MIT, and more.” The Boston Phoenix, January 31, 2003.
Gonzalez, Jennifer. “Paul Pfeiffer.” BOMB, no. 83, Spring 2003, 22-29.
Spector, Nancy, James Rondeau, and Michael Rush. Imperfect Innocence: The Dennis and Debra Scholl Collection. Contemporary Museum, Maryland and Palm Beach Institute of Contemporary Art, 2003.
Menin, Samue, and Valentina Sansoni. “Focus Video and Film.” Flash Art, January/February 2003.
Lloyd, Anne Wilson. “Art is a Necessity Amongst Techies, Too.” The New York Times, Sunday, December 15, 2002.
“Final Exhibition in Center’s Historic Fifth Street Space.” The Cincinnati Herald, August 31-September 6, 2002.
Wampler, Liberty. “Feeding into the Loop.” City Beat (Cincinnati), vol. 8 no. 49, October 17-23, 2002.
Stein, Jerry. “Art Experiments with Manipulating Time.” The Cincinnati Post, Friday, November 8, 2002.
Cotter, Holland. “Art in Review.” The New York Times, January 18, 2002.
Halle, Howard. “Prize Fighter.” Time Out New York, no. 328, January 10-17, 2002.
Melling, Frank. “Art at the Aldrich.” The News-Times, February 1, 2002.
Aquino, Belina, A. “A Fillipino-American Winner”, January 02, 2002.
Basilico, Stefano. “A Conversation With Paul Pfeiffer.”Documents, no. 21, Fall 2001/Winter 2002.
Chua, Lawrence. “Blondage.” Jalouse, September 2001, 68.
Derwent, Charles. “The Americans. New Art”, The Independent Reviews.
Yablonsky, Linda. “Making Microart That Can Suggest Macrotruths.” The New York Times, Sunday, December 9, 2001.
Miles, Christopher. “Paul Pfeiffer.” Tema Celeste, November-December, 2001.
Scott, Andrea. “Bitstreams.”Frieze, no. 61, September, 2001.
Gopnik, Blake. “Whatever Floats Your Boat.” The Washington Post , June 10, 2001.
“Lastbyte.” Artbyte, vol. 4 no. 1, May - June, 2001, cover image; 96.
Saltz, Jerry. “Byte Lite”, Village Voice (Bitstreams).
Segal, Katy. “Mediarealities”, KW Magazine, Vol 02/01.
Art Journal, College Arts Association, Fall Issue.
McQuaid, Cate. “Film’s Intelligence Fits Museum.” The Boston Globe, April 2001.
Sherman, Mary. “Visual Arts.” Boston Sunday Herald, May 6, 2001.
Pollack, Barbara. “Back to the Future With Bitstreams.” Art in America, September 2001.
Wilson, Michael. “The Technology is Already Inside Us.” Untitled, Spring 2001, 22-23.
Basilico, Stefano. “Just Another Day on the Farm.” Time Out New York, June 7-14, 58.
Knight, Christopher. “Voyeurism and Ghostly Visions From Paul Pfeiffer.” Los Angeles Times, October 5, 2001.
Griffin, Tim. “Technical Knockout.” Time Out New York, no. 275, December 28-January 4, 2001, 61.
Kee, Joan. “Processes of Erasure.” Art Asia Pacific, no. 32, October-December, 2001.
Coxhead, Gabriel. “Exhibitions.” Contemporary Visual Arts, vol. 33 no. 60, 2001, 60-61.
Richard, Frances. “Paul Pfeiffer – The Project.” Art Forum, March 2001.
Pagel, David. “Paul Pfeiffer.” ArtNews, October/November 2001.
Kimmelman, Michael. “Critics Notebook- The 49th Venice Biennale.” The New York Times, June 20, 2001.
Smith, Roberta. “Art in Review; Paul Pfeiffer.” The New York Times, December 15, 2000
Pedersen, Victoria. “Gallery Go ‘Round.” Paper Guide, November 2000, 132.
Sarkozy, Charlotte. “D’ Honolulu a Harlem.” Jalouse, October 2000, 90.
Starker, Melissa. “Reality, What a Concept.” Columbus Alive, September 14, 2000.
Gowans, Scott. “Extraordinary Realities.” The Advocate, September 2000, 272.
Piene, Chloe. “Paul Pfeiffer, Eating and Excreting.” Flash Art, October 2000.
Sheets, Hilarie M. “Making DeMille Dance. Whether Messing with Muhammad Ali or staging a scene from the Exorcist, Paul Pfeiffer uses digital tricks to make his subjects do his bidding.” Flash Art, 84-86, October 2000.
Mayr, Bill. “Jeepers, They’ re Keepers.” The Columbus Dispatch, August 17, 2000, E8.
Agan, Sheila. “Abstract Contemporary Art Comes to Life With ‘Extraordinary Realities’ Exhibition.” The Ohio State Lantern, August 10, 2000, 8.
Lehnart, Ilona. “Berliner Seiten.” Frankfurter Allgemeine Zeitung, July 4, 2000.
Rush, Michael. “New Media Rampant.” Art In America, July 2000.
Gilbert, Andrea. E Kathemerine, 25 June 2000, 50.
Saltz, Jerry. “Greater Expectations.”, March 9, 2000.
Romuald Hazoume, Paul Pfeiffer, exh. brochure. Durham, NC: Duke University Museum of Art.
Hunt, David. “Man Trap.” Frieze, no. 53, June-August, 2000.
Siegel, Katy. “Openings: Paul Pfeiffer.” Artforum, Summer 2000.
“Maybe Race Has”, FEED Magazine, 2000.
Berwick, Carly. “Maybe Race Has Nothing To Do With It.” FEED Magazine, April 24, 2000.
“Kunst.” Berliner Morgenpost, May 30, 2000.
Feuilleton, Berliner Zeitung, May 25, 2000.
Feuilleton, Suddeutsche Zeitung, May 25, 2000.
Quedenbaum, Sebastian. “Metrolpolitan Ausg.”Die Welt, May 24, 2000.
Plagens, Peter. “Art in the Fast Lane.” Newsweek, April 10, 2000.
Schjeldahl, Peter. “Pragmatic Hedonism.” The New Yorker, April 3, 2000.
Solomon, D. “A Roll Call of Fresh Names and Faces.” The New York Times, April 16, 2000.
Vogel, Carol. “Inside Art: Whitney Prize.” The New York Times, April 14, 2000.
Halle, Howard. “2000 and None.” Time Out New York, no. 237, April 6-13, 2000, 72.
Saltz, Jerry. “My Sixth Sense.” Village Voice, April 4, 2000.
Kimmelman, Michael. “A New Whitney Team Makes Its Biennial Pitch.” The New York Times, March 24, 2000.
Gopnik, Blake. “Window Shopping At The Whitney.” The Globe Online, March 22, 2000.
Halle, Howard. “State of the Art.” Time Out New York, no. 234, March 16-23, 2000, 80.
Saltz, Jerry. “Greater Expectations.” Village Voice, March 14, 2000.
Cotter, Holland. “Greater New York.” The New York Times, March 1, 2000.
Siegel, Katy. “The Max Factor: Whitney Biennial 2000.”Artforum, March 2000.
Siegel, Katy. “Openings: Paul Pfeiffer.” Artforum, Summer 2000, 174-175.
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Updated: January 11, 2020