For nearly 40 years, Christian Marclay (b. 1955, San Rafael, CA) has been exploring the connections between vision and sound, creating works in which these two sensibilities enrich and challenge one another. Marclay garnered international acclaim at the 54th Venice Biennale for his masterpiece video work, The Clock, for which he received the prestigious Golden Lion award.
Marclay’s work has been exhibited in museums and galleries internationally, including one-person presentations at the Hirshhorn Museum and Sculpture Garden, Washington, D.C. (1990); Musée d’art et d’histoire, Geneva (1995); Kunsthaus Zurich (1997); Museum of Contemporary Art, Chicago (2001); San Francisco Museum of Modern Art (2002); Musée d’Art moderne et contemporain, Geneva (2008); Whitney Museum of American Art, New York (2010); Leeum, Samsung Museum of Art, Seoul (2010); Garage Center for Contemporary Culture, Moscow (2011); Museu d’Art Contemporani de Barcelona (2019); and Centre Pompidou, Paris (2022).
Work by the Marclay is represented in many museum and public collections worldwide, including the Art Institute of Chicago; Centre Pompidou, Paris; Glenstone, Potomac, MD; Kunstmuseum Basel; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; Smithsonian American Art Museum, Washington, D.C.; Tate, UK; and the Walker Art Center, Minneapolis.
