Publications

2017
Buffenstein, Alyssa. “Hans Haacke Wins $150,000 Roswitha Haftmann Prize,” Artnet News, February 8, 2017; https://news.artnet.com/art-world/hans-haacke-roswitha-haftman-prize-849317
2016
Cohn, Terri. Hans Haacke: In Conversation with Terri Cohn, AQ: International Arts and Culture, June 6th, 2016, illus; http://sfaq.us/2016/06/hans-haacke-in-conversation-with-terri-cohn/
Gopnik, Blake. For Hans Haacke ’Corporate Philanthropy’ is an Oxymoron, Artnet News, June 2nd, 2016; https://news.artnet.com/art-world/hans-haacke-chase-advantage-at-drawing-center-509471
DEMO:POLIS- The Right to Public Space, project catalogue, Berlin, Germany: Akademie Der Künste, Park Books, 2016, pp. 128-9; illus.
Meike Scriber and Markus Zydra, “Equipped for the Venture,” Süddeutsche Zeitung, March 20, 2016; https://www.sueddeutsche.de/wirtschaft/deutsche-britische-bruecke-geruestet-fuer-das-wagnis-1.2901112
Naeem, Mohaimen (Text) and Haacke, Hans (Images). “The Loneliness of the Long- Distance Campaign: On Gulf Labor and Western Museums in the Middle East,” Walker Art Magazine, December 7, 2016; http://www.walkerart.org/magazine/2016/gulf-labor-hans-haacke-naeem-mohaiemen
Davis, Ben. “The Stand-Out Art Essays From 2016,” Artnet News. December 27, 2016; https://news.artnet.com/art-world/best-art-essays-2016-795755
Haacke, Hans. Working Conditions: The Writings of Hans Haacke. edited by Alexander Alberro, Cambridge, MA: The MIT Press
2015
Abraham Cruzvillegas: Empty Lot, exhibition catalogue, London, UK: Tate Modern, 2015, pp. 64; illus.
Thomas Hirschhorn: Gramsci Monument, exhibition catalogue, New York, NY: Dia Foundation, 2015, pp. 434-435; illus.
Artists and Architecture, Variable Dimensions, exhibition catalogue, Paris, France: Éditions du Pavillion de l’Arsenal, 2015, pp. 116; illus.
E.A.T. Experiments in Art and Technology, exhibition catalogue, Salzburg, Switzerland: Museum de Moderne, 2015, pp. 151, 227; illus.
Cotter, Holland. At ‘Greater New York,’ Rising Art Starts Meet the Old School, The New York Times, October 15, 2015; http://nyti.ms/1jDl4ua.
Morgan, Jessica. Too Much Too Soon, Artforum, September 2015, pp. 318-323.
Tyson, John. The Context as Host: Hans Haacke’s Art of Textual Exhibition, Word & Image: A Journal of Verbal/Visual Enquiry, September 2015, pp. 213-232; illus.
Nevius, James. The Artist and the Slumlord: A Photographer’s 1970s Quest to Unmask an NYC Rel Estate Family, Curbed, September 2, 2015; http://curbed.com/archives/2015/09/02/hans-haacke-photography-slumlord.php.
Madoff, Steven Henry. Misery, Considering the 56th Venice Biennale, Blouin Modern Painters, September 2015, pp. 66-69; illus.
Corbett, Rachel. Artists add their voices to US resale royalities debate, The Art Newspaper, July 23, 2015; http://www.theartnewspaper.com/news/art- market/157920/.
Thomas Hirschhorn: Gramsci Monument, New York, NY: Dia Art Foundation, 2015, pp. 435; illus.
No Problem: Cologne New York 1984-1989, exhibition catalogue, New York, NY: David Zwirner Books, 2015, pp. 203; illus.
Miller, Dana, and Adam D. Weinberg. Whitney Museum of American Art: Handbook of the Collection, New York: Whitney Museum of American Art, 2015, pp. 161; illus.
Burnham, Jack, and Hans Haacke. Esthétique Des Systémes, Dijon, France: Les presses du reel, June 2015.
Boursier-Mougenot, Celeste. Revolutions, Arles, France: Analogues and Institut Francais, 2015. pp. 51; illus.
Andrea Fraser, exhibition catalogue, Salzburg, Germany: Museum der Moderne Salzburg, Hatje Cantz, 2015, pp. 54-55; illus.
Shanken, Edward A., ed. Systems (Whitechapel: Documents of Contemporary Art), Cambridge, MA: The MIT Press, pp. 16, 119, 120-122, 123-126, 137.
“Group Exhibition A Voice Remains To Open At Pippy Houldsworth Gallery,” Artlyst, April 28, 2015
Nyong’o, Tavia. “Scene & Herd: Whisper Campaign,” Artforum, April 4, 2015
Bird, Jon and Hans Haacke. “Interview: Hans Haacke Proposes Tate For Gift Horse Beyond The Fourth Plinth,” Artlyst, March 28, 2015
Bird, Jon and Hans Haacke. “Hans Haacke In Conversation About His Recent Fourth Plinth Commission,” Artlyst, March 16, 2015
Kennedy, Randy. “Venice Biennale Announces Artists,” The New York Times, March 14, 2015, p. C3.
Muñoz-Alonso, Lorena. “Hans Haacke’s Fourth Plinth Horse Panders To Those It’s Meant to be Critiquing,’” Artnet News, March 6, 2015
Morgan, Tiernan. “Art Movements,” Hyperallergic, March 6, 2015
Searle, Adrian. “Review: A monument to past and present,” The Guardian, March 6, 2015.
Treneman, Ann. “How Boris found happiness in the bones of an idea,” The Times, March 6, 2015.
“In The Frame: Is Han’s Haacke’s Fourth Plinth an ode to the tube?,’” The Art Newspaper, March 5, 2015
Weaver, Matthew. “Fourth plinth: politically provocative Gift Horse is unveiled in London” The Guardian, March 5, 2015
Knight, Matthew. “Skeletal horse sculpture rides onto London’s Fourth Plinth “ CNN, March 5, 2015
Dorment, Richard. “Fourth Plinth, review: ‘It’s about the money running out,’” The Telegraph, March 5, 2015
Cooper, Annelise and Mostafa Heddaya. “Haacke’s Horse Hits London, Gulag Museum Closes Amid Controversy, and More “ Blouin Artinfo, March 5, 2015
“Fourth Plinthʼs Dinosaur Like Gift Horse Unveiled By Hans Haacke “ CNN, March 5, 2015
“Fourth plinth Gift Horse statue unveiled in Trafalgar Square “ Channel 4, March 5, 2015; http://www.channel4.com/news/fourth-plinth-gift-horse-unveiled-in-trafalgar-square-hans-haacke)
Jury, Louise. “Trafalgar Square Fourth Plinth unveiled: Sculpture of skeletal horse is the new work of art “ London Evening Standard, March 5, 2015
Pickford, James. “Hans Haacke’s ‘Gift Horse’ trots on to empty fourth plinth” Financial Times, March 5, 2015
Vincent, Alice. “Who is Hans Haacke, the new Fourth Plinth artist?” The Telegraph, March 2, 2015
“Balancing the Books,” Art+Auction Magazine, March 2015, pg. 18.
O’Neill-Butler, Lauren. “500 Words: Hans Haacke,” Artforum, February 27, 2015
[Wroe, Nicholas. “Horseplay: What Hans Haackeʼs fourth plinth tells us about art and the City,” The Guardian, February 27, 2015; http://www.theguardian.com/artdesign/2015/feb/27/hans-haacke-horseplay-city)
“Unveiling: Hans Haacke Gift Horse Replaces Blue Cockerel On Fourth Plinth” Artlyst, February 3, 2015](http://www.artlyst.com/articles/unveiling-hans-haacke-gift- horse-replaces-blue-cockerel-on-fourth-plinth.
Studebaker, Luke. “The Business Behind Architecture,” Log, Winter 2015, pp. 21-24.
Luke, Ben. “Up next on the Fourth Plinth: Hans Haacke’s bronze horse skeleton,” London Evening Standard, February 17, 2015
“London, you’re all art,” Time Out London, January 27, 2015, p. 16.
Doran, Ann. “Review – “The Contract,” Timeout New York, January 8-14, 2015, p. 32.
“‘The Contract,’” The New Yorker, January 12, 2015, p. 13.
Wilson, Siona. Art Labor, Sex Politics: Feminist Effects in 1970s British Art and Performance, Minneapolis, MN: University of Minnesota Press, p. 157, 237; illus.
“Reviews in Brief: New York, Hans Haacke,” Modern Painters, January 2015, p. 7
Kibum, Kim. “Could a Long-Forgotten Contract Settle the Artist Resale Royalties Debate?” Hyperallergic, January 5, 2015
2014
Degen, Natasha. “Critics’ Picks: The Contract,” Artforum, December 2014 – January 2015
Micchelli, Thomas. “The Pursuit of Art, 2014,” Hyperallergic, December 27, 2014
“Fourth Plinth Artist Hans Haacke Unveils Skeletal Horse Sculpture In March,” Artlyst, December 17, 2014
Borderland, Berlin, Germany: Visual Culture Press, No. 5, 2014, pp. 49-52; illus.
Russeth, Andrew. “The Art of Good Business: Hans Haacke Goes After a Koch, Redies London Plinth,” Art News, December 9, 2014; http://www.artnews.com/.
Packer, George. “The Quiet German: the astonishing rise of Angela Merkel, the most powerful woman in the world,” The New Yorker, December 1, 2014, pp. 46,48.
Johnson, Ken. “Hans Haacke,” The New York Times, November 21, 2014, pg. C26; illus.
“Hans Haacke, Review,” The New Yorker, November 17, 2014, pg. 16.
“Paula Cooper Gallery: Hans Haacke,” TimeOut New York, November 6-12, 2014, p. 39.
Micchelli, Thomas. “Moving Targets: The Invisible Hand Hans Haacke,” Hyperallergic,November 15, 2014
Vartainian, Hrag. “ArtRx NYC,” Hyperallergic, November 4, 2014.
Asfour, Nana. “Fighting for their Rights,” Art News, November 2014, p. 50.
“In The Frame: Dolla dolla bills yʼall,” The Art Newspaper, October 27, 2014
Kennedy, Randy. “Contrarian Stays True to His Cred,” The New York Times, October 24, 2014. pp. C25, C28; illus.
Levy, Aaron. “Mulino Stucky and after,” Archithese, October 2014, p. 94; illus.
Information Age: Six Networks that Changed Our World, London, UK: Scala Arts & Heritage and Science Museum, 2014, pp. 94 – 95; illus.
MacQueen, Kathleen. Tactical Response: Art in an Age of Terror, New York: Agon Press, 2014 4-6, 37-101, 237-257, illus.
Bauerfeind, Bettina. “Le monument est mort: vive le monument?” Les Cashiers du Mnam, Summer 2014, pp. 79, 87; illus.
Bungalow Germania, exhibition catalogue, La Biennale di Venezia – 14th International Architecture Exhibition, Venice 7.6.–23.11.2014, Hatje Cantz, pp. 10-11; illus.
Kraynak, Janet. Nauman Reiterated, Minneapolis: University of Minnesota Press, 2014. Print, pp. 94-95, illus.
Burton, Johanna and Anne Ellegood. Take it or Leave it, Los Angeles: Hammer Museum, 2014. Print. pp. 226-227.
Charlesworth, J.J., “How not to make public art,” Art Review, April 2014; p. 43, illus.
Brown, Mark. “Trafalgar Square’s fourth plinth to show giant thumbs up and horse skeleton,” The Guardian, February 7, 2014
Sulcas, Roslyn. “Coming to Trafalgar Square: an Unusual Horse and a Giant Thumb,” The New York Times, February 7, 2014
Danicke, Sandra. “Vertrautes Motiv Mit Sprengkraft” Art, Febuary 2014, pp. 65, illus.
Les Cahiers du Musee national d’art moderne, Paris: Centre Pompidou, Winter 2014. p. 79, 87.
Art of It’s Own Making, exhibition catalogue, St. Louis: The Pulitzer Foundation for the Arts, 2014. Illus.
Seo Clima For Favoravel, exhibition catalogue, Porto Alegre: 9th Bienal de Mercosul, 2014.
2013
Documents of Contemporary Art: The Market, Cambridge, Massachusetts and London, England: The MIT Press and Whitechapel Gallery, 2013, pp. 61.
Venturi, Riccardo. “Reviews: ‘Tapis Volants’: Academie de France a Rome – Villa Medici,” January 2013, p. 223, Illus.
Sandhu, Amanprit, “Indifferent Matter,” Frieze, October 2013; p. 257.
Wood, Brian Kuan. “9th Bienal do Mercosul,” Art Agenda, September 30, 2013
Higgins, Charlotte. “Fourth plinth hopefuls square up for next commission,” The Guardian, September 3, 2013
Scott, Felicity. “Limits of Control”, Artforum, September 2013. pp. 358-357, illus.
“A La Maniere de Hans Haacke,” Beaux Arts Magazine, August 2013. P. 62. Illus.
Jovanovic, Rozalia. “A Look Back at the Uproar Over Hans Haackeʼs Tate Portrait of Margaret Thatcher,” Blouin Artinfo, April 9, 2013
“New York Artists Now,” The New York Observer, February 20, 2013
Smith, Roberta. “Répétition II,” The New York Times, March 15, 2013, pg. C18
Winant, Carmen. “Materializing ‘Six Years’, Brooklyn Museum, New York” Frieze, March 2013, pg. 150
Meltzer, Eve. Systems We Have Loved: Conteceptual Art, Affect, and the Antihumanist Turn, Chicago: University of Chicago Press, 2013. p. 189, Illus.
Love is Colder Than Capital, exhibition catalogue, Bregenz: Kunsthaus Bregenz, 2013. p. 128-141.
2012
Spaid, Sue. Green Acres: Artists Farming Fields, Greenhouses and Abandoned Lots. Cincinnati, Ohio: Contemporary Arts Center, 2012. Print. pp. 20, 76, 82
Creative Destruction, exhibition catalogue, The Kitchen and the Whitney Museum of American Art, New York, 2012, pp. 76-81; illus.
Morris, Catherine, and Vincent Bonin. Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art. Cambridge, Massachusetts & London, England: The MIT Press & Brooklyn Museum, 2012. Print. pp. 148, 232,
Mondloch, Kate. “The Difference Problem: Art History and the Critical Legacy of 1980s Theoretical Feminism,” Art Journal, Summer 2012, pg. 18-31; illus.
Duggan, Grace. “Hans Haacke Show in Madrid Connects Art and Commerce,” The New York Times: In Transit blog, February 23, 2012
Ends of the Earth: Land Art to 1974, exhibition catalogue, Museum of Contemporary Art, Los Angeles, 2012, pg. 202-3; illus.
Merjian, Ara H. “Reviews: Hans Haacke at Museo Nacional Centro de Arte Reina Sofia, Madrid,” Frieze Magazine, October 2012. p. 263.
Feldman, Hannah. “This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art, Chicago,” Artforum, Summer 2012, pp 308-9; illus.
Hans Haacke: Castles in the Sky, exhibition catalogue, Museo Nacional Centro de Arte Reina Sofia, 2012
John Cage und…”, Bildender Künstler – Einflüsse, Anregungen, Cologne: DuMont Buchverlag, 2012
MacQueen, Kathleen. “Shifting Connections: Hans Haacke,” BOMBLOG, January 19, 2012
Rosenthal, Mark, et al. Regarding Warhol: Sixty Artists, Fifty Years, New York: Metropolitan Museum of Art, 2012, pp. 28, 33, 63-71, 72, 165-176, 263, 290; illus.
Sassen, Saskia. “Imminent Domain” ArtForum, January 2012, pp. 85-86, photographs by Hans Haacke; illus.
This Will Have Been: Art, Love, and Politics in the 1980’s, exhibition catalogue, MCA Museum of Contemporary Art Chicago and Yale University Press, New Haven and London, 2012, pp. 183-6; illus.
Thomson, Allese. “Machine Dazzle,” ARTFORUM, July 27, 2012
2011
Cotter, Suzanne. Hans Haacke: GERMANIA.“In Defining Contemporary Art – 25 years in 200 pivotal artworks, edited by Craig Garrett, 78-79. London: Phaidon, 2011.
Dillon, Noah. “Locations, Locations, Locations.” In Degree Critical: Mapping – MFA Art Criticism & Writing, School of Visual Arts, New York, pp. 8 -13.
Dander, Patrizia and Ulrich Wilmes (eds.). A Bit of Matter and a Little Bit More, Verlag der
Buchhandlung Walther Konig, Cologne, Germany, 2011, pp. 206-207; illus.
Foster, Hal, Rosalind Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh, and David Joselit. Art Since 1900: Modernism, Antimodernism, Postmodernism, 2nd ed. London: Thames & Hudson, 2011, pp. 26, 29, 48, 356, 543, 576, 589-93, 598-9, 601, 603, 636, 645, 668, 713, 724, 727, 728-30, 743; illus
“Hans Haacke, MOMA Poll, 1970.” The Cherry Picker, June 27, 2011, illus.
Johnson, Ken. “Galleries: Chelsea. Sammlung Ludwig: Art of the Sixties and Hans Haacke: The Chocolate Master”. The New York Times, March 25, 2011, pg.C21.
Jones, Caroline A. Hans Haacke 1967, exhibition catalogue, MIT List Visual Arts Center, Boston, MA
Plot for a Biennial: Sharjah Biennial 10, Dubai: Sharjah Art Foundation, 2011, pp. 123-128; illus.
Scarborough, James. “Sharjah Biennial 10: Plot for a Biennial,’ Sharjah, United Arab Emirates,” Huffington Post March 31, 2011, illus.
Scott, Kitty. Raising Frankenstein: Curatorial Education and Its Discontents The Banf Center Press, Banf, Canada, 2011, pg.76; illus.
Smee, Sebastian. “The heyday of Hans Haacke,” The Boston Globe, December 16, 2011
“The Lucifer Effect,” ed. Andel, Jaroslav. Prague, DOX Prague, 2011, pp. 60-63, illus. pg. 62.
“with reference to Hans Haacke,” Wather Konig, Cologne, 2011.
Voss, Von Julia. “Wo Disney auf Kandinsky trifft,” Frankfurter Allgemeine Zeitung, October 8, 2011, illus.
2010
Pirazzoli, Elena. A partire da cio che resta, Diabasis, Italy, 2010, pg. 208; illus.
Denis-Morel, Barbara. Ecosystemes: Biodiversite et Art Contemporain, exhibition catalogue, Espace Fernand Pouillon de l’Universite de Provence, Marseille, France, 2010, pp.6-7; illus.
MacQueen, Kathleen. “Strategic Tactical Response: Art in An Age of Terror,” Dissertation, Stony Brook University, May 2010, pp. 34-79; illus.
Heiser, Jörg. “Analyze This.” Frieze September 2010, pp. 94- 102; illus.
Hileman, Kristen. “Romantic Realist: A Conversation with Hans Haacke.” American Art Summer 2010, pp. 74-93; illus.
Durant, Sam. “Hans Haacke: The Power that Artists Have” Flash Art Vol. XLIII No. 270, January-February 2010, pp. 50-54, cover; illus.
2009
Grande, John. “The Lay of the Land,” Public Art Review, Spring/Summer, 2009, issue 40, 20th Anniversary Issue, pp. 42-49; illus.
Tinari, Philip. “2008 Gwangju Biennale, Singapore Biennale 2008, 3rd Yokohama
Triennale,” Artforum, January 2009, pp. 199-201.
“Radical Nature: Art and Architecture for a Changing Planet 1969-2009,” exhibition catalogue, curated by Francesco Manacordo, Koenig Books, 2009.
2008
Frieling, Rudolf. “The Art of Participation: 1950 – Now,” exhibition catalogue, SFMoMA, San Francisco, CA, 2008, pp. 126 – 127; illus.
entre chien et loup, exhibition catalogue, Kent Gallery, New York, NY, 2008, pp. 37 – 39, 59; illus.
Uzel, Jean-Philippe. “Trickster Objects in Contemporary Art” L’Indécidable – The Undecidable. Les éditions esse, Montréal, Canada, 2008, pg. 42 & pg. 181.
Taylor, Paul. “REPRINT: The Art of Politics, Interview with Hans Haacke” Flash Art Vol.
XLI, No. 261, July – September 2008, pp. 152 – 155; illus.
Douglas, Sarah. “Art Hearts the Far Right” Art Info, 18 July 2008; illus.
Kastner, Jeffrey. “Party Lines” Art + Auction July 2008, pp. 74-81, illus; cover.
The Undecidable- Gaps and Displacements of Contemporary Art, Les editions esse—Montréal, Canada, 2008, pp. 42, 181.
Carillo Jesús, “On the Indignity of Speaking for Others: Another Walk through The Bowery” Art &Co, Number 2, Spring 08, pp. 10-15, 108-110.
Claude Closky, 8002-9891, exhibition catalogue, mac/val musée d’Art contemporain du Val-de-Marne, Vitry-sur Seine, 2008, pg. 121; illus.
Bryant, Eric. “Hans Haacke,” Art News, April 2008, pg. 139; illus.
Neil, Jonathan T.D. “Hans Haacke,” Art Review;, April 2008, pg. 133; illus.
Crarey-Kent, Paul. “Cubes,” Art World, February/March 2008, pp. 49-51; illus.
“Hans Haacke,” The New Yorker, February 11 & 18, 2008, pp. 29-30.
Tonchi, Stefano. “New York Fashion Week I What Is Wearable,” The New York Times, February 3, 2008; illus.
Trembley, Nicolas. “L’art preserve gravement la santé,” Numéro, February 2008, pg. 86; illus.
Wilk, Deborah. “Hans Haacke,” Time Out New York, January 31-February 6, 2008, pg. 63; llus.
Blagojevic, B. “Hans Haacke at Paula Cooper,” The Zine, January 23, 2008; illus.
“Hans Haacke,” Time Out New York, January 10-16, 2008, pg. 74.
Smith, Roberta. “Face Time: Masks, Animal to Video,” The New York Times, January 11, 2008, pp. E33-E34.
Filer, Martin. “Miracle on the Bowery,” The New York Book Review, January 17, 2008, pp. 20-22; illus.
“Hans Haacke,” New York Magazine, January 14, 2008, pp. 76.
Buchmann, Sabeth and Achim Hochdörfer. “Mergers and Admonitions,” Artforum, January 2008, pp. 113-114.
Churner, Rachel. “Greenwashing,” Artforum, January 2008, pg. 148.
2007
Peltomäki, Kirsi. “Affect and Spectatorial Agency: Viewing Institutional Critique in the 1970s,” Art Journal, Winter 2007, pp. 36-51; illus.
Johnson, Ken. “Never Mind the Map: Sometimes New York City Is More of an Idea,” The New York Times, December 21, 2007, pg. E39.
Kotz, Liz. Words to Be Looked At: Language in 1960’s Art, The MIT Press, London, England, 2007.
“Talking Art: Inteviews with Artists Since 1976,” ed. Patricia Bickers and Andrew Wilson. London: Art Monthly and Ridinghouse, 2007, pg. 531-538.
Israel, Matthew. “A Magnet for the With-It Kids,” Art in America, October, 2007, pp. 72-83; illus.
Hoffmann, Gabriele. “Hans Haacke: Deichtorhallen,” Flash Art, May/June 2007, p. 138, illus. (translated from German by Michael Robinson)
“Hans Haacke: For Real. Works 1959-2006”, eds. Flügge, M., Fleck, R. Düsseldorf, Richter Verlag
2006
Koslow Miller, Francine. “Hans Haacke,” tema celeste 114, April, 2006, pg. 75; illus.
Pollack, Barbara. “Hans Haacke,” ArtNews, April, 2006, pp. 138, 40; illus.
Carrier, David, “State of the Disunion: Hans Haacke and T.J. Clark,” artUS, March 2006, pp. 22-25; illus.
Lebowitz, Cathy, “Divided We Stand,” Art in America, March 2006, pp. 100-103, illus.
Dupuis, Isabelle. “Hans Haacke’s State of the Union,” NYArts, January 2006.
Avgikos, Jan. “Reviews: Hans Haacke,” Artforum, February, 2006, pg 208, illus.
2005
LeMieux-Ruibal, Bruno. “Hans Haacke,” Lapiz 218, December, 2005, pg. 84; illus.
“Goings on About Town,” The New Yorker, November 28, 2005, p. 44.
Baker, R.C. “Voices Choices,” The Village Voice, December 7-13, 2005, p. 79C.
Cole, Lori. “At the Galleries: 9/11/73,” Flash Art, November-December 2005, p. 52.
Cotter, Holland. “ Art in Review,” The New York Times, December 16, 2005, p. E38.
Fraser, Andrea. “From the Critique of Institutions to an Institution of Critique,” Artforum, September 2005, pp. 278 – 283, illus.
Haacke, Hans. “The Guggenheim Museum: A Business Plan,” Learning from the Bilbao Guggenheim, Center for Basque Studies, University of Nevada Press: Reno, 2005.
Meyer, James. “Open Systems: Tate Modern,” Artforum, October 2005, p. 271, illus.
Ratcliff, Carter. “Sixties Aesthetics,” Art in America, December 2005, pp. 43, 45, illus.
Haacke, Hans; Boudieu, Pierre, “Free Exchange.” Cambridge, Polity Press
2004
Hoffmann, Gabriele. “Für eine ‘Kunst mit Folgen,’” [Interview] Neue Zürcher Zeitung Zurich), March 13, 14, 2004, p. 48, ill.
Haacke, Hans. “Ripped,” [Artwork] The Nation (New York) 279, No. 7(September 13, 2004):25.
Grasskamp, William. “Hans Haacke.” London, Phaidon Press
Griffin, Tim. “Historical Survey,” [Interview] Artforum (New York)(September 2004):224-225, 296, ills.
Goldstein, Ann. A Minimal Future? Art As Object 1958-1968, exhibition catalogue, The
Museum of Contemporary Art, Los Angeles, CA, 2004, p. 210-217, Illus.
“Wie viel Moral braucht die Kunst?”[Artist Statement] Die Zeit (Hamburg), September 10. 2004, p. 49.
Haacke, Hans. “Stuff Happens,” [Artwork] In These Times (Chicago)28, No. 24(October 25, 2004), p.32, ill.
Haacke, Hans. “Star Gazing,” The New Yorker (New York)(November 1, 2004), p.14, ill.
Perry, Gill and Paul Wood, ed. Themes in Contemporary Art, Yale University Press, New Heaven and London in association with The Open University, 2004, p. 22 & 147, illus.
Haacke, Hans, Rosalyn Deutsche and Miwon Kwon. “Der Bevölkerung: A Conversation,” Grey Room, No. 16, MIT Press: Summer, 2004.
2003
Haacke, Hans. “Museumsdurcheinander” [transcript of lecture delivered June, 2002) in Symposium ‘public space - public art: schnittstelle Museum.
Münster:Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster, 2003, pp. 79-85.
2002
Haacke, Hans. “A Public Servant.” [Tribute to Pierre Bourdieu.] OCTOBER (New York)(Summer 2002):3-6.
Kaplan, Janet. “Mixed Messages.” [Interview.] Art Journal, College Art Association (New York) 61, no. 2(Summer 2002), pp. 84-91, illus.
2001
Bailey, Martin. “‘Mixed Messages,’ Serpentine Gallery, London: But What Does It All Mean?” [Interview.] The Art Newspaper (London)112(March 2001) p:43, ills.
Bickers, Pamela. “Mixed Messages.” [Interview.] Art Monthly (London)244(March 2001):1-5, ills.
Higgs, Matthew. “Politics of Presentation,” [Interview.] Tate: The Art Magazine (London)24(Spring 2001):56-59, ills.
Haacke, Hans. “OffenSichtlich,” [with English translation: “Public Sights” pp. 337-34] in Public Art: Kunst im öffentlichen Raum, Florian Matzner, ed., Ostfildern-Ruit:Hatje Cantz, 2001, pp. 330-361, ills.
Haacke, Hans. “Der Bevölkerung.” [Edited transcript of lecture at symposium
“Installation Art,” Tate Modern, November 4, 2000] Oxford Art Journal (Oxford)(2001):127-143, ills.
Honrath, Barbara, Christoph Mücher. “Kultur im Zeitalter der Gutwettermacher” [Interview.] in Hoffmann, Hilmar, ed., Kultur und Wirtschaft - Knappe Kassen - Neue Allianzen, Cologne: DuMont, 2001, pp. 96-108.
2000
Babias, Marius. “‘Mein Projekt ist ein DenkWerk.’ Endlose Dispute gab es um Hans Haackes Kunstwerk für den Reichstag. Nun wurde es gebilligt. Im Interview weist Haacke den Vorwurf zurück, er habe provozieren wollen und auf den
Medienerfolg spekuliert.” [Interview.] Zitty (Berlin), April 20, 2000, n.p.
Reprinted in: Kunstforum International (Mainz)151(July-September 2000):451-464, ills. Also in: Keller, Christoph, ed., Ich war dabei, als… Interviews 1990- 2000. Frankfurt/M: Revolver blanco, 2001, n.p.
Haacke, Hans. “Der Wahlkreis als Erdprobe. Hans Haacke erläutert seine Installation,” [Interview.] Neue Zürcher Zeitung (Zurich), March 7, 2000, n.p., ill.
Haacke. Hans. “Mixed Messages” in Give & Take [Exhibition Catalogue.] London: Serpentine Gallery and Victoria and Albert Museum, 2000, pp. 47-53, ills.
Solomon, Deborah. “School for Scandal.” [Interview.] The New York Times Magazine (New York)(March 26, 2000):23, ill.
Haacke, Hans. “Erde zu Erde. Hans Haacke über seine Installation für den Reichstag.” Süddeutsche Zeitung (Munich), April 3, 2000, n.p. Reprinted in: Diers, Michael, Kasper König, eds., DER BEVÖLKERUNG: Aufsätze und Dokumente zur Debatte um das Reichstagsprojekt von Hans
Haacke. Cologne and Frankfurt: Verlag der Buchhandlung Walther König and Portikus, 2000, 263 pp., illus.
Müller, Silke. “‘Ein Sandkasten namens Deutschland,’ Interview mit Hans Haacke.” Art (Hamburg)5(May 2000):86-88, ills.
Wege, Astrid. “Ganz Oben,” [Interview.] Texte zur Kunst, (Cologne)38(June 2000):38-49, ills. Reprinted in: Diers, Michael and Kasper König, eds . “Der Bevölkerung”: Aufsätze und Dokumente zur Debatte um das Reichstagsprojekt von Hans Haacke. Frankfurt am Main/Cologne: Portikus/Verlag der Buchhandlung Walther König, 2000.
1999
Haacke, Hans. AnsichtsSachen/ViewingMatters, Düsseldorf: Richter Verlag, 199 p., illus, 1999. [Published in English and German]
Ribalta, Jorge. [Interview.] in Servicio Público, Salamanca: Ediciones Universidad de Salamanca, pp. 261-271, 1999.
Mittmannsgruber, Otto and Martin Strauß, eds. [Interview.) in Plakat. Kunst. Über die Verwendung eines Massenmediums durch die Kunst, Vienna and New York: Springer, pp. 158-163, ills., 1999.
Haacke, Hans. Der Bevölkerung. “Das Projekt (The Project)” and “Überlegungen zum Projekt (Thoughts about the Project)” [Proposal for Reichstag project submitted to Kunstbeirat of Bundestag (Art Committee of German Parliament)]. Reprinted in: Diers, Michael, Kasper König, eds., DER BEVÖLKERUNG: Aufsätze und Dokumente zur Debatte um das Reichstagsprojekt von Hans
Haacke. Cologne and Frankfurt: Verlag der Buchhandlung Walther König and Portikus, 2000, 263 pp., illus. English translation in: Hans Haacke. Mia san mia. [Exhibition Catalogue.] Breitwieser, Sabine, ed. Essays by Sabine Breitwieser, Christian Kravagna, Heidemarie Uhl. Vienna: Generali Foundation, 2001 [192]p.,ills. English translation of “Project” in: Oxford Art Journal (Oxford)(2001):127-143, illus.
Flügge, Matthias and Michael Freitag. “Wem gehört das Volk?” [Interview.] neue bildende Kunst (Berlin)7(December 1999):22-24, ills. Reprinted in: Diers, Michael and Kasper König, eds . “Der Bevölkerung:” Aufsätze und Dokumente zur Debatte um das Reichstagsprojekt von Hans Haacke.
Frankfurt am Main/Cologne: Portikus/Verlag der Buchhandlung Walther König.
1998
Eichhorn, Maria. “Fünfzehn Prozent sind nicht viel.” [Interview.] die tageszeitung (Berlin), March 16, 1998.
1997
Haacke, Hans. “Entretien avec Christian Derouet.” [Interview.] in Derouet, Christian, ed.,
Fernand Léger. Paris:Centre Georges Pompidou, 1997, pp. 269-271, ill.
Haacke, Hans. Transcript of lecture delivered in Milan under auspices of La Generazione delle Immagini, October 31, 1996, in Pinto, Roberto, ed. La Città degli Interventi, Milan:Stampa Grafiche Granbata s.r.l., 1997, pp. 43-71, ills. [text in English and Italian]
Haacke, Hans. “Manet-PROJEKT ‘74” [text and reproduction of work] in Gillen, Eckhart, ed., Deutschlandbilder, Kunst aus einem geteilten Land. Published as book to accompany exhibition of same title, September 7, 1997-January 11, 1998.
Essays by Eckhart Gillen, Benjamin H.D. Buchloh, et al. Cologne: DuMont Verlag. pp. 318-350-355, illus. English translation: German Art from Beckmann to Richter: Images of a Divided Country. Cologne: DuMont Verlag, distributed by Yale University Press, pp. 318-323, ills.
Friedl, Peter, and Georg Schöllhammer. “Der Haacke-Effekt.” [Interview.] Springer (Vienna)(October-November, 1997):34-41, ills. Reprinted in: Hornemann, Anne, David Mannstein, Gerhard Schweppenhauser, eds. Hans Haacke: Standortkultur/Das Politische in der Kunst. Weimar: Bauhaus-
Universität Weimar, 1998. Also in: Widerstände, Vienna/Bozen: springerin FOLIO Verlag, pp. 35-46, 1999.
1996
Kurjakovic, Daniel. “Material und Metaphor.” [Interview.] Das Kunst-Bulletin (Zurich)7/8(July/August 1996):14-21, illus.
1995
Riedle, Gabriele. “Der Aufklärung den Krieg erklärt.” [Interview.] Die Woche (Hamburg)(January 6, 1995):24-25, ills.
Haacke, Hans. “El pasado de Jünger.” [Letter to the Editor] El País (Barcelona), June 6, 1995, p. 13.
Haacke, Hans. “Der Kampf ums Geld: Sponsoren, Kunst, moderne Zeiten.” Frankfurter Allgemeine Zeitung, (Frankfurt) no.268, October 11, 1995, p. 39.
Olmo, Santiago. “Imagen de la conciencia crítica.” [Interview.] Lapiz (Madrid)116(November 1995):57-65, illus.
1994
Bourdieu, Pierre and Hans Haacke. Libre-Échange. [conversation] Paris: Le Seuil/les presses du réel, 1994, illus. German translation: Freier Austausch. Frankfurt am Main: S. Fischer Verlag GmbH, 1995, illus. English translation, U.S. edition: Free Exchange. Stanford: Stanford University Press, 1995, illus. English translation, British edition: Free Exchange. London: Polity Press, 1995, illus. Portuguese translation: Livre-Troca. Rio de Janeiro: Editora Bertrand Brasil S.A.. 1995, illus. Japanese translation: Tokyo:Fujiwara-Shoten, 1996, illus. Chinese translation: San Lian Shu Dian, 1996, illus. Finnish translation: Ajatusten vapaakauppaa. Helsinki: Kustannusosakeyktiö Taide, 1997, illus.
Haacke, Hans. “Der Adler von 1972 bis heute.” kritische berichte (Marburg)3 (1994):22-29, illus.
Haacke, Hans. “Caught Between Revolver and Checkbook” in Robison, Olin, Robert Freeman, Charles A. Riley II. The Arts in the World Economy. Hanover, N.H: University Press of New England, 1994, pp. 95-102.
Thomson, Mark. [Interview.] in: Duchamp: passim A Marcel Duchamp Anthology, Anthony Hill, ed., London: Gordon and Breach Arts International, 1994.
Furlong, William. Audio Arts: Discourse and Practice in Contemporary Art. [Interview.] London: Academy Editors, 1994, pp. 93-5, ill.
1993
“Die Symbolik des Ortes.” [Interview.] neue bildende kunst (Berlin)4(1993):22-24, illus.
Haacke, Hans. “Gondola! Gondola!” in English and German in Haacke, Hans, Bodenlos, [Catalogue for German Pavilion at Venice Biennale, June 13-October 10, 1993] [137]p. Ostfildern: Cantz, 1993. Reprinted in: Hemken, Kai-Uwe, ed. Gedächtnisbilder, Leipzig:Reclam Verlag Leipzig, 1996, pp. 307-328, ills. Reprinted in French in: Bourdieu, Pierre and Hans Haacke. Libre-Échange. Paris: Le Seuil/les presses du réel, 1994, pp. 128-147, ills. Reprinted in all translations of book Libre-Échange Reprinted in Spanish and Basque in: Zehar (San Sebastian, Spain) (July-August-September, 1994): 24, ills. Reprinted in Swedish in Paletten (Göteborg)249, 250(2002):20-29, ills.
1992
Azoulay, Ariella. “Sad Ready-Made.” [Interview.] Studio Art Magazine (October 1992)37 (Tel Aviv): 48-49, ills.
Römer, Stefan. “Zur Soziologie der künstlerischen Strategie.” [Interview.] Texte zur Kunst (Cologne)(December 1992):51-65, ills.
1991
Haase, Amine. “Zwischen Protest und Rummel.” [Interview.] Kölner Stadt-Anzeiger, October 24, 1991, p. 10, ill.
Haacke, Hans. “Beware of the Highjackers!” in Culture & Democracy: Social and Ethical Issues in Public Support for the Arts and Humanities, edited by Andrew Buchwalter [paper delivered at symposium held at the University of North Florida, 1990] Boulder/San Francisco/Oxford: Westview Press, 1992, pp. 139-154. French translation: “Attention, pirates de l’art!” Carnet/Art & sociétés. les presses du réel . (Paris)1 (April, 1992):132-153, ills.
Haacke, Hans. “Arbeiter der Faust & Arbeiter der Stirn.” [ ArgusAuge Exhibition catalogue.] Munich, 1991. pp. 56-63, ills. English translation in Art and Text (Melbourne)42 (May 1992):50-55, ills.
Haase, Amine. “Wirklichkeit ohne Anführungszeichen.” [Interview.] Kunstforum International (Cologne)(November/December, 1991):314-321, ills.
Hoffmann, Justin. “Zum Appell: Ein Interview mit Hans Haacke.” Artis (Bern)12/1(December 1991/January 1992):14-19, ills.
1990
Van Den Berg, Jos. “Hans Haacke.” [Interview.] Forum International (Antwerp) 2 (March/April 1990): 42-47, ills.
Haacke, Hans. “Deutsch-Deutsch.” Die Endlichkeit der Freiheit, Berlin 1990. [Exhibition catalogue.] (Berlin)(1990): 100.
Haacke, Hans. “In the Vice” [paper delivered at panel The Thought Police Are Out There. CAA Meeting, February 15, 1990.] art journal (New York)(Fall 1991): ill, cover.
1989
Evans-Clarke, Philippe. “Hans Haacke: l’art, le sense et l’idéologie.” [Interview.] art press (Paris)136 (May 1989):22-27, ills.
Haacke, Hans. “Qu’est-ce-que l’art?” [page designed for exhibition catalogue Les Magaciens de la Terre, Centre Georges Pompidou, Paris. May18-August 14, 1989.
Papineau, Jean. “La trahison des images.” [Interview.] Parachute (Montreal) 56 (October, November, December, 1989):16-22, ills.
Haacke, Hans. “OPArt.” Lignes (Paris) 8 (December 1989): 133-142.
1987
Soutif, Daniel. “Entretien avec Hans Haacke,” [Interview.] Cardinaux (Paris), no. 2 (Spring 1987): 108-113, ills.
Haacke, Hans. “Lord is Extra.” [double page designed for catalogue] Documenta 8, vol. 3, June-September, 1987).
Smith, Roberta. “When Artists Seek Royalties on their Resales,” New York Times (May 31, 1987).
1986
Taylor, Paul. “Interview with Hans Haacke.” Flash Art (Milan), no. 126 (February-March 1986): 39-41, ills.
Haacke, Hans. “CBS Ashtray.” The Nation (New York)261, no 10(December 11, 1995): 734 [artwork].
Haacke, Hans. “Barbie’s Liberty.” The Nation (New Yorkj)263, no. 22(December 30, 1996):cover, 10 [artwork] Also: The Chronicle of Higher Education , Washington, DC (XLV, no. 9 (October 23, 1998):cover, 16.
1985
Samaras, Connie. “Sponsorship or Censorship?” [Interview.] New Art Examiner (Chicago) 13, no. 3 (November 1985): 20-25, ill. Reprinted in: Utne Reader (Marion, Ohio), no. 15 (April-May 1986): 106-114, ills.
Lord, Catherine. “Hans Haacke: Where the Consciousness Industry is Concentrated,” [Interview.] in Cultures in Contention, edited by Douglas Kahn and Diane Neumeier. Seattle: The Real Comet Press, 1985, pp. 204-235, ills.
1984
Siegel, Jeanne. “Leon Golub/Hans Haacke: What Makes Art Political?” [Interview] Arts Magazine (New York) 58, no. 8 (April 1984): 107-113, ills. Reprinted in: Artwords 2. Discourse on the Early 80’s, edited by Jeanne Siegel, UMI Research Press (Ann Arbor): 1988, p. 63-74, ill. German translation: “Wodurch wird Kunst politisch” in: Hans Haacke - Nach allen Regeln der Kunst, [Exhibition Catalogue] Berlin, Neue Gesellschaft für Bildende Kunst, 1984, pp. 2-5.
Bois, Yve-Alain, Douglas Crimp, and Rosalind Krauss. “A Conversation with Hans Haacke.” October (New York), no. 30 (Fall 1984): 23-48, ills.
Morgan, Robert D. “A Conversation with Hans Haacke.” Real Life Magazine (New York) no. 13 (Fall 1984): 5-11, ills.
Haacke, Hans. “Museums, Managers of Conciousness.” in Art museums and big business, edited by Ian North, Kingston: Art Museums Association of Australia, 1984, pp. 33-40. Reprinted in: Art in America (New York) 72, no. 2 (February 1984): 9-17. Also in Hans Haacke: Volume II, Works 1978-1983, London: Tate Gallery; Eindhoven: Stedelijk Van Abbemuseum, 1984, pp. 105-109. [Exhibition catalogue.] Also in, Kristine Stiles and Peter Selz, editors, Theories and documents of contemporary art: a sourcebook of artists’ writings, Berkeley and Los Angeles, 1996, 874-881. Also excerpts in: Art Link (Adelaide) 3, no. 5 (November-December 1983): 7. French translation in: Parachute (Montreal) 46 (Spring 1987): 84-88, ills. [Text in French 138-141.] Danish translation in: Andsindustri (Copenhagen): Det Kongelige Danske Kunstakademia, 1988, with essay by Hans Jürgen Schanz and notes by Prof. Albert Mertz, et al, 10-25. German translation: “Museen: Manager des Bewusstseins,” in: Hans Haacke - Nach allen Regeln der Kunst, Berlin, Neue Gesellschaft für Bildende Kunst, 1984, pp. 92-96. [Exhibition catalogue.] Excerpt reprinted in: Illustrierte Stadtzeitung Zitty (Berlin) 8, no. 19 (August 31-September 9, 1984): 39, ill.
1981
Grasskamp, Walter. “Ein schöner Mäzen! Ein Gespräch mit Hans Haacke über den ‘Trumpf-Pralinenmeister,’” [Interview.] Kunstforum International (Mainz), nos. 44-45(May-August 1981): 152-172, ills. English translation: “Information Magic,” in Hans Haacke: Volume II, Works 1978- 1983 London: Tate Gallery; Eindhoven: Stedelijk Van Abbsemuseum, 1984, pp. 96-100. [Exhibition catalogue.]
Brown, Tony. “Artist as Corporate Critic: An Interview with Hans Haacke,” Parachute (Montreal), no. 23 (Summer 1981): 12-17, ills. Reprinted in: Hans Haacke: Volume II, Works 1978-1983, [Exhibition catalogue] London: Tate Gallery; Eindhoven: Stedelijk Van Abbemuseum, 1984, pp. 101- 104.
1980
Haacke, Hans. “Arbeitsbedingungen.” Kunstforum International (Mainz), no. 42 (1980): 214-227. Revised English version: “Working Conditions,” Artforum (New York) 19, no. 10 (Summer 1981): 56-61. Reprinted in: Urban Skinner (Melbourne) (August 1983): [5-7], ills. Also in: Hans Haacke: Volume II, Works 1978-1983, London: Tate Gallery; Eindhoven: Stedelijk Van Abbemuseum, 1984 pp. 88-95. [Exhibition catalogue.]
1977
Haacke, Hans. “Les adhérants.” In Art actuel: Skira annuel 77 (Geneva), no. 3 (1977): 141-148. English translation, modified, in: Hans Haacke, Volume 1. [Exhibition Catalogue] Oxford: Museum of Modern Art; Eindhoven: Stedelijk Van Abbemuseum, 1979, p. 78-81.
Haacke, Hans. “Der Agent.” In What do you expect?/Was erwartest Du?, edited by Christine Bernhard. Cologne: Paul Maenz, 1977, pp. 19-20. Reprinted in: Kunstmagazin (Mainz) 18, no. 2 (1978):45-46. English translation: “The Agent,” in Studio International (London) 195, no. 990 (1980): 36-37, ill. Also in: Hans Haacke, Volume 1. [Exhibition Catalogue] Oxford: Museum of Modern Art; Eindhoven: Stedelijk Van Abbemuseum, 1979, p. 83. 37. Serbo-Croatian translation in: Hans Haacke, .[Exhibition Catalogue] Zagreb, Galerija Suvremene Umjetnosti, 1980, n.p
1976
Sheffield, Margaret. “Hans Haacke: Interview.” Studio International (London) 191, no. 980 (March-April 1976): 117-123, ills. Reprinted in: Hans Haacke, Volume 1. [ Exhibition catalogue] Oxford: Museum of Modern Art; Eindhoven: Stedelijk Van Abbemuseum, 1978. German translation in: Hans Haacke. Frankfurt: Frankfurter Kunstverein, 1976. [Exhibition catalogue.] Serbo-Croatian translation in: Studenski list, Zagreb, February 8, 1980.
1974
Haacke, Hans. Untitled text. In Art into Society, Society into Art. [Exhibition catalogue] London: Institute of Contemporary Arts, 1974. Reprinted in: Hans Haacke, Vol. 1, Oxford: Museum of Modern Art; Eindhoven: Stedelijk Van Abbemuseum, 1978, pp. 77. Reprinted under title: “All the Art That’s Fit to Show,” in Museum by Artists, edited by A.A. Bronson and Peggy Gale. Toronto:Art Metropole, 1983, p. 151-152. Also in: Art Journal (New York) 34, no. 4 (Summer 1975): 327-331. German translation in: Hans Haacke. Frankfurt: Frankfurter Kunstverein, 1976. [Exhibition catalogue.] Also in Kunstforum International (Mainz)(February/April 1976): n.p. Dutch translation in: ¿Museum in Motion? / ¿Museum in Bewegung? The Modern Museum at issue, edited by Carel Blotkamp. The Hague: Staatsuitgeverij, 1979, 262-265. Serbo-Croation translation in: Hans Haacke. Zagreb: Galerija Suvremene Umjetnosti, 1980, n.p. [Exhibition catalogue.] Also in: Pellegrini, Maurizio. Innerscapes: An Anthology of Artists’ Writings. Trieste: Contemporanea, 1998.
1973
Haacke, Hans. Transcript of talk by Haacke at Museum Folkwang, Essen, June 1973. In Selbstdarstellung: Künstler über sich, edited by Wulf Herzogenrath. Düsseldorf: Droste Verlag, 1973, pp. 60-71, ills.
1972
Thwaites, John Anthony. “Hans Haacke: An Interview.” Art and Artists (London) 7, no. 8 (November 1972): 32-35, ills.
Thomas, Karin. Kunst-Praxis heute: eine Dokumentation der aktuellen Ästhetik. [Interview] Cologne: DuMont Schauberg, 1972.
1971
Siegel, Jeanne. “An Interview with Hans Haacke.” Arts Magazine (New York) 45, no. 7 (May 1971): 18-21, ill. Reprinted in: Jeanne Siegel, Artwords: Discourse on the 60’s and 70’s. Ann Arbor, Michigan: UMI Research Press, 1985, pp. 211-218 and as “Real-Time Systems Are Double Agents.” Headline (Cologne)(June, 1993): 1. [recorded and edited December 1970-February, 1971] German translation in: Fry, Edward and Hans Haacke, Hans Haacke: Werkmonographie. Cologne: DuMont Schauberg, 1972, pp. 26-31, ills.
1968
Haacke, Hans. Talk at Intersocietal Color Council Conference, New York, April 1968. Reprinted in Vinklers, Bitite. “Hans Haacke.” Art International (London/Lugano)(September 1969). German translation: “Jeder Künstler…” in Fry, Edward and Hans Haacke, Hans Haacke: Werkmonographie. Cologne: DuMont Schauberg, 1972, pp. 35-45.
1967
Haacke, Hans. French translation: “J’ai rempli en parti…” Robho 2 (Paris)(November/December 1967): n.p. [written in German, New York, October, 1965] German in: “Ich habe etwas Wasser…” in Fry, Edward and Hans Haacke, Werkmonographie. Cologne: DuMont Schauberg. 1972. English translation: “I have partially filled…” in Obra Social [Exhibition Catalogue] Barcelona: Fundació Antoni Tàpies, 1995, 325 p., ills. Spanish translation: “He llenado parcialmente…” in Obra Social [Exhibition Catalogue] Barcelona: Fundació Antoni Tàpies, 1995, 325 p., ills. Catalàn translation: He omplert partialmente…” in Obra Social [Exhibition Catalogue] Barcelona: Fundació Antoni Tàpies, 1995, 325 p., ills.
Burnham, Jack. “Questions to the Artist.” [Interview.] Tri-Quarterly Supplement (Evanston, Ill.), no. 1 (Spring 1967):16-24, ills. French translation: “Questions à Hans Haacke,” Robho (Paris), no. 2 (November- December 1967): 9-10, ills. German translation in: Fry, Edward, and Hans Haacke, Hans Haacke: Werkmonographie. Cologne: DuMont Schauberg, 1972, pp. 26-31.
1965
Haacke, Hans. “…etwas machen, das Erfahrungen hat…” [Exhibition Announcement] Düsseldorf: Galerie Schmela, May 1965. [written Cologne, January, 1965] Reprinted in Fry, Edward and Hans Haacke. Werkmonographie. Cologne: DuMont Schauberg. 1972. English translation “…make something which experiences…” in NUL 1965. [Exhibition Catalogue] Amsterdam: Stedelijk Museum. March 1965. French translation “…faire quelque chose qui réagisse…” in Robho 2 (Paris)(November/December 1967): n.p. Also in English, Spanish, Catalàn in: Obra Social [Exhibition Catalogue]. Barcelona: Fundació Antoni Tàpies, 1995, 325 p., ills.
Haacke, Hans. “Wenn Wind in ein leichtes Tuch bläst…” in Hans Haacke: Wind und Wasser. Haus am Lützowplatz, Berlin. [Exhibition Catalogue.] August 1965. [written Cologne, August, 1965] Reprinted in: Fry, Edward and Hans Haacke. Werkmonographie. Cologne: DuMont Schauberg. 1972, p. 25. English translation “If wind blows…” in Burnham, Jack. “Hans Haacke: Wind and Water Sculpture.” Tri-Quarterly Supplement (Northwestern University) Evanston (Spring 1967). Reprinted in English, Spanish, Catalàn in: Obra Social [Exhibition Catalogue] Barcelona: Fundació Antoni Tàpies, 1995, 325 p., ills.
1962
Haacke, Hans. “Observing My Mirror Objects…” [Exhibition Announcement] New York:Wittenborn One Wall Gallery, September 1962. German translation: “Beim Beobachten meiner Spiegel-Objekte…” in Fry, Edward and Hans Haacke. Werkmonographie. Cologne: DuMont Schauberg. 1972. [written Philadelphia, January, 1962]

Updated: December 7, 2017