BREAKAWAY by Bruce Conner opens at Galeria Bergamin & Gomide on November 5 in São Paulo.

Instituto Moreira Salles Paulista in São Paulo will screen Bruce Conner’s CROSSROADS (1976), followed by a conversation with Michelle Silva, representative of Bruce Conner’s estate, on October 30 at 7:30 pm.

Organized by the Catskill Art Society, “Bruce Conner Film Festival” runs from June 29 through July 27 in Livingston Manor, NY.

Art Basel 2019 — Unlimited: Bruce Conner

Messe Basel

“Bruce Conner: Please Enjoy and Return: Bruce Conner Films from the Sixties” is on view at the University of New Mexico Art Museum, Albuquerque through May 4, 2019

Bruce Conner and Alan Shields are both included in “Outliers and American Vanguard Art” at the National Gallery of Art, January 28 – May 13, 2018. The exhibition will travel to the High Museum of Art, Atlanta (June 24–September 30, 2018) and the Los Angeles County Museum of Art (November 18, 2018–March 18, 2019).

Bruce Conner reviewed by Jon Auman for Screen Slate :”Bruce Conner at Paula Cooper Gallery, offers the rare opportunity to see Conner’s work in a context where the questions ‘Who is Bruce Conner?’ and ‘Is this art?’ are not already answered for us.”

Bruce Conner reviewed in the current issue of The New Yorker.

50 Years of Paula Cooper Gallery: 2018 marks 50 years of exhibitions, as well as performance, poetry, and music events, for Paula Cooper Gallery.

BRUCE CONNER: FOREVER AND EVER at the Speed Art Museum, November 11, 2017 – March 2, 2018.

Bruce Conner and Hans Haacke in the 14th Lyon Biennial of Contemporary Art, Sept. 20, 2017 to Jan. 7, 2018.

Bruce Conner: It’s All True reviewed in The Brooklyn Rail.

There will be a Bruce Conner symposium at MoMA this Friday, September 23, 1:00–5:00 p.m. Kevin Hatch, Assistant Professor of Art History, SUNY Binghamton, and author of Looking for Bruce Conner (2012) will serve as the keynote speaker. Participants include Anastasia Aukeman, Assistant Professor, The New School, and author of Welcome to Painterland: Bruce Conner and the Rat Bastard Protective Association (2016); Michael Duncan, art critic; Melissa Ragona, Associate Professor of Visual Culture and Critical Theory, Carnegie Mellon; and Sheldon Renan, writer, director, and producer. Exhibition co-curators Stuart Comer and Laura Hoptman moderate.

Andrea K. Scott reviews Bruce Conner: It’s All True for The New Yorker.

Bruce Conner’s LOOKING FOR MUSHROOMS (1959-67/1996, Terry Riley version) now streaming live on MoMA’s website in conjunction with BRUCE CONNER: IT’S ALL TRUE : http://www.moma.org/calendar/exhibitions/1666.

Bruce Conner retrospective IT’S ALL TRUE opens at MoMA July 3rd.

Bruce Conner exhibition reviewed in The Art Newspaper.

Bruce Conner’s Crossroads will be included in Cinemarfa 2016.