Carey Young, Matias Faldbakken, Carl Andre, and Sol LeWitt included in Collection Exhibition, KANAL - Centre Pompidou, Brussels, through June 2019.

Carey Young in The New York Times: “2 Literary Greats, in Art Galleries by the Sea.”

Citizenship Series: Filling the Void April 5 at Walker Art Center.” Carey Young’s Declared Void II (2013) calls for our attention now, more than ever. Join us as local artists step inside the box of Young’s piece to ask questions about immigration, citizenship, and nationalism. Artists include Xochi de la Luna, Moheb Soliman, Essma Imady, Zoe Cinel, and Maryam Houshyar. Attorneys from the American Civil Liberties Union of Minnesota and the Immigrant Law Center will be present to answer questions and discuss issues following the gallery presentations.”

Carey Young’s UCL Laws talk for International Womens’ Day, “Performing the Law” on March 6, 2018, UCL Jeremy Bentham Room, Wilkins Building, Gower Street, London.

Carey Young in “Journeys with ‘The Waste Land’” at Turner Contemporary

50 Years of Paula Cooper Gallery: 2018 marks 50 years of exhibitions, as well as performance, poetry, and music events, for Paula Cooper Gallery.

Carey Young in Art in Times of Uncertainty: I am you, you are too at Walker Art Center, Minneapolis, MN, September 7, 2017 - October 27, 2019,

Carey Young in GARAGE: “Carey Young Fights the Law and Wins in Her Imposing New Videos”

Jason Farago on Carey Young for The New York Times.

Panel Discussion with Carey Young, Colby Chamberlain & Joan Kee, Friday, September 8. Click here to view a video

Carey Young in conversation with Francesco Tenaglia for Mousse Magazine.

“New York: Carey Young in Palais de Justice at Paula Cooper Gallery challenges law and art” by Venetia Kapernekas.

Our current group exhibition reviewed in Wendy Vogel’s Chelsea Gallery Crawl for BOMB Magazine.

Carey Young in The Dallas Morning News: “Artist’s provocative work focuses on women in a patriarchal world”

Carey Young’s solo exhibition at Dallas Museum of Art is an Artforum Critics’ Pick.

Robert Shore interviews Carey Young for Elephant Magazine: “I filmed only female lawyers, judges and defendants at court. By implication, if an entire legal system was run by women, then what kind of society would this be? Is it a matriarchy? Is it utopian? And in such a society, or such a legal system, what role do the men play? I included shots of various men in the piece, but they seem diminished. For example, we see male lawyers trying to persuade female judges, who only occasionally bestow attention, and we see male lawyers wait endlessly and nervously outside a courtroom for a female judge who never lets them in, or we see an old gentleman slowly wheel a weighty trolley of archival files through the dark corridors. The men seem to be in support roles, or isolated and secondary. It was fun to reverse the truth like that.”

“Palais de Justice Captures the Beauty of Law, and the Women Who Run It” The Dallas Observer on Carey Young’s exhibition at Dallas Museum of Art.

In conjunction with Carey Young: The New Architecture at Dallas Museum of Art, a conversation with Carey Young and art historian and writer Dr. Michael Corris, Meadows School of the Arts, SMU, February 2, 7pm.

Carey Young’s solo exhibition The New Architecture, curated by Gavin Delahunty, at Dallas Museum of Art through April 2, 2017.