Christian Marclay in The New York Times: “While You Were Gawking at Snapchat Posts, One Artist Was Listening to Them”

50 Years of Paula Cooper Gallery: 2018 marks 50 years of exhibitions, as well as performance, poetry, and music events, for Paula Cooper Gallery.

Paula Cooper is one of ELLE Magazine’s “Women in Art”.

Christian Marclay’s Extended Phone and Boneyard in Liana Finck’s cartoon of Chelsea openings for Vice’s Garage Magazine.

Christian Marclay’s exhibition Phones is an Artforum Critic’s Pick.

Christian Marclay’s The Clock at Instituto Moreira Salles, São Paulo, September 20 - December 30, 2017.

Christian Marclay Plays a Calder Mobile at the Whitney Museum.

Christian Marclay performs Alexander Calder’s Small Sphere and Heavy Sphere (1932/33) at The Whitney Museum of American Art on July 19–23 in association with the exhibition “Calder: Hypermobility.”

University of North Carolina Greensboro students will perform Christian Marclay’s Graffiti Composition alongside Switzerland-based ensemBle baBel on Tuesday, April 11, at the Weatherspoon Art Museum as part of a special guest artist event hosted by UNCG’s College of Visual and Performing Arts and New Music Greensboro.

SoundSeen (February 6 – March 26, 2017) will open at the Hanes Gallery, followed by SoundSeen: Remix at SECCA (March 16 – May 28, 2017), presenting different works by John Cage, Anthony Braxton, and Christian Marclay.

Christian Marclay’s The Clock at Museum of Fine Arts, Boston, September 17, 2016 through January 29, 2017.

Christian Marclay 2014 collaboration with Okkyung Lee has been released as a record titled Amalgam. The record is available for sale through Paula Cooper Gallery’s bookstore.

My Life in Pictures: Paula Cooper in The New York Times T Magazine.

Christian Marclay’s The Clock at MFA Boston September 17, 2016 – January 29, 2017.

Christian Marclay will receive SF MoMA’s 2016 Contemporary Vision Award.