Monopol Magazin has named Hans Haacke the “Most Influential Artist of 2019.” Editor-in-Chief, Elke Buhr stated, “He is our number one in this year, because he has demonstrated what motivates many artists today: a political commitment that naturally includes criticism of their own environment.”

On Saturday, November 9 from 10am to 5pm, the New Museum will host “All Systems Go: A Symposium on Art, Social Systems, and Cultural Action,” a daylong symposium on the occasion of the Museum’s Hans Haacke retrospective.

The Arnold-Bode-Prize 2019 was awarded to Hans Haacke. Given every two years, the prize is given for exceptional achievements in the field of “contemporary art.” The award ceremony at the Kasseler Kunstverein took place on October 30, 2019.

A fully illustrated monograph surveying the artist’s career, Hans Haacke: All Connected, co-published by the New Museum and Phaidon Press, is now available for purchase.

Blake Gopnick profiled Hans Haacke for The New York Times, on the occasion of the artist’s retrospective opening at the New Museum on October 24.

Holland Cotter of The New York Times included Hans Haacke’s forthcoming major retrospective at the New Museum on his Fall Preview list.

T Magazine selected Hans Haacke’s MoMA Poll, 1970, as one of “The 25 Works of Art That Define the Contemporary Age.”

Garage Museum of Contemporary Art in Moscow opens “The Coming World: Ecology as the New Politics 2030-2100,” which includes Hans Haacke’s work, Circulation (1969).

Hans Haacke will participate in “Artist Panel II: Art in New York” at 3:45pm on March 15. The discussion celebrates the opening of the group exhibition, “Artists Respond: American Art and the Vietnam War, 1965–1975” at the Smithsonian American Art Museum.

The group exhibition “Artists Respond: Art and America’s War, 1965 to 1975” opening on March 15 at the Smithsonian American Art Museum includes work by gallery artists Carl Andre, Mark di Suvero, Hans Haacke, Douglas Huebler, Peter Moore, and Claes Oldenburg

Hans Haacke and historian Gloria Sutton in conversation at University Hall Gallery in Boston on Thursday, February 21 from 5-8pm.

The New Museum announces its forthcoming Museum-wide retrospective of the work of Hans Haacke from October 16, 2019–January 5, 2020.

“50 Years of Paula Cooper Gallery - Inside the Historic Celebratory Exhibition,” an interview with Director Steve Henry for Widewalls.

Hans Haacke at The Artist’s Institute, NYC, April 4 – 21, 2018. Opening Wednesday, April 4th, 6-8pm.

50 Years of Paula Cooper Gallery: 2018 marks 50 years of exhibitions, as well as performance, poetry, and music events, for Paula Cooper Gallery.

“Hans Haacke’s Proofs of Commitment” by John Tyson for Art in Print.

Who’s Afraid of the New Now?: Hans Haacke in dialogue with Carsten Holler at the New Museum Saturday, December 2, 1pm.

Learning from documenta: Wang Bing, Maria-Magdalena Campos-Pons, Aboubakar Fofana, Hans Haacke, Hiwa K, David Lamelas, les gens d’Uterpan, Jonas Mekas, Eva Stefani, Lois Weinberger, Maria Ikonomopoulou, Ali Moraly, Museumcultuur Strombeek, Ghent, Belgium. Exhibition through December 12, 2017.

Sam Durant, Hans Haacke, and Meg Webster included in the exhibition “Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy” at MANA Contemporary, October 15 - December 15, 2017. Curated by Phong Bui and Rail Curatorial Projects.

Hans Haacke in Natural Histories, mumok Vienna, September 23, 2017 - January 14, 2018.

Bruce Conner and Hans Haacke in the 14th Lyon Biennial of Contemporary Art, Sept. 20, 2017 to Jan. 7, 2018.

Hans Haacke will participate in “Monument Lab,” a public art and history project produced by Mural Arts Philadelphia. The project, taking place over nine weeks between September 16 and November 19, challenges people to join a citywide conversation about history, memory, and our collective future. Curated by Paul Farber, Ken Lum, and A. Will Brown.

Our current group exhibition reviewed in Wendy Vogel’s Chelsea Gallery Crawl for BOMB Magazine.

Hans Haacke in Andrew Russeth’s thoughts on Documenta14 for ARTnews.