On the occasion of the 20th anniversary of Hans Haacke’s major work DER BEVÖLKERUNG (To the Population), documents and archival materials on the genesis and reception of Haacke’s once controversially discussed art project will be displayed at Neuer Berliner Kunstverein’s Showroom in Berlin beginning on September 10, 2020.

In conjunction with Berlin Art Week 2020, Hans Haacke’s artwork We (all) are the people will be shown on the facade of partner institutions throughout the city.

Hans Haacke is included in “Le muse inquiete (The Disquieted Muses). When La Biennale Meets History,” an exhibition by the Historical Archives of Contemporary Arts – ASAC, to be held in the Central Pavilion of the Giardini della Biennale from August 29 to December 8, 2020.

Opening August 4, 2020 is the group exhibition, “in the ever changing world in which we live…” at The Storefront in Bellport, NY. The show includes Hans Haacke’s Monument to Beach Pollution, 1970.

Beginning on June 29, 2020, “It’s Urgent - Part IV,” curated by Hans Ulrich Obrist and presented during LUMA Arles - Arles Days will include Hans Haacke’s We (All) Are the People posters.

On June 27 at 3pm EDT the Goethe-Institut New York will host the live event, “Digital Salon: Haacke and Richter take New York.” Panelists Susan Tallman, Brinda Kumar, Gary Carrion-Murayari, and Gregg Horowitz will discuss Hans Haacke and Gerhard Richter in New York.

Hans Haacke will be part of “TITAN,” a temporary public art project organized by the artist Damian Ortega and kurimanzutto. Participating artists will take over the vitrines of a specific phone booth located between W 51st and W 57th Street on 6th Avenue from October 12, 2020-January 3, 2021.

James Meyer reviewed Hans Haacke’s retrospective at the New Museum for Artforum’s March issue.

Hans Haacke will be part of a group show titled “Invisible City: Philadelphia and the Vernacular Avant-garde” at the Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, opening January 21, 2020.

Congratulations to Hans Haacke, recipient of the 2020 Goslarer Kaiserring Prize. Haacke will accept the prize in Goslar, Germany, on September 26, 2020

Work by gallery artists Paul Pfeiffer, Tauba Auerbach, Bruce Conner, and Hans Haacke will be included in “CAFAM Techne Triennial: Topologies of the Real,” presented at the Central Academy of Fine Arts Museum in Beijing from February 20 to March 29, 2020.

Issue 208 of Frieze Magazine for January/February 2020 features Hans Haacke’s John Weber Gallery Visitors’ Profile 1 (detail), 1972.

Yasi Alipour interviewed Hans Haacke for The Brooklyn Rail on the occasion of his major career retrospective “Hans Haacke: All Connected” at the New Museum through January 26, 2020.

Monopol Magazin has named Hans Haacke the “Most Influential Artist of 2019.” Editor-in-Chief, Elke Buhr stated, “He is our number one in this year, because he has demonstrated what motivates many artists today: a political commitment that naturally includes criticism of their own environment.”

On Saturday, November 9 from 10am to 5pm, the New Museum will host “All Systems Go: A Symposium on Art, Social Systems, and Cultural Action,” a daylong symposium on the occasion of the Museum’s Hans Haacke retrospective.

The Arnold-Bode-Prize 2019 was awarded to Hans Haacke. Given every two years, the prize is given for exceptional achievements in the field of “contemporary art.” The award ceremony at the Kasseler Kunstverein took place on October 30, 2019.

A fully illustrated monograph surveying the artist’s career, Hans Haacke: All Connected, co-published by the New Museum and Phaidon Press, is now available for purchase.

Blake Gopnick profiled Hans Haacke for The New York Times, on the occasion of the artist’s retrospective opening at the New Museum on October 24.

Holland Cotter of The New York Times included Hans Haacke’s forthcoming major retrospective at the New Museum on his Fall Preview list.

T Magazine selected Hans Haacke’s MoMA Poll, 1970, as one of “The 25 Works of Art That Define the Contemporary Age.”

Garage Museum of Contemporary Art in Moscow opens “The Coming World: Ecology as the New Politics 2030-2100,” which includes Hans Haacke’s work, Circulation (1969).

The group exhibition “Artists Respond: Art and America’s War, 1965 to 1975” opening on March 15 at the Smithsonian American Art Museum includes work by gallery artists Carl Andre, Mark di Suvero, Hans Haacke, Douglas Huebler, Peter Moore, and Claes Oldenburg

Hans Haacke will participate in “Artist Panel II: Art in New York” at 3:45pm on March 15. The discussion celebrates the opening of the group exhibition, “Artists Respond: American Art and the Vietnam War, 1965–1975” at the Smithsonian American Art Museum.

Hans Haacke and historian Gloria Sutton in conversation at University Hall Gallery in Boston on Thursday, February 21 from 5-8pm.