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Techne

Saturday, August 4 at MASS MoCA, noon-5pm: Techne; Extension Exorcises: Karen Adelman, Corey Fogel, and Liz Glynn will activate Glynn’s five-part installation of The Archaeology of Another Possible Future with a series of improvised movements and sounds. Overlaying the structure and themes of the analog record featured in the SOUND CAVE, the three will activate the space, exploring themes of presence and embodiment in contrast to the post-human architecture of the installation. Experimental percussionist Fogel will use old tools and industrial detritus to construct a rhythmic score, while Adelman’s haunting vocals will punctuate the space. Glynn will draw upon her recent experiments in movement research reconstructing and remixing gestures of exhaustion and labor in this former factory space. The performance will unfold durationally throughout the day, and audience members are invited to come and go throughout.

August 3, 2018 Liz Glynn Artist News Permalink

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Public Art Fund has commissioned a new work by Liz Glynn titled Open House. The work transforms Doris C. Freedman Plaza into a “ballroom” featuring opulent Louis XIV replica furniture from the original space but with a twist—her furniture is recast in concrete, a populist material more commonly seen in modern architecture. On view March 1 – September 24, 2017 at Doris C. Freedman Plaza, Central Park, NYC.

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December 20, 2016 Liz Glynn Artist News Permalink

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artnet News interviews Liz Glynn about her series “The Myth of Singularity” currently on view in the artist’s solo exhibition at LACMA.

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November 4, 2015 Liz Glynn Artist News Permalink