Books & Catalogues

2017
Bovier, Lionel, and David Lemaire.MAMCO Genève: 1994-2016. Genève: MAMCA, 2017. Print, pp. 282-283
Yoshitake, Mika. Yayoi Kusama : infinity mirrors. Hirshhorn Museum and Sculpture Garden and DelMonico Books/Prestel, 2017. Print. pp. 123
2015
Carl Andre in His Time, exhibition catalogue, New York: Mnuchin Gallery, 2015, pp. 62-63; illus.
Society for Contemporary Art, 1940 – 2015, Chicago: The Art Institute of Chicago, 2015, pg. 83; illus.
Towards Visibility: Exhibiting Contemporary Drawing, 1964 – 80, Vevey, Switzerland: Musée Jenisch, 2015, pp. 92, 131; illus.
Chevrier, Jean-Francois. Formes Biographiques, exhibition catalogue, Vanves, France: Hazan, 2015, pp. 302-303; illus.
Morris, Frances. Agnes Martin, London: Tate Publishing, 2015, pp. 28, 239.
Hart, Katherine. Collecting and Sharing: Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2015, pp. 69; illus.
Miller, Dana, and Adam D. Weinberg. Whitney Museum of American Art: Handbook of the Collection, New York: Whitney Museum of American Art, 2015, pp. 41; illus.
2014
Stout, Katharine. Contemporary Drawing: from the 1960s to Now, Tate Publishing, London UK, 2014; pg. 55.
Art Lovers: Stories of Art in the Pinault Collection, exhibition catalogue, Paris; Lienart editions, 2014, pg. 50, 66-67; illus.
Raymond, Yasmil and Philippe Vergne. Carl Andre: Sculpture as Place, 1958-2010, New Haven: Yale University Press, 2014.
Delahunty, Gavin and Lynn Kost. Carl Andre: Poems, Zürich: JRP, 2014.
2013
Davant l’horitzo, exhibition catalogue, Fundacio Joan Miro, Barcelona, 2013, pp. 78-79. Illus.
Xerography, Manchester, England: Firstsite, 2013. Illus.
Documents of Contemporary Art: The Market, Cambridge, Massachusetts and London, England: The MIT Press and Whitechapel Gallery, 2013, pp. 153.
POESIA: Werke aus der Sammlung Reinking, Delmenhorst, Germany: Stadtische Galerie Delmenhorst, 2013, pp. 23; illus.
Graham, Dan. Nuggets, Zurich: JRP Ringier, 2013, pp. 27- 32.
Alistair Rider (2012): Carl Andre’s poetry and the mapping of media, Word & Image: A Journal of Verbal/ Visual Enquiry, 28:4, 397-408.
Costello, Eileen. Phaidon Focus: Brice Marden. New York, NY: Phaidon Press Inc., 2013. Print. pp. 57.
Zask, Joelle. Outdoor Art: La Sculpture et Ses Lieux. Paris: Éditions La Découverte, 2013. illus; pp.68.
Through the Eyes of Texas: Masterworks from Alumni Collections. Austin, Texas: Blanton Museum of Art, 2013. pp. 92; illus.
55th International Art Exhibition II Palazzo Enciclopedico Fondazione La Bienniale di Venezia, May, 2013. pp. 86-89; illus.
55th International Art Exhibition II: The Encyclopedic Palace, Short Guide, Venice, May 2013, pp. 33; illus.
Kalu, Joy Kristin. Ästhetik der Wiederholung: Die US-amerikanische Neo Avantgarde und ihre Performances, Bielefeld, Germany: transcript Verlag, 2013, pg. 276; illus.
Drawing Time Reading Time / Marking Language, exhibition catalogue, London: The Drawing Center, 2013, pp. 30-45; illus.
2012
Rosenthal, Mark, et al. Regarding Warhol: Sixty Artists, Fifty Years, New York: Metropolitan Museum of Art, 2012, pp. 145-146, 165
Paper, Nice, France: Musée d’Art modern et d’Art contemporain, 2012, pp. 20-23; illus.
The Art Book, London: Phaidon Press Limited, 2012, pp. 16; illus.
The Geometric Unconscious: A Century of Abstraction, Jorge Daniel Veneciano, ed. Lincoln, NE: University of Nebraska Press, 2012, pp. 92; illus.
Bulletins of the Serving Library #3 (Catalogue for Ecstatic Alphabets/Heaps of Language at MoMA), Sternberg Press, 2012; illus.
Morris, Catherine, and Vincent Bonin. Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art. Cambridge, Massachusetts & London, England: The MIT Press & Brooklyn Museum, 2012. Print. pp. 163
Chaillou, Timothée. Seuls quelques fragments de nous toucheront quelques fragments d’autrui (Only Parts of us Will Ever Touch Parts of Others). Paris/Salzburg: Galerie Thaddaeus Ropac, 2012. Print.
Cudemo. Paper. Ventimiglia: Tmamac, 2012. illus; pp. 20
2011
Ends of the Earth: Land Art to 1974, exhibition catalogue, Museum of Contemporary Art,Los Angeles, 2012, pg. 186; illus.
Off the Wall, exhibition catalogue, Museu de Arte Contemporânea de Serralves, Porto, Portugal, 2011, pg. 32, 80; illus.
Rider, Alistair.Carl Andre. Things In Their Elements, Phaidon 2011
Modern Art, 1870-2000, Taschen 2011, pp. 517-528, 538-539, illus. Legacy: The Emily Fisher Landau Collection. Edited by Dana Miller; Foreword by Adam D. Weinberg and Essay by Donna De Salvo. Whitney Museum of American Art, 2011, pp. 30-35.
Davidson, Margaret. Contemporary Drawing: Key Concepts and Techniques Watson
Guptill Publications, New York, NY, 2011, pg. 76; illus.
Dander, Patrizia and Ulrich Wilmes (eds.). A Bit of Matter and a Little Bit More, Verlag der Buchhandlung Walther Konig, Cologne, Germany, 2011, pp. 85-89; illus.
Weatherspoon Art Museum: 70 Years of Collecting, Weatherspoon Art Museum, Greensboro, 2011; pg. 140; illus.
Stocchi, Francesco. AGMA, Exhibition Catalogue, 2011. pp. 105
2010
Gioni, Massimilano and Judy Ditner,10,000 Lives: Gwangju Biennale 2010, exhibition catalogue, Gwangju Biennale Foundation, Gwangju, South Korea, 2010, pp. 230-231; illus.
ANTI ICON, exhibition catalogue, Eaton Fine Art, Inc., West Palm Beach, FL, 2009, pp. 20-23; illus.
Arnason, H.H., and Elizabeth C. Mansfield. History of Modern Art, Sixth Edition, Pearson Education, Inc., Prentice Hall, Upper Saddle River, NJ, 2010, pp. 548-549; illus.
Museum Brandhorst: Selected Works, edited by Bayerische Staatsgemaldesammlungen, Prestel, Munich, 2009, pp. 162-165; illus.
2009
Lodermeyer, Peter, Karlyn de Jongh and Sarah Gold. Personal Structures: Time, Space, Existence, DuMont Buchverlag Gmbh & Co. KG, Cologne, Germany, 2009, pp. 226-229; illus.
Rattemeyer, Christian.The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné, The Museum of Modern Art, New York, 2009, pg. 80; illus.
Archer, Michael. “It’s Like This” Essay in Martin Creed, Hiroshima City Museum of Contemporary Art, Japan, 2009. pg. 43; illus.
Lütticken, Sven. Idols of the Market: Modern Iconoclasm and the Fundamentalist Spectacle, Sternberg Press, Berlin, Germany, 2009, pg. 213; illus.
Kellein, Thomas et al, 1968. Die Grobe Unschuld, exhibition catalogue, Kunsthalle Bielefeld, Germany, DuMont Buchverlag, 2009, pp. 38, 89, 107-11, 275, 279-281, 284, 317, 548-549, 552, illus.
Biesenbach, Klaus, Political/Minimal, KW Institute for Contemporary Art, Berlin, exhibition catalogue, Hrsg. Ed., 2009, illus.
Eichorn, Maria, The artist’s contract. Interviews with Carl Andre, Daniel Buren, Hans Haacke, Jenny Holzer, Adrian Piper, Robert Projansky, Robert Ryman, Seth Siegelaub, John Weber, Lawrence Weiner, Jackie Winsor, Edited by Gerti Fietzek, Köln, 2009.
Ishikawa, Chiyo. A Community pf Collectors: 75th Anniversary Gifts to the Seattle Art Museum , Seattle Art Museum, 2008, p. 97, illus.
2008
Cohen, Jean-Louis. New York. Paris: Citadelles & Mazenod, 2008. pg. 441; illus.
Origins Hudson Valley Center for Contemporary Art, Peekskill, NY, 2008, pp. 8, 35; illus.
Mollet-Viéville, Ghislain. “Art minimal: Étape majeure dans l’histoire de la sculpture” Qu’est-ce que la sculpture aujourd’hui?, Beaux Arts editions, 2008, pp. 15 – 17; illus. Glenstone: The Inaugural Exhibition Glenstone Foundation, Potomac, MD 2008, pg.132, illus.
Heartney, Eleanor. Art & Today, Phaidon Press, New York, NY, 2008, pp. 67, 84; illus.
560 Broadway: A New York Drawing Collection at Work, 1991-2006, ed. Amy Eshoo. Yale University Press, New Haven, CT, 2008.
2007
A Theater without Theater, exhibtion catalogue, Museu d’ Art Contemporani de Barcelona, Fundação de Arte Moderna e Contemporãnea, Lisbon, 2007, pg. 236-237.
Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, exhibition catalogue, curated by Matthew Higgs, Hessel Museum of Art, Annandale-on-Hudson, 2007.
Kotz, Liz. Words to Be Looked At: Language in 1960’s Art, The MIT Press, London, England, 2007.
Talking Art: Inteviews with Artists Since 1976, ed. Patricia Bickers and Andrew Wilson. London: Art Monthly and Ridinghouse, 2007, pg. 73-94.
De Corral, Maria and John Lane. Fast Forward; Contemporary Colletions for the Dallas Museum of Art, exhibition catalogue, Dallas Museum of Art and Yale University Press, New Haven and London, CT, 2007, p.119, illus.
2006
Against the Grain: Contemporary Art from the Edward R. Broida Collection , exhibition organized by Ann Temkin New York: The Museum of Modern Art, 2006.
Nothing and Everything , exhibition catalogue, Fraenkel Gallery, San Francisco, and Peter Freeman, Inc., New York, 2006, pg. 8; illus.
Feldman, Paula; Alistair Rider and Karsten Schubert, ed. About Carl Andre: Critical Texts Since 1945, Ridinghouse, London, 2006.
Ideal City – Invisible Cities, exhibition catalogue, an exhibition in Zamosc, Poland, and Potsdam, Germany, published by European Art Projects, Berlin, Germany, 2006, pp. 78-83, illus.
2005
Andre, Carl. Cuts: Texts 1959-2004. Ed. James Meyer. Cambridge, Massachusetts: MIT Press, 2005.
Bjelajac, David.American Art: A Cultural History (2nd ed.), Laurence King Publishing Ltd., London, England, 2005, p.407, illus.
Taylor, Brandon. Art Today, Laurence King Publishing Ltd., London, England, 2005.
2004
Ana Mendieta: Earth Body, exhibition catalogue, Hishhorn Museum and Sculpture Garden, Smithonian Institution, Washington DC, 2004, p. 108, illus.
Andre, Carl. 15 Years (1977-1972): Scenes & Variations, Galerie Arnaud Lefebvre, Paris, France, 2004.
Goldstein, Ann.A Minimal Future?: Art As Object 1958-1968, exhibition catalogue, The Museum of Comtemporary Art, Los Angeles, CA, 2004, p. 134-141, illus. Off the Wall: Works from the JPMorgan Chase Collection, exhibition catalogue, Bruce Museum and JPMorgan Chase, New York, 2004 p. 25, illus.
Perry, Gill and Paul Wood, ed. Themes in Contemporary Art, Yale University Press, New Heaven and London in association with The Open University, 2004, illus.
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, exhibition catalogue, The Solomon R. Guggenheim Foundation, New York, 2004, p. 94-96, illus.
2003
Buskirk, Martha. The Contingent of Contemporary Art, The MIT Press, Massachusetts, 2003, p.2-3, 23, 27-31, 45, 49, illus.
Conkelton, Sheryl with Elizabeth Thomas. An International Legacy: Selections from Carnegie Museum of Art, exhibition catalogue, American Federation of Arts, New York, 2003, illus.
Flavin, Andre, Judd, National Gallery of Canada, Halifax, (06/13/03 - 07/27/03)
Hayden, Malin Hedlin. Out of Minimalism: The Referential Cube, Uppsala University, Sweden, 2003, p.6, 40, 78-80, 82, 85-86, 90, 94, 137-141, 143, 160-162, 164, 213, illus.
2002
Boettger, Suzaan. Earthworks: Art and the Landscape of the Sixties,
University of California Press, Los Angeles, 2002.
SmithA.T., Elizabeth, Pearlman, Alison, Rodrigues Widholm, Julie ed.Life Death Love Hate Pleasure Pain: Selected works from the Museum of Contemporary Art Chicago, Collection, MCA, Chicago, 2002, pp. 110-111.
Artists of the Heath Gallery 1965 - 1998, exhibition catalogue. Museum of Contemporary Art of Georgia. Atlanta, Georgia, illus. p. 19
Helfenstein, Josef and Jonathan Fineberg, ed. Drawings of Choice from a New York Collection, exhibition catalogue. Krannert Art Museum,
Champaign, Illinois, p. 18-21, illus.
Passenger: The Viewer as Participant, Astrp Fearnley Museum of Modern Art, 2002, p. 34, illus.
Works From the DaimlerChrysler Collection and from the Paul Maenz Collection: A Dialogue. Berlin: Impressum, 2002.
2001
American Visionaries: Selection from the Whitney Museum of American Art, Whitney Museum of American Art, New York, 2001, p. 30, illus.
Carl Andre: Works on Land, Middelheimmuseum Antwerpen, Belgium, 2001.
Kellein, Thomas, ed.Art Works: The Marzona Collection Art around 1968, exhibition catalogue, Hatje Cantz Verlag, Germany, 2001, p. 27-29, illus. Marzona Villa Manin: a private collection, exhibition catalogue. Hatje Cantz, Germany, 2001, p. 77, 80-81, 168-169, illus.
Meyer, James. Minimalism: Art and Polemics in the Sixties, Yale University Press, New Haven and London, 2001.
Noncomposition: Fifteen Case Studies, exhibition catalogue. Wadsworth Atheneum Museum f Art, Hartford, Connecticut, 2001-2002, p.9.
Potts, Alex. The Sculptural Imagination, Yale University Press, New Haven and London, 2001, p. 233-349, illus.
Poetry Plastique, exhibition catalogue, Marianne Boesky Gallery, New York, 2001, p. 13, illus.
Rorimer, Anne. New Art in the 60s and 70s Redefining Reality, Thames & Hudson Ltd., London, 2001, p. 21, 22, illus.
2000
Kunstmuseum Wolfsburg Gesammelte Werke I: Zeitgenössische Kunst seit 1968, Kunstmuseum Wolfsburg, Wolfsburg, Germany, 2000, pp 18-23, illus.
Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, 2000, illus.
Zabalbeascoa, Anatxu and Jovier Rodriguez Marcos. Minimalisms, Editorial Gustavo Gili, SA,Barcelona, Spin, 2000, p 22 & 29, illus.
1999
The American Art Book, Phaidon Press, London, England, 1999, p11.
The American Century: Art & Culture 1950 - 2000, exhibition catalogue, The Whitney Museum of American Art, New York, New York, 1999, illus.
Art 30 Basel, catalogue from the Basel Art Fair, Weltkunst Verlag GmbH, Münich, Germany, 1999, p. 115, illus. only.
Carl Andre, Alain Kirili, Melissa Kretschmer, Ariane Lopez-Huici, exhibition catalogue, Galerie Frank, Paris, France, 1999
Contemporary American Masters: The 1960s, exhibition catalogue, Nassau County Museum of Art, Roslyn Harbor, New York, 1999
Important Sculptors of the Late Twentieth Century, exhibition catalogue from the Stamford Sculpture Walk 1999, 1999, illus.
The History of Western Art, Shogakukan, Japan, 1999, p.1036, illus.
White Fire/Flying Man: Amerikanische Kunst 1959-1999 in Basel, catalogue from the Basel Art Fair, 1999, p. 201.
Van Lil, Kira. Hallen für neue Kunst, Schaffhausen, Hatje Cantz, Ostfildern, 1999.
1998
Carl Andre: Sculptor 1997, Marseille, exhibition catalogue from the Musée Cantini, Marseille, 1998, illus.
The Edward R. Broida Collection: A Selection of Work, exhibition catalogue from the Orlando Museum of Art, 1998, illus. Essay by Sue Scott.
Every Day: The 11th Biennale of Sydney, exhibition catalogue, Sydney, Australia, 1998; text, illus.
Kunst in den Treptowers, exhibition catalogue from Allianz Versicherung-AG, Berlin ,Germany, 1998.
Minimal Art: Andre, Flavin, Judd, LeWitt, Morris, exhibition catalogue from Banque Bruxelles Lambert, Brussels, Belgium, 1998. Essay by Christel Sauer, pp. 24, 25, 26, 27, 30, 54-73, illus.
The View From Denver, exhibition catalogue from Museum Moderner Kunst Stiftung Ludwig Wien, 1998, illus.
Wounds: Between Democracy and Redemption in Contemporary Art , exhibition catalogue from Modern Museet, Stockholm, 1998.
Fried, Michael. Art and Objecthood, University of Chicago Press, 1998 (reprint), illus.
Gould, Claudia and Valerie Smith, ed. 5000 Artists Return to Artists Space: 25 Years. Artists Space, New York, 1998.
Krauss, Rosalind, “Sculpture in the Expanded Field,” (1979), reprinted in Preziosi, Donald, Ed., The Art of Art History: A Critical Anthology, Oxford University Press,New York, 1998, pp. 281-298, illus.
Preziosi, Donald. The Art History: A Critical Anthology, Oxford University Press, 1998, illus.
1997
The Age of Modernism : Art in the 20th Century, exhibition catalogue from the Martin-Gropius-Bau, Berlin, 1997, illus. Published by Verlag Gerd Hatje, Ostfildern-Ruit.
Auguste Rodin: Die Bürger von Calais – Werk und Wirkung, exhibition catalogue from the Skulpturenmuseum Glaskasten Marl, Marl, Germany. Essay by J.A. Schmoll gen. Eisenwerth et al, 1997.
Le Bel Aujourd’hui: Œuvres d’une Collection Privée, Nouveau Musée / Institut - Frac Rhône - Alpes, France 1997
Blurring the Boundaries: Installation Art 1969-1996, exhibition catalogue from the Museum of Contemporary Art, San Diego, 1997, illus.
Collecció Panza di Biumo Anys 80 i 90, exhibition catalogue from the
Conselleriea d’Educació, Sa Llonja, Spain, 1997, illus.
Una Collecció Particular: Fragments de 1971 a 1996, exhibition catalogue from Museu d’Art de Girona, Barcelona, 1997, illus.
Hamburger Kunsthalle, Galerie der Gegenwart, Hamb Kunst zu Weimar / Sammlungen - Geschichte und Ausblick, exhibition catalogue from the Neues Museum, Weimar, Germany, Munich, 1997, Rolf Bothe, ed., p. 157.
Laying Low, exhibition catalogue from Kunstnernes Hus, Oslo, 1997.
On the Edge / Contemporary Art from the Werner nad Elaine Dannheisser Collection, exhibition catalogue from The Museum of Modern Art, New York. Robert Storr, ed., pp. 20-21, illus.
Stommeln Synagogue, exhibition catalogue from Stommeln Synagogue, Rhineland, 1997, illus.
Archer, Michael. Art Since 1960, published by Thames and Hudson Ltd., London,1997, illus.
Ardenne, Paul. ART: L’Age Contemporain: Une histoire des arts plastiques á la fin du XXe siècle, published by Editions Du Regard, Paris, 1997, illus.
Hughes, Robert. American Visions:The Epic History of Art in America, New York, 1997, pp. 562-563.
Jaukkuri, Maaretta, ed. Poesie der Teilnahme, essay by Peter Schjeldahl, Dresden, 1997, p. 80.
Kaak, Joachim; Thierolf, Corinna. Hanne Darboven / John Cage, Staatsgalerie moderner Kunst, Munich, 1997, illus.
Kirk, John T. The Shaker World, published by Harry Abrams, Inc., New York, 1997, illus.
Walker, Peter. Minimalist Gardens, published by Spacemaker Press, 1997, illus.
1996
The 20th Century Art Book, Phaidon press Limited, London, 1996, p.10, illus.
Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline, exhibition catalogue from the Solomon R. Guggenheim Museum. Essay by Mark Rosenthal, 1996, pp.177 - 182, illus.
Carl Andre and The Sculptural Imagination, exhibition catalogue from the Museum of Modern Art, Oxford, 1996. Essays by Michael Newman, Eva Meyer-Hermann, David Batchelor, Paul Wood, Briony Fer, Mark Pimlott and Alex Potts, edited by Ian Cole, illus.
Carl Andre: Sculptor 1996, exhibition catalogue from the Krefeld Kunstmuseen and Kunstmuseum Wolfsburg exhibitions in Germany, published by Oktagon, 1996.
Chimériques polymeres: Le Plastique dans L’Art du XXème Siècle, exhibition catalogue published by Musée d’Art Moderne et d’Art Contemporain, Nice, 1996, p.68, illus.
The Froehlich Foundation and Collection, Tate Gallery Publishing, London, England, 1996, pp. 135-137, 235, illus.
Luis Barragán: Sitio + Superficie, exhibition catalogue from the Antiguo Colegio de San Ildefonso, Mexico, 1996.
Minimal Art, exhibition catalogue from Koldo Mitxelena Kulturunea, Saint Sebastion, Spain, 1996, illus.
The Panza di Biumo Collection: some artists from the 80s and 90s, edited by Gabriella Belli, published by Electra, Milan, 1996, p.44.
Sammlung Speck, exhibition catalogue from Ludwig Museum, Cologne, Germany, 1996, pp. 25, 35, 246, 247, 273, illus.
Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings, edited by Kristine Stiles and Peter Selz, published by The University of California Press, 1996.
Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent, published by Harry N. Abrams, Inc. New York, 1996, illus.
Haden-Guest, Anthony. True Colors: The Real Life of the Art World, published by Atlantic Monthly Press, New York, 1996.
Sandler, Irving. Art of the PostModern Era: From the Late 1960s to the Early 1990s, published by Harper Collins, New York, 1996.
Sayre, Henry M. A World of Art, published by Prentice Hall, New Jersey, second edition,1997.
Serota, Nicholas. Experience or Interpretation: The Dilemma of Museums of Modern Art, published by Thames and Hudson, London, 1996, illus.Le Thorel-Daviot, Pascale. Petit Dictionnaire: Des Artistes Contemporains, published by Bordas, Paris, 1996, p.14, illus.
1995
Christo and Jeanne-Claude to Jeff Koons: John Kaldor Art Projects and Collection, exhibition catalogue published by the Museum of Contemporary Art, Sydney, Australia, 1995, illus.
Revolution: Art of the Sixties from Warhol to Beuys, exhibition catalogue published by the Museum of Contemporary Art, Tokyo, 1995. illus, p.77.
Passions Privées: Collections Particulieres d’Art Moderne et Contemporain en France, published by Paris-Musées, 1995, illus.
Sculpture, Anthony d’Offay Gallery, London, 1995, illus.
Fineberg, Jonathan. Art Since 1940: Strategies of Being, published by Laurence King Publishing, London, 1995, illus.
Mollet-Viéville, Ghislain. Art Minimal and Conceptuel, published by Editions d’Art Albert Skira S.A., Genève, 1995, pp.38-45.
Stemmrich, Gregor, ed. Minimal Art - Ein kritische Retrospektive, Dresden / Basel, 1995, illus.
Taylor, Brandon. Avant-Garde and After: Rethinking Art Now, published by Harry N. Abrams, 1995. pp.20,106.
von Drathen, Doris. Kritisches Lexikon der Gegenwartskunst, Weltkunst / Bruckmann, Münich, 1995, 16 pages, illus.
Ziesche, Angela. Das Schwere und das Leichte, published by DuMont, Köln, Germany, 1995.
1994
30 Years: Art in the Present Tense, The Aldrich’s Curatorial History, exhibition catalogue from the Aldrich Museum of Contemporary Art, Ridgefield, CT, 1994.
Art 25 ‘94, exhibition catalogue from the Basel Art Fair, Basel, Switzerland, 1994, p.464 (illus. only).
Contemporary Art from the Collection of the Federation of Migros Cooperatives, exhibition catalogue from the Museo Cantonale d’Arte, Lugano, 1994.
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, exhibition catalogue from the National Gallery of Art, Washington, 1994, p.79.
Klas Anshelm/ Till Brancusi: Nastan 20, exhibition catalogue from Malmö Konsthall, Malmö, Sweden, 1994.
Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst, exhibition catalogue from the Museum für Gegenwartskunst, Basel, 1994, p.18-19
1993
American Art in the 20th Century: Painting and Sculpture, 1913-1993, exhibition catalogue from Martin Gropius Bau, Berlin and Royal Academy of Fine Arts, London, Prestel-Verlag.
Ausstellungen bei Konrad Fischer/ Oktober 1967 - Oktober 1992, Edition Marzona, Bielefeld, 1993, illus.
Carl Andre Works in Belgium, edited by Kaatje Cusse, published by Imschoot, Uitgevers, 1993.
Shapes and Positions, exhibition catalogue from Kunsthalle Ritter Klagenfurt and Museum Fridericianum Kassel, 1993.
Joachimides, C.M. and N. Rosenthal, ed. Frascina, F., Blake, N., Fer, B., Garb, T., Harrison, C. Modern Art: Practices and Debates, Yale University Press, 1993, p.38, 41.
Jacobson, Marjory. Art For Work: The New Renaissance in Corporate Collecting, Harvard Business School Press, Boston, 1993, p.42, 164, 182; 45, 98, 165, illus.
Kostelanetz, Richard, Dictionary of the Avantgardes, New York, 1993, pp. 5 & 6, illus.
Wood, P. Frascina, F. Harris, J. Harrison,C., Modernism in Dispute: Art Since The Forties, Yale University Press, 1993, p.98; 216.
1992
Agnes Martin, exhibition catalogue from Whitney Museum of American Art, 1992. Essay by Barbara Haskell, illus.
American Art of the 1960s.- 1991, exhibition catalogue from the Museum of Modern Art, New York. Essay by Lynn Zelevansky, 1992.
“The Living Object”: The Art Collection of Ellen H. Johnson 1992, exhibition catalogue from Allen Memorial Art Museum, Oberlin College, Ohio, Essay by Elizabeth A. Brown, pp. 32-33, illus.
Schwer Punkt Skulptur, exhibition catalogue from the Krefelder Kunstmuseen, Kaiser Wilhelm Museum, Krefeld, 1992.
Vorhut aus dem Hinterland - Kunstler aus 25 Jahren, exhibition catalogue from Kabinett für aktuelle Kunst Bremerhaven at Neues Museum Weserburg, Bremen, 1992, Hanne Zech, illus.
Yvon Lambert Collectionne, exhibition catalogue from the Musée d’art moderne de la Communaute Urbaine de Lille, Villeneuve d’Ascq, 1992. Preface D. Bozo, Y. Lambert talks with J. Pijaudier. Illus. p.104, 105.
1991
8 Young Artists 1964 Then & Now 1991, exhibition catalogue from Hunter College, New York,1991, pp.4,5, illus.
Artists’ Sketchbooks, exhibition catalogue from the Matthew Marks Gallery, New York, 1991, illus.
Carl Andre: Extraneous Roots, Museum fur Moderne Kunst, Frankfurt am Main, 1991. Essay by Rolf Lauter, illus.
Grandes Lignes, exhibition catalogue from Association Culturelle, Paris, 1991. Essay by Victoire, Dubruel, Benedicte Chenu et Regine Cuzin, illus.
Gardner, Martin. Fractal Music, Hypercards and More…, published by W. H. Freeman and Company, New York, 1991. pp. 115-116, 135-144, illus.
The Political Arm, exhibition catalogue from John Weber Gallery, New York and Washington University Gallery of Art, St. Louis, MO, 1991, pp. 10&11, illus.
1990
Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art, exhibition catalogue from the Art Institute of Chicago, Chicago, 1990. Essays by Neal Benezra, Mark Rosenthal et al., illus.
American Masters of the 60’s, exhibition catalogue from Tony Shaffrazi Gallery, New York, 1990. Essay by Sam Hunter, illus.
L’Aventure de L’Abstraction: 1960-1990, exhibition catalogue from Deutsch Foundation, Belmont-Sur-Lausanne, 1990, illus.
Grounded: Sculpture on the Floor,exhibition catalogue from the University of Michigan Museum of Art, Ann Arbor, 1990, pp. 8-9, illus.
Minimal and…. exhibition catalogue from Gallery Yamaguchi, Osaka, 1990. Essay by Manji Kitamura.
Minimal Art, exhibition catalogue from The National Museum of Art, Osaka, 1990, pp.18-19, illus. Essays by Keinosuke Murata, Teruo Fujieda.
Minimalism and Post-Minimalism: Drawing Distinctions, exhibition catalogue from the Hood Museum of Art, Hanover, 1990, p.52. Essay by James Cuno.
Regards sur la Collection Asher B. Edelman, exhibition catalogue from Musée des Beaux Arts de Lausanne, 1990, p.28, illus.
Tenberg, Sabine. Das Kunstwerk des Monats, April 1990, published by Westfälisches Landesmuseum, Münster.
1989
Abstraction Geometry Painting, exhibition catalogue from Albright-Knox Gallery, Buffalo, 1989. Essay by Michael Auping, pp. 76, 161.
Andy Warhol: A Retrospective, exhibition catalogue from Museum of Modern Art, New York, 1989, p. 30, illus.
Balkon mit Facher, exhibition catalogue from Berliner Kunstler Programm des DAAD, Berlin, 1988, pp. 20-21, illus.
Einlueuchten: Will, Vorstel and Simul in HH, exhibition catalogue from Deichtorhallen-Ausstellungs-GmbH, 1989. Essays by Heinz Liesbrock, Christopher Schenker and Stephan Schmidt-Wulffen, pp. 105-108, illus.
The Experience of Landscape, exhibition catalogue from the Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, 1989. Essay by Karl Emil Willers.
Fers: de Gonzalez a Tony Cragg, exhibition catalogue from JGM Galerie, Paris, 1989, pp. 6,7, illus.
Immaterial Objects, exhibition catalogue from the Whitney Museum of American Art, New York, 1989. Essay by Richard Marshall, pp. 30-35, illus.
Paris, exhibition catalogue from Karsten Greve Galerie, Paris, 1989, pp. 14-19, illus.
Structures Ideales, exhibition catalogue from Galerie Pierre Huber, Geneva, 1989, pp. 5-7, illus.
Synnyt: Sources of Contemporary Art, exhibition catalogue from the Museum of Contemporary Art, Helsinki, 1989, pp. 114, 230.
1988
About Sculpture, exhibition catalogue from Anthony d’Offay Gallery, London, p.1-2. illus.
Art of the Sixties and Seventies: The Panza Collection. published by Rizzoli, New York, 1988. pp. 169, 170, etc., illus.
Arte Minimal Coleccion Panza, exhibition catalogue from the Centro de Arte Reina Sofia, Madrid, 1988.
Carl Andre, exhibition catalogue from Palacio de Cristal, Madrid, Spain, 1988.
Lead, exhibition catalogue from Hirschl and Adler Modern, New York. Essay by Klaus Kertess, 1988.
Pyramiden, exhibition catalogue from Galerie Jule Kewenig, Frechen-Bachem, 1988, pp. 18-21, illus.
Sculture da Camera, exhibition catalogue from Regione Puglia con Galleria Bonomo, Bari, 1988, p. 1.
Three Decades: The Oliver Hoffman Collection, exhibition catalogue from the Museum of Contemporary Art, Chicago, 1988, pp. 16, 44, illus.
Zeitlos, exhibition catalogue from Hamburger Bahnhof, Berlin, 1988, pp. 111-116, illus.
Baker, Kenneth. Minimalism, published by Abbeville Press, New York, 1988, illus.
1987
3+1: Paul Brand, Terje Roalkvam, Dag Skedsmo, Carl Andre, exhibition catalogue from Galleri F15, Oslo, 1987, illus.
1967: At the Crossroads, exhibition catalogue from the Institute of Contemporary Art, Philadelphia,1987. Essays by Janet Kardon, Hal Foster, etc. p. 57, illus.
A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, exhibition catalogue from the Dallas Museum of Art, 1987, p. 97, illus.
Artistas da Paula Cooper Gallery, exhibition catalogue from Galeria EMI Valentim de Carvalho, Lisbon, 1987, illus.
Fifty Years of Collecting: An Anniversary Selection (Sculpture of the Modern Era), exhibition catalogue from The Solomon R. Guggenheim Museum, New York, 1987. p. 125, illus.
Selections from the Roger and Myra Davidson Collection, exhibition catalogue from Art Gallery of Ontario, Toronto, 1987. pp. 2, 15, illus.Skulptur Projekte in Munster 1987. exhibition catalogue from Munster, 1987. Guide by Georg Jappe, pp. 134-135, illus.
Lucie-Smith, Edward. Sculpture Since 1945, published by Phaidon Press, Ltd., Oxford, 1987, illus.
1986
An American Renaissance: Painting and Sculpture Since 1940, exhibition catalogue from The Fort Lauderdale Museum of Art, 1986. Edited by Sam Hunter, p. 81, illus.
Art in the Environment, exhibition catalogue from Boca Raton Museum of Art, Florida, 1986, p. 12, illus.
The Barry Lowen Collection, exhibition catalogue from The Museum of Contemporary Art, Los Angeles, 1986. Essay by Christopher Knight, illus.
Bestandskatalog, exhibition catalogue from Museum Ludwig Cologne,1986, p. 8. Essay by Siegfried Goher, illus.
Carl Andre, exhibition catalogue from the Haags Gemeentemuseum, The Hague and the Stedelijk Van Abbemuseum, Eindhoven, 1986.
Definitive Statements - American Art: 1964-66, exhibition catalogue from Brown University, List Art Center, David Winton Bell Gallery, Providence, Rhode Island, 1986. Essays by Michael Plante, Christopher Campbell, etc., pp. 78-79, illus.
Individuals: A Selected History of Contemporary Art, exhibition catalogue from The Museum of Contemporary Art, Los Angeles,1986, p. 166, illus.
Minimal et Conceptuel, exhibition catalogue from Ecole Regionale Des Beaux-Arts Georges-Pompidou, Dunkerque, 1986, illus.
Painting and Sculpture Acquisitions 1973-1986, exhibition catalogue from the Whitney Museum of American Art, New York, 1986, p. 107, illus.
Qu’est-ce que la sculpture moderne?, exhibition catalogue from Musée National d’art Moderne, Centre Paris, Paris, France1986, pp. 134, 303, illus.
Van Abbe Museum Besoker Hovikodden, exhibition catalogue from Henie Onstad Kunstsenter, Hovikodden, 1986, illus.
Works from the Paula Cooper Gallery, exhibition catalogue from the John Berggruen Gallery, San Francisco, 1986, p. 5, illus.
Arnason, H.H. History of Modern Art. published by Harry N. Abrams, New York, 1986.
1985
Carl Andre: Die Milchstrasse, Der Frieden von Munster, und AndreSkulpturen, exhibition catalogue from the Westfalischer Kunstverein Munster, Berliner.Kunstlerprogramm des DAAD (Galerie im Kornerpark), KUNSTRAUM münchen, 1984-1985. Text by Christine Tcke, Thomas Deecke, Wolfgang Siano, Carl Andre, 47 pages, illus.
Dracos Art Center, exhibition catalogue from the Dracos Art Center, Athens, Greece, 1985, pp. 42-43, illus.
Exhibition-Dialogue on Contemporary Art in Europe,exhibition catalogue from the Modern Art Center, Calouste Gulbenkian Foundation, Lison, 1985, p. 156-7.
The Maximal Implications of the Minimal Line, exhibition catalogue from the Edith C. Blum Art Institute, Milton and Sally Avery Center for the Arts and Bard College Center, Annandale-on-Hudson, New York, 1985, p. 56 illus.
New York ‘85, exhibition catalogue from the Centre d’art Contemporain, Marseilles, ARCA, 1985.
Repetitions: A Postmodern Dynamic, exhibition catalogue, Hunter College Art Gallery, New York, 1985, pp. 8-9, illus.
Selections from the William J. Hokin Collection, exhibition catalogue from the Museum of Contemporary Art, Chicago, 1985, p. 10, illus. Edited by Terry A. R. Neff.
Transformations in Sculpture, exhibition catalogue from The Solomon R. Guggenheim Museum, New York, 1986. Essay by Diane Waldman.
Vom Zeichnen: Aspekte der Zeichnung 1960-1985, exhibition catalogue from Frankfurter Kunstverein, 1985-1986. Text by Peter Weiermair, pp. 60-63, illus.
Gilbert-Rolfe, Jeremy, Immanence and Contradiction, publish by Out of London Press, New York, 1985, pp. 163-172, illus.
Krauss, Rosalind E., The Originality of the Avant-Garde and Other Modernist Myths, published by M.I.T. Press, Cambridge, Massachusetts, 1985, p. 286-87, illus.
Lucie-Smith, Edward, American Art Now, published by William Morro, New York, 1985, p. 21, illus.
1984Built Landscapes: Gardens in the Northeast, exhibition catalogue from the Brattleboro Museum and Art Center, Vermont, 1984, pp. 12-19, illus. Essay by Jean E. Feinberg.
Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt,exhibition catalogue from the Waddington Galleries, London, 1984.
Carl Andre Sculpture, exhibition catalogue from The Fine Arts Center Art Gallery, State University of New York at Stony Brook, 1984, illus. Essay by Rhonda Cooper.
Development of Sculpture in the Twentieth Century: From Rodin to Christo, exhibition catalogue from the Museum of Modern Art, Otsu City, Japan, 1984, p. 143-148, illus.
Eight Artists from Paula Cooper Gallery, exhibition catalogue from the Contemporary Art Center, Seibu, Tokyo, 1984, illus.
Rosc ‘84/The Poetry of Vision.Dublin, Ireland August 19 - November 17, 1984.
Sammlung Reiner Speck, exhibition catalogue from the Krefelder Kunstmuseum, essay by Gerhard Storck, 1983.
1983
Biennale 17, catalogue for the Middleheim Museum in Antwerp, 1983.
De Statua, catalogue for the Stedelijk Museum in Antwerp, 1983.
The Museum of Modern Art, New York, published by Harry N. Abrams, New York, 1984, p. 247, illus.
Flam Jack D., Artists Choose Artists II, exhibition catalogue from CDS Gallery, New Yorkl, 1983, p. 6, illus.
Howett, John, Carl Andre: Sculpture 1983, exhibition catalogue from the Heath Gallery, Atlanta, Georgia, 1983.
Huten, Pontus and Bronw, Julia, The First Show, Painting and Sculpture from Eight Collection 1940 - 1980, exhibition catalogue from the Museum of Contemporary Art, Los Angeles, 1983.
Klein, Michael, Objects, Structures, Artifice, exhibition catalogue from SVC/Fine Arts Gallery, University of South Florida, Tampa, 1983, pp. 11-12, illus.
Leffingwell, Edward and Zona, Louis A., The Chinese Chance: An American Collection, exhibition catalogue from The Butler Institute of American Art, Youngstown, Ohio, 1983.
Levanto, Yrjana, et. al., Ars 83 Helsinki, exhibition catalogue from The Art Museum of the Atheneum, Helsinki, 1983.
Perreault, John and Van Wagner, Judith Collischan, Floored, exhibition catalogue from the Hillwood Art Gallery, Greenvale, New York and C.W. Post Center of Long Island University, 1983, p. 12, illus.
Sims, Patterson, Minimalism to Expressionism, Painting and Sculpture Since 1965 from the Permanent Collection, exhibition catalogue from the Whitney Museum of American Art, New York, 1983.
1982
Minimalism x 4, exhibition catalogue from the Whitney Museum of American Art, Downtown Branch, New York, 1982.
postMINIMALISM, exhibition catalogue, Ridgefield, Connecticut, The Aldrich Museum of Contemporary Art, 1982.
Twentieth Anniversary Exhibition of the Vogel Collection, exhibition catalogue, Potsdam, New York, Brainerd Art Gallery, State University of New York, 1982, illus.
Brock, Bazou, Besucherschule, Bonn, von Kunstfonds, e.V., 1982, pp. 21, 22, 41-42.
Etrog, Sorel, Contemporary Sculpture at the Guild, exhibition catalogue from Guildwood Hall, Toronto, 1982, pp. 5, 6.
Geeren, Wim; Block, Cor; Graevenitz, Antje von; Peterse, Ad; Tuyl, Gijs van; Weissman, George; Wilde, Edy. ‘60 ‘80 Attitudes/Concepts/Images, exhibition catalogue from the Stedelijk Museum, Amsterdam, 1982, pp. 7, 53, 65, 82.
Honisch, Dieter; Pauseback, Michael; Schmitz, Britta, Kunst wird Material, exhibition catalogue from the Nationalgalerie Berlin and Staatliche Museen Preussischer Kulturbesitz, 1982, pp. 22-25.
Owens, Craig, Wave Hill 1982: New Perspectives, published by Wave Hills, Inc., Bronx, 1982.
Phillips, Lisa, Surveying the Seventies, exhibition catalogue from the Whitney Museum of American Art, New York, 1982.
Ruchs, Rudi et al., Documenta 7, exhibition catalogue from Kassel, D + V Paul Dierichs GmbH, 1982, scattered references, (Vol. 1, pp. 98-101, Vol. 2, pp. 8-9, 391).
Vorrath, Jurgen, Halle 6, Hamburg, Halle 6 Organisationasburo, 1982.
1981
Fuller, Peter and Thompson, E.P. Artists for Nuclear Disarmament at the Acme Gallery, exhibition catalogue, New York, 1981.
Glozer, Laszlo, Weskunst, Koln, DuMont Buchverlag, 1981.
Selz, Peter, Art in Our Times, New York, Harry N. Abrams, Inc., 1981, pp. 490, 549.
Tuchman, Phyllis. Minimal Art, Madrid, Fundacion Juan, March 1981.
Vries, Herman de. Lapidar, Galerie D + C Mueller-Roth, 1981, np.
1980
Andre, Carl and Frampton, Hollis, 12 Dialogues: 1962-1963, published by the Press of the Novia Scotia College of Art and Design, Halifax, Novia Scotia and New York University Press, 1980.
Gravenitz, Gerhard von. Pier - Ocean, exhibition catalogue from the Kroller-Muller Museum, Otterlo, The Netherlands, 1980, pp. 27-28, 120-126.
Kardon, Janet. Urban Encounters, exhibition catalogue from the Institute of Contemporary Art, University of Pennsylvania, 1980, p. 45.
Mulders, Wim Van. Biennale van de Kritiek, exhibition catalogue from the International Cultureel Centrum, Antwerpen, 1980.
Wechter, Vivienne Thaul, A.R.E.A. Scultpre-Ward’s Island, exhibition catalogue from A.R.E.A., New York, 1980.
1979
Deitch, Jeffrey. Born in Boston, exhibition catalogue from De Cordova Museum, Lincoln, Massachusetts, 1979, pp. 5, 6-7, 38.
Grevenstein, Alexander van. On Walks and Travels, exhibition catalogue from Bonnefantenmuseum, Masstricht, The Netherlands,1979.
Le Bouil, Charles and Mageaufroid, Jean, T,P/Travaux, Pratiques 1979, Paris, Editions Charles Le Bouil, 1979, pp. 10-14, 142.
McShine, Kynaston. Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art, exhibition catalogue from the Museum of Modern Art, New York, 1979.
Mayhall, Dorothy. The Minimal Tradition, exhibition catalogue from The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1979, pp. 6, 9.
Perreault, John. Sculpture on Shoreline Sites, exhibition catalogue
from AREA, New York, 1979.
Prokopoff, Stephen. The Reductive Object, exhibition catalogue from the Institute of Contemporary Art, Boston, 1979.
1978
Carl Andre, Dan Flavin, Donald Judd, Richard Long, Brenda Miller, Michael Singer, exhibition catalogue from the Hurlbutt Gallery, Greenwich Library, Greenwich, Connecticut, 1978.
Carl Andre Sculpture Experiences for Children, exhibition catalogue from the Laguna Gloria Art Museum, Austin, Texas, 1978.
Münchener Jahrbuch der Bildenden Kunst, Bayerischen Staatsgemadesammlungen, Berlin, Vol. XXIX, 1978, pp. 256, 257.
The Tate Gallery 1967-78, exhibition catalogue from The Tate Gallery, London, 1978, p. 100.
Beijeren, Geert van and Dippel, Rini. Made by Sculptors, exhibition catalogue from the Stedelijk Museum, Amsterdam, 1978.
Bourdon, David, Carl Andre Sculpture 1959-1977, published by Jaap Rietman, Inc., New York 1978.
Bennett, Alber. Funk and Wagnalls New Encyclopedia, 1978 Yearbook,published by Funk & Wagnalls, Inc., New York, 1978, p. 87.
Crone, Rainer F. Numerals 1924-1977, exhibition catalogue fromYaleUniversity Art Gallery, New Haven, Connecticut, 1978.
Fuchs, R.H. Carl Andre Wood, exhibition catalogue from Van Abbemuseum, Eindhoven, The Netherlands,1978.
Honisch, Dieter. Aspekt der 60er Jahre, exhibition catalogue from the Nationalgalerie Berline, Staatliche Museen Preussischer Kulturbesitz, Berlin, 1978, p. 114.
Killer, Peter. The Museum of Drawers, exhibition catalogue from Kunsthaus Zurich, Zurich, 1978, pp.24,29.
Legg, Alicia. Sol LeWitt, exhibition catalogue form the Museum of Modern Art, New York, 1978, pp. 17, 18, 19, 31.
Kraus, Ziva. From nature to Art, From Art to Nature, exhibition catalogue from La Biennale di Venezia, Venice, 1978, pp. 49, 57.
Krauss, Rosalind. Grids, exhibition catalogue from
the Pace Gallery, New York, 1978.
Serota, Nicholas. Carl Andre: Sculpture 1959-1978, exhibition catalogue from Whitechapel Art Gallery, London, 1978.
1977
“Questions: Public? Sculpture? For Münster?” Skulpture Ausstellung in Münster, Münster, West Germany, Westfalisches Landesmuseum für Kunst und Kulturgeschichte, 1977.
A Small Self-Portrait, exhibition catalogue from Art Core Gallery, Kyoto, 1977, p. 21.
Ballatore, Sandy. Miniature, exhibition catalogue from the California State University, California, 1977.
Battcock, Gregory, “The Progress of Realism,” Why Art, published by E.P. Dutton & Co., New York, 1977.
Feinberg, Jean E. Wood, exhibition catalogue from the Nassau County Museum of Fine Arts, Rosyln Harbor, NY, 1977.
Glozer, Laszlo. Skuptur Ausstellung in Munster, Westfalisches Landesmuseum fur Kunst and Kulturgeschichte, New York, 1977, pp. 34-37.
Heiss, Alanna. Rooms PS 1, exhibition catalogue from The Institute for Art and Urban Resources, New York, 1977, pp. 107, 125.
Hess, Thomas B. New York: The State of Art, exhibition catalogue from the New York State Museum, Albany, NY,1977.
Krauss, Rosalind E., Passages in Modern Sculpture, published by The Viking Press, New York, 1977.
Livingston, Jane. Andre, LeVa, Long, exhibition catalogue from the Corcoran Gallery of Art, Washington, 1977, pp. 5, 7, 8-13, 28-30.
Pincus-Witten, Robert, Postminimalism, New York, Out of London Press, 1977.
Richardson, Brenda, Frank Stella: The Black Paintings, Baltimore, Baltimore Museum of Art, 1977, scattered references.
Waller, Bret. Works from the Collection of Dorothy and Herbert Vogel, exhibition catalogue from the University of Michigan Art Museum, Ann Arbor, MI, 1977.
1976
200 Years of American Sculpture, exhibition catalogue from the Whitney Museum of American Art, New York, 1976.
New York-Downtown Manhattan: SoHo, exhibition catalogue from Akademie der Kunste, Berlin, 1976.
Rooms, exhibition catalogue from the Institute for Art and Urban Resources, New York, 1976.
Cladders, Johannes, Raume, exhibition catalogue from Städtisches Museum, Monchengladbach, West Germany, 1976.
Gottlieb, Carla, Beyond Modern Art, New York, E.P. Dutton & Co., 1976
Hunter, Sam with Jacobus, John, Modern Art from Post Impressionism to the Present, published by Harry Abrams, New York, 1976.
Kardon, Janet. Private Notations: Artists’ Sketchbooks II, Philadelphia, Philadelphia College of Art, 1976.
Martin, Richard. A Patriotic Show, exhibition catalogue from Lerner-Heller, New York, 1976.
Rorimer, Anne. Seventy-second American Exhibition, exhibition catalogue from The Art Institute of Chicago, 1976.
Rose, Bernice. Drawing Now, exhibition catalogue from The Museum of Modern Art, New York, 1976.
1975
“Carl Andre,” The Tate Gallery 1972-4 Biennial Report and Illustrated Catalog of Acquisitions, 1975, pp. 73-75.
Carl Andre Sculpture 1958-1974, exhibition catalogue from Kunsthalle Bern, Switzerland, 1975. Edited by Angela Westwater.
The Condition of Sculpture: A Selection of Recent Sculpture, exhibition catalogue from the Hayward Gallery, London. Essay by William Tucker. 1975.
Functions of Drawing:Drawings from the Collection of Mia and Martin Visser and Geert Jan Visser, exhibition catalogue from the Rijksmuseum Kroller-Muller, Otterlo, The Netherlands, 1975. Essay by Rudi Fuchs.
Je/Nous, exhibition catalogue from Musée d’Ixelles, Brussels,1975.
Masterworks in Wood: The Twentieth Century, exhbition catalogue from the Portland Art Museum, Oregon, 1975. Essay by Jan Van der Marck.
The New Image, exhibition catalogue from the High Museum of Art, Atlanta, 1975.
One Hundred, exhibition catalogue from Smith College Museum of Art, Northampton, massachusetts, 1975. p. 60.
Painting, Drawing and Sculpture in the 60’s and 70’s From the Herbert and Dorothy Vogel Collection, exhibition catalogue from the University of Pennsylvania, Institute of Contemporary Art, Philadelphia, 1975. Essay by Suzanne Delehanty.
Projects in Nature, exhibition catalogue from Merriewold West Inc., Far Hills, New Jersey, 1975. Essay by Edward Fry.
Sculpture: American Directions 1945-75, exhibition catalogue from the National Collection of Fine Arts, Washington, D.C., 1975.
Alloway, Lawrence. Topics in American Art Since 1945, published by Norton, New York, 1975.
Anderson, Wayne. American Sculpture in Process: 1930/1970, published by New York Graphic Society, Boston, 1975.
Kostelanetz, Richard. Language & Structure in North America, published by Kensington Art Association, Toronto, 1975, pp. 26-27, 72.
Rose, Barbara. American Art Since 1900, published by Praeger Publishers, New York, 1975, (Second Edition).
1974
Andre/Broodthaers/Buren/Burgin/Gilbert and George/On Kawara/Long/Richter, exhibition catalogue from Palais des Beaux Arts, Brussels, 1974.
Art Now ‘74, exhibition catalogue from Artrend Foundation, Washington, D.C., 1974, pp. 17, 91.
Painting and Sculpture Today, 1974, exhibition catalogue from the Indianapolis Museum of Art, illus.
Sandra and Breck Caldwell Collection, University of California, University Art Museum, Berkeley, 1974. Essay By Brenda Richardson.
Tenth Anniversary: The Aldrich Museum of Contemporary Art, exhibition catalogue from the Aldrich Museum of Contemporary Art, Darien, Connecticut, 1974.
Word Works, exhibition catalogue from the Mount San Antonio College, Walnut, California, 1974, pp. 2, 48.
Andre, Carl. Eleven Poems, Torino, Italy: Gian Enzo Sperone, 1974.
De Vries, Gerde, ed. Uber Kunst-On Art: Artists’ Writings on the Changed Notion of Art After 1965. Cologne: Dumont Schaubert, 1974.
Kelly, James J. The Sculptural Idea. Minneapolis: Burgess Publishing Company, 1974. (Second Edition).
1973
3D Into 2D, exhibition catalogue from New York Cultural Center, 1973. Essay by Susan Ginsburg, pp.8,28.
1973 Biennial Exhibition of Contemporary American Art, Whitney Museum of American Art, New York, 1973. p. 7.
American Art: Third Quarter Century, exhibition catalogue from the Seattle Art Museum, 1973. Essay by Jan Van der Marck.
Artist’s Books, exhibition catalogue from Moore College of Art, Philadelphia, 1973.
Bilder, Objeckte, Filme, Konzepte: Herbig Collection, exhibition catalogue from Stadtische Galerie im Lenbachhaus, Munich, 1973.
Carl Andre: 144 Blocks and Stones, exhibition catalogue from the Portland Center for the Visual Arts, Oregon, 1973.
Contemporanea, Incontri Internazionali d’Arte Centro Di, Florence1973, pp.76-77, 229, 416.
Some Recent American Art, exhibition catalogue from The National Gallery of Victoria, Melbourne, 1973. Essay by Jennifer Licht, pp. 13-16.
Andre, Carl. Quincy Book, Andover, Massachusetts: Addison Gallery of American Art, 1973.
1972
Actualite d’un Bilan, exhibition catalogue from Galerie Yvon Lambert, Paris, 1972. Essays by Michel Claura and Rene Denizot, pp. 14-15.
Drawings and Diagrams, exhibition catalogue from Rijksmuseum Kröller-Müller, Otterlo, The Netherlands, 1972. Essay by Carter Ratcliff.
Grids, exhibition catalogue from the Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 1972. Essay by Lucy R. Lippard.
Andre, Carl. Attica Book (Black Emergency Coalition and Writers Protest Against the War in Vietnam, Benny Andrews and Rudolf Baranik, ed., New York, 1972.
Gorgoni, Gianfranco and Gregoire Muller. The New Avant Garde: Issues for the Art of the Seventies, published by Praeger Publishers, New York, 1972.
1971
Centennial Exhibition, exhibition catalogue from the San Francisco Art Institute, 1971. Essay by Carl Andre (“A Juror’s Statement”).
Second Indian Triennial, exhibition catalogue from New Delhi, India,1971.
Sonsbeek ‘71, exhibition catalogue from Arnhem, The Netherlands, 1971.
Sixth Guggenheim International Exhibition, exhibition catalogue from the Guggenheim Museum, New York, 1971.
Calas, Nicholas and Elena. Icons and Images of the Sixties. New York: E.P. Dutton & Co., 1971. pp. 258, 274, 275.
Lippard, Lucy R. Changing, published by E.P. Dutton & Co., New York, 1971.
1970
1970 Annual Exhibition, exhibition catalogue from the Whitney Museum of American Art, 1970.
955,000, exhibition catalogue from Vancouver Art Gallery,1970. Essay by Lucy R. Lippard.
Art in Process IV, exhibition catalogue from Finch College Museum of Art, New York, 1970.
L’Art Vivant aux Etats-Unis, exhibition catalogue from Saint-Paul-de-Vence, France, Foundation Maeght,1970. Essay by Dore Ashton.
Between Man and Matter, published by Mainichi Newspaper and the Japan International Art Promotion Association, Tokyo, 1970.
Carl Andre, exhibition catalogue from the Solomon R. Guggenheim Museum, New York, 1970. Essay by Diane Waldman.
Fünf Künstler im Fünf Räumen, exhibition catalogue from the Kunst und Museumverein Wuppertal,1970. Essay by Gunter Aust.
Information, exhibition catalogue from the Museum of Modern Art, New York, 1970. Essay by Kynaston McShine.
Sixty-ninth American Exhibition, exhibition catalogue from The Art Institute of Chicago, 1970.
Unitary Forms: Minimal Sculpture by Carl Andre, Don Judd, John McCracken, Tony Smith, exhibition catalogue from the San Francisco Museum of Art, 1970. Essay by Suzanne Foley.
Arnason, H.H. American Artists of the Nineteen Sixties, published by Boston University, Boston,1970. p. 15.
Burnham, Jack. The Structure of Art, published by Braziller, New York, 1970.
Minemura, Toshiaki and Yusuke Nakahara, eds.
1969
555,087, Seattle Art Museum,1969. Essay by Lucy R. Lippard.
Andre, Flavin, Judd, LeWitt and Morris, Hetzel Union Building Gallery, University Park, Pennsylvania State University, 1969. Essay by Ira Licht.
Anti-Illusion: Procedures/Materials, Whitney Museum of American Art, New York, 1969. Essay by James Monte.
Carl Andre, Gemeentemuseum, The Hague,1969. Essay by Enno Develing.
Five Sculptors: Andre, Flavin, Judd, Morris, Serra, University of California Art Gallery, Irvine, 1969.
Op Losse Schroeven, Stedelijk Museum, Amsterdam,1969.
Procedures/Materials. 1969. Essay by James Monte.
When Attitudes Become Form.Kunsthalle, Bern, Switzerland. 1969.
Andre, Carl. Seven Books of Poetry. New York: Dwan Gallery and Seth Siegelaub, 1969. (A uniform manuscript edition of 36 signed and numbered sets: Passport, 1960; Shape and Structure, 1960-65; A Theory of Poetry, 1960-65; One Hundred
Sonnets, 1963; American Drill, 1963-68; Three Operas, 1964; Lyrics and Odes, 1969)
Celant, Germano. Arte Povera. New York: Praeger Publishers, 1969.
1968
3 Blind Mice/de Collecties: Visser,Peeter, Becht, Stedelijk Van Abbemuseum, Eindhoven, 1968.
The Art of the Real, exhibition catalogue from The Museum of Modern Art, New York, 1968, pp. 9, 30, 52, 58.
Carl Andre, exhibition catalogue from theStädtisches Museum, Monchengladbach, West Germany, 1968. Essay by Carl Andre.
Cool Art-1967, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut,1968.
Directions 1: Options. Milwaukee Art Center 1968.
documenta 4, Kassel, West Germany,1968.
Minimal Art, The Hague, Gemeentemuseum,1968. Essays by Enno Develing and Lucy R. Lippard.
Prospect 68, Stadtische Kunsthalle, Düsseldorf,1968.
Sammlung 1968 Karl Stroher, Neue Pinakotheka, Munich 1968.
Andre, Carl. Andre-Barry-Huebler-Kosuth-LeWitt-Morris-Weiner (The Xerox Book), published by Seth Siegelaub/Jack Wendler, New York, 1968.
Battcock, Gregory, ed. Minimal Art, A Critical Anthology, published by E.P. Dutton & Co., New York, 1968.
1967
American Sculpture of the Sixties, exhibition catalogue from the Los Angeles County Museum. 1967.
A Romantic Minimalism, exhibition catalogue from the Institute of Contemporary Art, University of Pennsylvania,1967. Essay by Stephen Prokopoff.
1966
Primary Structures: Younger American and British Sculptors, exhibition catalogue from the Jewish Museum, New York, 1966. Essays by Carl Andre, Kynaston McShine.
1964
Eight Young Artists, Hudson River Museum, Yonkers,
New York 1964. Essay by E.C. Goossen.
1961
Andre, Carl. First Five Poems, New York, 1961.

Journals, Magazines and Newspapers

2015
Rus, Mayer. “A Retrospective of Carl Andre’s Revolutionary Sculptures,” Architectural Digest, August 18, 2015
Indrisek, Scott. “September’s Most Exciting New York Openings,” Blouin Artinfo, August 7, 2015
Saltz, Jerry. “The New New Museum – The New Whitney a Post Museum Museum,” New York Magazine, April 20-May 3, 2015. pp. 42.
Andre, Carl. “Yucatan (1972),” Mousse Magazine, December – January, 2015, pp. 179; illus.
2014
Weiner, Lawrence. “The Artists’ Artists: Best of 2014,” Artforum, December 2014, p. 134.
Meyer, James. “Carl Andre, DIA:BEACON,’” Artforum, September 2014, pg. 365-366; illus.
Mack, Joshua. “Carl Andre Sculpture as Place, 1958 – 2010,ʼ” Art Review, October 2014, pg. 141; illus.
Esplund, Lance. “A Conflict of Minimalist Interests,” The Wall Street Journal, September 16, 2014
Rose, Barbara. “The Nature of Carl Andre,” The Brooklyn Rail, July 15, 2014
Rinn, Natalie. “Scale Mail,” Hamptons Magazine , June 27 – July 3, pg. 93; illus.
Michel, Karen and Andre, Carl. “With Blocks And Bricks, A Minimalist Returns To The Gallery,” (Interview) NPR, June 22, 2014; http://www.npr.org/2014/06/22/324373511/in-blocks-and-bricks-a-minimalist-returns-to-the-gallery.
Budick, Ariella. “Carl Andre: Sculpture as Place, 1958-2010, Dia:Beacon, New York – review,” Financial Times, June 18, 2014 illus.
Cotter, Holland. “A Stonehenge for the Modern Age,”The New York Times, May 30, 2014; pg. C21, C27, illus.
Pollack, Maika. “‘Carl Andre: Sculpture as Place, 1958-2010’ at Dia:Beacon,” Galleristny.com, May 7, 2014, illus.
Kennedy, Randy. “Minimalist Retrospective Gets a Master’s Touch,” The New York Times, May 5, 2014; pg. C1 and C5, illus. Asfour, Nana. “A Rare Retrospective for Carl Andre Opens at Dia:Beacon,” Vogue.com, May 2, 2014, illus.
Meyer, James, “Carl Andre: Sculpture as Place, 1958-2010,”Art Forum, May 2014; pg. 184, illus.
“Andre at Dia,” Art in America, May 2014; pg. 28, illus.
Yablonsky, Linda. “Carl Andre: brick by brick,”The Art Newspaper, May 2014; pg. 31, illus.
Kitnick, Alex. “Brand Minimalism”, Art In America, April 2014, pp. 86-90, illus
2013
“Postscript: Writing After Contemporary Art; Museum of Contemporary Art Denver” “Andre’s Hometown,” Art in America, December 2013, p. 23, illus.
Vogel, Carol. “Inside Art: A gift of 250 Works From a Storied Dealer,” The New York Times, September 27, 2013; pg.C26; illus.
Crow, Thomas. “Head Trip”, Artforum, September 2013, pp. 322, illus.
Vogel, Carol. “A gift of 250 works from storied dealer”, The New Yorker, September 27, 2013, pp. C26.
Smith, Roberta. “’Specific Objects’ at Susan Inglett Gallery,” The New York Times, July 5,2013, p.C23; illus.
Rose, Barbara, “Carl Andre,” Interview, June/July 2013; pgs. 96-103, 123-124, illus.
“To Do: Carl Andre,” New York Magazine, June 17, 2013, pg. 71.
MacAdam, Barbara A. “The House That Judd Built,” ARTnews, June 2013, pg.24; illus.
Delahunty, Gavin. “Carl Andre: Poems,” Artforum, Summer 2013, cover and pgs. 284-293; illus.
“New Museum Spaces and an Artist’s Home,” Art in America, June/July 2013, pg. 26; illus.
Wilk, Deborah. “Work to Live,” Art + Auction, June 2013, pg. 57; illus.
Smith, Roberta. “Repetition II,” The New Tork Times, March 15, 2013, pg. C18.
“New York Artists Now”, The New York Observer, February 20, 2013.
Sooke, Alastair. “Carl Andre: Mass & Matter, Turner Contemporary, Margate,” The Telegraph, January 28, 2013, www.telegraph.co.uk/culture/art/art-reviews/9832202/Carl-Andre-Mass-and-Matter-Turner-Contemporary-Margate-review.html.
Belcove, Julie, “’My work doesn’t mean a damn thing’,” The Financial Times, January 26, 2013, pg.19.
2012
Rider, Alistair. “Carl Andre’s poetry and the mapping of media,” Word & Image, Vol. 28, No. 4, October-December 2012. p. 397-408.
“Galleries-Chelsea: Carl Andre,” The New Yorker, November 26, 2012, p. 12.
Bui, Phong and Michèle Gerber Klein. “Carl Andre with Michèle Gerber Klein and PhongBui,” The Brooklyn Rail, February 2012, http://www.brooklynrail.org/
2011
Tomkins, Calvin. “The Materialist: Carl Andre’s eminent obscurity,” The New Yorker, December 5, 2011, pp. 64-73; illus.
Kennedy, Randy. “For Carl Andre, Less is Still Less,” The New York Times, July 14, 2011
“Exhibition: Carl Andre: Cuts into space,” AGMA, Issue #4, 2011, pp. 8-13; illus.
“What matters to the reclusive artist, Carl Andre,” Phaidon Agenda, May 23, 2011
Sivasathan, Nalini. “How to build controversy from a pile of bricks,” The Independent, May 1, 2011, Independent.co.uk; illus.
Lindquist, Greg. “Reviews: Legacy: The Emily Fisher Landau Collection,” ARTnews, May 2011, pg. 117, illus.
Bailey, Martin. “Revealed: secrets of the Tate bricks,” The Art Newspaper, May 2011, pg. 7, illus.
Pascucci, Marisa. “Profiles: 24 Artists: Carl Andre,” The Art Economist, March 2011, pg. 40, illus.
Luke, Ben. “What’s On: Ping-pong between objects,” The Art Newspaper, January 2011, pg. 71; illus.
Weiss, Jeffrey. “Carl Andre: Chinati Foundation, Marfa, Texas,” Artforum, February 2011, pp. 216-217; illus.
2010
“A homecoming for Carl Andre,” The Art Newspaper December 17, 2010, pg. 5; illus.
“Art in Residence,” WSJ Magazine October/ November 2010, pp. 80-85.
“Roswitha Haftmann – Preis an Carl Andre,” NZZ Online, August 25, 2010
Gritz, Anna. “Vertically Integrated Manufacturing,” Frieze April 2010, pg. 127; illus.
Sjostrom, Jan. “‘Anti-Icon’ aims to reclaim serious side of art,”Palm Beach daily News February 17, 2010, pg. A4; illus.
Troeller, Jordan. “Critics’ Picks: Vertically Integrated Manufacturing”Artforum.com January 27, 2010
2009
Cotter, Holland. “The Year of Tumult” The New York Times October 30, 2009 pp. 21, 27; illus.
Falconer, Morgan. “Carl Andre” ART WORLD Issue 11, June/July 2009, pp. 34-39; illus.
Goodman, Jonathan. “Carl Andre: Paula Cooper Gallery” Sculpture Vol. 28 No. 5, June 2009, pp.66-68; illus.
2008
“Carl Andre/Christian Marclay” Art Listings New York Magazine September 15, 2008, pg. 106.
Gluckman, Neil. “Gallery Scene Set to Swing” The New York Sun August 25, 2008, pg. 15.
Herbert, Martin. “The World as a Stage,” and “A Theatre Without Theatre,” Artforum, March 2008, pp. 353-355.
Rosenberg, Karen. “Cheeky Hipsters in the Halls of Victorian Brigadiers,” The New York Times, February 22, 2008, pg. E35; illus.
Carey-Kent, Paul. “Cubes,” Art World, February/March 2008, pp. 49-51; illus.
Ken, Johnson. “Hunting a Tribe of Minimalists on the Streets of the Upper East Side,” The New York Times, January 5, 2008, pg. B11; illus.
Adam, Alfred Mac. “Reviews: New York: Carl Andre, Paula Cooper,” Art News, January 2008, pg. 122; illus.
Bryan-Wilson, Julia. “Sounding the Fury,” Artforum, January 2008, pp. 95-96.
2007
Morris, John. “Lisson at 40: Fighting Fit,” Art World, December 2007/ January 2008, pp. 13-14, illus.
Kuzma, Marta. “Best of 2007: Marta Kuzma,” Artforum, December 2007, pp. 342-343; illus.
Cohen, David. “Minimal Art, Maximum Message,” The New York Sun, November 29, 2007, pg. 21; illus.
Deitch, Jeffrey. “Who Has the Power,” Flash Art, November-December 2007, pp. 97-99; illus.
Saltz, Jerry. “Has Money Ruined Art?,” New York Magazine, October 15, 2007, pp. 36-42.
Turvey, Lisa. “Carl Andre,” Artforum, Summer 2007, pp. 494-495; illus.
Schlaegel, Andreas. “Ideal City – Invisible Cities,” Flash Art, November-December, 2006, pg. 55.
“Carl Andre,” The New Yorker, May 2006, pg. 20.
Cotter, Holland. “Experience Matters: Creators in Midcareer and Beyond,” The New York Times, April 21, 2006, pp. E31, E39.
Azimi, Roxanna. “New Museums: Francois Pinault,” The Art Newspaper, October 2005, p. 28. Illus.
Streitfeld, L.P. “Silvermine Reinterprets Visionary Architect Louis Kahn,” The Advocate & Greenwich Time, July 3, 2005, p. D3, illus.
Fyfe, Joe. “Books,” Art on Paper, September/October, 2005, p. 80, illus.
Vogel, Carol. “Inside Art,” The New York Times, September 9, 2005, p.E28.
Sholis, Brian. “Paint by Letters,” New York Press, June 29, 2005.
Smith, Roberta. “Wide Open Spaces, Within and Between the Frames, The New York Times, September 2, 2005, p. E29, illus.
2004
Archer, Michael. “Milimalism: LA,” Art Monthly, June 2004, p. 1-3, illus.
Bois, Yve-Alain. “Specific Objections,” Artforum, Summer 2004, p.196-203&208, illus.
Cohen, David. “Gallery-Going,” The New York Sun, April 1, 2004, p. 16.
“Galleries-Chelsea: Carl Andre,” The New Yorker, March 22, 2004, p. 17.
Drohojowska-Philp, Hunter. “’A Minimal Future? Art as Object 1958-1968’,” ARTnews, June 2004, p. 119.
Glover, Michael. “Interview Carl Andre: To the heart of the man and his matter,” Financial Times, February 14/February 15, p. W7, illus.
Gober, Robert. “Behind the Seams,” Artforum, Summer 2004, p. 210.
Godfrey, Mark. “Dimensions variable,” frieze, June July August, 2004, p. 116-121, illus.
Kimmelman, Michael. “How Not Much Is a Whole World,” The New York Times, April 2, 2004, p. E31&E33, illus.
Masheck, Joseph. “Milimalism: NY,” Art Monthly, June 2004, p. 5-8.
“New York: our selection A-Z,” The Art Newspaper, March 2004, p. 3.
Rahtz, Dominic. “Literality and Absence of Self in the Work of Carl Andre,” Oxford Art Journal, Oxford University Press, 27.1 2004, p. 61-78, illus.
Roulet, Laura. “Ana Mendieta and Carl Andre: Duet of Leaf and Stone,” Art Journal, Fall 2004, p. 80-101, illus.
Cherix, Christophe. “Exhibition Guide: Carl Andre – Passport and Poetry – 1960 – 2000” Exhibition brochure (exhibition 10/28 – 12/19/2004), translated by Deborah Fiette, Cabinet des estampes du Musée d’art et d’histoire, Geneva, Switzerland. Straub, Drew B. “Rebirth of a 1970s Project: Cinder blocks avoid banality and convey transendence,” Gay City News, February 26-March 3, 2004, p. 23, illus. Weiss, Jeffrey. “Language in the Vicinity of Art: Artists’ Writings, 1960-1975,” Artforum, Summer 2004, p. 212-217, illus.
2002
Boettger, Suzaan. “Swept Away, Carl Andre`s Grave and Eearly Earthworks”, Sculpture, December 2002, pp. 36-41.
Brown, Robert. “Essential Minimalism,” Christie’s magazine, November 2002, p. 42-46, illus.
“Carl Andre,” The New Yorker, January 21, 2002, p. 12.
“Carl Andre at Paula Cooper Gallery,”Time Out New York, January 10-17, 2002 p. 65.
Dannatt, Adrian, “Carl Andre,” The Art Newspaper (What’s On), January 2002, p. 3.
Fyfe, Joe, “Carl Andre: ‘Poems,’” Art On Paper, May-June 2002, p. 87, illus.
Gioni, Massimiliano, “New York Cut Up: Art Fragments from the Big Apple,” Flash Art, January-February 2002, p. 61.
Huber, Gauthier. Interview with Carl Andre, artpress, February 2002, p.70-71, illus.
“American Beauty,”The Art Newspaper, no. 125, May 2002, p. 14.
2001
Boettger, Suzaan, “A Found Weekend, 1967: Public Sculpture and Anti-Monuments,”Art in America, January 2001, p. 80-125, illus.
Diehl, Carol, “Carl Andre at Whitechapel Gallery and Paula Cooper,” Art in America, February 2001, p. 151, illus.
Johnson, Ken, “Minimal,” The New York Times, August 24, 2001, p. E32.
2000
Batchelor, David, “London : Carl Andre, WhiteChapel Art Gallery” ; Artforum, May 2000, p. 53, illus.
Birnbaum, Daniel, “Art and the Deal: Daniel Birnbaum on Konrad Fischer/Lueg”; Artforum, February 2000, pp. 17-21
Buck, Louisa. “Exhibition diary: Carl Andre”; The World of Interiors, July 2000, p. 112-3.
Buck, Louisa, “Martin Creed: Openings” ; Artforum, February 2000, pp. 110-111
Coomer, Martin, “Back to basics,” TimeOut London, July 19-26, 2000.
Cork, Richard, “All in all, he’s rather a brick after all,” The London Times, July 12, 2000.
Cumming, Laura, “A floored genius,” The Observer, July 2000.
Ebony, David, “Front Page: Fall Auction Fever” ; Art in America, January 2000, pp. 26-27
Everett, Deborah. “Dan Flavin, Carl Andre, Louise Bourgeois, Mark Di Suvero, Roni Horn, Bruce Nauman, Robert Grosvenor, Claus Oldenburg, David Smith and Tony Smith @ Paula Cooper,” NYArts, Vol. 5 #1, 2000, p. 83.
Gayford, Matrin. “Time to Stop the Brickbats”; The Spectator, July 29, 2000, pp.37-38, illus.
Grant, Simon, “Thinking man’s brickie,” The Independent, July 2, 2000.
Januszczak, Waldemar, “Carl Andre,” The Sunday Times, July 16, 2000.
Kopie, Jeff, “Marfa, the Chinati Foundation,” Issue+4, Vol.1, No.4, Fall 2000, p.43.
MacRitchie, Lynn. “Notorious master of the ready-made”; Financial Times, July 11, 2000, p. 19.
Marsh, Tim. “Solid ground,” Merto, July 1-7, 2000.
Morrow, Fiona. “Carl Andre”; Metro, July 7, 2000, p. 18.
Musgrave, David. “Carl Andre,” Art Monthly, September 2000.
Potts, Alex. “London:Carl Andre”, The Burlington Magazine.
Stoddard, Hugh, “Another brick on the floor,” The Independent, July 7, 2000, p. 45.
“Tattoo Mike/Oona Stern”; The New Yorker, June 19 & 26 2000, p.32
“The heart of the matter,” The Economist, July 22-28, 2000.
Torres, Ana Maria, “Carl Andre,” NY Arts Magazine, November 2000, p. 8-9.
Tully, Judd. “Around the Block”; Art & Auction, June 2000.
“Underrated/Overrated,” ARTnews, December 2000, p. 122.
Vetrocq, Marcia E., “Minimalia: A Matter of the Mind” ; Art in America, January 2000, pp. 88-95
Vogel, Carol, “Inside Art: Philadelphia Philanthropy”; The New York Times, January 21, 2000, E. 39
Vogel, Carol, “Once Radical, Now Recherché” ; The New York Times, March 17, 2000, p. E 34
Wilner, Millicent, “Image, Word, Object : Redefining Art” ; Sotheby’s Preview, May 2000, pp. 64-65
1999
“50 Espèces d’espace,” Musées de Marseille (brochure), Spring/Summer 1999.
“Baudelaire in a China Shop,” House of Sculpture: Modern Art Museum of Fort Worth, May 23-August 8, 1999, p. 1, illus.
Christie’s magazine, November 1999, p. 140, illus.
Cooney, Beth. “In the eye of the beholder”. The ADVOCATE Greenwich Time. June 6, 1999. pp. D1-D2.
Eakin, Hugh. “Up and Running,” Art News, June 1999, p. 41.
Feaver, William. “The Century’s Most Influential Artists, Art News, May 1999, p.130, illus.
Feaver, William, “Space Craft”; ARTnews, May 1999, p, 130
Goldstein, Sandy. “Important Sculptors of the Late Twentieth Century”, The Stamford Downtowner. Volume 1, Number 12, Spring 1999, pp. 1 and 3.
Johnson, Ken. “A Mediation on the Year 1960” The New York Times, 29 Jan. 1999, p: E35, illus.
Klein, Mason. “Carl Andre” Feb. 1999, p.96, illus.
Schjeldahl, Peter, “All that Jazz: The Whitney celebrates the triumph of postwar American Art”; New Yorker, October 18/25, 1999
Smith, Roberta, “Art Center Has Room For the Big and the New” The New York Times, June 2 1999, pp. E1-E5.
Vogel, Carol “A Test for Lead” New York Times. October 8, 1999. p. E34.
Werenko, John D. “Ringling Bronzes Shine Again With Help From Modern Art Foundry, Modern Art Foundry, p. 4.
1998
“Carl Andre” The New Yorker, November 16th, 1998, p.18.
“Carl Andre: New York”, Noticias de Arte, ano XXV, numero 265, 1998, p. 42, illus.
“In Galleria,” Il Sole, April 5, 1998, p. 42.
Barilli, Renato. “Binari lucenti” L’Espresso 30 April 1998
Bounameaux, Henry. “Découvrez l’art minimal,” Echo, March 7, 1998.
Cruz, Juan. “Carl Andre/Melissa Kretschmer” Art Monthly, October 1998, pp. 32-34.
D.R., J. “Het lijkt zo simpel,” Het Volk, February 27, 1998.
Gilsoul, Guy. “La forme, rien que la forme,” Le Vif - L’Express, February 13, 1998, illus.
Goldberg, Vicki. “Beyond the Harvest of the Sea, an Abundance of Modern Art” The New York Times 17 May 1998, p.34
Goodman, Jonathan. “Carl Andre at Ace” Art in America, Volume 86, No. 1, January 1998, pp.100-101, illus.
Hauser, Rouve. “Minimal Art,” Le Journal du Médecin, April 24, 1998.
Hughes, Ralph. “Carl Andre,” Galleries/UK, August 1998, p. 13.
Hustache, Anne. “L’Amérique minimale,” Le Généraliste, April 15, 1998
Jamart, Christine. “Le minimal art en collections belges,” Art et Culture, March 9, 1998, pp 2-7.
Johnson, Ken. “Carl Andre” The New York Times, Friday, November 13th, 1998
Kovács, János. “Minimal Art: een topper van een tentoonstelling,” KMO, May 12, 1998.
Lambrecht, Luk. “Minimal art-tentoonstelling in BBL,” De Morgen, March 30, 1998, p. 2, illus.
Lorent, Claude. “Le minimal art américain en collections belges: fabuleux!,” La Libre Belgique, February 13, 1998.
Macmillan, Duncan. “This is Not a Pile of Bricks. This is Poetry.” The Scotsman, August 15th, 1998.
Planca, Elisabetta. “Andre, la galleria come una pila voltaica,” ARTE, May 1998, p. 170.
Régnier, Philippe. “Bruxelles ne manque pas de sel,” Journal des Arts, March 20, 1998.
Ruyters, Marc. “Minimale ingrepen in een bankgebouw,” Financieel economische tijd, February 21, 1998.
Stegeman, Elly. “Tapdansen op minimal art in een Brussels bankgebouw,” NRC Halndelsblad, April 11, 1998
Trimarco, Angelo. “La minimal art di Carl Andre” Il Mattineo 21 April 1998
1997“Art Review”, The New York Times, Friday, November 20th, 1998.
“Carl Andre: Ace Gallery” Review, gallery review, March 15, 1997, pp.35-36.
“Carl Andre, sculpteur,” L’Argus de la presse, August 29, 1997, illus.
Musée de Marseille Programe, Summer 1997, cover and p.12-13, illus.
Anderson, Ellin. “Art that fills the mind with questions”. The Haverhill Gazette,Thursday, December 11th, 1997.
Av, Anmeldt. “Et rotehus” Bergens Tidende, May 5, 1997.
Bernard, Julia. “Carl Andre: Sculptor: Minimalism’s Museological (Re)Locations” Texte Zür Kunst, No. 24, 1997.
Blom, Ina. “Når man ligger lavt” , Aftenposten, April 30, 1997.
Braet, Jan. “De weg naar Stonehenge,” KNACK magazine, Brussels, 16/16, April 22, 1997, pp. 80-83, illus.
Brown, Tina. “Sculptor Gives Admirers A Glimpse of His World” Hartford Courant, Monday, November 16, 1997, illus.
Condon, Tom. “City Could Use Another Work of Public Art” Hartford Courant, November 18, 1997.
de Jonge, Peter. “The Rubells in Miami” Harper’s Bazaar, February 1997, pp.205-209, 223, illus
Dom, Gilou. “Entrée en matières et perspective selon Carl Andre” Provence, May 7, 1997, illus.
Domenge, Gilou. “Entrée en matières et perspectives selon Carl Andre,” Provence, July 5, 1997, illus.
Ebony, David. “Spring Auctions Signal Recovery” Art in America, Vol. 85, No.7, July 1997, pp.25-26.
Egenhofer, Sebastian. “Against Death,” neue bildende kunst, #1/97, February - March, 1997, pp. 52, 53, 96, illus.
Flach, Eva-Lotta Holm. “Laying Low in the Minimal Terrain” Material, No.32, Spring 1997, p.12.
Gear, Josephine. “Carl Andre: Hey! I’m Here” Review, March 15, 1997, pp.23-25.
Ghaddad, Karim. “Marseille: Carl Andre,” art press, #229, November 1997, p. 71, illus.
Grotvedt, Paul. “Lavmal pa Kunstnernes Hus” Verdens Gang, April 15, 1997.
James, Eric. “Blaffer Gallery Goes Abstract with Latest Exhibit” The Daily Cougar, February 1, 1995, illus.
Johnson, Patricia. “Pushing Past Purity” Houston Chronicle, January 30, 1995.
Kløvstad, Vibeke. “Amerikansk handlingskunst” Morgenbladet, April 11, 1997.
Kokkin, Jan. “Kunst å se ned på” Dagens Naeringsliv, April 12, 1997, p.30.
Lorent, Claude. “Carl Andre met la sculpture au sol au musée Cantini de Marseille” L’Argus, May ?, 1997, illus.
Lorent, Claude. “Carl Andre met la sculpture au sol au musée Cantini de Marseille,” Libre Belgique, August 11, 1997, illus.
McNally, Owen. “Hartford’s Rocks: Twenty Years After Critics Cast the First Stone, Carl Andre’s Sculpture Stands” Hartford Courant, November, 1997.
Rimanelli, David. “Top Ten: The Year in Review” Artforum, Volume XXXVI, No.4, December 1997, p.96.
Rimanelli, David. “Top Ten” Artforum, Volume XXXVI, No.4, December 1997, pp. 105, illus
Rosoff, Patricia. “The Artist Who Rocked Hartford” The Hartford Advocate, November 13-20, 1997, pp. cover,12-15, illus.
Samuelsen, Harald. “Kunsten å strø (The Art of Strewing),” Morgenbladet, April 18, 1997.
Schjeldahl, Peter. “Far Out” Village Voice, March 18, 1997, p.83, illus.
Serck, Peter. “Kaos i system” Klassekampen, May 21, 1997.
Sherman, Mary. “Deft minimalism is taken to max” Boston Herald, October 12, 1997.
Stafne, Inelise. “Kunsten ned på gulvet” Aftenposten, April 13, 1997.
Sylvester, David. “Carl Andre” Artforum, Volume XXXVI, No. 4, December 1997, pp. 110-111, illus.
Volle, Wenche. “Samtaler med modernismen” Dagbladet, April 20, 1997.
von Drathen, Doris. “Away from Categories: an Alternative View of Tony Smith and Carl Andre” artpress, #224, May 1997, pp. 38-47.
Weiss, Eric. “And Views Still Differ: boulders or Art?” Hartford Courant, November, 1997.
1996
“A Brush with Genius - Carl Andre on An Experiment On A Bird in the Air-Pump,” The Guardian, May 21, 1996.
“Carl Andre” artpress, #211, March 1996, p.17, illus.
“Carl Andre At Large” Flash Art, news section, p.46, Vol. XXIX, No.187, March-April 1996.
“Carl Andre: Liebstes Publikum sind Kinder” Wolfsburger Allgemeine Zeitung, February 2, 1996, illus.
“Carl Andre: Sculpture as Place,” Arti (Greece), Summer 1996, p. 224, illus.
“Carl Andre Sculptor,” Cellesche Zeitung, February 6, 1996.
“Krefeld/Wolfsburg - Carl Andre im Haus Lange und Haus Esters,” Das Kunst Bulletin, March 1996, p. 41, illus.
“Kunst am Boden,” Architektur & Wohnen, 1/1996, illus.
“Kunst aus Holz und Metall zum begehen und anfassen” Wolfsburger Kurier, April 2, 1996, illus.
“Major Show for Minimalist Artist” The Art Newspaper, March 1996.
“Minimalia e Minimalismo: Carl Andre une e trino,” Il Giornale dell’Arte, #142, March 1996.
Adams, Brooks. “The Abstract Century” Art in America, Vol. 84, No.7, July 1996, pp.57-61.
Bakewell, Joan. “Diary,” The Spectator, June 1, 1996, p. 7.
Barten, Walter. “ ‘Postatelierkunst’ van Carl Andre in Krefeld en Wolfsburg,” Het Financieele Dagblad (The Netherlands), February 10-12, 1996, 4 pages, illus.
Batchelor, David. “Carl Andre: Kunstmuseum Wolfsburg and Hausw Esters, Krefeld” frieze, Issue 30, Sept/Oct 1996.
Behrens, Katja. “Einladung zu neuen Erlebniswelten,” Kölner Stadtanzeiger, February 22, 1996, illus.
Behrens, Katja. “Flach ist night gleich pratt,” Marabo Kunst Aktuell (Duisburg), 3/96, p. 110, illus.
Bernard, Julia. “Carl Andre, ‘Sculptor’? Die (Re-)Positionierung des Minimalismus im Museum,” Texte zur Kunst, Cologne, August 1996, #23, pp. 108-119, illus.
Birnbaum, Daniel. “Skin Deep” Artforum, Vol. XXXV, No. 4, 1996, p. 105, illus.
Bode, Ursula. “Der Leise Revolutionar” Die Zeit, February 16, 1996.
Cork, Richard. “Minimalist master takes the floor” The Times, Tuesday, May 7, 1996, illus, London, p.12.
Depondt, Paul. “Voetstuk voor de wereld,” De Volkskrant (Amsterdam), February 9, 1996, illus.
Dorment, Richard. “The Bricks Are Back-and the’ve grown,” The Daily Telegraph, May 15, 1996, illus.
Feaver, Williams. “William the Plunderer,” The Observer, May 12, 1996.
Feaver, William. “Who, What, and Where is the Cutting Edge” Art News Special, October 1996, pp.10-11, illus.
Fechner-Smarsly, Thomas. “Harte Maßarbeit” Frankfurter Rundschau, March 19, 1996, illus.
Flanagan, Jane. “Tate Signs up to Show World’s Best Modern Art,” Evening Standard, April 3, 1996.
Frew, George. “They’re bricks but is it art?” Oxford Mail, May 10, 1996, illus.
Gerrard, Nicci. “Brickmanship” The Observer, May 5, 1996, illus.
Ghaddad, Karim. “Carl Andre - Erik Satie - Constantin Brancusi,” Le Journal des Expositions, April 1996, #35, p. 4.
Gray, Chris. “Brick Foundations of a Sculptor’s fame” The Oxford Times, May 3, 1996.
Hensher, Philip. “Carl Andre and Derek Jarman” Modern Painters, Summer 1996, illus.
Hilton, Tim. “Obscure Objects of Desire,” The Independent on Sunday, May 12, 1996, p. 24, illus.
Ingenpahs, Heinz-J. “Passagen und Palisaden,” Westdeutsche Zeitung, February 3, 1996, illus.
Jakeman, Jane. “Material Difference” Oxford Magazine, Eighth Week, Trinity Term, 1996, illus.
Janssen, Peter. “Scala: Het Misverstand Van Carl Andre” Dagblad de Limburger, July 18, 1996, p.19, illus.
Januszczak, Waldemar. “Walking Back to Happiness,” The Sunday Times, May 12, 1996, illus.
JSM. “Haus-Arbeiten,” Stuttgart Zeitung, February 23, 1996.
JSM. “Kunstwerk im Kopf,” Nürmberger Nachrichten, April 11, 1996, illus.
K, G. “Skulpturen von Sockel geholt,” Recklinghäuser Zeitung, February 13, 1996, illus.
Karweik, Hans-Adelbert. “Skulpturen, über die das Publikum laufen darf,” Wolfsburger Nachrichten and Gifhorner Rundschau, February 2, 1996, illus.
Korinthenberg, Gerd. “Kunst aus Maß und Material,” Nordsee-Zeitung, February 2, 1996, illus.
Korinthenberg, Gerd. “Carl Andres Kunst aus Maß und Material,” Cellesche Zeitung, February 3, 1996, illus.
Kulschewskij, Ralf. “Dialog zwischen Skulptur und Raum,” Aachener Nachrichten, February 22, 1996, illus.
Kurzhals, Frank G. “Bewegung ist angesagt: Eine Doppelausstellung des Amerikaners Carl Andre in Krefeld und in Wolfsburg” Der Tagesspiegel, March 13, 1996, illus.
Kyriacou, Sotiris. “Slings and arrows…and outrageous ‘bricks’” Contemporary Art , Summer 1996 , pp.38-41.
Langton, James. “This is the career that Andre built-one brick at a time” Sunday Telegraph, March 24, 1996, illus.
Levy, Paul. “The Gallery: From Wallpaper to Bricks” Wall Street Journal, May 10, 1996.
Loydell, Rupert. “Carl Andre Sculptor 1996,” Third Way, June/July 1996, p. 29, illus.
Lucie-Smith, Edward. “The art of bricklaying” Art Review, April 1996, illus.
M, B. “Gegen die Amerikanisierung der Welt,” Rheinishce Post, February 1, 1996.
MacDonald, Marianne. “Meeting of Minds Puts Art in the Eye of the Beholder,” The Independent, April 4, 1996, p. 9.
McEwen, John. “Larger than life and twice as elegant” Sunday Telegraph, June 16, 1996.
Marlow, Tim. “Carl Andre” Tate: The Art Magazine, issue no.9, Summer 1996, London. pp. 34-41 and cover illus.
Melhuish, Clare. “No Place Like Home,” Building Design, May 10, 1996, illus.
Melvin, Joanna. “Not Just a Pile of Old Bricks,” Morning Star, June 3, 1996.
Meyer, James. “Remembering the 60s” frieze, Issue 30, September/October 1996, pp.41-43.
Meyer, James. “Carl Andre” Artforum, Volume XXXV, No.1, October 1996, pp.126-127.
Morell, Lars. “Det tomme gulv,” Billedkunst, April 1, 1996, pp. 3-8, illus.
Morrissey, Simon. “Art from the staples of construction” The Architects Journal, June 6, 1996, illus.
Nairne, Andrew. “Building a Wall” Frieze, Issue #27, March/April 1996, pp.35-37, illus.
Nicci, Gerrard. “Brickmanship” (interview), The Observer, May 5, 1996, illus.
Nobis, Beatrix. “Die Symmetrie des Himmels” Süddeutsche Zeitung, No. 56, March 3, 1996.
Nobis, Beatrix. “Die Symmetrie des Himmels” Feuilleton, March 3, 1996, illus.
Packer, William. “Bricks-With Different Permutations,” Financial Times, May 21, 1996.
Palffy, Georgina. “The Froehlich Collection/Tate Gallery,” What’s on in London, June 12-19, 1996.
Peacocke, Helen, “Building new ways of seeing” The Oxford Times, May 10, 1996.
Posca, Claudia, “Kunst konkret: Carl Andre,” Neue Ruhr Zeitung, February 6, 1996, illus.
R.B. “Major Show for Minimalist Artist” The Art Newspaper, No. 57, March 1996, p.11.
Schjeldahl, Peter. “Less is Everything” Village Voice, February 27, 1996, p.79.
Schreiber, Susanne. “In den Raum geschnitten” Handelsblatt, March 8/9, 1996, illus.
Searle, Adrian. “Bricks and mortality” The Guardian, May 7, 1996, illus.
Simon, Sabine. “Räume und Skulpturen fließen ineinander,” Neues Rheinland, April, 1996.
Sizemore, Gene. “Mothers Mentors and Mischief: What Makes A Child Want To Be An Artist-…” ARTnews, January 1996, p.11. Vol.95, No.1.
Stoeber, Michael. “Carl Andre” Artist Kunstmagazin, Issue 27, July 1996, illus, pp.30-33.
Stoeber, Michael. “Turner im Quadrat” Hannoversche Allgemeine, Februrary 27, 1996, illus.
Stoeber, Michael. “Turner im Quadrat,” Hildesheimer Allgemeine Zeitung, March 4, 1996, illus.
Stoeber, Michael. “Der Turner zwischen den Holzbalken,” die tageszeitung/taz (Berlin), March 5, 1996, p. 14, illus.
Stoeber, Michael. “Turner im Quadrat,” Göttinger Tageblatt, March 23, 1996, illus.
Sutcliffe, Thomas. “A row of bricks or part of ouir cultural edifice?” The Independent, May 4, 1996.
Thiede, Veit-Mario. “In einem Meer von Metallplatten,” Neue Westfälische and Osnabrücker Zeitung, February 8, 1996, illus.
Thiede, Veit-Mario. “Ein Meer von Metallplatten,” Westfälischer Anzeiger, February 14, 1996, illus.
Thiede, Veit-Mario. “Raumskulptur aus einem Meer von Metallplatten,” Straubinger Tagblatt, February 15, 1996, illus.
Thiele, Carmela. “Jeder Ort Hat Seinen Klang” Art, February 1996, pp.88-89, illus.
Tomkins, Calvin. “Total Abstraction” The New Yorker, March 25, 1996, pp. 92-95.
Traub, Ulrich. “Erfahrung des Raumes,” Westdeutsche Zeitung, March 26, 1996, illus.
Von Drathen, Doris. “Carl Andre Sculptor” Kunstforum, # 134, May-September 1996, pp.376-379, illus.
W, E. “Carl Andre, “ De Witte Raaf, #60, March/April, 1996.
Wagner, Thomas. “Raum und Seele, Endlos Gefaltet” Frankfurter Allgemeine Zeitung, April 10, 1996, illus.
Wedewer, Susanne. “Carl Andre Sculptor,” ARTIS: Zeitschrift für neue Kunst, Bern/Stuttgart, 48, #4, April/May 1996, p. 60, illus.
Winter, Marianne. “Minimale Strukturen im Raum” Wolfsburger Nachrichten, February 2, 1996, illus.
Zimmer, Klaus. “Durch Kunst Raum bewußt erleben,” Deister- und Weserzeitung, February 6, 1996, illus.
1995
“Brancusis gelegte Säule,” Westdeutsche Zeitung, September 6, 1995, illus.
Chadwick, Susan. “3 Exhibits on Absstract Painting Worth a Visit” The Houston Post, Februrary 2, 1995, p. D-8, illus.
Francblin, Catherine. “The New Disorder in Museums,” Artpress, April 1995, p.31-40.
Gibson, Eric. “New York Reviews - Carl Andre at Gagosian,” ARTnews, April 1995, p.145.
Holg, Garrett. “From Monet to Mentalfloss,” Artnews, September 1995, pp.53-54.
James, Eric. “Blaffer Gallery goes Abstract with Latest Exhibt” The Daily Cougar, Wednesday, February 1, 1995. illus.
Karmel, Pepe. “Sand-Lime Instar,” The New York Times, January 27, 1995, p. C26.
Karmel, Pepe. “Art in Review - Carl Andre at Gagosian,” New York Times, 1/27/95, p.26.
Karmel, Pepe. “The Corner as Trap, Symbol, Vanishing Point, History Lesson,” The New York Times, 7/21/95, p.C25.
Kraynak, Janet. “Spotlight: Carl Andre,” Flash Art, May-June 1995, p.109.
Mavridorakis, Valerie. “Poesie, Sculpture/Identique, Interchangeable,” Faces, Spring 1995, pp. 44-47.
Rosenthal, Mark. “Critiques of Pure Abstraction: Rachel Lachowicz,” Atelier, July 1995, pp. 62-3.
Schwabsky, Barry. “Carl Andre,” artpress, July/August 1995, pp.IV,V.
Wei, Lilly. “Carl Andre at Paula Cooper-Review of Exhibitions” Art in America, Oct.1995, Vol.83, No.10 p.119, illus.
Ziegesar, Peter von. “Art in the Heartland,” Art in America, June 1995, p. 87.
1994
Catoir, Barbara. “Kriegstanz auf Papier,” Frankfurter Allgemeine Zeitung, 1/94
Foster, Hal. “What’s Neo about the Neo-Avant-Garde?” October, No. 70, MIT Press, Fall 1994, pp.8,20.
Garbarino, Steven. “The Vogels…Art Lovers, Not Moguls,” Interview, 5/94, p.56
Gardner, James. “Wallpaper Meets Minimalism at Mathes,” Art & Architecture, March 1994
Haase, Amine. “Reinigende Kräfte,” Kölner Stadt-Anzeiger, 1/14/94
Haase, Amine. “Wörter werden zu Skulpturen,” Kölner Stadt-Anzeiger, 1/14/94
Landi, Ann. “From Town House to Warehouse,” ARTnews, October 1994, p.46.
Larson, Kay. “Minimalism: Judd, Morris, Flavin,” Atelier, No. 810, August 1994, pp.70-79,99, illus.
Lemke, Inga “Formen aus Sprache,” Süddeutsche Zeitung, 2/1/94
Meixner, Christiane. “Wenn Wörter Tanzen,”,” Kölnische Rund-Schau, 1/14/94.
Romer, Stefan. “Carl Andre,” Kunstforum, Jan./Feb. 1994, pp.386-387
Sayr, Henry M., A World of Art, 1994, pp.39-42,487-89.
Schön, Jürgen. “Worte werden zu Skulpturen,” Aachener Nachrichten, 1/21/94
Schwabsky, Barry. “Carl Andre,” Artforum, January 1994, p.89.
Thiele, Cornelia. “Gedichte eines Bildhauers,” Hannoversche Allgemeine Zeitung, 1/24/94, p.10
Thiele, Carmela. “Aus Worten Gebaute Säulen,” Bonner Generalanzeiger, 1/26/94
von Taschitzki, Thomas. “Fluss der Wörter,” Kölner Stadt-Revue, 2/94
Waga, U. “Carl Andre: WORDS, 1958-1972,” Sans-Titre, Feb/Mar/Apr 1994.
Willems, Sophia. “Aufgelesen am Wort-Himmel,” Westdeutsche Zeitung, 1/21/94
1993
“Art,” The New Yorker, 3/22/93, p.18
“Art,” The New Yorker, 9/13/93, p.21
“News,” Flash Art, 10/93, p.62
Decker, Andrew. “Collector’s Choices,” ARTnews, 10/93, p.40
Smith, Roberta. “Carl Andre: Words, 1960-1980,” New York Times, 10/8/93, p.C30
1992
“Art,” The New Yorker August 10, 1992, p.8
“Art Exhibitions,” New York Magazine, April 27, 1992, p. 104.
“Art Exhibitions,” New York Magazine, June 1, 1992, p. 78.
“Goings on About Town,” The New Yorker, May 11, 1992, p. 13.
“Goings on About Town,” The New Yorker, May 18, 1992, p. 15.
“Great Artists, Minimal Art, Conceptual Art” The Great History of Art, January 28, 1992, p. 134, illus.
The New Yorker, September 7, 1992, p.10.
“Wide White Space,” Arti. August-October 1992, Volume 11, pp.89-105.
Ardenne, Paul. “Carl Andre: Yvon Lambert,” Art Press, #174, November 1992, p.84.
Bacon, George. “Around the Galleries, New York,” The Art Newsletter, No. 18, May 1992, p. 21.
Bandini, Bruno. “Del Vuoto Concreto,” Apeiron, June 1992, pp.55-58.
Cembalest, Robin. “The Guggenheim’s High-Stakes Gamble,” ARTnews, May 1992, p. 87.
Cotter, Holland. “Art in Review,” New York Times, July 31, 1992.
Kramer, Hilton. “Guggenheim Takeover is About Power, Not Art,” The New York Observer, Vol. 6, No. 26, July 13-20, 1992.
Kramer, Hilton. “Dispersing a Museum Collection,” The New Criterion, September 1992, Vo. II, Nr.1, p.4-7.
Larson, Kay. “Modern Times,” New York, July 20, 1992, pp.53-54.
Mavrommatis, Emmanuel. “The Strategies of Style, Ideas and Principles of the Conceptualist Movement 1960-1970 Two Exhibitions in Thesssaloniki and Athens,” Arti, Volume 9, March-April 1992, p.126.
Pagel, David. “From Brancusi to Bourgeois, Aspects of the Guggenheim Collection,” Artforum, October 1992, pp.107-108.
Ratcliff, Carter. “Review of Books; Reported Sightings: Art Chronicles, 1957-1987, Art in America, January 1992, p. 30.
Smith, Roberta “Guggenheim Reopens on a New Chapter,” New York Times, June 29,1992, pp.C11 and C14.
Schmitz, Rudolf. “Curators Kasper König,” Galleries Magazine, Feb/Mar. 1992, p. 109, illus.
Schwartzman, Allan. “Who’s Up and Who’s Down?” Art and Auction, September 1992, pp.94-97, p. 132.
Vogel, Carol. “National is Pledged 2,000-Work Collection,” The New York Times, Wednesday, January 8, 1992, p. C-1.
1991
“British TV to Air Documentary on Carl Andre,” The Journal of Art, April 1991, p.3.
“Going on About Town, The Political Arm,” The New Yorker, February 25, 1991,p.16.
“Museum fur Moderne Kunst Opens,” Flash Art, Summer, 1991, p.146, illus.
Decter, Joshua. “New York in review, Carl Andre “ Arts Magazine, January 1991, p.98, illus.
Gimelson, Deborah. “Elaine & Werner Dannheisser,” Galleries Magazine, April-May 1991, pp. 120-129,141, illus.
Leen, Frederick. “Seth Siegelaub Conceptual Art; Exhibitions,” Forum International, Sept-Oct 1991, 66-67, illus.
Leske, Marion. “Der ‘Kölsche Louvre’ am Rein,” Pan Zeitschrift für Kunst und Kultur, 5/1991, p. 14, illus.
Schwerfel, Heinz-Peter. “collectionneurs au bord de la piscine,” Beaux Arts, October 1991, p. 86, illus.
Searle, Adrian. “Anthony D’Offay Carl Andre,” The Independent, Tuesday 19, November 1991, illus.
1990
“Carl Andre: Homage to Hollis Frampton,” Dialogue: Arts in the Midwest, July/August, 1991, p. 18.
“Goings on About Town,” The New Yorker, October 22, 1990 p.18.
Baker, Kenneth. “Minimalism: Art of Circumstance,” Mizue, Winter 1990, No 957, pp. 75-85,68, illus.
Benezra, Neal. “Gerald S. Elliot,” Galleries Magazine, June/July, 1990, pp. 118-129, illus.
Bourel, Michel. “La Collection Herbert,” Galleries Magazine, April/May, 1990, pp. 150-169, illus.
Bourriaud, Nicolas. “Ludwig Wittgenstein and the Art of the 20th Century,” Galleries Magazine, December 1989 - January 1990, p. 95, illus.
Chave, Anna C. “Minimalism and the Rhetoric of Power,” Arts Magazine, January, 1990, pp. 44-63, illus.
Colpitt, Frances. “Space Commanders,” Art in America, January, 1990, pp. 66-71, illus.
Glueck, Grace. “Millions for Art, a Lot of It Unfinished,” New York Times, June 12, 1990, pp. C15, 16
Hapgood, Susan. “Remaking Art History,” Art in America, Summer, 1990, pp. 114-123, illus.
Lehman, Henry. “Rauschenberg has moved from empty images to visual wealth,” The Gazette, Montreal, May 26, 1990.
1989
Ball, Edward. “Just Say No,” Village Voice, November 14, 1989, p. 49.
Batchelor, David. “3000 Years,” Artscribe International, Summer, 1989, pp. 62, 63, illus.
Berman, Avis. “Space Exploration,” ARTnews, November 1989, p. 132.
Cooke, Lynne. “Minimalism Review,” The Burlington Magazine, September 1989, pp. 641-645, illus.
Danto, Arthur. “Growing Up Absurd,” ARTnews, November 1989, p. 119.
Decter, Joshua. Andre review, Arts, September 1989, pp. 104-105, illus.
Kazanjian, Dodie. “Going Places,” Vogue, November 1989, p. 414, illus.
Kolokotronis, Yannis. “Athens,” Contemporanea, March/April 1989, p. 19, illus.
Metzger, Rainer. “Carl Andre/Sigmar Polke,” Flash Art, November - December,1989, pp. 146-47, illus.
Morgan, Robert C. “Letter from Europe,” Arts, January 1989, p. 110.
Neisser, Judith. “Chicago Clout,” Art & Auction, November 1989, p. 232.
Neuburger, Susanne. “Vienna,” Contemporanea, November 1989, p.31.
Panza di Biumo, Giuseppe. “Arte e Rappresentazione della Realta,” Spazio Umano, 1/89, pp. 97, 103, illus.
Russell, John. “Carl Andre,” New York Times, April 21, 1989, p. C27.
Watkins, Jonathan. “Promises Promises,” Arts International, Autumn 1989, pp.66-67, illus.
1988
Beaumont, Mary Rose, “Eleven Artists from Paula Cooper,” Arts Review, June 3, 1988.
Mac Adam, Alfred. “Carl Andre,” Contemporanea, November/December 1988, p. 112, illus.
Schwalb, Claudia. “Review,” Cover, September 1988, p. 12.
Von Drateln, Doris. “Zeitlos,” Galeries Magazine, June/July 1988, pp. 78-79, 81, illus.
1987
Assenmaker, Michel. “La sculpture de Carl Andre et la composition de l’espace de W. Strzeminsky et K. Kobro,” Artstudio, Autumn 1987, No. 6, pp. 52-67, illus.
Brenson, Michael. “Art: The Munster Sculpture Project,” The New York Times, June 22, 1987, p. C13.
Knight, Christopher. “Sixties sculpture relieves summer doldrums,” Los Angeles Herald Examiner, July 17, 1987, p. 33.
Talley, Dan R. “Minimalism has its’ day at Heath Gallery,” Creative Loafing, February 21, 1987, p. 1B, illus.
1986
“Art: Selections and Reviews,” Time Out (London), December 5-11, 1985, p. 44.
“Carl Andre,” Current Biography, May 1986, Vol. 47, #5, pp. 3-6.
Baldwin, Michael, and Ramsden, Mel, “Ronald Alley Hangs a Picture,” ARTSCRIBE, June/July 1986, pp. 27-29, illus.
Buchloch, Benjamin H.D., “La Conclusion de la Sculpture Moderniste” Artists, no. 25, pp. 6-14, 1986, illus.
Doe, Donald Bartlett, “Of Steel and Brick and Ordinary Things: The Sculpture of Carl Andre,” Resource and Response: Sheldon Memorial Art Gallery (Lincoln, Nebraska), 1986, Vol 2, #2, illus.
Januszcack, Waldemar, “Going Grey in the face of rebellion,” The Guardian (London), May 31, 1986.
Larson, Kay, “The Shrinking Spiral,” New York, January 13, 1986, p. 58.
Poirer, Maurice, “A Vast Sculptural Dialogue,” ARTnews, March 1986.
Plagens, Peter, “Transformations in Sculpture,” Artscribe International, February/March 1986.
Quinn, Joan Agajanian, “Breaking the Boundaries for Art,” House and Garden, March 1986, pp. 129-134, illus.
Schwartz, Sanford, “The Saatchi Collection, or A Generation comes into focus,” The New Criterion, March 1986, pp. 22-37.
Shepherd, Michael, “The Most of the Minimum,” The (London) Sunday Telegraph, January 5, 1986.
1985
“News from New York,” Monthly Art Magazine Bijutsu Tech, April 1985, vol. 37, no. 542, p. 146, illus.
Bass, Ruth, “New York reviews: Carl Andre”, ARTnews, April 1985, pp. 135-136, illus.
Brenson, Michael, “Changing Sculpture Exhibition,” New York Times, December 20, 1985, p. C29.
Castle, Frederick Ted, “What was on in New York,” Art Monthly New York, March 1985, no, 84, p. 2.
Giovanni, Joseph, “Art and Unconventional Design in SoHo’s Wide-Open Spaces,” The New York Times, January 31, 1985, pp. C1, C6, illus.
Glueck, Grace, “Art: Modern Shows off Some of Best Drawings”, The New York Times, January 11, 1985, p. C19.
Grimes, Nancy, “Minimal Art,” ARTnews, Summer 1985, pp. 120-121, illus.
Januszczak, Waldemar, “Bricklaying with Andre,” The London Guardian, December 12, 1985, p. 12.
Lemoine, Serge, ‘Art Pauvre sur Beton Brut’, Magazine Beaux Arts, No. 21, February 1985, pp. 52-57, illus.
Muchnic, Suzanne, “Vitality Emerges from Geometric Abstraction,” Los Angeles Times.
Panicelli, Ida, “Reviews: Rome”, Artforum, March 1985, pp. 107-108, illus.
Panicelli, Ida, “Sculpture or…? Carl Andre Georges Segal”, Neue Kunst in Europa, January-February 1985, no. 6, pp. 16-17, illus.
Raynor, Viven, “Constructive Art at Purchase, Beardeb’s Fantasy at Lehman,” The New York Times, February 10, 1985.
Rose, Barbara, “Portrait of Paula,” Vogue, April 1985, pp. 362-367, 410, illus.
Sauer, Christel, “Hallen fur Neue Kunst (The Space of New Art) in Schaffhausen,” Parkett, No. 4, 1985, pp. 90-98, illus.
Wolff, Theodore F., “What innovative sculptors have been up to,” The Christian Science Monitor, December 9, 1985.
1984
Frank Volume 1/Number 3/ Winter 1984, p. 76 (illus. only).
“Aktualität des Minimalen,” Tagespiegel (Berlin). 1984 (Andre clipping file).
“Elemente einer anderen Ordnung des Raumes,” Westfälische Nachrichten, May 9, 1984, illus.
Newsletter. Public Art Fund, Inc. Spring 1984, illus.
Barnstorf, Angelica. “Erinnerung an die Antike: Der Westfälische Kunstverein präsentiert den Bildhauer Carl Andre.” Münstersche Zeitung, September 5, 1984.
Gassert, Siegmar, “Zwischen Kunsttourismus und Standortsuche,” Kunstforum, vol. 73/74, June-August 1984, illus.
Honnef, Klaus. “Rosc ‘84,” Kunstforum, vol. 75, September/October, 1984, illus.
Kuspit, Donald. “Reviews, New York,” Artforum, February 1984, p. 79.
Mango, Lorenzo. “L’oggetto e il suo contenitore,” Paese Sera, November 7, 1984, p. 5 culture e societa, illus.
Nicholson, Chuck, “Constructive Expressions,” Art Week October 13, 1984, vol. 15, no. 34, p. 1
Scholss, Edith, “Prominent Sculptors Dominate Rome Shows,” International Herald Tribune. November 17-18, 1984, p. 10, Arts/Leisure
Schwander, Martin and Vischer, Theodora. “Skulpturen fur einen Park,” Basler Magazin, no. 36, September 8, 1984, illus.
Tomkins, Calvin. “The Space around Real Things,” The New Yorker, September 10, 1984, 53-97.
Wallach, Amei, “A Sculptor Who strips art to bare essentials,” Newsday, December 9, 1984, illus.
Wolfe, Tom, “The Takeover of Art,” This World, December 30, 1984, pp. 10-12, illus.
1983
“Editors’ Choice,” Portfolio, March/April 1983, p. 33.
“It’s sad that sod gets so little artistic respect,” The Atlanta Constitution, April 28, 1983.
Drohojowska, Hunter, “Carl Andre: No Labels,” L.A. Weekly, February 11 - 17, 1983, pp. 22-24, illus.
Eisenman, Stephen F., “Arts Reviews,” Arts, May 1983, p. 48, illus.
Fox, Catherine, “Shaping up Carl Andre’s vision,” The Atlanta Constitution, January 23, 1983, illus.
Free, Freddy de, “Het einde van de Avant-Garde?” Kunst en Culteuragenda, January 2, 1983, p. 3.
Gildemyn, Marie-Pascale, “Carl Andre,” Arte Factum, No. 1, December 1983/January, 1984, pp. 77-78, illus.
Millet, Catherine, “Carl André: la sculpture au niveau de l’eau,” Art Press Number 70, May 1983, pp. 26-27.
Minne, Florent, “Vrolijk gekleurde frivoliteitje,” De Standaard, Oct, 1983.
Moss, Howard. “The Cream Rises to the Top: Parnassus on Upper Broadway.” Vanity Fair, August 1983, pp. 58-66.
Russell, John, review, The New York Times, December 2, 1983.
Tallmer, Jerry, “Stop! Look! Listen! Art gets in on ground floor,” The New York Post, March 5, 1983, p. 10, illus.
1982
“Andre at Lowe,” The Artgallery Scene, November 16, 1982, p. 4.
“‘An Outrage’ Clarity, simplicity are hallmarks of Andre’s work,” Fort Collins Coloradoan, November 5, 1982.
“Art and Nature,” The Riverdale Press, May 13, 1982, p. 1.
The Artgallery Scene, October 30, 1982 (cover)
“Sculpture show at Wave Hill,” Gannett Westchester Newspapers, May 10, 1982.
“Sixth outdoor show installed at Wave Hill,” The Riverdale Press, May 13, 1982, p. 2.
Ahlander, Leslie Judd, “New Season Begins at the Lowe,” The Miami News, October 22, 1982, p. 9D, illus.
Andre, Carl, letter, Artforum, Vol. 20, no. 7, March 1982, p. 5.
Clurman, Irene. “Artists Carl Andre starts project at SCU/Salt-lick sculpture in works,” Rocky Mountain News (Nov. 1982).
Froseth, Stan. “Such Sculptures as Dreams are made of,” CSU Collegian. January 22, 1982.
Gettline, Robert, “Rocks Stand as His ‘Greatest Work,’” Hartford Courant, April 19, 1982.
Glueck, Grace, “A Critic’s Guide to the Outdoor Sculpture Shows,” The New York Times, June 11, 1982, C p. 21.
Glymour, Clark and Stalker, Douglas, “The Malignant Object: Thoughts on Public Sculpture,” The Public Interest, No. 66, Winter 1982, pp. 6, 12.
Hawthorne, Don, “Does the Public Want Public Sculpture?” Artnews, May 1982, p. 60.
Kohen, Helen L., “Mixed bag at the Lowe,” The Miami Herald, October 31, 1982, p. 7L.
Mills, James, “‘Lineament’ Artist Andre Puts His Ducks All in a Row,” Weekend, The Denver Post, November 5, 1982, p. 18.
Nedelman, Cynthia, “The Academy Where Art Isn’t Academic,” Artnews, Vol. 81, No. 1, January 1982, pp. 114, 115.
Owens, Craig, “Sculpture on the grass,” The Riverdale Press, June 3, 1982, pp.15, 16.
Price, Aimee Brown, “The Collectors: Contemporary Focus,” Architectural Digest, October 1982, pp. 116-123, illus, p. 116.
Raynor, Vivien, “Frank Stella Exhibits at His Alma Mater,” The New York Times, November 7, 1982, H p. 33.
Rettig, Dave. “Carl Andre Stacking Hay,” Artlines, December, 1982.
Russell, John, “A Palace of Pleasure for Art,” The New York Times, July 11, 1982, Sec. 2, p. 1.
Ryan, Ann, “Internationally known sculptors give exhibition at Fine Arts Museum,” New Mexico Daily Lobo, October 25, 1982, p. 9.
Such, Peter, “Contemporary Outdoor Sculpture at the Guild,” Artmagazine, Vol. 14, no. 60, September-October 1982, p. 11.
Schjeldahl, Peter, “Sitations,” The Village Voice, June 22, 1982, p. 105.
Watson, Keith. “…While Another Bales him Out,” CSU Collegian January 22, 1982.
Wendholt, Jill, “Controversial sculptor Andre visits CSU,” The Collegian (Ft. Collins), November 12, 1982, p. 10W.
Yoskowitz, Robert, “Doug Ohlson/Carl Andre,” Arts, Vol. 57, No. 1, September 1982, p. 35.
1981
“Bricklayers art,” The Standard, August 25, 1981.
“Child’s Play,” West Harford
News, March 12, 1981.
“Für mich ist Kunst ein System des Vergnügens,” Tages-Anzeiger Wochenprogramm, February 27, 1981, p. 7.
“Hearty and Arty,” What’s on in London, February 13, 1981.
Andre, Carl, letter, Saturday Review, Vol. 8, No. 7, July 1981, p. 6.
Andre, Carl, statement in “Survey ‘81: Artists, Curators, Writers Poll,” Images & Issues, Vol.. 2, No. 3, Winter 1981-1982, pp. 49, 50, 51.
Andre, Carl, “The Vicar Descends into the Mineshaft to Bless a Profitable Seam (drawing)”, Parnassus, Fall/Winter 1981, p. 205.
Berenson, Ruth, “The Fate of Modernism,” National Review, Vol. XXXIII, April 17, 1981, p. 433.
Foster, Hal, “Robert Grosvenor,” Artforum, Vol. XIX, No. 10, June 1981, p. 90.
Glueck, Grace, “The Summer in Europe,” The New York Times, July 31, 1981, p. 20.
Gosling, Nigel, “looking at the Eighties,” Observer, August 16, 1981, p. 24.
Halley, Peter, “Beat, Minimalism, New Wave and Robert Smithson,” Arts Magazine, Vol. 55, No. 9, May 1981, p. 121.
J. W., “Art,” Guardian (London), January 23, 1981
Landry, Pierre, “Carl Andre-Hollis Frampton: 12 Dialogues 1962-1963,” Parachute, No. 23, Summer 1981, p. 36.
Levin, Kim, “Art,” The Village Voice, November 25-December 1, 1981, p. 62.
Linker, Kate, “Public Sculpture: The Pursuits of the Pleasurable and Profitable Paradise,” Artforum, Vol. XIX, No. 7, March 1981, p. 69.
Marzorati, Gerald, “Art Picks,” The Soho News, November 24, 1981, p. 34.
Odlin, Reno, “Rite of Passage (Carl Andre, Hollis Frampton),” Parnassus, Fall/Winter 1981, pp. 206-216.
Perreault, John, “Good for the figure,” The Soho News, December 1, 1981, p.47.
Pincus-Witten, Robert, “Entries: Sheer Grunge,” Arts Magazine, Vol. 55, No. 9, May 1981, pp. 94,95.
Ratcliff, Carter, “The ‘Art’ of Chic,” Saturday Review, Vol. 8, No. 4, April 1981, pp.12, 14, 15, 17.
Ratcliff, Carter, “Mostly Monochrome,” Art in America, April 1981, p. 128.
Ratcliff, Carter, reply, Saturday Review, Vol. 8, No. 7, July 1981, p. 6.
Russell, John, “Tracking the Marvelous,” The New York Times, May 8, 1981, C. p. 20.
Schehl, Gunter, “Carl Andre: ‘37 Pieces of Work,’” Kulturaktuel, broadcast March 27, 1981.
Tafel, Verena, “Die Strukture bestimmt die Aussage,” Esslinger Zeitung, April 9, 1981.
Trebay, Guy, “Seagram Plaza,” The Village Voice, September 2-8, 1981, p. 52.
Wanner, Ulrich, “Ein Fossil zwischen Mythos und Magie,” Stuttgarter Nachrichten, March 28, 1981.
Will, George F., “The Art of the Absurd,” The Hartford Courant, August 3, 1981.
With, Gunther, “Systematische Anordnung,” Stuttgarter Zeitung, March 30, 1981.
Wright, Barbara, review, Arts Review, February 13, 1981.
Wurster, Reinhold, “Al, Cu, Fe, Mg, Pb und Zn,” Reutlinger Nachrichten, April 8, 1981.
1980
“Andre Sculpture Acquired with Assistance from The 500, Inc.” Dallas Museum of Fine Arts Bulletin, 1980
Andre, Carl, letter, Artforum, Vol. XVIII, No. 5, January 1980, p. 9.
Ashbery, John, “Major Andre,” New York, April 14, 1980, pp. 97-98.
Baker, Kenneth, “Hewing to the line,” The Boston Phoenix, February 12, 1980, p. 12.
Baker, Kenneth, “Andre in Retrospect,” Art in America, Vol. 68, No. 4, April 1980, pp. 88-94.
Baker, Kenneth, “Art is where you find it,” The Christian Science Monitor, June 18, 1980, p. 20.
Baker Kenneth, “Breaking the Silence,” Artforum, Vol. IX(sic), No. 11, September 1980, pp. 50-51.
Banks, Gail, “Minimalist Carl Andre/trying to write about his sculptures can be difficult,” Patriot Ledger (Quincy, Massachusetts), February 1980.
Belz, Carl, “The Rose Art Museum: A Collection of national significance,” The Brandeis Quarterly, Vol. 1, No. 1, October 1980, pp. 4-5.
Giuliano, Charles, “Local artists carry realism into new decade,” Boston Ledger, February 9 - March 6, 1980, p. 21.
Glueck, Grace, “Guide to What’s New in Outdoor Sculpture,” The New York Times, September 12, 1980, C p. 20.
Hjort, Øystein, “Andre, Dibbets, Long and Ryman,” Louisiana Revy, Vol. 20, No. 2, March 1980, pp. 14, 16.
McFadden, Sarah, “Going Places, Part II: The Outside Story,” Art in America, Vol. 68, No. 6, Summer 1980, p.58.
Margolin, Victor, “Objects and Logotypes: Relationships Between Minimalist and Corporate Design,” The New Art Examiner, Vol. 7, No. 6, March 1980, pp. 1, 12.
Mays, John Bentley, “Rusty plates hold a serene beauty,” The Globe and Mail, December 19, 1980, p. 18, illus.
Montague, Kyra, “Carl Andre,” Art New England, Vol. 1, No. 3, February 1980, pp. 10, 18. (review).
Silverthorne, Jeanne, “‘Rosc ‘80,’ University College,” Artforum, Vol. XIX, No. 3, November 1980, pp. 96-97.
Sinclair, Stephen, “When Art Meets the Community, “The Cultural Post, Issue 28, March-April 1980, pp. 1, 8.
Sutinen, Paul, “Carl Andre: The Turner of Matter,”Williamette Week’s Fresh Weekly, August 12-18, 1980, p. 9.
Tarzan, Deloris, “Andre’s sculpture stresses simplicity,” The Seattle Times, June 15, 1980, E p. 14.
Taylor, Robert, “Carl Andre’s homecoming at the ICA,” Boston Globe, January 1980.
1979
“Andre Artistry,” Valley Pioneer (Danville), June 20, 1979.
“Andre Retrospective, Berkeley,” Auburn West Art, June 8, 1979.
“Andre Sculptures,” North East Bay Independent & Gazette, June 22, 1979.
“AREA Sculpture - Ward’s Island,” Sculptor’s News Exchange, Vol. 3, No. 11, July 1979.
“Art Listings,” The Boston Phoenix, January 15, 1980, 3 p. 34.
“Carl Andre,” The New Yorker, June 11, 1979, p. 13.
“Carl Andre: Sculpture as Place,” University Art Museum Calendar, Vol. 1, No.8, May 1979, pp. 1, 2.
“The Comings and going at an art exhibit,” Boston Globe, March 14, 1979, p. 63.
“Heavy Art,” The Citizen (Ottawa), August 1, 1979.
“Large Scale Sculpture on Display,” Danville Valley Pioneer, June 6, 1979.
“Less,” Metroguide, March 1-7, 1979.
“Nine Artists and critics receive Phillips Academy awards,” Lawrence Eagle-Tribune, (Massachusetts), March 1, 1979.
“Redwood timbers’ sculpture in exhibit,” Times-Standard, (Eureka, California), October 10, 1979.
Anderson, Alexandra, “Voice Choices,” The Village Voice, June 11, 1979, p. 63.
Anderson, Susan Heller, “A Flourish as Tate Wing Opens,” The New York Times, May 25, 1979, A p. 6.
Andre, Carl, “Quincy,” Peinture, Nos. 14/15, 1979, p. 355.
Andre, Carl, Statement in “Radical Attitudes to the Gallery,” Studio International, Vol. 195, No. 990, January 1980, pp. 21-22.
Andre, Carl, “What is Minimal Art?” Hart-Slag, September 1979, pp. 2-3
Allen, Jane and Guthrie, Derek, “Which way will Byrne turn?” The New Art Examiner, Vol. 6, No. 7, April 1979, p. 1.
Artner, Alan G., “Andre exhibition has minimal impact,” Chicago Tribune, January 5, 1979, 3 p. 10.
Atkins, Robert, “Minimalism and the Not so Strange Case of Carl Andre,” San Francisco Bay Guardian, June 7, 1979.
Atkins, Robert, “Space Odyssey,” California Monthly, June-July 1979, pp. 12-13.
Baker, Kenneth, “But is it you-know-what?” The Boston Phoenix, January 29, 1980.
Baker, Kenneth, “Less is less,” The Boston Phoenix, March 27, 1979, p. 16.
Banks, Gail, “‘Born in Boston’ Carl Andre, one of the most impressive artists, born in Quincy,” The Patriot Ledger (Quincy, Massachusetts), March 14, 1979, p. 37.
Barkley, Alan, “Carl Andre Retrospective in Calgary,” Vanguard, April 1979.
Blistene, Bernard, “Carl Andre, A.R.C.,” Flash Art, Nos. 90-91, June-July 1979, p. 69.
Boissieu, Jean, “Christian Jaccard,” Le Provencal, April 24, 1979.
Bouisset, Maiten, “Les Sculptures de Carl Andre,” Le Matin, May 23, 1979.
Breerette, Geneviève, “Carl Andre à l’ARC: le bois fidélement…,” Le Monde (Paris), May 24, 1979, p. 21.
Brookes, Peter, “View,” Radio Times, October 12-19, 1979, p. 102.
Brooks, Patricia, “What’s Doing in Hartford,” The New York Times, January 21, 1979, XX p. 9.
Cabanne, Pierre, “Les suites calcinées de Christian Jaccard,” Le Matin, May 23, 1979.
Cardoza, D., “Sculptor brings redwood piece to HSU gallery,” The Lumberjack, October 10, 1979, p. 15.
Carr-Morgan, Patricia, “Carl Andre: Divisor 1979,” Artweek, Vol. 10, No. 34, October 20, 1979, p. 16.
Cena, Olivier, “Christian Jaccard,” Telerama, May 23, 1979.
Cork, Richard, “The Art We Deserve?” Artscribe, No. 20, Nov. 1979, p. 48.
Curtis, Cathy, “Grounded minimalism,” University of California, Berkeley Daily Californian, June 1, 1979.
Curtis, Cathy, “Carl Andre Surveyed,” Artweek, Vol. 10, No. 22, June 15, 1979.
Davis, Douglas, “Post Post-Art,” The Village Voice, June 25, 1979, pp. 37, 38, 41.
Dillon, David, “Andre’s Sculpture at DMFA,” Texas Magazine, July 24, 1979.
Ehrle, Gerd, “ACASA Prez,” SAIT Newspaper, February 1979.
Fischer, Hal, “Carl Andre,” Artforum, Vol. XVIII, No. 2, October 1979, pp. 64, 65.
Frankenstein, Alfred, “Sculptor Makes a Convert,” San Francisco Chronicle, June 7, 1979.
Frigerio, Simone, “Lettre de Paris: Carl Andre, Christian Jaccard et Jean-Yves Langlois a l’ARC,” Colloguio Artes, July 1979.
Furlotti, Sandra, “Lettre de Paris: Carl Andre,” Gazetta del Popolo, May 9, 1979.
Garrett, Robert, “Take it or leave it… Minimal Art Still a child of its time,” Boston Sunday Herald, April 1, 1979.
Gérard, Michel, “Carl Andre à l’ARC,” La Quinzaine Litteraire, May 5, 1979.
Gibson, Michael, “Carl Andre, Christian Jaccard et Jean-Yves Langlois à l’ARC,” International Herald Tribune, May 12, 1979.
Glueck, Grace, “Art People,” The New York Times, June 15, 1979, C p. 22.
Glueck, Grace, “There’s New Sculpture Under the Sun all Over Town, From Staten Island to the Bronx” The New York Times, August 3, 1979 C p. 15.
Hahn, Otto, “Carl Andre à l’ARC,” L’Express, May 5, 1979.
Heimberg, Martha, “Exhibits give new perspectives,” The Dallas Downtown News, July 30, 1979, p. 13.
Hofstadt, Alain Vander, “Carl Andre ‘une simple route,’” Art Press International, No. 27, April 1979, pp. 16-17.
Hughes, Robert, “10 Years That Buried the Avant-Garde,” The Sunday Time Magazine (London), December 30, 1979, p. 17.
Huser, France, “Carl Andre, Christian Jaccard et Jean-Yves Langlois à l’ARC,” Le Nouvel-Observateur, May 6, 1979.
Johnson, Paul, “Will Stevas stop the Tate Dropping bricks?” Evening Standard (London), May 29, 1979, p. 17.
Joselit, David, “For minimalists, the art is the object,” Boston Ledger,March 23-30, 1979.
Kind, Joshua, “Carl Andre: The Basic Text is Sontag’s Silence,” The New Art Examiner, Vol. 6, No. 5, February 1979, pp. 3, 17.
Kingsley, April, “Sticks & Stones,” The Village Voice, May 28, 1979, p. 78.
Kologe, Brian R., “Frame an empty space and call it art,” Christian Science Monitor, April 6, 1979.
Kramer, Hilton, “Sculpture on the Streets,” The New York Times, July 15, 1979, p. 25.
Kutner, Janet, “Sculptor’s works records of time,” Dallas Morning News, August 2, 1979, C p. 14.
Lascault, Gilbert, “Christian Jaccard à l’ARC,” La Quinzaine Littéraire, June 1, 1979.
Lévêque, Jean-Jacques, “Les Traces de Christian Jaccard,” Les Nouvelles Littéraires, April 26, 1979.
Lippard, Lucy with Coxhead, David, “Growing Up,” Art Monthly, No. 32, 1979/80, p. 8.
Lubell, Ellen, “Can Museums Collect Contemporary Sculpture?” The SoHo Weekly News, June 7, 1979, p. 29.
Marvel, Bill, “Sculpture holds its message in clam restraint,” Dallas Tiems-Herald, July 24, 1979, C pp. 1, 7.
Masheck, Joseph, “Pictures of Art,” Artforum, Vol. XVII, No. 9, May 1979, pp.31,32.
Michel, Jacques, “Le rameau d’or de Christian Jaccard,” Le Monde, May 6, 1979.
Nesbitt, Louis E., “Seizing the Public,” Harvard Crimson, January 18, 19780.
Nurisdany, Michel, “Christian Jaccard: tous les feux, le feu…,” Le Figaro, May 18,1979.
Pacheco, Richard, “Boston institute gives a showcase to minimalism,” Standard Times (Boston), April 15, 1979.
Pappas, Nancy, “Mrs. Mondale Rocks Audience,” The Hartford Courant, February 3, 1979, p. 16.
Perrone, Jeff, “Grids,” Artforum, Vol. XVII, No. 7, March 1979, p. 61.
Platt, Susan, “The Esthetic Side of Christo,” Artweek.
Pontbriand, Chantal, “Carl Andre: 14 written answers to questions,” Parachute, Winter 1979, pp. 67-68.
Pradel, Jean-Louis, “Christian Jaccard, Carl Andre et Jean-Yves Langlois à l’ARC,” Maintenant, May 11, 1979.
Russell, John, “Art: ‘Contemporary Sculpture’ at Modern,” The New York Times, June 15, 1979, C p. 25.
Russell, John, “Minimal Art in Ridgefield,” The New York Times, July 20, 1979, p. 21.
S. J., “Minimal Sculpture and the Third Person Singular,” Women Artists News, Vol. 4, No. 7, January 1979, p. 11.
Sato, R. Jay, title unknown, Harvard Business School, 1980.
Sischy, Ingrid, “If Marshall McLuhan were a Gypsy and his teacup the art world, the leaves would be artists’ books,” National Arts Guide, Vol. 1, No. 1, January-February 1979, pp. 2, 3.
Sozanski, Edward, “Modular concepts, geometry dominate exhibit,” Providence Journal, March 18, 1979.
Taylor, Robert, “Boston Made Them,” New England (Boston Sunday Globe), February 25, 1979, pp. 5, 6, 14, 16.
Taylor, Robert, “60’s Minimalism at ICA,” Christian Science Monitor, April 6, 1979.
Tousley, Nancy, “Visual Arts,” The Calgary Herald, February 8, 1979, a p. 19.
Walker, Kathleen, “Gallery sculpture sure to cause controversy,” The Citizen (Ottawa), August 4, 1979, p. 36.
Wilson, William, “Carl Andre: Controversial, Anarchistic, Egalitarian,” Los Angeles Times, June 3, 1979, p. 88.
Winn, Steven “Wowing passersby,” Artnews, Vol. 78, no. 4, April 1979, p. 116.
1978
“Andre’s Bricks in London,” Art/World, Vol. 2, No. 8, April 15/ May 15, 1978, p. 5.
“Artists Famous and Familiar,” Valley Advocate (Amherst, Massachusetts), March 22, 1978.
“Exhibit of minimal movement art at Hurlbutt Gallery this month,” Greenwich Time, February 6, 1978, p. 10.
“Hartford: Le pietre dello scandalo,” Bolaffiarte, Vol. IX, No. 78, April 1978, p.32.
“Making it in the Art World,” New York, Vol. 11, No. 48, November 27, 1978, pp.64, 71.
“Ordinary Material Transformed into Art,” The Cincinnati Post, March 11, 1978, p. 28.
“Reuben’s brush with the law,” East Ender (London), June 9, 1978.
“Sculptor awaits his plates,” Newcastle Morning Herald (Australia), August 10, 1978, p. 8.
“Sculpture by Carl Andre to be unveiled Saturday,” Citizen Marquee, January 6, 1978, p. 6.
“Statement in ‘Radicao Art: Theory and Practise,’” Proceedings of the Caucus for Marxism and Art at the College Art Association Convention 1978, No. 3, p. 1, 1978.
Title unknown, Newcastle Morning Herald (Australia), August 19, 1978.
“What the public thinks of the artists who makes up shapes like this,” Daily Mail (London), March 18, 1978, p. 9.
Andre, Carl, Statement, “The Open Letter,” Sztuka, No. 5, April 1978, p. 18, eds. Lanusz Kaczoroski and Stanislaw Urbanski.
Andre, Carl, “Robert Smithson: He Always Reminded Us of The Questions We Ought to
Have Asked Ourselves,” Arts Magazine, Vol. 52, No. 9, May 1978, p.102.
Auer, James, “Andre: Quiet Strength,” The Milwaukee Journal, December 24, 1978.
Beatty, Frances, “Aycock, Andre and Stephan in SoHo Shows,” Art/World, Vol.2, No. 7, March 15/April 15, 1978, pp. 1, 13.
Beevers, Dianne, “Minimal Art an Introduction and Carl Andre Gallery Installation,” Artemis, Vol. 9, No. 3, July-August-September 1978, pp. 14-16.
Berkman, Florence, “Stonehenge Mocks the Rocks,” The Hartford Courant, September 11, 1978, p. 15.
Bongard, W., “Carl Andre,” Art Aktuell, Vol. 8, Nos. 7-8, April 1978, p. 718.
Cairnes, Joan, “The Arts,” Newcastle Morning Herald (Australia), August 18, 1978.
Cooper, Emmanuel, “Exploring arenas of modern art,” The East Ender (London), March 22, 1978.
Davenport, Guy, “Post-Modern and After,” The Hudson Review, vol. XXXI, No. 1,Spring 1978, pp. 229, 230.
Delprat, Mercia, “Artist Aspires to ‘fierce calm,’” Newcastle Morning Herald (Australia), August 12, 1978.
Devaney, Sally, “Kaleidoscope,” The Art Gallery, Vol. XXI, No. 4, April/May 1978, p. 32.
Dunbar, Jill, “At the Galleries,” The Villager, March 16, 1978, p. 16.
Eagle, Mary, “Sculptor can keep busy doing nothing,” Age, August 16, 1978.
Elliott, David, “Modern Sculpture: power and piffle,” Sun Times (Chicago), December 17, 1978, p. 10.
Ennis, Michael, “Spilled Sculpture,” Texas Monthly, March 1978, p. 120.
Feaver, William, “Banquet of boiled eggs,” The Observer Review (London), March 26, 1978, p. 25.
Feaver, William, “prophetic seer and burlesque rake,” Artnews, Vol. 77, no. 6, Summer 1978, p. 186.
Findsen, Own, “Andre, Master of Horizontal Art,” The Cincinnati Enquirer, March 5, 1978, F p. 7.
Fisher, Joel, “Carl Andre at the White chapel,” Artscribe, No. 12, June 1978, pp.58-60.
Freeman, Simon, “Brick-works sculptor faces the critics again,” Evening Standard (London), March 15, 1978.
Freeman, Simon, “Is it art-or just a pile of junk?” Yorkshire Post, March 18, 1978.
Fuller, Peter, “Carl Andre on his Sculpture,” Art Monthly, No. 16, May 1978, pp.5-6, 8-11. (interview).
Fuller, Peter, “Carl Andre on his sculpture II,” Art Monthly, No. 17, June 1978, pp. 5-6, 8-11.
Gardner, Martin, “Mathematical Games,” Scientific American, Vol. 239, No. 5, November 1978, pp. 22, 27.
Gava, Bill, “300 March on Stone Sculpture to Protest Mrs. Gaines’ Ouster,” The Hartford Courant, April 22, 1978, pp. 1, 10.
Gibb, Francis, “Brick-pile ‘sculpture’ in one-man show,” The Daily Telegraph (London), March 16, 1978, p. 10.
Gilmour, Pat, “Carl Andre,” Arts Review, Vol. XXX, No. 6, March 31, 1978, pp.148, 149.
Greenberg, Clement with Walker, James Faure, interview, Artscribe, No. 10, January 1978, pp. 16-17.
Gunnison, Foster, Jr., letter, The Hartford Courant, April 27, 1978.
Hamilton, Alan, “Brick artists may floor spectators again,” The Times (London), March 15, 1978.
Hayami Gyo, “Constructed Place,” Bijutsu Techo, Vol. 30, no. 438, September 1978, pp. 164-172.
Jones, Ben, “Sculpture Drone-In,” Artscribe, August 1978, p. 48.
Kelly, Kay, “Carl Andre: Controversial Sculptor/poet Challenges Occidental Sensibilities,” The Daily Texan, January 16, 1978, p. 4.
Kent, Sarah, “Too Late/Too Soon,” Time Out (England), April 7, 1978, p. 8.
Kline, Kathy, “Albright-Knox Exhibitor: His Values Are Subject To Change,” Buffalo Courier-Express, July 16, 1978.
Kramer, Hilton, “The New Line: Minimalism is Americanism,” The New York Times, March 26, 1978, D p. 29.
Lang, Joel, “Sculptor Adamant About his Art,” The Hartford Courant, August 28, 1978, p. 28.
Lucie-Smith, Edward, “Passion beneath the fashion,” Evening Standard (London), March 30, 1978.
McCulloch, Alan, “Old traditions and new ideas,” Herald (Richmond, Victoria, Australia), August 24, 1978.
McEnroe, Colin, “Andre Not Rocked by Move,” The Hartford Courant, April 23, 1978, pp. 1, 30.
McEnroe, Colin, “Rock Sculpture Cleaning Proves “Hazardous’ Duty,” The Hartford Courant, June 23, 1978, pp. 1, 4.
McGrath, Sandra, “The right tracks,” TA, July 8, 1978.
McGrath, Sandra, “The right tracks,” The Australian, August 10, 1978.
McIntyre, Mary, “Andre’s sculpture utilizes viewer,” Austin American-Statesman, January 15, 1978, p. 28.
MacNamee, Max, “People in the News,” The Harford Courant, September 5, 1978.
Marck, Jan van der, “The Venice Biennale: Can It Rise Again?” Artforum, Vol. XVII, No. 1, September 1978, p. 76.
Messer, Thomas, The Solomon R. Guggenheim Museum 1978 Annual Report, New York, Solomon R. Guggenheim Museum 1978, pp. 16, 17.
Morris, Lynda, “Andre’s aesthetics,” The Listener (England), April 6, 1978.
Overy, Paul, “New Meaning for the ordinary,” The Times (London), March 21, 1978, p. 11.
Packer, William, “Carl Andre again,” Financial Times (London), March 17, 1978.
Preisner, Brenda, “Two Contemporary Giants Show Contrast in Style,” Buffalo Evening News, July 8, 1978.
Ratcliff, Carter, “The Art Establishment: Rising Starts vs. the Machine,” New York, Vol. 11, No. 48, November 27, 1978, p. 54.
Rintoul, Gordon, “Three who get back to the basics,” The Australian, August 22, 1978.
Robert, Keith, review, The Burlington Magazine, May 1978.
Rorimer, Anne, “The Sculpture of Carl Andre,” Bulletin of The Art Institute of Chicago, Vol. 72, No. 6, November-December 1978, pp. 8-9.
Rosenberg, Harold, “The Art World: Inquest into Modernism,” New Yorker, February 20, 1978, p. 100.
Russel, John, “Art People,” The New York Times, February 17, 1978, C p. 20.
Russell, John, “Carl Andre, as One Critic Sees Him,” The Hartford Courant, August 28, 1978, p. 28, reprinted from The New York Times.
S., E.L., “Carl Andre,” Art & Artists, Vol. 13, No. 1, May 1978, p. 50. (review).
Senie, Harriet, review, The New York Post, March 25, 1978, p. 17.
Senie, Harriet, “Artview,” New York Post, July 1, 1978, p. 19.
Shepherd, Michael, “Man behind the bricks,” The Sunday Telegraph (London), March 19, 1978, p. 16.
Smith, Peter, “Illustrations for Art-Language, Art and Language,” Art Monthly, No. 13, December 1977-January 1978, p. 28.
Sparks, Peter, “Neutral grounds and mild steel,” Newcastle Morning Herald (Australia), August 14, 1978, p. 13.
Spurling, John, “Dropping Bricks,” New Statesman (England), April 7, 1978, p.473.
Stevens, Mark, “Stripped Sculpture,” Newsweek, Vol. XCII, No. 5, July 31, 1978, p. 49.
Taggart, Patrick, “Sculptor’s works different,” Austin American-Statesman, January 9, 1978, C p. 1.
Tisdall, Caroline, “The Multinational Style,” Studio International, Vol. 193, No.987, February 1978, p. 100.
Tisdall, Caroline, “Minimal force,” Arts Guardian, March 18, 1978.
Tuchman, Phyllis, “Background of a Minimalist Carl Andre,” Artforum, Vol. XVI, No. 7, March 1978, pp. 29-33.
Vaizey, Marina, “The apotheosis of the common brick,” The Sunday Times (London), March 19, 1978, p. 35.
Wall, Stephen, “Carl ‘Bricks’ Andre is in town,” East London Advertiser, March 23, 1978.
Watts, Janet, “Hod Times,” The Guardian (London), March 15, 1978.
Willard, L.F., “Would You Pay $87,000 for These 36 Rocks?” Yankee, Vol. 42, No. 2, February 1978, pp. 220-223, 206-207, 209.
Wilson, William, “Venice,” Los Angeles Times, December 4, 1978, IV, p. 8.
Winter, John, “Sensual Plane,” Spectator, Vol. 240, No. 2815, April 15, 1978, pp. 26-27.
Woodruff, Barbara B., letter, The Hartford Courant, April 27, 1978.
Zimmer, William, “Everything You Always Wanted to Know About Grids,” SoHo Weekly News, December 28, 1978, p. 10.
1977
“Andre ‘Rocks’ Disturb Hartford,” Artists Equity Association of New York, October, 1977, p. 5.
“Andre’s Square One,” Artnews, Vol. 76, No. 9, November 1977, p. 29.
“Are Boulders Art?” The Hartford Courant, August 27, 1977, p. 1.
“Criticism of Park Art Doesn’t Rock Sculptor,” The Hartford Courant, August 25,1977, pp. 1, 10.
“A Fable Us vs. HUD, Or Hartford on the Rocks,” West Hartford News, September 1, 1977.
“Joan Mondale in SoHo art World,” New York Post, May 11, 1977, p. 39.
“Notes on People,” The New York Times, September 23, 1977, D p. 19.
“Present Indicative,” Horizon, Vol. 20, No. 3, November 1977, p. 59.
“Rock Opponents Tighten Stand,” The Hartford Courant, August 30, 1977.
“Rollicking Rocks,” The Hartford Courant, August 26, 1977, p. 1.
“Sculpture?” Bridgeport Sunday Post, September 4, 1977.
“The Talk of the Town: Indentations in Space,” The New Yorker, November 21, 1977, pp. 51-52.
“Tate Bricks on Show Again,” The Times (London), March 30, 1977.
“Throwing Rocks Around in Hartford,” Time, September 19, 1977, p. 35.
Andre, Carl, cover, Art-rite, No. 14, Winter 1976-1977.
Andre, Carl, “Billy Builder, or the Painful Machine,” chapters XII-XVI, Tracks, Vol. 3, Nos. 1 and 2, Spring 1977, pp. 145-157.
Andre, Carl, statement in “The 20th Century Artists Most Admired by Other Artists,” Artnews, Vol. 76, No. 9, November 1977, p. 30.
Askey, Ruth, “Contemporary Miniatures,” Artweek, Vol. 8, No. 35, October 22, 1977, p. 6.
Bell, Jane, “The $100 Gallery,” The Village Voice, December 26, 1977, p. 71.
Berkman, Florence, “Carl Andre Sculpture is it Art? Is it Eloquent?” West Hartford News, September 1, 1977.
Bourdon, David, “Carl Andre Rocks Hartford,” The Village Voice, September 19, 1977, p. 79.
Bourdon, David, “Carl Andre,” Arts Magazine, Vol. 52, No. 4, December 1977, p.5.
Bourdon, David, “Zeugen der Ewigkeit,” Du-journal, December 1977, pp. 44, 46.
Driscoll, Dainey, “Bristol Boulders Used in Hartord Sculpture,” Bristol Press, September 19, 1977, p. 4
Dunbar, Jill, “Art/Four Shows That Go Beyond Canvas,” The Villager, May 12, 1977, p. 11.
Giacomo, Carol, “Andre Traces How He Got Here From There,” The Hartford Courant, November 4, 1977, p. 35.
Glueck, Grace, “Art People,” The New York Times, November 18, 1977, C p. 25.
Glueck, Grace, “The 20th-Century Artists Most Admired by Other Artists,” Artnews, Vol 76, No. 9, November 1977, pp. 79, 80.
Goldentahl, Jolene, “Art/Sculpture Park for Hartoford,” The Hartford Courant, July 17, 1977, F p. 2.
Goldenthal, Jolene, “Art/Sculptural Place and Space,” The Hartford Courant, September 2, 1977, F p. 3.
Goldenthal, Jolene, “Art/Andre’s ‘Redoubt’ at Joseloff,” The Hartford Courant, November 13, 1977, G p. 2.
Greenberg, Clement, “Looking for the Avant-Garde,” Arts Magazine, Vol. 52, No.3, November 1977, p. 87.
Gruen, John, “Tale of Two Cities,” Artnews, Vol. 76, No. 7, September 1977, pp. 109, 111.
Hanson, Bernard, “‘Stone Field Sculpture’ Providing a Pivot,” Harford Advocate, Vol. IV, No. 4, September 14, 1977, pp. 14-15.
Henry, Diane, “Some Residents of Hartford are Throwing Stones at Sculptor’s Extended ‘Serenity of the Graveyard,’” The New York Times, September 5, 1977, p. 21.
Keller, Anthony S., “Rocks or Art?” The Hartford Courant, September 4, 1977, p.31.
Kramer, Hilton, “Sculpture–From Boring to Brilliant,” The New York Times, May 15, 1977, D p. 27. (review).
Lang, Elizabeth and Tighe, Mary Ann, Art America, New York, Praeger Publishers, 2nd edition, 1977.
Lang, Joel, “Sculptor Gets off to Rocky Start with Creation in City,” The Hartford Courant, August 26, 1977, p. 17.
Lang, Joel, “Sculptor Adamant About His Art,” The Hartford Courant, August 28, 1977, p. 28.
Lang, Joel, “Sculpture Foes Shaping Plans,” The Hartford Courant, August 29, 1977.
Larson, Philip, “Carl Andre,” Arts Magazine, Vol. 51, No. 5, January 1977, p. 10.
Lippard, Lucy R., “Wood at the Nassau County Museum,” Art in America, Vol. 65, No. 6, November-December 1977, pp. 135, 137. (review).
Lohman, Phil, “If it Starts a Trend,” The Hartford Courant, August 27, 1977, p.19.
Marnham, Patrick, “A special breed of men,” Spectator, June 11, 1977, p. 18.
Martin, Antoinette, “Sculpture’s Neighbors Ready to Rock Boat,” The Hartford Courant, August 29, 1977.
Martin, Antoinette, “Rock Sculpture Fee Hasn’t Been Paid,” The Hartford Courant, September 2, 1977, p. 42.
Marzorati, Gerald, “INTERVIEW: Larence Alloway,” Art Workers News, Vol. 7, No. 2, October 1977, p. 3.
Olmstead, Alan, “Shakespeare, 36 stones and the Park River,” Yankee Magazine, October 20, 1977.
Packer, William, “Carl Andre’s Bricks,” The Financial Times, (London), May 3, 1977.
Pappas, Nancy, “Artist Wins Support Despite Brickbats,” The Hartford Courant, August 28, 1977, p. 17.
Perreault, John, “Outside the City Lumber in the Woods,” The SoHo Weekly News, July 21, 1977, pp. 25, 41.
Pinyoun, Harvey, “The Rock Field,” The First Church of Christ News Letter (Hartford), September 2, 1977, np.
Polman, Dick, “Can Hartford Learn to Love Rocks?” Hartford Advocate, Vol. IV, No. 4, September 14, 1977, p. 2.
Regan, Michael, “Lawyers Tell City to Pay for Rocks,” The Hartford Courant, October 12, 1977.
Robertson, Fyfe, Moderator, “Robbie Programme (Art), Transmission: 15th August 1977,” radio program transcript published in Art Monthly, No. 11, October 1977, p. 8.
Robertson, J. Gret, “Andre Defends Rock Sculpture, Acceptance of $87,000 Fee,” The Hartford Courant, November 4, 1977, p. 21.
Russell, John, “Carl Andre, as One Critic Sees Him,” The New York Times, reprinted, The Hartford Courant, August 28, 1977, p. 28.
Russell, John, “Art People,” The New York Times, September 2, 1977, C p. 16.
Scheible, Sue, “Found going rocky in Hartford,” The Patriot Ledger (Quincy, Massachusetts), December 30, 1977, p. 24.
Schwartz, Estelle, “They Know What They Like,” Cue, Vol. 46, No. 20, October, 1977, pp. 6-7, 9, 10.
Seremet, Patricia, “What Up Roc(ks)?” West Hartford News, September 1, 1977, pp. 1, 7.
Shirey, David L., “The Special Beauties of Wood,” The New York Times, May 22, 1977, p. 22.
Smith, Robert G., “Sculptor Gets Your Tax $$ for Putting Rocks in Rows,” National Enquirer, November 22, 1977, p. 37.
Stevens, John, “Out on Limb over Money,” The Age, April 22, 1977, p. 2.
Tatransky, Valentin, “Carl Andre,” Arts Magazine, Vol. 52, No. 1, September 1977, p. 20. (review).
Tuchman, Phyllis, “Minimalism and Critical Response,” Artforum, Vol. XV, No. 9, May 1977, pp. 26-31.
Wharton, Michael, “Art and no Art,” Daily Telegraph (London), May 14, 1977.
Wilson, William, “Four Showing of Minimalisms,” The Los Angeles Times, February 7, 1977, IV p. 2.
Wilson, William, “‘Miniature’ Lost is a Cal State L.A. Art Show,” Los Angeles Times, October 30, 1977, pp. 86, 88.
Zimmer, William, “Carl Andre-Sperone Westwater Fischer,” The Soho Weekly News, May 26, 1977, p. 21.
1976
“2 Sculptors Seek to Withdraw Work from Whitney Show,” The New York Times, March 31, 1976, Section II, p. 1.
“‘6,000 Pound Brick Pile Starts Art Row,” The Sun (England), February 16, 1976.
“After that… now this,” The Journal (Newcastle-upon-Tyne), February 23, 1976.
“Anatomy of a small sensation,” The Times (London), February 19, 1976.
“An Arty Pattern,” The Echo (Sunderland), February 21, 1976.
“Andre’s Bricks at Tate Removed After Spraying,” The New York Times, February 25, 1976.
“Andre Sculpture Causes Controversy in London,” Newsletter of the John Weber Gallery, April 1976, p. 3.
“All in a Heap,” Scotsman, February 17, 1976.
“Art Brickbats,” The Journal (Newcastle-upon-Tyne), February 18, 1976.
“Art, like a ton of bricks,” Newsday, February 18, 1976.
“Arty Crafty,” The Daily Mirror (London), February 18, 1976.
“Belfast Streets Ahead of London,” News Letter (Belfast), February 21, 1976.
“Brickbat,” Evening Standard (London), February 16, 1976.
“A Brickbat at the Tate,” New York Post, February 24, 1976.
“Brickbats,” Arts Reviews, March 5, 1976.
“A Brick is a Rose is a Primrose,” The New York Times, February 21, 1976.
“Bricks and art,” Cambridge Evening News, February 18, 1976.
“Bricks and Brickbats at the Tate,” Saturday Review, March 4, 1976, p. 33.
“Bricks buy doesn’t cement feelings,” Evening Gazette (Middlesburgh), February 16, 1976.
“Bricklayer’s dream,” Western Morning News (England), February 17, 1976.
“The Bricks pull the Crowds,” Evening Standard (London), February 17, 1976.
“Bricks? They’re a good buy says the Tate,” Evening News (London), February 16, 1976.
“Brick Art,” House and Garden, April 1976.
“Carl Andre at MCAD, Arts (Minneapolis College of Art and Design), Vol. 1, #11, October 1976, p. 6.
“Carl Andre: Wood and Metal Sculpture 1960-75,” Newsletter of the John Weber Gallery, April 1976, pp. 1-2.
“Cost of Tate’s brick buy still Secret,” South Wales Argus (England), February 16, 1976.
“Don’t Bait Tate,” Yorkshire Post (Leeds), February 21, 1976.
“Dropping Bricks,” Norhtern Echo, February 17, 1976.
“Dropping more bricks,” Evening Standard (London), March 19, 1976.
Editorial. Studio International, Vol. 191, #980, March/April 1976, pp. 94-95.
“Finding His Market,” Daily Telegraph (England), February 20, 1976.
“Firebricks are a hot favourite,” Shropshire Star (England), February 17, 1976.
“Firebricks Build up the Sightseers,” Western Mail (Cardiff), February 18, 1976.
“Firebricks Set Crown Ablaze,” Eastern Daily Press (England), February 18, 1976.
“From the It Had to Happen Column,” Art and Antiques Weekly, March 6, 1976.
“Gallery Stonewalls on Bricks Buy,” Evening Standard (London), February 16, 1976.
“Heavy, Man,” The Birmingham Post (England), February 18, 1976.
“Hot Lips and Tate Bricks,” Guardian (England), February 16, 1976.
“How the Tate Gallery spent 1 million pounds in two years,” The Sunday Times (London), February 15, 1976.
“I know what I like… and a load of bricks isn’t my idea of art anyway,” Liverpool Daily Post, February 18, 1976.
“In the Eye of the Beholder,” Washington Star, February 25, 1976.
“Knock Down Bargain,” Putney and Rockhampton Herald, March 11, 1976.
“Letter from London,” The New Yorker, March 15, 1976, pp. 122-123.
“Letters,” Art in America, Vol 64, No. 5, September-October 1976, p. 5.
“May wall is going cheap,” Evening Post (Luton), February 19, 1976.
“Minister hears how the Tate bought a pile of bricks,” Financial Times, February 17, 1976.
“More Brick-a-Brac,” News Letter (Belfast), February 23, 1976.
“Newsmakers,” The Tampa Tribune, February 24, 1976, p. 1.
“Now who’s dropped a brick?” Yorkshire Post (Leeds), February 23, 1976.
“Pile of bricks $8,000 art form,” Waikato Times, February 17, 1976.
“The pile that Jack bought,” Daily Mirror (London), February 17, 1976, p. 3.
“A Puzzle in a teacup - and the price is 750 pounds,” Yorkshire Post (Leeds), April 27, 1976.
“Questions on the nature of art,” The Times (London), May 7, 1976.
“Queues to see bricks,” Evening News (Bolton), February 17, 1976.
“A Real Load of Old Rubbish,” Shropshire Star (England), February 20, 1976.
“Reassuring News,” Evening Standard (London), March 22, 1976.
“Sculpture or not - but it’s cheap!” Harlow Gazette and Citizen, February 27, 1976.
“Something of Value?” The Wall Street Journal, March 10, 1976.
“Something to Set the Art World on Fire?” Yorkshire Post (Leeds), February 23, 1976.
“Stone-walling on gallery’s brick buy,” Morning Telegraph (Sheffield), February 17, 1976.
“T 1534. Untitled. 1966,” Burlington Magazine, Vol. 118, #877, April 1976.
“Talk about arty bricks,” Evening News (Bolton), February 16, 1976.
“Tate Brickbats,” Western Evening Herald (Plymouth), February 16, 1976.
“Tate Bricks Disfigured,” The Times (London), February 24, 1976.
“The Tate bricks go,” Western Daily Press, February 24, 1976.
“Tate bricks take a bath,” Western Morning News, February 24, 1976.
“Tate’s bricks are off colour,” Morning Telegraph (Sheffield), February 24, 1976.
“The Tate’s brick wall of silence,” The News Portsmouth, February 16, 1977.
“Tate Gallery defends purchase of bricks,” The Times (London), February 17, 1976, p.3
“Tate Gallery silent on price of artistic pile of bricks,” Daily Telegraph (London), February 16, 1976.
“Tate Gallery stone-walling,” Western Evening News (Plymouth), February 16, 1976.
“Tate Stays Silent on Brick Buy,” Jersey Evening Post (England), February 16, 1976.
“Tate tied with string,” Western Daily Press, February 23, 1976.
“These Bricks could build a bad reputation,” The Star (Sheffield), February 18, 1976.
“They just looked like bricks…” The Star (Sheffield), February 18, 1976, p. 3.
“Those Bricks,” Hampstead and Highgate Express, February 20, 1976.
“Those Bricks go off Colour,” News Letter (Belfast), February 24, 1976.
“Those Tate Bricks go Out of Sight,” Daily Mail (England), February 24, 1976.
“Those Tate bricks go out with a splash,” Daily Express (England), February 24, 1976.
“Thursday,” Private Eye (England), March 5, 1976.
“Top talks over the Tate’s bricks,” Shropshire Star (England), February 16, 1976.
“Turnpike exhibition a controversy,” Leigh Tyldesley and Atherton Journal, March 6, 1976.
“TV Spot for Artists in Bricks,” Stevenage Gazette, February 19, 1976.
“Untitled,” Yorkshire Post (Leeds), February 23, 1976.
“What a load of…art work, Bob,” The Evening Post (Luton), February 17, 1976.
“Wire art could be food for thought,” The News, February 26, 1976.
“You are looking at an oak tree,” Evening Post and Chronicle, March 2, 1976.
Ahorn, Hannelore. “Skuptur zum Betreten,” Nordsee-Zeitung, October 13, 1976.
Andersen, Wayne. Letter. Art Journal, Vol. XXXV, #3, Spring 1976, p. 310.
Andre, Carl. “Public Notice,” Artforum, Vol. XIV, #8, April 1976, p. 80.
Andre, Carl. “Billy Builder, or The Painful Machine,” (Chapters I-IV) Tracks, Vol. 2, #2, Spring 1976, pp. 71-76.
Andre, Carl. Statement in “Views from the Studio,” ARTnews, Vol. 75, #5, May 1976, p. 34. (Gerrit Henry, ed.)
Andre, Carl. Letter. Artforum, Vol. XIV, #9, May 1976, p. 9.
Andre, Carl. “Correspondence,” Studio International, Vol. 191, #981, May/June 976, p. 311.
Andre, Carl. “From Commentaries: ‘The Hanging of John Brown,’‘Duty of Water: Arshile Gorky,’‘A Memorial to After Ages,’” Big Deal, No. 4, Fall 1976, pp. 124-137.
Andre, Carl. “The Bricks Abstract,” Art Monthly, #1, October 1976, p. 24.
Andre, Carl and Jeremy Gilbert-Rolfe. “Commodity and Contradiction, or Contradictions as Commodity,” October, #2, Summer 1976, pp. 100-104.
Baldwin, Carl R. “Whitney Flap: More on Artists’ Moral Rights,” Art in America, Vol. 64, #5, September/October 1976, pp. 10-11.
Ball, Ian. “Brick-hating Philistines upset New York Aesthete,” Daily Telegraph (England), February 21, 1976.
Ballatore, Sandy. “Carl Andre on Work and Politics,” Artweek, Vol. 7, #24, July 3, 1976, p. 1.
Ballou, Michael and George Morgenstern. “An Interview with Carl Andre,” Minneapolis College of Art and Design Newspaper, 1976, pp. 1, 4, 8.
Barth, Michael. “Tate has not dropped a brick,” Western Daily Press (Bristol), February 19, 1976.
Battcock, Gregory. “Good Taste, Bad Taste: Four Artists in New York,” Domus, #555, February 1976, p. 47.
Beeching, F. Letter. Daily Mail (England), February 20, 1976.
Berkman, Florence. “Buy sculpture for $12,000 or do-it-yourself for $16.80,” The Hartford Times, March 28, 1976.
Blume, Mary. “Playing the Museum Game Now and Then,” International Herald Tribune, February 28-29, 1976.
Bourdon, David. “Carl Andre Protests Museological Mutilation,” The Village Voice, May 31, 1976, p. 117.
Cendre, Anne. “Sans titre,” Tribune de Genève, March 5, 1976.
Colby, Joy. “DIA faces $50,000 Dilemma,” Detroit News, June 20, 1976, Section H, pp. 1, 11.
Colby, Joy. “Artist Labors for Detroit,” The Detroit News, June 21, 1976, p. 18.
Comfort, Nicholas. “Blue dye blacks out the Tate’s bricks,” Daily Telegraph (England), February 24, 1976.
Cork, Richard. “The Search for Everyman,” Evening Standard (London), March 25, 1976.
Cork, Richard, “The Message in a Brick,” The Evening Standard (London), December 30, 1976, p. 11.
Cosgrave, Kevina and Richard Lay. “Getting the low-down on all that brick-a-brac art at the Tate,” Daily Mail (England), February 18, 1976
Davies, James. “The Fine Art of Wasting your Cash,” The Daily Express (England), February 21, 1976.
Davis, Douglas. “Markings,” Newsweek, February 2, 1976, p. 74.
De Giorgio, Franco. “Scoppie a Londra la Guerra del Mattone,” Gente, February 1976, p. 74.
de Jongh, Nicholas. “Real art - long as a piece of string,” The Guardian (England), February 23, 1976.
de Jongh, Nicholas. “A hue and cry at the Tate,” The Guardian (England), February 24, 1976.
Dowdney, Mark. “Grandad was a bricklayer, too,” Daily Mirror (London), February 17, 1976, p.3.
Dowdney, Mark. “6,000 Pounds…That’s What They Paid for Those Bricks,” Scottish Daily Record, February 19, 1976.
Evans, Michael. “Sir Norman drops 120 bargain bricks on the Tate,” Daily Express (England), February 16, 1976.
Evans, Michael. “All in the name of art…” The Daily Express, February 17, 1976.
Feaver, William. “A Brick is a Brick is a Brick…” Vogue, April 1976.
Flood, F.S.. “His Brickbat,” Oxford Mail, March 25, 1976.
Forgey, Benjamin, “Sculpture That’s An Echo, Not a Choice,” The Washington Star, December 12, 1976, G pp. 1, 28.
G.F. “Elitist art in school gallery,” Gasreru Daily Press (Norway), May 5, 1976.
Goldberg, Roselee. “Recent Performance Work,” Studio International, Vol. 191, #981, May/June 1976, p. 222.
Henry, Gerrit. “Views from the Studio,” ARTnews, Vol. 75, #5, May 1976, p. 34.
Herbert, Hugh. “Sir Hugh to Head Royal Academy,” The Guardian (England), February 18, 1976.
Hess, Thomas B. “Carl Andre Has the Floor,” New York, Vol. 9, #7, June 7, 1976, pp. 70-72.
Hoelterhoff, Manuela. “A Little of Everything at the Whitney,” The Wall Street Journal, June 9, 1976.
Horan, David. “A keen look at the world of art,” Stockport Advertises, April 1, 1976.
Jackson, Beverley. “Thoughts about Blake,” People (Santa Barbara, California), September 3, 1976.
Knightly, Phillip, Bruce Page, Colin Simpson and Laurie Zimmerman. “A pile of words,” The Sunday Times (London), February 22, 1976.
Krauss, Rosalind. “Las Vegas Comes to the Whitney,” Partisan Review, Vol. 43, #2, 1976, pp. 467-471.
Lambert, Tom. “Any Way Artists Stacks them, Bricks are Bricks to Scottish,” Chicago Sun Times, February 19, 1976.
Lambert, Tom. “Critics Hurl Brickbats at Art of Bricks,” Los Angeles Times, February 21, 1976, p.. 14.
Lubell, Ellen. “Carl Andre,” Arts Magazine, Vol. 50, #7, March 1976, p. 16.
Lucie-Smith, Edward. “Do We Need Toys Like This at the Tate?” Evening Standard (London), February 17, 1976, p. 13.
Lucie-Smith, Edward. “Brickbats for the Tate,” The Encounter, Vol. XLVI, #5, May 1976, pp. 48-50.
MacMillan, Fraser. “Firewood? Well, it’s really art, just like those bricks,” Daily Mail (England), February 23, 1976.
McEwen, Rory. Letter. The Times (London), February 21, 1976.
McIntyre, Peter. “When those Bricks were displayed in Oxford,” Oxford Mail, March 9, 1976.
McNay, Michael. “Somehow, the very brickiness of the bricks seems to have offended people,” The Guardian (England), February 1976.
Magnusson, Paul. “Horizontal Sculpture is NOT a Patio,” The Detroit Free Press, June 10, 1976, Section A, pp. 3, 11.
Marioni, Tom, “Harp Bop,” Vision, No. 3, November 1976, pp. 5-21, illus. of Andre’s New York works 1958-60, pp. 56-61.
Masheck, Joseph. “The Current Carpet Paradigm: Critical Prolegomena to a Theory of Flatness,” Arts Magazine, Vol. 51, #1, September 1976, pp. 82-109.
Mellor, Philip. “Art Fury Over 120 Bricks,” Scottish Daily Record, February 16, 1976.
Mellor, Philip. “What a Load of Rubbish,” The Daily Mirror (London), February 16, 1976.
Merry, Elspeth. “Fire-bricks that grate,” Northern Echo, February 20, 1976.
Miro, Marsha. “Patio Blocks Do a Fugue,” Detroit Free Press, June 20, 1976.
Morrow, Ann. “Irreverent Art Crowd Go to See Bricks,” Daily Telegraph, February 17, 1976.
Moyse, Arthur. “Upon This Brick,” Freedoms Anarchist Review, March 6, 1976.
Mullaly, Terence. “Bricks-noble and ignoble,” Daily Telegraph (England), February 21, 1976.
O’Neill, Dan. “The Brickies’ Art Comes to Cardiff,” South Wales Echo, February 18, 1976.
Oliver, W.T. “True foundations for a work of art?” Yorkshire Post (Leeds), February 1976.
Overy, Paul. “This is so, isn’t it?” The Times (London), February 24, 1976.
Overy, Paul. “Tate bricks disfigured,” The Times (London), February 24, 1976.
Pallister, David. “The Hot Bricks Floor the Tate,” The Guardian (England), February 18, 1976.
Pasmore, Victor. “Tate’s brick sculpture,” The Times (London), March 3, 1976.
Perrone, Jeff. “Carl Andre: Art Versus Talk,” Artforum, Vol. XIV, #9, May 1976, pp. 32-33.
Podmore, Peter. Letter. The Guardian (England), February 21, 1976.
Reid, Norman. “Brick Sculpture at the Tate,” The Times (London), February 19, 1976, p. 15.
Richard, Paul, “Art Off the Wall and onto the Floor,” The Washington Post, December 12, 1976, F pp. 1, 18.
Ring, D.V. Letter. Daily Mail (England), February 20, 1976.
Rosenberg, Harold. “The Art World Ideal and Real,” The New Yorker, Vol. 52, #17, June 14, 1976, pp. 80-85.
Russell, John. “Gallery View: No Shortage of Artistic Energy in SoHo,” The New York Times, January 18, 1976, Section II, p. 30.
Russell, John. “An Andre Is What It Is, Not Another Thing,” The New York Times, February 20, 1976, p. 35.
Russell, John. “An Unwanted School in Queens Becomes an Ideal Art Center,” The New York Times, June 20, 1976, Section D, p. 41.
Semple, Robert B. “Tate Gallery Buys Pile of Bricks - Or is it Art?” The New York Times, February 20, 1976, p. 35.
Shepherd, Michael. “Drop It,” Sunday Telegraph, February 29, 1976.
Siddall, Hazel. Letter. Daily Mail (England), February 24, 1976.
Simpson, Colin. “The Tate Drops a Costly Brick,” The Sunday Times (London), February 15, 1976.
Sischy, Ingrid. “200 Years of American Sculpture (By Armstrong, Craven, Feder, Haskell, Krauss, Robbins, Tucker),” The Print Collector’s Newsletter, Vol. VII, #3, July/August 1976, pp. 92-94.
Smith, Roberta. “Reviews,” Artforum, Vol. XIV, #5, January 1976, pp. 61-62.
Smith, Roberta. “Drawing Now (And Then),” Artforum, Vol. XIV, #8, April 1976, pp. 52-56.
Stafford, Peter. “Brick sculpture not the original, artist confirms,” The Times (London), February 18, 1976.
Steel, Brian. “Whatsit, star of the show!” Daily Express (England), February 18, 1976.
Walker, Donald. “Arty Crafty,” Daily Mirror (London), February 17, 1976, p. 3
Watkins, Leslie. “Locked Up,” Daily Mail (England), February 17, 1976.
Wilson, William. “Art Walk,” Los Angeles Times, July 2, 1976, Section IV, p. 5.
1975
”Museums and Dealers’ Catalogues,” The Print Collector’s Newsletter, Vol. VI, #4, September/October 1975, p. 110.
“Prints and Portfolios Published: Carl Andre,” The Print Collector’s Newsletter, Vol. VI, #1, March/April 1975, p. 13.
Alloway, Lawrence. “Art,” The Nation, February 15, 1975, pp. 189-190.
Alloway, Lawrence. “Caro’s Art - Tucker’s Choice,” Artforum, Vol. XIV, #2, October 1975, pp. 65-71.
Andre, Carl. “Against Duchamp,” Praxis, Vol. 1, #1, Spring 1975, p. 115.
Andre, Carl. “The Role of the Artist in Today’s Society,” Art Journal, Vol. 34, #4, Summer 1975, p. 327.
Andre, Carl. Statement in “Theorie Dialoge,” Der Lowe, #5, July 31, 1975, pp. 28-29.
Andre, Carl. “Eight Statements (on Matisse),” Art in America, Vol. 63, #4, July/August 1975, pp. 70-71.
Andre, Carl. “Versions of Witness: A Note on Sculpture and Scholarship,” Art Journal, Vol. 35, #2, Winter 1975-76, pp. 126-127.
Andre, Carl and Hollis Frampton. “Three Dialogues on Photography,” Interfunktionen, #12, 1975, pp. 1-12.
Bourdon, David. “The New Season: Pier Groups,” The Village Voice, September 8, 1975, pp. 122-124.
Bourdon, David. “Review,” The Village Voice, October 20, 1975, p. 104.
Crary, Jonathan. “Projects in Nature,” Arts Magazine, Vol. 50, #4, December 1975, p. 52.
Crichton, Fenella. “Carl Andre at Lisson,” Art International, Vol. 19, #7, September 1975, p. 51.
Dunham, Judith L. “Sculpture as Place,” Artweek, Vol. 6, #41, November 29, 1975, pp. 1, 16.
Frank, Peter. “Carl Andre,” ARTnews, Vol. 74, #3, March 1975, p. 117.
Grove, Nancy. “Carl Andre,” Arts Magazine, Vol. 50, #4, December 1975, p. 13.
Gruterich, Marlis. “Carl Andre, Kunsthalle, Bern,” Studio International, Vol. 190, #944, September/October 1975, pp. 158-159.
Lowndes, Joan. “Andre and His Wood Blocks,” The Vancouver Sun, November 21, 1975.
Lubell, Ellen. “Carl Andre,” Arts Magazine, Vol. 49, #7, March 1975, p. 15.
Martin, Barry. “The Condition of Sculpture,” Studio International, Vol. 190, #976, July/August 1975, pp. 75-76.
Morris, Lynda. “Carl Andre Poems 1958-1974,” Studio International, Vol. 190, #977, September/October 1975, pp. 160-161.
Patton, Phil. “Carl Andre,” ARTnews, Vol. 74, #10, December 1975, p. 125.
Perry, Art. “In Chips with Giant Blocks,” Province (Vancouver), November 19, 1975, p. 31.
Pollock, Duncan. “You Don’t Need to See to Believe in Boulder,” Rocky Mountain News, October 19, 1975, p. 30.
Russell, John. “Art Matrimonial Scenes and Cityscapes,” The New York Times, January 18, 1975, p. 21.
Russell, John. “Drawing Now, One of the Modern’s Best,” The New York Times, January 24, 1975, p. 23.
Russell, John. “Review,” The New York Times, October 4, 1975, p. 15.
Russell, John. “Review of Projects in Nature,” The New York Times, October 25, 1975, p. 25.
Seeman, Joan. “The Flowering of American Sculpture,” ARTnews, Vol. 74, #10, December 1975, pp. 46-48.
Smith, Roberta. “Reviews,” Artforum, Vol. XIII, #8, April 1975, pp. 73-74.
Young, Joseph E. “Serial Prints,” The Print Collector’s Newsletter, Vol. VI, #4, September/October 1975, pp. 91-93.
1974
“The Art of Brick-dropping,” The Australian, June 20, 1974
“Mönchengladbach: Sammlung Panza,” Magazin Kunst, #2, 1974, p. 28.
“Review, Kunst Heute, #5, April/May 1974, p. 86.
Alloway, Lawrence. “Artists as Writers, Part Two: The Realm of Language,” Artforum, Vol. XII, #8, April 1974, pp. 30-35.
Altamira, Adriano. “Coincidenze,” Flash Art, #44-45, April 1974, p. 7.
Baxter, Cedric. “American Art? It’s Garbage,” (Australian Newspaper) 1974, p.31.
Borlase, Nancy. “More shadow than substance,” The Bulletin, April 20, 1974.
Gilbert-Rolfe, Jeremy. “Reviews,” Artforum, Vol. XII, #10, June 1974, p. 58.
Gleeson, James. “The Pendulum’s Swing,” The Sun-Herald, April 14, 1974.
Gould, Andrea. “Dialogues with Carl Andre,” Arts Magazine, Vol. 48, #8, May 1974, pp. 27-28.
Gurson, Francoise de. “L’art conceptuel,” Cles, #40, February 1974, pp. 16-18.
Harrison, Charles. “Projekt 74,” Studio International, Vol. 188, #969, September 1974, pp. 97-103.
Heinemann, Susan. “Julius Tobias,” Artforum, Vol. XII, #6, March 1974, p. 81.
Kelly, Frances. “After the empty canvas new U.S. art can be fun,” The National Times, April 8-13, 1974.
Kingsley, April. “Carl Andre at John Weber, New York,” Art International, Vol. 18, #6, Summer 1974, p. 45.
Knott, Laurie. “American art–self-hypnosis or a matter of seeing the unseen,” Perth, (Australian newspaper) 1974.
Kuspit, Donald B. “Carl Andre at Weber,” Art in America, Vol. 62, #4, July/August 1974, p. 83.
Lebeer, Irmeline. “Carl Andre,” L’Art Vivant, #50, June 1974, pp. 10-13.
McCaubhey, Patrick. “The Seriousness of 137 Bricks,” The Age, February 13, 1974.
McCulloch, Alan. “New ness–But That’s All,” (Australian newspaper) 1974.
McGrath, Sandra. “Post-Pollock painters extend art form,” The Australian, April 6, 1974, p. 25.
Makin, Jeffrey. “Nothing to Say, and Saying It,” The Age, February 15, 1974, p.28.
Mason, Murray. “Questioning the accepted,” The West Australian, June 29, 1974.
Mignacca, Eneide. “Perplexity in the eyes of the beholder,” National Review, April 11-18, 1974, p. 14.
Morris, Lynda. “Projekt 74,” Studio International, Vol. 188, #969, September 1974, pp. 97-103.
North, Ian. “A Show with Some Shocks,” (Australian Newspaper) 1974.
Oliver, Robin. “Nothing humdrum in this conundrum,” Australian newspaper, 1974.
Phillpot, Clive. “Feedback,” Studio International, Vol. 188, #969, September 1974, pp. 97-103.
Robbins, Jim. “Sees,” The Advertiser, June 4, 1974.
Shannon, Michael. “If it’s in a gallery it must be art,” The Australian, February 15, 1974.
Thomas, Daniel. “Leaders of the Cool School,” The Sydney Morning Herald, February 15, 1974.
Thomas, Daniel. “Beauty in the artificiality of Minimal Art,” Sydney Morning Herald, April 4, 1974.
Whalen, Michele. “American art–or is it?” The Age, February 15, 1974.
Whittle, Bertram. “Profundity of the house brick,” (Australian newspaper), 1974, p. 32.
1973
“Actualité d’un bilan,” Art Press, #5, December/January 1973, pp. 13, 15.
Andre, Carl. Statement in “The Role of the Artist in Today’s Society: A Symposium at Oberlin,” Allen Memorial Art Museum Bulletin, Vol. XXX, #3, 1973, p. 1.
Ashton, Dore. “Principles of Transitoriness,” Studio International, Vol. 185, #958, September 1973, pp. 91-92.
Boice, Bruce. “Reviews,” Artforum, Vol. 9, #5, January 1973, pp. 84-85.
Crimp, Douglas. “New York Letter,” Art International, Vol. 17, #5, Summer 1973, p. 88.
Dyer, Ellen. “Carl Andre: Sculptor, Scavenger in the Scrap Yards of Time and Place,” The Patriot Ledger (Quincy, Massachusetts), April 12, 1973.
Halasz, Piri. “Washington, The Politics of Cheese,” ARTnews, Vol. 72, #3, March 1973, p. 55.
Krauss, Rosalind. “Sense and Sensibility: Reflections on Post 60’s Sculpture,” Artforum, Vol. 12, #3, November 1973, pp. 43-53.
Levin, Kim. “Eros, Samaras, and Recent Art,” Arts Magazine, Vol. 47, #3, December 1972/January 1973, p. 52.
Mayer, Rosemary. “Group Show at John Weber,” Arts Magazine, Vol. 47, #3, December 1972/January 1973, p. 76.
Mayer, Rosemary. “Andre, Haacke, Holt, James, Miller, Obering,” Arts Magazine, Vol. 47, #3, December 1972/January 1973, p. 75.
Perreault, John. “Miniatures that Dwarf the Massive,” The Village Voice, April 26, 1973, p. 34.
Pozzi, Lucio. “Herbert e Dorothy Vogel, impiegati New York, due stanze: Una Straordinaria Collezion Delle Avanguardie, Bolaffiarte, Vol. 4, #31, June/July 1973, pp. 64, 67.
Pursor, Edward. “Polemic Preserves,” Art-Rite, #2, Summer 1973, p. 14.
Schjeldahl, Peter. “One Takes Away, the Other Piles It On,” The New York Times, April 29, 1973, Section II, p. 21.
Smith, Roberta. “Reviews,” Artforum, Vol. 9, #10, June 1973, p. 86.
Van der Marck, Jan. “Sculptor Carl Andre Scavenging Materials for New Show,” The Sunday Oregonian (Portland), February 11, 1973.
Van der Marck, Jan. “Carl Andre at PCVA,” Art in America, Vol. 61, #3, May/June 1973, pp. 110-112.
1972
“Reviews and Previews,” ARTnews, Vol. 71, #1, March 1972, pp. 9-10.
Andre, Carl. “Letters,” Artforum, Vol. 10, #7, March 1972, p. 6.
Andre, Carl. “A Note on Bernhard and Hilla Becher,” Artforum, Vol. 11, #4, December 1972, pp. 59-61.
Brett, Guy. “Sculpture Takes Its Own Shape,” The Times (London), May 11, 1972.
Cork, Richard. “Art News,” The Evening Standard (London), May 18, 1972.
Cummings, Paul. “Taped Interview with Carl Andre,” Archives of American Art, 1972.
Elderfield, John. “grids,” Artforum, Vol. 10, #9, May 1972, pp. 52-59.
Gosling, Nigel. “Married Talents,” The Sunday Observer (London), May 21, 1972.
Oliva, Achille Bonita. “Interview with Carl Andre,” Domus, #515, October 1972, pp. 51-52.
Russell, John. “Resurrection,” The Sunday Times (London), May 14, 1972.
Tisdall, Caroline. “Any Old Iron,” Guardian (London), June 1, 1972.
Vaizey, Marina. “Carl Andre at Lisson Gallery,” The Connoisseur, Vol. 180, #725, July 1972, p. 237.
1971
Flash Art, February/March 1971, pp. 1, 2.
“Kunst als Kontext,” Interfunktionen, #5, p. 16.
Link Indian Newsmagazine, February 1971, pp. 34-35.
“News of the Art World,” Arts Magazine, Vol. 45, #5, March 1971, p. 16.
“Whitney Sculpture? Show,” Pictures on Exhibit, Vol. XXIV, #4, January 1971, p.8.
Antin, David. “Letter,” ARTnews, Vol. 70, No. 4, Summer 1971, p. 5.
Baker, Elizabeth C. “Editorial,” ARTnews, Vol. 70, #3, May 1971, p. 25.
Baker, Kenneth. “Carl Andre, Dwan Gallery,” Artforum, Vol. 9, #10, June 1971, pp. 81-81.
Battcock, Gregory. “New York Letter: Art as a Communicative Phenomenon,” Art and Artists, Vol. 7, #10, January 1971, p. 64.
Blotkamp, Carel. “Sculpture at Sonsbeek,” Studio International, Vol. 183, #925, September 1971, pp. 70-73.
Borgeaud, Bernard. “Art Abroad: Paris,” Arts Magazine, Vol 45, #3, December 1970/January 1971, p. 46.
Burnham, Jack. “Unveiling the Consort, Part II,” Artforum, Vol. 9, #8, April 1971, p. 48.
Davis, Douglas. “Art by the Foot,” Newsweek, Vol. 77, #18, May 31, 1971, pp.84-85.
Develing, Enno. “Carl Andre: Art as a Social Fact,” Artscanada, Vol. 27, #6, December 1970/January 1971, pp. 47-49.
Dienst, Rolf-Gunter. “Kölner Kunstmarkt 70,” Das Kunstwerk, Vol. XXIV, #1, January 1971, p. 51.
Domingo, Willis. “Carl Andre at Dwan,” Arts Magazine, Vol. 45, #7, May 1971, pp. 55.
Garci-Herraiz, E. “Carl Andre, Galeria Dwan, New York,” Goya, #102, May 1971, p. 419.
Green, Denise. “Reviews,” Arts Magazine, Vol. 45, #5, March 1971, p. 52.
Hope, Henry R. “Editor’s Notebook,” Art Journal, Vol. 30, #2, Winter 1970/71, p. 224.
Jappe, George. “Konrad Fischer Interviewed,” Studio International, Vol. 181, #930, February 1971, p. 68.
Linville, Kasha. “Sonsbeek: Speculations, Impressions,” Artforum, Vol. 10, #2, October 1971, pp. 5.
Lippard, Lucy R. “Eva Hesse: The Circle,” Art in America, Vol. 59, #3, May/June 1971, p. 58.
Monte, James. “Looking at the Guggenheim International,” Artforum, Vol. 9, #7, March 1971, pp. 28-30.
Pincus-Witten, Robert. “New York,” Artforum, Vol. 9, #8, April 1971, p. 76.
Parent, Beatrice. “Land Art,” Opus International, Vol. 23, March 1971, pp. 22-27.
Perreault, John. “A Healthy Pluralism,” The Village Voice, February 17, 1971, p. 21.
Perreault, John. “Plaster People…,” The Village Voice, April 22, 1971, p. 25.
Plagens, Peter. “Los Angeles,” Artforum, Vol. 9, #5, January 1971, p. 91.
R.C. “Carl Andre, Rosemary Castoro, Marjorie Strider,” ARTnews, Vol. 70, #4, Summer 1971, p. 10.
Ratcliff, Carter. “New York Letter,” Art International, Vol. 15, #1, January 1971, p. 29.
Rosenstein, Harris. “Reviews and Previews,” ARTnews, Vol. 70, No. 3, May 1971, p.10.
Spear, Athena. “Brancusi and Contemporary Sculpture,” Arts Magazine, Vol. 645, #2, November 1971, pp. 28-31.
Schwartz, Therese. “The Political Scene,” Arts Magazine, Vol. 45, #3, December 1970/January 1971, p. 16.
Schwartz, Therese. “News of the Art World,” Arts Magazine, Vol. 45, #4, February 1971, p. 16.
Schwartz, Therese. “The Political Scene,” Arts Magazine, Vol. 45, #5, March 1971, p.15.
Venturi, Luca M. “Carl Andre,” Flash Art, October/November 1971, pp. 4-5.
1970
“Sheep’s Clothing,” Studio International, Vol. 179, #920, March 1970, p. 1.
Andre, Carl. “Questions et responses,” Vh 101, #1, Spring 1970, pp. 104-107.
Andre, Carl. Statement in “The Artists and Politics: A Symposium,” Artforum, Vol. 9, #1, September 1970, pp. 35-49.
Andre, Carl. “The Dilemma,” Arts Magazine, Vol. 45, #2, November 1970, p. 27.
Ashton, Dore. “Intercultural Gaps on the Cote d’Azur: Maeght Foundation Shows American Art,” Arts Magazine, Vol. 45, #1, September/October 1970, pp. 38-41.
Baker, Elizabeth C. “Travelling Ideas: Germany, England,” ARTnews, Vol. 69, #4, Summer 1970, p. 40.
Battcock, Gregory. “The Politics of Space,” Arts Magazine, Vol. 44, #4, February 1970, p. 40.
Burnham, Jack. “Alice’s Head, Reflections on Conceptual Art,” Artforum, Vol. 8, #6, February 1970, pp. 37-43.
Davis, Douglas. “Art 1970: New Blood,” Newsweek, Vol. 76, #14, October 5, 1970, p. 88.
Develing, Enno. “Sculpture as Place,” Art and Artists, Vol. 5, #8, November 1970, pp. 18-21.
Dienst, Rolf-Gunter. “L’Art Vivant aux Etats-Unis,” Das Kunstwerk, Vol. XXIII, No.11-12, October/November 1970, p. 10.
Gruen, John. “Galleries and Museums,” New York, October 28, 1970, p. 66.
Hahn, Otto. “Notes sur l’avant garde,” Vh 101, #3, Autumn 1970, p. 80.
Henric, Jacques. “Lettre de Paris,” Art International, Vol. 69, #6, April 1970, pp. 54-55.
Kramer, Hilton. “Art: Andre “Carpets” at the Guggenheim,” The New York Times, October 3, 1970, p. 25.
Leider, Philip. “New York,” Artforum, Vol. 8, #6, February 1970, p. 69.
Leider, Philip. “Literalism and Abstraction: Frank Stella’s Retrospective at the Modern,” Artforum, Vol. 8, #8, April 1970, pp. 44-51.
Lippard, Lucy R. “The Art Workers Coalition, Not a History,” Studio International, Vol. 180, #927, November 1970, pp. 171-174.
Lippard, Lucy R. “The Dilemma,” Arts Magazine, Vol. 45, #2, November 1970, pp. 27-29.
Love, Joseph P. “The Tenth Tokyo Biennale of Contemporary Art,” Art International, Vol. 14, #6, Summer 1970, pp. 70-74.
Marandel, J. Patrice. “Lettre de New York,” Art International, Vol. 14, #10, Winter 1970, pp. 71-74.
Masheck, Joseph. “New York,” Artforum, Vol. 9, #4, December 1970, pp. 78-79.
Muller, Gregoire. “Carl Andre at the Guggenheim,” Arts Magazine, Vol. 45, #2, November 1970, p. 57.
Nemser, Cindy. “An Interview with Eva Hesse,” Artforum, Vol. 8, #9, May 1970, pp. 59-63.
Perreault, John. “Art Solutions?” The Village Voice, October 8, 1970.
Picard, Lil. “Protest and Rebellion: The Function of the Art Workers Coalition,” Arts Magazine, Vol. 44, #7, May 1970, pp. 18-20.
Rose, Barbara. “Art,” Vogue, Vol. 156, #8, November 1970, p. 57.
Rosenberg, Harold. “The Art World,” The New Yorker, Vol. 45, #51, February 1970, p. 82.
Schjeldahl, Peter. “High Priest of Minimal,” The New York Times, October 18, 1970, p. 23.
Sharp, Willoughby. “New Directions in California Sculpture,” Arts Magazine, Vol. 44, #8, Summer 1970, p. 35.
Sharp, Willoughby. “Los Angeles Galleries,” Arts Magazine, Vol. 44, #8, Summer 1970, p. 50.
Sharp, Willoughby. “Carl Andre,” Avalanche, #1, Fall 1970, pp. 18-27.
Siegel, Jeanne. “Carl Andre: Art Worker,” Studio International, Vol. 180, #927, November 1970, pp. 175-179.
Staber, Margit. “Prospects-Kunstmarkt 1969,” Art International, Vol. 14, #1, January 1970, p. 65.
Tuchman, Phyllis. “An Interview with Carl Andre,” Artforum, Vol. XVIII, #6, June 1970, pp. 55-61.
Tuchman, Phyllis. “American Art in Germany: The History of a Phenomenon,” Artforum, Vol. 9, #3, November 1970, pp. 58-59.
Von Bonin, Wibke. “Germany, the American Presence,” Arts Magazine, Vol. 44, #5, March 1970, p. 65.
Waldman, Diane. “Holding the Floor,” ARTnews, Vol. 69, #6, October 1970, p. 60.
1969
“Carl Andre: Form, Structure, Place,” Arts Magazine, Vol. 43, #7, May 1969, pp.24-25.
“Reviews and Previews,” Artnews, Vol.
68, #4, Summer 1969, p. 12.
Alloway, Lawrence. “The Expanding and Disappearing Work of Art,” Auction, Vol. III, #2, October 1969, p. 35.
Amman, Jean Christophe. “Schweizer Brief,” Art International, Vol. 13, #5, May 1969, p. 49.
Andre, Carl. “A Reasonable & Practical Proposal for Artists Who Wish to Remain Free Men in These Terrible Times,” Open Hearing: Art Workers Coalition (New York), 1969, p. 12.
Andre, Carl. “Flags: An Opera for Three Voices,” Studio International, Vol. 177, #910, April 1969, pp. 176-177.
Armstrong, Lois D. “Los Angeles,” ARTnews, Vol. 67, #9, February 1969, p. 55.
Blok, C. “Letter from Holland,” Art International, Vol 13, #7, May 1969, p. 5.
Davenport, Guy. “Book Review,” Life Magazine, Vol. 67, #24, December 12, 1969, p. 22.
Develing, Enno. “Kunst En Emgeving (Art and Environment),” Museumjournal, Series 14, #1, 1969, p. 2.
Glueck, Grace. “New York Gallery Notes: Like a Beginning,” Art in America, Vol.57, #3, May/June 1969, pp. 116-118.
Harrison, Charles. “Against Precedents,” Studio International, Vol. 178, #914, September 1969, p. 90.
Kosuth, Joseph. “Art After Philosophy Part II: Conceptual Art and Recent Art,” Studio International, Vol. 178, #916, November 1969, pp. 160-161
Kramer, Hilton. “The Emperor’s New Bikini,” Art in America, Vol. 57, #1 January/February 1969, pp. 49-55.
Leider, Philip. “To Introduce a New Kind of Truth,” The New York Times, May 25, 1969, Section II, p. 41.
Lippard, Lucy R. “Time: A Panel Discussion,” Art International, Vol. 13, #6, November 1969, pp. 20-23, 39.
Meadmore, Clement. “Thought on Earthworks, Random Distribution, Softness, Horizontality and Gravity,” Arts Magazine, Vol. 43, #4, February 1969, pp. 26-68.
Morris, Robert. “Notes on Sculpture, Part Four: Beyond Objects,” Artforum, Vol.7, #8, April 1969, pp. 50-54.
Perreault, John. “Art,” The Village Voice, May 29, 1969, p. 14.
Reise, Barbara. “Untitled 1969: A Footnote on Art and Minimal-stylehood,” Studio International, Vol. 177, #910, April 1969, pp. 166-172.
Rose, Barbara. “Problems of Criticism V, Politics of Art, Part II,” Artforum, Vol. 7, #5, January 1969, pp. 44-49.
Schjeldahl, Peter. “New York Letter,” Art International, Vol. 13, #7, September 1969, p. 71.
Trini, Tommaso. “The Prodigal Maker’s Trilogy,” Domus, #478, September 1969, p. 47.
1968
“Ausstellungen in New York,” Das Kunstwerk, Vol. XX, #s 6-7, April/May 1968, pp. 23-28.
Alloway, Lawrence. “Interfaces and Options,” Arts Magazine, Vol. 43, #1, September/October 1968, p. 28.
Battcock, Gregory. “The Art of the Real,” Arts Magazine, Vol. 42, #8, Summer 1968, p. 44.
Blok, C. “Minimal Art at the Hague,” Art International, Vol. 12, #5, May 1968, pp. 18-24.
Burnham, Jack. “Systems Esthetics,” Artforum, Vol. 7, #1, September 1968, p.34.
Chandler, John. “The Last Word in Graphic Art,” Art International, Vol. 12, #9, November 1968, p. 25.
Chandler, John and Lucy R. Lippard. “The Dematerialization of Art,” Art International, Vol. 12, #2, March 1968, pp. 21-27.
Claura, Michel. “Andre,” Lettres Françaises, #1251, October 1968, p. 60.
Develing, Enno. “Ideologische Kunst: Minimal Art,” Museum-journal, Series 13, #1, 1968, p. 2.
Gilardi, Piero. “Primary Energy and Micro-emotive Artists,” Arts Magazine, Vol.43 , #1, September/October 1968, p. 48.
Graham, Dan. “Carl Andre,” Arts Magazine, Vol. 42, #4, January 1968, pp. 34-35.
Hutchinson, Peter. “Earth in Upheaval: Earthworks and Landscapes,” Arts Magazine, Vol. 43, No. 2, November 1968, p. 19.
Junker, Howard. “The New Sculpture: Getting Down to the Nitty Gritty,” Saturday Evening Post, Vol. 241, #22, November 1968, pp. 42-47.
Mellow, James R. “New York Letter,” Art International, Vol. 12, #2, February 1968, p.73.
Muller, Gregoire. “In the Parisian Desert,” Arts Magazine, Vol. 43, #3, December 1968 -January 1969, p. 52.
Nulen, Leif. “Carl Andre,” Paletten, #3, 1968, p. 28.
Pleynet, Marcelin. “Peinture et Structuralisme,” Art International, Vol. 12, #9, November 1968, p. 31.
Smithson, Robert. “A Museum of Language in the Vicinity of Art,” Art International, Vol. 12, #3, March 1968, pp. 21-27.
Smithson, Robert. “A Sedimentation of the Mind: Earth Projects,” Artforum, Vol.7, #1, September 1968, p. 44.
Tillim, Sidney. “Earthworks and the New Picturesque,” Artforum, Vol. 7, #4, December 1968, p. 82.
Van Schaardenburg, Lieneke. “Carl Andre: Ik Wil Uit De Tijd Dijn,” Vrij Nederland, April 27, 1968, p. 12.
1967
Andre, Carl. “New in New York: Line Work,” Arts Magazine, Vol 41, #7, May 1967, pp. 49-50. (with statements by Brice Marden, Paul Mogenson and David Novros).
Bochner, Mel. “Serial Art Systems: Solipsism,” Arts Magazine, Vol 41, #8, Summer 1967, p. 24.
Davis, Douglas M. “The Dimensions of the
Mini-arts,” Art in America, Vol. 55, #6, November/December 1967, p. 85.
Fried, Michael. “Art and Objecthood,” Artforum, Vol. 5, #10, Summer 1967, p. 15.
Greenberg, Clement. “Recentness of Sculpture,” Art International, Vol. II, #4, April 1967, p. 19.
Lippard, Lucy. “Rebelliously
Romantic?” The New York Times, June 4, 1967, Section 2, p. 25.
Livingston, Jane. “Los Angeles,” Artforum, Vol. 51, #9, May 1967, pp. 62-63.
Michelson, Annette. “10 x 10,” Artforum, Vol. 5, #5, January 1967, pp. 30-31.
Morris, Robert. “Notes on Sculpture, Part Three,” Artforum, Vol. 5, #10, Summer 1967, pp. 24-29.
Perreault, John. “A Minimal Future? Union-Made, Report on a Phenomenon,” Arts Magazine, Vol. 41, #5, March 1967, pp. 26-31.
Rose, Barbara. “Shall We Have a Renaissance?” Art in America, Vol. 55, #2, March/April 1967, p. 31.
Smithson, Robert. “Towards the Development of an Air Terminal Site,” Artforum, Vol. 5, #10, June 1967, p. 37.
1966
Bannard, Darby. “Present-Day Art and Ready-Made Styles,” Artforum, Vol. 5, #4, December 1966, pp. 30-35.
Bochner, Mel. “Primary Structures,” Arts Magazine, Vol. 40, #8, June 1966, pp. 32-35.
Bourdon, David. “Our Period Style,” Art and Artists, Vol. 1, #3, June 1966, pp. 54-55.
Bourdon, David. “The Razed Sites of Carl Andre,” Artforum, Vol. 5, #2, October 1966, pp. 14-17.
Burton, Scott. “Review,” ARTnews, Vol 54, #3, May 1966, pp. 14, 15.
Lippard, Lucy, “Rejective Art,” Art International, Vol. 10, No. 8, October 1966, pp.33-36.
Morris, Robert. “Notes on Sculpture, Part Two,” Artforum, Vol. 5, #4, December 1966, pp. 20-23.
Richard, John. “The Art Shops, The Cool School,” The Sunday Times (London), February 13, 1966, pp. 28-31.
1965
Lippard, Lucy. “New York Letter,” Art International, Vol. 9, #6, September 1965, pp. 58-59.
Rose, Barbara. “Looking at American Sculpture,” Artforum, Vol. 3, #5, February 1965, pp. 29-36.
Rose, Barbara. “ABC Art,” Art in America, Vol. 53, #5, October/November 1965, pp. 57-69.
1959
Andre, Carl. “Frank Stella,” Allen Memorial Art Museum Bulletin, Vol. 17, #1, Fall 1959, pp. 18-19.

Other

2013
Murray, Caitlin. “Carl Andre and The Pound Era: Mapping Poetry onto the Visual Arts,” talk at Chinati Foundation, Marfa, TX, July 27, 2013
1995
Haber, John. “Control Freaks,” article on line, http://www.haberarts.com, May 1995.
1983
Phillips, Beth, Temporary Sculpture - New York, Videotape 1982, Manhattan Cable (MCTV), May 16, 17, 20, 22, 1983.
1978
Keziere, Russell, “Review,” Canadian Broadcasting Company, May 23, 1978.
Keziere, Russell, “Review,” Canadian Broadcasting Corporation, broadcast June 23, 1978.
The Artists’ Initiative For A Contemporary Art Collection, Capital Campaign, Portland, OR, pamphlet, illus on cover.

Updated: November 21, 2017